2
1it was awful. I loved it.
yeah your eyes aren't deceiving you. everything was a 0/10 and I ate every single second up as if I was starving.the story: the writers sat in a room and Jon from accounting said "BDSM Mafia Boss". one person said "what about the storyline?" "don't worry about it" Jon from accounting replied. "the hornies don't care about that." and they really stuck to that because except the lil quarrel they had in the end, nothing really happened. Until Jon from accounting said "you know what. throw in a threesome, but don't build up or follow up on it at any point ok?" and the room said "Sure thing, Jon".
acting: listen I've never seen these actors in any other show and I've read that they are supposed to be good........... BUT WTF WAS KAMOL DOINNNGGG the actor cracked me up. whatever emotion he was supposed to portray, I wouldn't know because of all the botox he apparently got done right before filming. like damn he was hardly able to smile and no way he was able to look angry. his forehead stayed perfectly smooth and gosh I loved it so much...
music: the evil piano music whenever Kamol entered........... It was perfect.
conclusion:
when I watched the first episode, I added this to the "dropped" list real fast. but then episode 2 came and I started to see it as what it is. peak camp. the piano music. whole scenes only for product placements. awkward acting and even more awkward sex scenes with 0 build up. Kamols only characteristic being head over heels for Kim...
everything was awful and it's my favourite show ever.
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I will probably never be able to watch this movie again, but it is something you honestly must see. Yes, the images are disturbing. Yes, you will feel anger, sadness, and numbness, but this movie leaves an impression. The acting is superb and all of the child actors honestly deserve awards. Their expressions, their gestures, they just strike you right in the heart every time. You will not soon forget this movie. I'm not sure I ever will.
What may be even more impressive, this movie caused such a stir in South Korea that the case was forced to be re-opened and laws demanded to be rewritten. It makes you think, it really does. How much effort does it take for justice to prevail? Why can people be bought with money when they know such horrible things had occurred? I honestly don't know, and never will know why such apathy and cruelty exist in the world. Why do we cause each other pain? It makes me sick. But as a quote in the movie says, "The reason why we are fighting so hard, is not to change the world, but instead, not to let the world change us."
Without a doubt, I recommend this movie.
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If you want lots of drama, love triangles or misunderstandings that drag too long... look elsewhere.
If I had to use three words to describe this drama they would be soft, fluffy and heartwarming. It falls into a very well known category, which is Coming Of Age School Drama, but unlike so many others before it, it does not care to create unnecessary plots where our leads suffer too much in their relationship (by breaking up out of nowhere, for example) or act stupidly for the sake of creating conflict; one of its greatest strengths is that characters trust each other and as a result, they won't blindly believe what outside forces try to convince them of when it comes to one another, which is something that happens way too often in dramas like this one.Are there misunderstandings? Of course, but misunderstandings *are* a part of life and having them in small quantities in dramas and done realistically adds to them, and When I Fly Towards you manages to sprinkle them in a way that feels organic enough that you believe it could easily happen in real life.
This drama is something to watch when you need something cute and uplifting with the certainty that good things will keep happening as you watch and problems will be solved. It's comforting and wholesome, and manages to be those things without its characters leaning too much into being cheesy, corny or cringeworthy. An amazing feat, without a doubt.
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'Bpoop Phaeh Saniwaat' is a wonderful light-hearted romantic-comedy lakorn which feature underlying themes of history, karmic retribution and fate.
STORY (No spoilers)
Time-travelling dramas are not new, even amongst lakorns, but I think that this show is a bit more inspired because it certainly knows how to make use of this premise and give us a lovely light-hearted walk through 17th-century Ayutthaya without making either the history-bits or the political-bits too heavy and overwhelming. On the contrary, from the title of the show itself - ‘Love Destiny’ - it makes it pretty clear that this show is primarily a romance show, which it fulfils to a tee.
