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The movie is good, got me hooked all the time. Lu Han acting was pretty good, I wasn't expecting it haha
The female lead also did a great job, I felt her emotions and pain.
You should watch because is a really nice thriller and action.
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Fun to watch
I think this show deserves a better review. I actually really enjoyed watching it. Admittedly, a lot of the criticisms are true, the story is highly unrealistic, stretched thin, and uneven in many places. Some of the acting is not convincing, especially from some of the newer actors, though Claudia and Simon were both amazingly portrayed.In my opinion, what sets this series apart are primarily two things. First, they tried to create something fun, exciting and most of all entertaining. It's a comedy-drama that succeeds in making the audience smile most of the time and occasionally cry. The characters and situations are exaggerated beyond expectations, but it isn't meant to be taken too seriously, it's more like a comic book brought to life. The second thing that makes this series special is the styling. Lot's of bold, saturated colors, fast camera changes, energetic music. It's almost like watching a music video. To underline the styling, one of the characters is a free-runner, emphasizing the energy of the production. Everyone looks like they just walked off a fashion magazine photo shoot. One memorable scene is when the wealthy Jennista walks down her spiral staircase wearing an all black dress with a white cat in one arm, probably inspired by Vogue from the 1930s or 40s.
In an interesting twist on the typical love story, here it's the men who are pure, innocent and devoted to their lovers while the women are fighting and generally making a fool of themselves. It's nice to see the stereotypes switched around.
If you're on the fence about whether or not to watch it, just watch the first 15-20 minutes or so. You will get a feel for the style of the show. It doesn't get any better - or worse - after that.
I would love to see the production team create a new season, though perhaps with new characters.
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I did like almost all of the characters, with the exception of Panda and Won Il's mom and step dad. I really liked the scenes between Hedgehog and Grandpa and Hedgehog and Won Il. I think it's the first time I really could care less about the actual love story and liked the bromance between the 2 male leads better. Some people have mentioned Donghae's acting. I didn't think it was bad at all and definitely improved throughout the drama.
I only gave the music a 6 just because I really didn't pay attention to most of it. The only songs I remember from the drama are Owl City's Good Time since it's a song I actually know haha. And they also had Gangnam Style in there which I thought was funny bc of all the hype that song is getting. But other than that, I don't remember.
Anyway, I liked it but didn't love it. Kept me interested enough to watch it every week but not to the point that I was sitting on the edge of my seat waiting for the next episode.
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Hail Hail! The Gang's All Here.
West Incheon’s favourite good cops Kang Do-chang (Son Hyun-joo and Oh Ji-hyeok (Jang Seung-jo) are back again for another season of murder, mayhem and manipulation with the rest of the lads from Team 2 who are much more of a cohesive fighting machine than once they were. They are still led by Team Leader Woo Bong-shik (Jo Hee-bong), a perpetual nervous wreck whose timidity regarding what they're up against is only equalled by his fear of his wife’s nagging and their chief, Moon Sang Beom (Son Jong-hak) who lives for that holy grail promotion that’s just around the corner.In this series the team tangles first of all with a serial killer in their neighbourhood with a fetish for young women in white. When they finally get their man they play a rather protracted, elaborate game of cat and mouse with a family-run conglomerate, TJ Group who seem to be at the centre of domestic violence and possibly crimes of passion. At the start the patriarch (Song Yang-chang) of TJ Group is spending time behind bars for dubious business practices and the company is left to the devices of his contentious offspring Cheon Sang-woo (Choi Dae-hoon), Cheon Na-na (Kim Hyo-jin) and son-in-law Woo Tae-ho (Jung Moon-sung). The half siblings duke it out for supremacy while Woo Tae-ho, also head of the legal team, is caught between their ferocious rivalry. Their story is both high melodrama and a psychological battle of wits rolled into one.
The thing to note first of all about this franchise is that this never purports to be a police procedural about the nobility of the boys in blue. Far from it. Indeed it is a show about cops — warts and all. The official English title is somewhat misleading and would be better translated from the original as The Model Detective. That said Do-chang and Ji-hyeok aren’t perfect men (Ji-hyeok comes pretty close) but they are the closest thing to diligence and smarts as one might get from this rag tag bunch of investigators. The two men are as alike as chalk and cheese but in very significant ways define what this abstract model detective looks like. Do-chang is all heart and emotionally driven. He sympathizes deeply with the victims’ families which is evidenced by his relationship with his adopted daughter and their relationship with the victim's grandfather. Having lost his father to a cold blooded killing, Oh Ji-hyeok isn’t just intellectually committed to cracking every case, he is absolutely determined to catch every single perpetrator that comes his way. He is depicted as the consummate detective and he’s earned the respect of his colleagues to the extent that his intelligence guides the discourse in the office. The maknae of the team Shim Dong-wook shows plenty of promise except that his Achilles’ heel seems to be his ne’er do well brother Dong-il who seems to fall prey to all kinds of schemes concocted by those whose aim is to divide and conquer.
