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This review may contain spoilers
Romance with HR violations, but make it wholesome
Typically, what we see in Boss-employee dramas is that the Male Lead being the domineering CEO, catered by a savvy, sassy, or silly Female Secretary. So, when a role reversal appeared in the drama world, I was definitely intrigued, and this drama did not disappoint.
It has all the hallmarks of a decent drama. From the expected banter to the secret relationship cliche, this drama has it down pat. I barely remembered both leads in their previous roles One Spring Night and Stranger, but in this instance, the chemistry between the actors is palpable on screen.
Lee Jun Hyuk is quite adorable in his role of a single-father who prioritizes his child’s mental well-being over his career advancement. Well-organized, and extremely resourceful, Yoo Eun Ho is perhaps the poster-boy for all green-flag male characters ever in K-drama land, especially for those women who didn’t mind dating somebody with a child in tow.
And Kang Ji Yun didn’t seem to mind. In fact, despite her prickly, almost anti-social demeanor, she hit it off with Eun Ho’s child, unbeknownst to the father. Han Ji Min delivers all the sass and seriousness needed by her C-suite level character. Initially feared by her employees for her coldness, Kang Ji Yun uses it as a shield against emotional pain stemming from her past, and not as a sign of indifference.
Eun Ho’s thoughtfulness and warm heart gradually thaws Ji Yun’s icy demeanor, that she eventually garners respect from her employees enough that they stood by her during the hard times. While I enjoyed the primary plot line, the secondary pairing felt contrived for me.
I wasn’t entirely convinced the second male lead, who once felt something for the female lead, would fall for the second female lead, who had loved the male lead for a long time. While I understand that dramas sometimes employ such tropes, I find the sudden and inexplicable shift in their affections, solely attributed to rejection by their first loves, to be somewhat implausible.
Not saying that the second leads’ performances were poor; it was the quick escalation of their relationship that dissatisfied me. The rest of the cast were also decent and Eon Ho’s daughter was as adorable as the father.
While the plot moved at a good pace, I was hoping for more details about Ji Yun’s experiences at her previous job, as the potential for a great arc was present. Some plot points were irrelevant and quickly brushed aside. But overall, this is a decent attempt at reversing a common trope on its head.
It has all the hallmarks of a decent drama. From the expected banter to the secret relationship cliche, this drama has it down pat. I barely remembered both leads in their previous roles One Spring Night and Stranger, but in this instance, the chemistry between the actors is palpable on screen.
Lee Jun Hyuk is quite adorable in his role of a single-father who prioritizes his child’s mental well-being over his career advancement. Well-organized, and extremely resourceful, Yoo Eun Ho is perhaps the poster-boy for all green-flag male characters ever in K-drama land, especially for those women who didn’t mind dating somebody with a child in tow.
And Kang Ji Yun didn’t seem to mind. In fact, despite her prickly, almost anti-social demeanor, she hit it off with Eun Ho’s child, unbeknownst to the father. Han Ji Min delivers all the sass and seriousness needed by her C-suite level character. Initially feared by her employees for her coldness, Kang Ji Yun uses it as a shield against emotional pain stemming from her past, and not as a sign of indifference.
Eun Ho’s thoughtfulness and warm heart gradually thaws Ji Yun’s icy demeanor, that she eventually garners respect from her employees enough that they stood by her during the hard times. While I enjoyed the primary plot line, the secondary pairing felt contrived for me.
I wasn’t entirely convinced the second male lead, who once felt something for the female lead, would fall for the second female lead, who had loved the male lead for a long time. While I understand that dramas sometimes employ such tropes, I find the sudden and inexplicable shift in their affections, solely attributed to rejection by their first loves, to be somewhat implausible.
Not saying that the second leads’ performances were poor; it was the quick escalation of their relationship that dissatisfied me. The rest of the cast were also decent and Eon Ho’s daughter was as adorable as the father.
While the plot moved at a good pace, I was hoping for more details about Ji Yun’s experiences at her previous job, as the potential for a great arc was present. Some plot points were irrelevant and quickly brushed aside. But overall, this is a decent attempt at reversing a common trope on its head.
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