It was very clever of this show to transport a budding archeologist back into ancient history because the show gives us a natural teacher in her. As she gradually meets one historical figure after another, we get wonderful internal monologues about the various characters’ positions and their impact on history. And when she gets all excited over ancient historical sites, we get lovely little expositions of the significance of those sites. And through her fish-out-of-water personality and conversations, we are seamlessly introduced to the culture and customs of the times, as well as their hilarious reactions to her modernisms. History becomes so much more accessible and digestible as we follow Kadesurang/Karakade through some of the definitive times in King Narai’s reign in history. It’s a brilliant piece of writing and a brilliant way of introducing a slice of Thai history to viewers without making it too heavy or boring.
One would think that with so much historical setting, background, characters and events, the romance would be short-changed to accommodate it all. Wrong! Very wrong! As a romance tale of hate-to-love, and of fated love, this show not only provides generous amounts of time to introduce our main leads and develop their relationship, it actually also spoils us with plenty of fan-service and squeal-worthy scenes. If you’re a romance-junkie like me, you’ll be pleasantly surprised with how much fixes you’ll get.
This show does many things well but one of the best things about it is the character and personality of our main leads, particularly our main female lead.
Suddenly transported from the 21st-century into the 17th-century, she is very much a fish-out-of-water and it doesn’t help either that the body she inhabits is one which has a reputation of being a rather evil witch. Having to not only adjust to her new environment, but to also redeem Karakade’s reputation amongst the community, is a tall undertaking but Kadesurang rises to the occasion magnificently. To see her slowly but surely win person after person around to her side is a lesson in human gentleness, kindness, patience and poise which has personally inspired me to try and do the same. She is resilient, resourceful and empathic, and she takes every hit she receives in her stride but without losing a shred of her dignity or determination. She is beautiful and amazing.
Our main male lead is very much a product of his status and his time but his evolution from him despising the woman he is affianced to, to learning to see her for who she is in her new personality, and then to be curious about her, and then to accept her (quirks and all), and then to love her - deeply love her - is both funny and very heart-warming.
They also make a pretty compatible couple. They don’t dwell on their fights for long; they take pains to listen, understand and learn about each other; and they learn how to accommodate, give-and-take, and be flexible with one another. Theirs is no childish playground-bickering juvenile romance, nor is it those demanding, personality-clash, dramatic ones. It’s quite wonderfully mature and steadfast, but losing none of its charm or warmth. I love it!
Before I say a few words about our supporting cast (because they are deserving of their own little section), I would like to say that another good thing about this lakorn is its great absence of your typical thai lakorn tropes.
No evil nangrais (aka second female leads)? Check.
No love triangles? Check.
No mad antagonist/ crazy villain? Check.
No plot-filler? Check.
No long-drawn-out misunderstandings? Check.
No lack-of-communication angst? Check.
No revenge plots? Check.
No slap-kiss? Check.
No cartoon/ cardboard characters? Check.
No inconsistent or irrational character portrayals? Check.
Wow, too good to be true? Yes.
There is, however, one - ONE - lakorn cliche that does feature itself heavily in this show and I would be remiss in not pointing it out. It’s your ‘tripping-and-falling-into-arms-followed-by-long-stares’ trope. Not gonna lie, this one gets quite a bit of air-time but they’re all variations of the trope so it might be interesting to see just how much they can stretch it, lol. They do water it down to just ‘turning-and-staring’ as the show progresses, and perhaps it may be a matter of taste but I personally thought the show did okay in giving this particular trope quite a bit of spice through its variations.
Finally, a word about the supporting cast. SOLID is the word that comes to mind. This show’s supporting cast have added extra layers of life, depth and breadth to the show. They sparkle and shine in their own different capacities, and while some might be a little more intense and heavy in terms of presence and personality, the show also gives us little insights and glimpses into their thought-process which makes them all comes across believably real and human. The scintillating supporting cast is truly a massive plus.