Unlike your garden variety police procedural, getting to the bottom of the mystery isn’t the main thing here. There aren’t any intractable mysteries or supervillains here. If that’s what you’re looking for, you might want to look elsewhere. Like many K crime shows, knowing who’s responsible isn’t the end of the story or sufficient cause for an arrest because proof is hard to come by. Meanwhile the perpetrators are protected by layers political clout or vested interests which reflects how any kind of business is done in that part of the world. Truth isn’t just a casualty, it’s barely relevant in such a context. In the end one might appeal to self-interest, financial incentives, threats, and political expediency but very seldom is righteous fervour or a well-developed sense of justice part of the equation. Within this dog eat dog ecosystem, detectives see themselves as a link in the food chain and they might want to negotiate for a better deal than what the public service can offer them. It isn’t just a case of survival of the fittest but a submission to the status quo — to the way things are. Jang Ki-jin which is this season’s corrupt cop alongside Choi Yong-geun an ex-cop now enjoying the benefits of being a stooge of TJ group represents a sample of what’s wrong with the public service: It is dominated by capable but ambitious individuals who use their previous service as a stepping stone to getting in bed with the rich and powerful.
Woo Tae-ho, who is another new face in the franchise, is a morally enigmatic figure. Without his inclusion in the mix, the TJ Group would be just another feuding chaebol family. He’s a mediator, a broker and the protector in a messy situation. Somewhere along the way the former prosecutor got mired in that family’s misdemeanours to the extent that he became the family’s lap dog cleaning up after them. His moral compass has gone awry in service of the woman he married. Perhaps that’s why he became attracted to the deceased Jung Hee-joo, a subordinate, who was something of a misfit in that environment. Tae-ho’s dynamic with his wife Cheon Na-na is tragically compounded by layers of irreparable misunderstandings. From an outsider’s perspective, it looks like they’re two people who may lingering feelings for each other but an insurmountable wall has sprung up between them with neither wanting to make the first move to repair matters. There’s little trust on her side and there’s plenty of guilt on his. Na-na whose mental state is fragile despite the bravado clearly frames herself as the victim in the Cheon family dysfunction. She teeters back and forth on the edge of the abyss between stylish poise and wretched madness. It’s a masterful performance by Kim Hyo-jin. Without a doubt her chemistry with Jung Moon-sung is one of the more arresting parts of the show. Jung Moon-sung is one of those truly underrated actors who has the versatility and the charisma to be a male lead but for some reason that status has eluded him thus far.
In the end “Why was Jung Hee-joo killed?” is perhaps a far more difficult question to answer than “Who killed Jung Hee-joo?” The answer to the first question is far more psychologically complex than one might think. But at the end of the day, it’s a question that’s much more of interest to a viewer like me than the conspirators who are trying to misdirect and impede the investigation. For those of us who were raised on the teat of western crime fiction, it might be something of an anticlimax that the answers that her grandfather seeks can only be found only after a series of negotiations, accommodation and political compromises. However, such is the reality of that world. At least the cops can console themselves with the belief that the dead woman’s family can get some closure.
In an ensemble such as this with veterans and well-regarded character actors, it’s pretty much a guarantee that the performances will be stellar across the board. The actors contribute in large part to making this viewing experience an immersive one. It is a male-centric story and one of my great delights is watching the Team 2 camaraderie at work. The banter between the leads and among their colleagues never fails to amuse. Each deliver a punchline with flair especially when it's not heard by the others. What began to flower in S1 has developed into a bit of an art in this series. The dialogue spiced with wit and irony is music to the ears. Despite the ribbing and backhanded serves of chastisement, these men do really care about each other — they can be relied upon to have each other’s backs when the chips are down. Often it is a testosterone filled space that they occupy but I relish every single moment that I spend with these men.
It’s no secret that I’m slightly in love with Oh Ji-hyeok partly because of Jang Seung-jo and he does play the character in a thoughtful understated way. Despite his superior skill set, Ji-hyeok is a team player and the running gags about his good looks and his wealth oddly enough never gets old. His double act with the grumpy but passionate Kang Do-chan (Son Hyun-soo) is more often than not comedy gold.
This show is a fine example of how to do core characters well — to imbue them with distinct personalities and give them character arcs that often test their mettle. I don’t think it’s too much of an exaggeration to note that many crime shows do such a good job with the antagonists that often the protagonists fade innocuously into the background. Not so here. The drama is clear on what its roots are and where its focus should ultimately be right to its humorous ending.
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Perfect Chemistry
Our Skyy 2: Star in My Mind is an interesting case of the special episodes being way better than the series itself. The plot, while simple, managed to correct some of the series' mistakes. For instance, the supporting characters now have their own stories and relationships -- Typhoon got his happy ending, and the other friends had things to care about aside from Dao and Kluen's relationship.Another highlight of the episodes was the important message about jealousy. In many BL series, jealousy is presented as hot, but it is not -- being jealous of your partner means that you are insecure in your relationship with them. It was so great to see Dao underscore this.
Most importantly, Joong and Dunk have more chemistry than a Chemistry textbook. If in Star in My Mind they had good chemistry, here it is through the roof. They are one of the few on-screen pairings -- not only in BL, but in movies and series in general -- whose characters I can genuinely believe love each other, are in a relationship, and have slept together.
Overall, I was pleasantly surprised by these two episodes. Even those of you who did not enjoy the series much might like them.
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2026 Most creative Drama
Refreshing story line meets perfect casting = me binging through 18 episodes in 2 days.This drama is the perfect way to "decompress from the real world" especially if you've ever lived through a 9‑9‑6 type of grind.
The characters are all great, even the minor ones, each with their own distinct personality.
Beyond the quirky humor, the show delivers real emotional depth and sheds light on the everyday struggles of modern salaried workers.
Casting is perfect. There are so many seasoned comedic actors.
I can't say the ending was truly satisfying. I wished for more happiness but overall a great watch!
Mikah's song "Shadows Dancing" as ending song is just icing on the cake!
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Her Story
25 people found this review helpful
1This review may contain spoilers
It is not a fun movie, yet it is radiating truly positive energy in spite of its appalling topic
"Herstory" is an example of a highbrow KMovie, which has real life as its subject and at the same time influences real life as an impact of the movie reception.It is about the lawsuit brought by a handful of "Comfort Women" from Busan - actual long forgotten/ignored sex slaves for the Japanese soldiers during the Second World War. The trial took place between 1992 and 1998 in Japan. This noteworthy trial set in motion the resolution of a rather dark chapter in recent Asian history.
It was about time to not look away anymore. The subject of "Comfort Women" was until then a taboo subject even in South Korea. The refered to court hearing in the 1990s was actually a milestone in the reappraisal of this chapter. Thus the KMovie "Herstory" is a poignant, publicly effective monument to this chapter in history and honoring the affected, victimized and long forgotten women (and their advocats).
"Herstory" is sensitively illustrating the painful path to this (no less painful) trial as well as its dramatic individual cases. The KMovie becomes the mouthpiecer of at least a few of those women´s fates and at the same time a touching memorial, arousing the awareness of the cruel war crimes committed against civilian women.
It is not a fun movie, yet it is radiating a tuely positive energy in spite of its appalling topic! I consider it in several respects highly valuable.
It is about empowerment and sisterhood. The cast ist outstanding.
This movie is confronting glorious ´his´stories with ´his´ rather tabooed ignominious behaviours... and thus make it ´her´stories.
---------------- SIDE NOTE --- Historical Comfort Women in World War II ---
For a long time, the fate of an estimated 200.000 Korean young women and girls, who were traumatized as sex slaves by the Japanese military during World War II, went unnoticed by the world. Until the 1990s their existence was a taboo - even in South Korea! In fact, Japan's government and military recruited (mostly) Korean young women and girls. They were used against their will in so-called "comfort stations" as "Comfort Women" for motivation of the armed forces - i.e. as sex slaves being abused by the sodliers.
Officially, this fact was (and still is to some extent) vehemently denied by the Japanese side and hasn´t been clarified for more than 5 decades, let alone talked about reparations. However, in terms of international law, what happened has to be considered war crimes, crimes against humanity, as well as slavery and trafficking in women and children - crimes they are. However, the war crimes tribunals after the end of the Second World War were more concerned with crimes against members of the Allies. So in public THOSE crimes against civilian women were forgotten.
With this particular court hearing the movie is refering to, for the first time a verdict in favor of the (comparably few) plaintiffs was at least partially reached. The ladies, who had meanwhile aged, were actually awarded a ridiculously small amount of compensation. So the verdict is still outrageous, but a verdict nonetheless. Nevertheless, as a result, the story of comfort women was publicized for the first time and an international reparation movement was launched.
Obviously the topic had appeared on the table ... but it was still not legally clarified. On the contrary. The issue as such (and its many and even more individuale cases) have still not been satisfactorily resolved ... while most of the actual victims have by now died of age.
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The ending truly ruined it all
This review will contain heavy spoilers for the ending.Revenge of Others was a fun ride, until the last two episodes that is. It's pretty rare for me to have the ending of a show completely change how I feel about it. There are good endings, meh endings and bad ones... but I've seldom felt that disappointed. Maybe I had too high expectations, maybe it was the straw that broke the camel's back. Revenge of Others' ending is cliché, lazy and basically just a middle finger both to the audience and the rest of the show. Early episodes were good, with flaws, yes, yet it was still solid. But nowadays, most kdramas are great at what they do, so you need the entirety of your work to be good, not just the beginning, not just the middle. It feels like Revenge of Others was half-assed, and any good this show had is overshadowed by the ending.