ACTING/ CAST
POPE THANAWAT - as Thun Muen Suntorndewa/ Por Date. I’ve seen Pope before in the 'Suparburoot Juthathep' series as the 2nd brother and I knew he had it in him to give his character an aura of gentlemanly dignity and authority where needed. And I also knew he could act and pull out the emotions and the tears if required. He did not disappoint. Our main male lead did a great job in taking us through his emotional journey from start to finish, and if he has not won for himself new fans after this show, I would be very much surprised. His eyes and his smiles are his best assets here as they are beautifully expressive.
BELLA RANEE - as Kadesurang/ Mae Ying Karakade. I’ve always liked Bella from her 'Padiwaradda' and 'Khun Chai Puttipat' days, but she blew me away here with her incredibly versatile portrayal of Kadesurang/ Karakade. I think this show/ script is also great as it allows her to really expand her acting ability and show us just how versatile and capable she is as an actress. I am so glad that she took the script by the horns and threw herself into it with gusto. She really is the main character and the lynchpin to the entire show and she shone brilliantly all the way through. Wonderful performance.
Best of all, the chemistry between these two in this show is on fire! No words - It has to be seen to be believed and after you’re done curling your fingers and toes, squealing into your pillow and rolling all over the floor in romantic ecstasy, you’ll get up and want more. For a show that doesn’t have many skinship scenes, this is a masterclass on how to do restrained romance in dramas. Goodness.
The supporting casts of actors and actresses are all stellar. Standout performances for me were:-
Nirut Sirichanya as our dear old Khun Loong/ Ork Ya Hor Thibadi (Por Date’s dad) was absolutely lovable.
The girls playing Karakade’s personal maids P’Pim and P’Yam killed every single one of their scenes - they are a dynamic duo and such an example of sisterhood girl-power.
Ampha Phoosit as Nang Prik, and Chamaiporn Jaturaput as Khun Ying Jumpa (Por Date’s mom), were an unforgettable double-combo act.
Punjan Kawin was charming as Khun Reung, and Chartchai Ngamsan had that on-screen gravitas as Kosa Ban.
Louis Scott added vulnerable dimensions to a power-hungry Constantine Phaulkon, while Got Jirayu stole all his scenes as a charismatic and hot-looking Luang Surasak.
And the actor playing Joi? Adorable.
Really, the supporting cast all outdid themselves here and I’m so glad this show’s hit-status has brought them into the limelight.
MUSIC
The OST for this show has apparently been outselling itself so it can't be bad. Holistically, taking into account everything from the soundtrack, the background music and the sound effects, I thought this show did very well in incorporating the various elements of it into the scenes. I particularly enjoyed the way they employed their sound effects - it definitely added pep and pop to the scenes!
RE-WATCH VALUE
This show has so many things going for it - sweeping romance, liberal sprinklings of humour, good introduction into Thailand’s ancient history, beautiful sets and costumes, a memorable set of cast of characters, and a storyline which doesn’t spin itself into unnecessary knots or is packed with fillers.
One of the best light-hearted romance dramas I’ve seen to date. Definitely re-watchable.
EDIT TO ADD:
There are 2 versions of this lakorn - it's original 15-episode (1 hour 50 mins per episode) version, and a Director's Uncut 40-episode (40 minutes per episode) version which features a few hours worth of extra footage scattered throughout its entire run.
This lakorn became such a massive hit in Thailand during the year it ran (2018), it single-handedly cleared Bangkok's notoriously terrible traffic jams on the evenings when an episode was airing and spawned an Uncut version release. Unheard of. Yes, this lakorn was THAT good.