The most interesting thing about a TV show, as opposed to movies, is that you have time to grow attached to the characters. You become familiar with them and grow curious. You could say you actually care about them (especially if you're watching while the show is airing). That is the exact reason why you can't just dump a few lines on the viewers and call it a day. That's not only bad writing: it's like spitting in the face of said viewers.
So what was so wrong with that ending? To put it simply, the creators of the show tried SO HARD to give it a happy ending, despite it not matching the tone of the series, that they ended up... basically not giving it an ending at all. How did they do that? By not telling you anything and letting you decide what comforts you. Okay, let's be fair. They do tell you a few things, but not about what is important.
> Soo Heon has a brain tumor? Okay, he drops out to do his own shit for a while and you're free to imagine whatever pleases you after that. Did he die? Did his condition stabilize? That's up to you (who even cares, brain tumors are not that serious now, are they? It's not like he got his head banged way too many times. If the doctor is as qualified as his wife, he probably misdiagnosed him anyway). With it being such a central plot point, you'd hope for something a bit more conclusive than a "for now he's lucky". Truthfully, the tumor is just a plot device to make you doubt he is the killer because of the induced violent behaviors. So in the end, I just wonder what was even the point of us worrying about him?
God forbid they'd actually use his condition to truly talk about the hardships that come from it all. Not saying the show should've solely focused on that, that's obviously not the plot, but it would've been nice if it had been treated more seriously.
> Is Jae Beom in prison or not? You choose. Was there even any proof that he was manipulated by Gi O Sung? Did he completely take the blame? Does it matter? Should we care? Apparently not, since the show decided to completely erase his existence the moment he stepped in that police car. If he is lucky, the car was actually an interdimensional rift that took him far away from the land of trash ending kdramas.
Don't get me wrong, open endings are fine. I actually love them to death and dislike when everything is spelled out for you. However, this is not an open ending (and if it genuinely tried to be one, it's appalling). This is just a rushed, awful, uncreative and lazy ending that has (unfortunately) been seen again and again, either because the writers didn't know how to write a proper one, either because they were scared of negative reactions from the audience. Both options are bad.
This is an ending that screams that the writers had so little faith in their show, their characters and universe, that they believed viewers would lose interest the minute the mystery was finally solved, that they wouldn't be willing to give one more hour to properly say goodbye to the characters and learn what happened to them. And well, that's truly a shame since an entire episode dealing with the aftermath would've been a perfect way to wrap this up, because surprisingly the characters ARE interesting. As a viewer, I want to know what happens to these people, I don't want three fucking sentences from a narrator telling me: "this happened, oh and this too, everything was solved and we're living happily ever after, nothing is wrong in the universe!!!!"... For Christ's sake, either show me or actually write a proper open ending!
Those few sentences don't even cover everything that needs answers. I mentioned it earlier, but Jae Beom's story seems to end the moment he's taken away by the police, as if he wasn't a main character too. At this point I feel like they forgot to include him in the ending. Chan Mi vaguely mentions to Soo Heon that he confessed, but that is the last time we hear of him. Can you believe that we don't even know WHAT he confessed to? Did he confess to killing Park Won Seok only? Did he confess to the car shop murder too? What, you actually wanted to know that? Cope.
I don't understand how you can put so much care into developing an interesting storyline and characters, just to give up on giving it proper closure.
Seriously, I can't believe this. As far as I'm concerned, Gi O Sung is dead and Jae Joon supposedly disappeared forever, because that's definitely how DID works. That means Jae Beom literally has no choice but to take full responsibility, despite being taken advantage of and manipulated by the very person who tried to kill him. Because let's think about this for a second:
-He would first have to prove that he was pushed from the roof by O Sung. O Sung is dead, there's no way to prove it;
-He would then have to prove that he did indeed have a split personality, but since Jae Joon is gone forever after a few words from Chan Mi, good luck with that;
-Even if he managed to do that, he would have to prove that O Sung had gaslighted Jae Joon into believing Won Seok had pushed him, which led to his revenge, and that he, Jae Beom, wasn't aware of any of it. But guess what? O Sung is dead, Jae Joon is no more, so yeah, no doing that. They might have a few people testify, but I highly doubt that would lead to anything.
Not to mention, when talking about the car shop murder to Chan Mi, Jae Joon mentioned that Jae Beom would've covered for Soo Heon. Just because they are friends. Just because he is a good person. Which leads me to believe that after getting his memory back, he would be so guilt-ridden that he wouldn't even try to defend himself anyway. He seems like he would believe he deserves the worst punishment. At this point, the only thing that could save him is his parents' money, which I doubt he would agree to use to get himself out of this.
So while Gi O Sung got the easy way out, Jae Beom will be the only one to suffer because of his deeds. In a way, O Sung killed him twice: the moment he pushed him from that roof, and the moment he himself fell to his death. While I do believe Jae Beom should face consequences for what happened, I don't believe jail time is the right thing. He should be admitted to a mental health facility. Ultimately, I would've been more satisfied if he had managed to kill himself. That would've been easier for him. Honestly, I cannot understand for the life of me why kdrama writers always think that death is proper comeuppance for plain evil characters. Dying is easy, life in prison is hell. O Sung should have to live through that. He should have to deal with everyone hating his guts and have his freedom stripped away. Had the show not been going for a happy ending, maybe that not happening would've been fine, but since it's not the case it just doesn't sit well with me that one of the kindest characters is getting this treatment, while the worst one just... died.
Aside from that, there are other elements that don't really make sense to me. For example, it's never really made clear how Jae Beom and O Sung's fight at the stables ended. Jae Beom seemed like he was ready to murder or at least severely beat up O Sung for what he did to him, while the latter would do anything to cover his own ass. Yet, the following day O Sung is unscathed and Jae Beom is chilling on a boat. How did that happen?
And whose boat was that? I'm guessing it belongs to Jae Beom's family but then when he was reported missing... isn't it one of the first places that should've been checked? I know the police are all sharing one unique brain cell but that's like the ABC of investigating a disappearance. The show runners wanted us to believe O Sung had killed/abducted Jae Beom, but come on... They try so hard to confuse the viewers and play the reverse psychology card, yet most people could guess who had done what and why ages before the end anyway.
Then we have this scene where every single student learns EVERYTHING through various text messages and immediately believes it, then proceeds to suddenly realize that "oh yeah, gi o sung did this and that!!!!", as if they all used to be aware of that fact, but collectively forgot, because no one seemed to have beef with him before that. I guess they could only remember him being super manipulative after reading those texts. Sure. Then they all lie to the police because of course, there's not a single outcast out of the loop, or someone that's scared to lie. It's a TV show, yadda yadda, but how can I not laugh at that? They didn't even HAVE to lie! Gi O Sung's fall was not only an accident but also self-defense, he was literally threatening a student with a box cutter after having abducted another??? I get they reaaaaally wanted to go for that tacky “If everyone decides to corroborate a lie, then it becomes the truth”, but that was so bad.
I want to gloss over a few other things too:
-Ok Chan Mi started out as a good character but got dumber and dumber as things moved on;
-Shin Ye Eun's acting (and a few others) seemed awkward at times. I'm not sure whether that was the script or not, but I've seen her in other shows and I remember her being fine;
-I get Jae Beom was her friend for a long time and overall a good person, but would Chan Mi realistically get over "him" killing her brother that fast?;
-When she was on that call with her brother, how could Chan Mi not hear Jae Beom's voice as he talked to Won Seok?;
-O Sung wanting to kill Won Seok was stupid considering they both had dirt on each other. They could've just left it at that and no one would have talked. But I guess since Jae Beom is technically the one that killed him, O Sung just didn't care;
-Everyone always seems to fall for O Sung's lies for some reason, even after it was established he could not be trusted;
-Jae Beom's timeline at the time of Won Seok's death wasn't clear and it was annoying. Was he back to school full time? Won Seok was surprised to see him again, so was he not discharged from the hospital yet? Then how did he leave without being noticed?;
-Did Jae Beom actually have a twin or was it split personality right from the beginning? This doesn't necessarily need an answer but I would've liked to know for sure;
-Jae Beom's parents knew about his DID but never tried to do anything about it. Maybe because it would give them a bad reputation (who knows, they don't explain why), but wouldn't you try to at least discreetly talk to a doctor about it? I don't think it's that hard when you have this much money;
-No one else ever noticed it except for O Sung? How did he even know? That would've been nice to learn about. It's like they're trying to give as less details as possible about the manipulation part, as if it wasn't a major plot point that the viewers would like to know about;
-The evil alter ego plot twist trope needs to stop. There are ways this could be interesting, but apparently never in kdramas. The way DID is constantly misrepresented in these shows is so tiring. I haven't even researched the topic that much but even I know this is not how it works. It was so badly presented in the 12th episode that I wasn't even sure if they were actually going for that or for some weird ghost possession bullshit. At this point I'm not even certain what I'd prefer;
-I'm not an expert but I'm positive we now have means to determine whether someone jumped, fell or was pushed from a building.
A few positive things:
-The dynamic and chemistry between the characters was quite good, and their friendship was really compelling;
-Most characters were interesting, there wasn't anyone I was particularly annoyed with;
-As I've said, I haven't researched DID that extensively (I have given up on a decent portrayal anyway), but I thought the way Jae Beom and Jae Joon were differentiated was a nice touch. I found the scene with Jae Beom signing using the wrong hand + name smart. The moment he switched the gun to his other hand as he tried to kill himself was heartbreaking;
-The show is entertaining and gets you hooked easily, it's mostly the end that acts as a wake-up call, making you realize that overall, the writing wasn't that good.