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The plot was something that originally drew me in. It sounded very original and worthy enough to watch at least the first two episodes. While watching Age of Youth, there were so many moments that either relatable, touching or just plain hilarious. The writer did a fantastic job of the script. With the characters, it took me a few episodes to love all five of them (especially Jung Ye Eun) but each and every one of them, they had a story to tell and all made massive development with their lives. Yoo Eun Jae I grew attached to straight away because I felt a small connection with her and wanted her to grow stronger. Jung Ye Eun was annoying at first (and still can be), but her passionate personality made her admirable. Song Ji Won is the weirdest but most wonderful housemate, and always made a lot of scenes better. Kang Yi Na seemed to have an easy life, but had problems that she kept to herself and solved herself - her pride is something we should all aim to have. And finally, Yoon Ji Myung. I think everyone who has watched Age of Youth can agree that we all wanted to her to be happy as she deserved it the most. Her issues at work, with her brother and mother always caused her to be unhappy and we viewers did not want to see her suffering. All five of them were perfect, unique and lovable. Also, the boys - thank you for all being beside the girls and supporting them (except Ko Doo Young of course). My only issue with the story was the small ‘supernatural’ element that introduced some of the characters’ problems - I wish that was done in a different way.
The acting was on point and this drama was a huge stepping stone in the actors careers. I know I should talk about each actress individually, but I feel like I expressed my feelings a lot in the previous paragraph as their acting was what helped to make each of the characters the best they could have been. The five actresses were amazing, stunning and won my hearts over. None of them wavered in their acting styles, they consistently stuck with their character and continued till the end. I will most definitely be keeping an eye out for their next dramas because I want to see how they all grow.
Music worked extremely well with each scene and every single track was gorgeous to listen to. If you ever have spare time, just stick on the Age of Youth soundtrack and fully appreciate the audio because it will be worth it. My favourite track is definitely the main one, Butterfly by Sogyumo Acacia Band - it has that perfect, young vibe to it.
There is no doubt about it, I would rewatch this right now if I didn’t have so many dramas to catch up on - but I most definitely will be watching this again before the end of the year.
Age of Youth is worth everyone’s time and for me, is the drama of the year - maybe of the decade/century as well haha. If you love a simplistic and cute story with well developed characters and immersive backstories, this is the drama for you.
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Poetry in motion
Youth of May is definitely one of the biggest gems of 2021. It's a sweet old-school romance in the backdrop of harsh Gwangju Uprising. If you're aware of the political and social backdrop, you will probably enjoy it even more. But even without it, Youth of May is a soothing love story. It reminds you what it's like to be innocently in love. It's old-fashioned and sincere and gives you a satisfying sense of nostalgia, even if you weren't alive during that time.Lee Do Hyun has proved his versatility as an actor this year. While 18 Again is the crowd-pleaser (and for good reason), I don't know why but none of his characters can steal your heart like Hee Tae. It might be bold of me to say this but Lee Do Hyun outshined everyone on this show.
But that doesn't take away from the fact that this was one of the best cast ensembles we have had in a while. An out and out pool of talent. I have laughed and cried and ached and sympathized with all of their stories and I am going to carry them in my heart for a long time (I guess that's what happens with heavy dramas).
The couple's chemistry was amazing. The sfl nailed it. I really liked her character. The sml also held his own and had some awesome moments, The brothers were AWESOME! The kids stole the show. We had an evil father and an amazing father, both of the actors nailed it. The mums were great too. The friends. The soldiers. The friend-soldiers. It was the perfect cast.
I would say, in conclusion, that even if you're wary of the possible sad ending, go for it because this drama is worth it.
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For sake of argument, I am going to share something very personal. In 2009 I was diagnosed with bipolar disorder. This isn't a condition that you catch like a cold, but rather one that manifests at a certain age and snowballs until it's nearly impossible to function. You can't prevent it through proper care, you can't always predict its onset and you certainly can't run from it. Essentially, bipolar disorder means I suffer from violent mood swings - severe bouts of depression and self-destructive manic states. Most people are familiar with depression on some level, but the idea of a manic state is foreign so I'll take a moment to explain it. If depression is an extreme state of sadness or hopelessness, you can think of mania as an extreme state of happiness. It's generally characterized by impulsive (and often destructive) decisions, lack of sleep and is almost always accompanied by the physical feeling of euphoria (you can think of this as something similar to the effects of several drugs like ecstasy.) This state is the most dangerous and, for me personally, meant that I would blow through money on drugs and alcohol, ostracize my friends and family because of an uncontrollable temper and sail off into the sunset feeling invincible. These impulses left my life in ruins.