In conclusion, this is another example of a show that could have been a good one if not for its ending. In my opinion, the ending of a show is one of, if not the, most important part of it. If you mess that up, then you leave people with a bitter aftertaste, no matter how good everything that came before was. On the contrary, a particularly good ending can completely blow your mind and turn around your perspective of a show/movie. So you can't and shouldn't ignore a bad ending just because the rest was okay.
I feel like many interesting questions could've been brought up too. The writers could've addressed the topic of the Korean juvenile justice system (which is apparently known to be particularly awful), with how easily characters seemed to get away with the crazy things they pulled. Or if a murder is caused by the manipulation of a vulnerable person, then who's to blame? What punishment should be given? Are mental health issues like these even taken into consideration by the court?
I don't know, this was such a waste. I really wish they hadn't rushed the ending like that, my rating would've been much higher otherwise. It could also be a bit lower, but I tried to keep in mind the qualities from the earlier episodes too (consider that 6/10 is only 1 point above average/mediocre).
Well, what is done is done. I don't think I would recommend anyone to watch this unless they are prepared to face the disappointment.
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My boyfriend is an Idol.
The series does a great job of portraying the reality of idol groups and how they are constantly under scrutiny, how internal conflicts and competition can arise and how difficult it can be to maintain unity when the industry often pits members against one another. I appreciated how the show tackled the issue of favoritism, where one member is pushed into the spotlight while others are sidelined. That’s a very real struggle for many groups.Now, when it comes to the romantic side of the show, I have to say, I really liked it. Thame and Po are the definition of green flags. Their relationship was built on patience, care and understanding. Thame’s attentiveness toward Po, the way he never rushed him and always made sure he felt safe, was just so refreshing. Some of their scenes made me feel like I was experiencing a first crush all over again hehe. Their relationship just felt sooo pure, yet deep.
However, I do have some critiques. The first half of the show was excellent but the second half lost some of its momentum. The two episodes focused on Jun and Po felt unnecessary to me. I understand why that subplot was there and I know some people connected with it but personally, I felt it took time away from the core of the story. I would have much preferred more focus on Thame and Po’s development instead.
The breakup arc was another part that didn’t entirely land for me. It was realistic given how brutal the entertainment industry can be, a relationship like theirs was bound to face challenges. I saw it coming and I understood why it happened but at the same time, it felt a bit frustrating since their romance was already such a slow burn, they barely had time to fully be together before they were torn apart again. It created a bit of emotional whiplash for me...I get the drama of it but I wish we had more time to actually see them as a couple before the conflict hit.
That being said, the chemistry between the leads was really amazing. And the kisses left me gasping. Both actors did an amazing job, not just them but the entire cast delivered strong performances. Every character, even the side ones, felt fully realized and I liked that.
Overall, while I had some issues with the pacing and a few plot choices, I still enjoyed it and I hope to see WilliamEst in a new project again.
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This review may contain spoilers
Will it be the best drama of the year?
This series has a sophisticated atmospheric magic blended with real life traumas and believable characters. Every person in the drama is flawed, but relatable and likeable (except the ML’s sister, about who I'll rant below). As opposed to recent “Queen of Tears” where every character was also flawed, but none of them were likeable (perhaps the exception being the aunt).In “The Atypical Family” story as well as character development expands with an atmosphere – the colour tones, the music scores as well as sound design, and the easily flowing caesural pauses allowing the viewers to take in the vastness of the scene settings, the seriousness of the situations. One could almost compare this drama with the poetry. Actors and their characters are allowed pauses to think, not to say that they’re slow, on the contrary, it makes them and their choices more believable. The script and most chosen actors are spectacular in their roles….. except one minor detail.
The rant (at ep. 4):
To me it seems that in Korea there are no plus size actors. I’d bet anything it’s not the truth, but the industry is hellbent on trying to prove to the world that there’s either no obese people in Korea or no “fat” actors. Whenever the creators need to have a heavier character in the show, they just find the skinnies actress and put her in a costume. (To be fair it is impressive, what a film crew can do nowadays, and it does look somewhat realistic, however, it also gives “uncanny valley” vibes, because the actor trying to act is not actually fat.) Not to mention, the creators make that particular character as unpleasant visually and in personality as possible. Around the world there are plenty of big and heavy people, who are wonderful, who do not care for their weight, and even have a sense of fashion. But noooo, let’s vilify the fatness. I would not wish it but, I’d guess the plan for Bok Dong-Hee is to lose all the weight, so she could fly again. I would prefer, if she could accept herself as she is and still could regain flying, because that power should not depend on her actual weight, it is after all a Super.Power.
End of the rant.
All in all, I find the story refreshing and interesting, the clashing of one dysfunctional family with a fake united one, the deadpan comedy, the pain of trauma and not managing to let go of the past.
This drama for me might even be the best of the year.