I crashed hard during my third semester of college and had to withdraw. At my worst I was suicidal, faced with a crippling loneliness that I had never felt before. You can think of it like standing knee- deep and staring into a dark pool of water. The only light is the reflection of your own eyes and even those seem foreign to you. If you shout you're greeted by a distorted echo that you recognize as your own, but it's masked by an alien quality. In this sense, mental disorders create two yous; the you that you're familiar with and the stranger you can't recognize beyond a silhouette and the stain it leaves behind. You're a prisoner in your own body and every single day you feel yourself inching closer and closer to the water.
If there is a single safe harbor in all of this, it's love. When two souls dredge through the fire and connect, the bond can become unbreakable. Empathy is the great uniter; shared pain is like cement. Love will harden through pain. Two souls become pillars, lifting the other out of the water and into the sky. This is what separates this drama from the rest. This is why It's Okay, That's Love is a masterpiece.
Mental health is not a topic that is addressed very often in Korean dramas, and when it is it often comes across as comical. Mental health balances between something people think of as self-imposed, something you can shrug off if you try hard enough, and something to be afraid of. Because of this, it's usually presented as one of the two extremes: something too light, often existing as comic relief or a silly quirk meant to add flavor without substance, or as something too heavy, existing as some ethereal force that twists the mind into something less than human. It's Okay, That's Love is able to present something serious and keep a lighthearted tone without being insulting.
If you're looking at the melodrama tag and expecting something that borders on makjang, this drama is not that. The feeling of melancholy threads this drama together, but it does not weigh it down. You won't find endless sobbing, misunderstandings or two-dimensional characters. Instead, this drama showcases the marriage of two souls through unconditional love and growth. Love is strongest when flaws can fit together like a jig-saw puzzle, and the characters in this drama compliment each other perfectly. It's important to emphasize that these characters are flawed. Too often dramas shy away from characters with real problems and instead settle on external conflict to move the story in its entirety. The characters in these dramas are perfect outside of the experiences they undergo and the forces that act on them and it makes them two-dimensional. This is not the case in this drama. Most of the conflict is internal, but it's relatable and organic. Every single character is presented in a manner that allows you to love and empathize with them - it's a multi-layered story, the supporting cast is also very well-developed.
In addition to a perfect atmosphere, this drama does something almost unheard of in a Korean drama. It presents a love story that is not about the chase, but rather endurance. Adult topics such as sex, intimacy and trust are at the forefront and allow the drama to paint a picture of actual couplehood instead of traditional guy-chase-girl or girl-chase-guy fare. You'll watch the couple grow not only as individuals, but as loving creatures. It doesn't stop at love, either, the concept of friendship as a refuge is just as strong. The entire cast grows over the course of the show, and if you're anything like me, you will grow along side them.
I really can't gush enough about this drama. It's been a very long time since I watched something that resonated within me with such perfect harmony. The soundtrack captures the moods perfectly, the actors (from main to supporting) have realistic and beautiful chemistry. The melancholy is haunting, but it won't overwhelm you. I cried, I smiled, laughed and lived with this drama. I saw those two souls grow into a love so pristine that you honestly believe they cannot live without each other. The term soulmate can only apply when two people love each other unconditionally, and they both crossed the sea in a rowboat to reach it.