Second rant (at ep. 10):
At ep. 10 Bok Dong-Hee becomes slim, just like that. Boom. We see each episode that she is becoming slimmer, but that amount... just took me out. I generally skip a lot of her scenes because her personality is too childish for me and grinds on my nerves about the whole "get back the cheating man" by losing weight. Ughhh. Bish, if he doesn't want you fat, he will not want you slim.
The only, ONLY redeeming point about the whole lost weight thing is that she still can not fly! Thank you! Because it's not the weight that was holding her down!!! It. Is. A. Super. Power!
End of the rant.
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I felt more frustration than "love" unfortunately
*UPDATE: Finale was a big MEH for me as predicted. Sad Panda.*I will likely come back and update this once the final episode air.
SO, the acting is wonderful. I love the characters and the storyline and this is definitely one of the steamiest shows on Viki. I love everything this show could have possibly been. I still love the show but feel more frustration than "love" a lot of the times which is why I'm giving it 7 stars instead of 10 for right now.
My issues:
1. For a drama romance to work, there has to be a bit "more" to keep the main characters apart. In my personal opinion, after 10 episodes, the "why not" just isn't there and it drags the entire storyline down in a major way.
2. The Chu Kehuan's ex is a bit of a one-dimensional & psychotic/dependent/weak character on ALL levels and it makes her whole storyline aggravating to watch. Since they also keep shoving her in our face as a "reason" the main character's don't just get together already, it makes episodes painful to watch and honestly, cringe-worthy. When she keeps repeating the same shit over and over again about "10 year relationship" and "but I love you" and so on. So. Painful. Already.
3. Speaking of #2 above, we all know from little hints that she has some hidden secret of WHY she got an abortion all those years ago and broke her man's trust in their relationship, but IF & WHEN she finally reveals it... do we even CARE??? No. No we do not, so that plot point is null and void and won't make any impact on us as viewers because she's a douche and we couldn't care less at this point.
4. ZWW's ex, 321. He might be CLUELESS and a bit of a bore AND he has 0 skills when it comes to knowing what a woman thinks, and so on, BUT I feel like the writers turn him into a bit of a manipulating, violent ASSHAT in a single episode because they didn't know what else to do to vindicate ZWW's decision (as if she needed any other reasons) AND to keep the plot moving along with drama thrown in for good measure in nearly the last episode. Now, with ONLY TWO episodes left and the previews showing 321 still showing his ass in the next episode, well, I don't foresee us getting MUCH actual ROMANCE/happiness between ZWW and Chu Kehuan that we've all been anticipating with bated breath.
OK... I have more issues with the show than I realized. And, sadly, I'm only watching the last episode because I love the actors and have invested way too much time NOT to see the ending. :/
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Now this is how you do live-action!
As a diehard Dakaichi fan, I can assure you—this is a masterpiece. Well done to the actors, crew, and everyone involved!When I first heard Dakaichi was getting a live-action adaptation, I was so nervous. But after watching only the first two episodes, I can confidently say they put in their best effort—and it shows. It’s not an exact copy, but that’s exactly what I wanted.
They’ve included a lot of background stories, but everything fits together perfectly. Not to mention, they referenced Sigma Company while hinting at other major companies—we can see that.
I especially loved how they introduced Jin from the very beginning of his acting career- unlike in the anime. It’s a challenging role because Jin/Junta acts happy, angry, and even perverted all at once—but he portrayed it so well. Anyway, he's a lovable psychopath. I love Smart! I’ve followed his career from the start, and he’s come a long way. I really hope he keeps growing and does even better in the future.
One thing I can confirm for sure- all weeks will be filled with romance, romance, and more romance! The actors have undeniable tension and chemistry, and Akin (boom) absolutely nailed his role. He mirrors the anime version perfectly—there’s not even the slightest change. He is amazing.
Finally, when I saw the angelic jin with the wings, I couldn’t help but laugh out loud. That moment assured me—this series is going to be one of the best. I can’t wait to see what’s their next project!
(Sometimes they drag the movie shooting scenes a bit. But the acting is good so we can forget about that part.)
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Save yourself from watching this
This show officially wins the title of most fucked up and disgusting television show I've seen in 2020. I'm completely disgusted by this drama. Kairi is fucking disgusting and such a pervert (& like manipulative to the core). She literally kept a pair of undergarments from when Yuri was a child and she calls it her treasure. Besides, when she met Yuri after years of not seeing or speaking to her, she literally stuck her head between her boobs. It's also implied that Kairi likes women because of being abused by men as a child during her idol years. Besides, Kairi truly has never heard of consent or personal space. I'm honestly baffled by this show and the topics it choose to focus on (yes shaving or not shaving your pubic hairs was a major plotline in this drama). I truly hate how this show discussed sexuality (it truly made it sound like you have to be crazy/mentally unstable if you're not straight which is bullshit). Basically every character is unlikable and so many things happen in this drama that are just too disgusting. The "relationship" also makes zero sense. One of the most problematic dramas I've ever seen. I watched this drama so that you don't have to watch this because it's that bad. Please don't watch this, save yourself. I wish I could erase this shit show from my mind. It's that repulsive. We deserve better f/f relationships than this ...Was this review helpful to you?
Who's your daddy?
Destined is a story about how an unlikely couple discovers themselves and each other and survive turbulent times together. Liu Yuru has been auditioning all her life to be a worthy wife to the finest young gentlemen in Yangzhou. To her aghast, she finds herself engaged instead to Gu Jiusi, the scandalous scion of Yangzhou's wealthiest family. Gu Jiusi is no less dismayed to find himself shackled to such a paragon of virtue but he is chastened by his careless prank that got them in that situation. They hilariously find that they are actually well suited and the sum of their parts is greater than the whole. The first arc is by far the best; it is funny, romantic and underpinned by genuine chemistry and rapport between Song Yi and Bai Jingting.The couple's newfound bliss does not last as the country is swept into chaos as civil war breaks out. At their loss of influence in the capital, the Gu family is forced to flee Yangzhou for Youzhou far to the north. There they are still inevitably caught up in the war and ensuing political upheaval. Meanwhile, in the shadows, a hidden mastermind plots their downfall at every turn. There is a marked dark tone shift in the drama as it delves into the political arcs in the latter half. This drama explores the - "Who's your daddy?" question and whether it matters. All of the main characters have bad dads to different degrees; overly-indulgent, indifferent, overly-judgemental, negligent, wilfully blind and missing in action. Most of them are no worst for the wear but others allow their resentment to get the better of them.
This is a very entertaining drama despite that the second half is sloppily written and ridden with logic holes. The source material evidently had more substance and depth but the drama adaptation falls short on multiple fronts. The plot and character designs don’t make sense without novel readers to help connect the dots (see @CloudA’s discussion threads). The best written parts include most of Jiusi and Yuru’s arcs and humorous moments. The political arcs have too many logic gaps and farcical sub-plots that undermines the intelligence of allegedly smart characters. The writers have a very superficial understanding of history, politics and inner palace protocols. It is mystifying why the Dowager Empress does not secure the position of crown princess for her daughter in exchange for her support. Instead she uses up all her goodwill to try to foist her on a happily married man! The new emperor is so weak instead of banishing these harpies to the cold palace, he allows them free rein to bully his loyal court officials and interfere in official proceedings. He puts a known villain in charge of the crown prince's education when both Ye Sh'an and Gu Jiusi are obviously better choices. They forgot to tell us Luo Zishang has an invisibility cloak that gives him better access to the emperor's bedchamber than a favorite concubine! Game of thrones in this drama pretty means Pass the Throne (parcel). This kind of writing is why fluffy romance writers should stick to their knitting and not try to write about stuff they know nothing about.
What does make this drama work is phenomenal acting all around that papers over the lousy writing. All of the main actors are incredibly charismatic and blend into their roles so well that the portrayals surpass the character blueprints. This is especially true of Liu Xueyi's mesmerising ability to make the vicious, misguided and tragicomic Luo Zishang seem sympathetic even though his backstory and motives are not well explored and only fully revealed at the end. As a result, for most of the drama, this character comes across as a cardboard villain; a delusional sociopath that is just evil for the heck of it. Similarly Fan Yu's character evolution takes abrupt turns and his interest in succeeding his father is not well explained. Fortunately the good characters in this drama are far better written than the tired trope of villains who blame their bad behavior on their bad dads. Their motivators are not as forced and it is a lot of fun to watch the rapport, loyalty and friendships between them blossom so organically. After Jiusi and Yuru, Zhou Ye is my favorite character even though he can be a noble idiot. He just gets really hard things done and done right in the nick of time to save the day.
In the final arc, both Jiusi and Yuru are sidelined so that everyone else can do absurd things to let the villain easily get the upper hand. We are short changed of a satisfying final battle of wits between Jiusi and Zishang to make way for a very anti-climatic reveal of Zishang's backstory that devolves further into a maudlin moment of truth and reconciliation that somehow diminishes both characters.Along comes Zhou Gaolang to bravely re-take a city that was already in hand! There was a senseless, gratuitous death of a terrific character just to squeeze a few audience tears and to add insult to the injury, the perpetrator was unjustly sentenced to live the life of the idle rich. While many favourite characters got good outcomes, some of them deserve better and the final denouement fell flat and was anti-climatic This drama peaked too early at King Liang's epic siege and went downhill from there. The early arcs were an 8.5 for me but the back half was at best 7.0/7.5. Even though I can only rate this 8.0 overall, it is still a very enjoyable drama that is shored up by some fantastic acting. It is best watched tipsy or with your brain half switched off as the plot does not bear close scrutiny.
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