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This review may contain spoilers
I am no cinema critic and I have no education in visual media or anything like that so I'm just gonna write this review as a 21-year-old gay man who was born in a heavily Catholic country and who's spent a good chunk of time in Japan, too.First, let me just get by the regular review-y things. The acting was great, not perfect, but still great. I especially loved how Kaneko Daichi played with his expressions, expressing a lot of emotion just by moving his eyes or changing his expression just enough to convey any changes in Jun's emotions. You probably won't get a 5-star-worth acting in this drama if that's what you're looking for, but it's decent enough to convey what the drama is going for so you won't be disappointed.
The music was fine, as they used a lot of Queen's songs in the making, and I especially liked the moments just before the more dramatic or sad scenes when the music swelled up, mixed with some white-noise-like sound effects, which I felt was the perfect expression of what a gay high-schooler might feel in moments of dread and sadness.
I will surely rewatch this drama someday, that's for sure, even if just to remind myself of what a lot of gay people have to go through, and that not everyone is so lucky as I am.
And now the story. Oh God, the story.
I watched all 8 episodes and I can say that it's a great description of what it is like to be gay in an unaccepting, especially high-school community. The dread of being found out, the uneasiness before coming out, the unquenched desire to end your own life – all of it resonated with me on a very personal level, so much that I had to take breaks while watching this drama so as to let myself calm down a little.
I assume that if you're reading this review, you're not afraid of spoilers so let me say it clearly: no, Jun didn't end up with a girl, and his self-introduction during his first day at University at the end of Episode 8 starting with "Nice to meet you, I'm Andou Jun from Tokyo and I am..." and cutting just at the end of the episode is a clear indication that what he intended to say was "I am gay," which means he most probably came to accept his own sexuality and Miura is now just a friend to him, a dear friend, but just a friend.
This drama brought up a lot of problems I encountered myself when growing up. Is it really impossible for me to date a girl? Will I never be able to have my own children? What will my parents say? Will they be mad at the fact that I will never be able to give them grandsons? Of course, not all gay people encounter these problems but a large chunk of them do, especially in a country like Japan which values (traditional) family a lot and has no partnership nor a same-sex marriage system, where adopting a child might prove to be a pretty tough task for same-sex couples. All of these problems were perfectly conveyed in Jun's story and I was really happy to watch all of it.
However, what I'm even more happy about is that Jun had friends, true friends like Miura and Ryouhei who accepted him as a gay man and supported him no matter what. I am very lucky to have had such friends and I wish Jun had realized that much earlier, too.
That's why I'm giving this drama 10/10. It's not exactly my kind of drama and if I followed the suggested score I would have to give it just 8.5/10. But the story felt so real to me as a gay man that I had no choice to give it an overall score of 10/10. I just feel that it's a drama that would be important for every person in the world to watch to understand gay people a little better.
If you bore with me till the end – thank you for listening to this young, gay man's rambling, and I hope you will watch this drama for yourself to find out what it really has to offer.
PS I am sorry for any mistakes I might have made – English is not my native language.
Have a very gay day,
R.
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This review may contain spoilers
PERFECTION
I have to admit, before watching "I Told Sunset About You" i never knew who Billkin and PP were. I did not watch "My Ambulance" and Nadao productions doesn't really make a FULL BL Series compared how frequent GMMTV makes BL Series. Thanks to MDL i saw some posts in the feeds about this show. Unfortunately this show is not on Youtube and the only way to watch this legally is either through Line TV without Subs or Vimeo which comes with a hefty price. I decided to watch the first episode in DC just to test it and if I love it, i will watch the remaining episodes in Vimeo. (which i did).After watching Episode 1, I was really amazed that I was watching a BL series. I've never experienced this kind of quality as far as cinematography, editing and direction in a BL series. When i rate shows in MDL i have my own expectations for Asian Dramas especially with Kdramas, and i have my own expectations for a BL series (which is normally a bit lower and usually try to disregard some technicalities like editing and cinematography). After watching Episode 1, I knew that this drama would be one of my favorite BL series of all time. And i was right, after finishing the 5 episodes of ITSAY, this show becomes not only my all time favorite BL series but also one of my most favorite Asian dramas of all time.
MUSICAL SCORE - I honestly believe that ITSAY has one of the best Musical Scorings in any asian drama. As they say, music stimulates our minds and hearts. The way they used different versions of the OST "SKYLINE" depending on the mood of the scene is amazing. They also have other OST which is used perfectly on other scenes which adds emotions to the scenes. Some of the memorable scenes with perfect musical scoring are the following:
- Episode 4 - in the exchange of IG stories between Teh and Oh Aew, the BGM was building up to when Teh was crying and about to open his book to review, the BGM used keeps building up which adds suspense to the scene... then once he opened the book, there's complete silence until he burst out crying, then as soon as Teh cried the instrumental version of "Can’t Translate” added sooo much emotions in the scenes which made the audience feel more for Teh. That scene was perfection.
- The Bra scene... the BGM used when Oh Aew was removing the bra and crying... that was tastefully done and made the scene more impactful. this was the musical score they used : https://youtu.be/VcjvE7xkEnU
- The musical score they used in the trailer when Teh and Oh Aew were in motorcycle, this is one of my favorites: https://youtu.be/-gaXP7rgNE4
- Uderwater scene - need i say more?
Nadao was generous enough to share most of the original musical score tracks they used in Youtube and i have to say i fell in love listening to these tracks!
https://www.youtube.com/playlist?list=PLCUIsYHYpxJMwSYDxRX37w3iUjibNNQc_
CINEMATOGRAPHY - Because I'm into videography and photography, I could say that cinematography is my favorite technical aspect in a movie or drama. The cinematographer or what we call the director of photography of ITSAY carefully thought every shot, considering the angle, the camera movement and placement, the shot composition, the light and used different cinematography techniques from close ups, long shots, tracking shot, crane and dolly shots, panning to name a view. The usage of light either natural or artificial to set the vibe of the entire show and to set up the mood of a scene are so meticulously done. The cinematographer was able to capture the emotions of the actors on all of their close ups and extreme close ups especially on their heavy dramatic scenes. And most of all the cinematographer was able to show how beautiful Phuket Thailand is especially the amazing sunset shots and the underwater scenes.
I found a youtube link that compiled some of the best cinematography in ITSAY and majority of the shots selected are some of my favorites. Please watch this and be mesmerized by ITSAY's cinematography.
https://www.youtube.com/watch?v=gVKrDkDLR5o&feature=youtu.be
- The underwater scene and the sunset scenes are so magical. But some of my favorite camera shots are (1) the hammock scene in ep3. The amount of light which is almost a silhouette but you can still perfectly see the sand, see and sky is just perfection. (2) the review scenes on Ep2, the camera shots from above, below, ground level, these shots made the scenes much enticing to the viewers (3) motorbike scene in Ep2. How beautiful this shot is? The colors, the lights in the streets and while the motorbike is moving, the cinematographer has the best shot of Oh Aew and Teh's happy faces , Oh Aew raising his hands while both of them are having the best time of their lives. (4) the movement of camera on Ep4 when Oh Aew walked away from Teh. The camera did not follow Teh as he walked towards Oh Aew, but the camera just keeps moving (with PP's version of Skyline as background music) and all we can see is the wall. But as soon as camera ended the shot with the wall, we saw Oh Aew & Teh under the stairs hugging each other. How beautiful and well though of camera shot is that? clap clap!
EDITING - the way each scenes are edited were done so well. Like how they explained in the documentaries, the emotions of the characters are very important and this should have continuity in every scene. You cannot just cry without any reason, or even if you do, in a drama the audience should understand where the emotions are coming from. One thing i appreciated in ITSAY editing is they do not resort to making flashback scenes for audience to understand what Teh and Oh Aew are thinking. This happens a lot in Kdramas. Even just some scenes which happened 5 seconds ago, the editor will resort to flashback of the same scene just for audience to know what the characters are thinking at that moment.
example:
- During the Bra Scene - the editor can insert some flahsbacks like the sensual scene in ep3 where Teh keeps touching Oh Aew's chest or the underwater scene on episode 4 where Teh still touched Oh Aew's breast. Even without showing those flashbacks, because the editing was done perfectly we would know already what was Oh Ae thinking.
- All of the coconut references. Every time Teh smells or eat coconut, the editor did not need to show flashbacks about the coconut... through the entirety of the show, we know how the coconut reminded Teh of Oh Aew.
- Episode 5 - during chinese new year and the pianist played "skyline" both Teh and Oh Aew were crying. We don't need to have flashbacks on their scenes when they were singing that song... we just felt their emotions and even cried with them.
SCRIPT/STORY - We've seen many coming of age dramas in BL series but i have to say, the way ITSAY delivered their story and message is very refreshing. The script was so good that it made us understood the characters and their decisions (which are stupid at times or very impulsive). We were reminded how young people can be confused, impulsive and give their all when they fall in love.
- When I rewatched this series multiple times, I can't help myself but praise the writer more and more. I just love how detailed the writers are. From the little things like Oh Aew always itching his back and sniffs most of the time when he was a kid, we would still see this when he grew up (Teh still scratching Oh Aew's back). From the purple bra of Tarn which Teh saw from her blouse in ep2, which was used again by Tarn to get Teh's attention in ep4. The contrast of red and purple hibuscus flower and what it symbolizes even the drawing that Tarn gave to Teh where Tarn still drew the purple hibiscus symbolizing that she's still hoping... these small details which made the series so perfect.
- But my most favorite parts are the underwater scene, bra scene of Oh Aew and the "play with my toy" scene of Teh and what these scenes symbolize (1) the underwater scene is so meaningful. The way they kiss all out under the water gave the meaning that their relationship needs to be hidden in order for them to fully express their feelings. Somewhere hidden, quiet and no one will see. But once they go back to land, everything goes back to normal where Teh is still not accepting their relationship. (2) the bra scene is so powerful on what the struggles of gay people. It's so emotional and PP did an excellent job on this scene (3) playing with the toy (sorry for the term). when was the last time you saw this kind of scene? P'Boss is so gutsy to include this scene but it was not done to make the scene arousing but to show Teh's struggle with his sexuality. If you remember, before he started "doing it" the last photo he saw was Oh Aew's in red bra. Then he started doing it and looked at the poster of the male actor and eventually cried. (is he imagining Oh Aew as the one in the poster? knowing that Oh Aew portrayed also this character when they were kids?) Teh really struggled and was confused on what's happening. It started with just sniffing Oh Aew's hair, then coconut, then coconut pen in paper, more sniffing of Teh and touching of Oh Aew's chest in ep 3 and finally kiss Oh Aew underwater ... Teh's sexual desires to Oh Aew has been growing and growing up to the point where he can't stop anymore..... and all he can do was cry after.
DIRECTION- Now let's talk about P'Boss. I have not watched "My Ambulance" yet but i love his previous work Project S: Side by Side. Watching the documentaries and how he explained the importance of the scenes, i have nothing but high respect to P'Boss. Much respect on reshooting many scenes because he's not satisfied with the post production. The way he motivated and get Billkin and PP into their characters were so spot on.
BILLKIN and PP: And for the last part, let's talk about my new favorite BL tandem: BKPP.... WOW! just WOW! did BKPP just elevated how BL actors should act? i mean, come on... both of them sacrificed so much and gave their all in this drama and we all can feel it. Both of them were so consistent in their characters from episode 1 up to the end.
The way Billkin showed his acting range in this series is crazy. We can feel all of his emotions from being confused, happy, jealous, sad, depressed... everything! he's that good! But we cannot disregard PP's acting chops. He portrayed Oh Aew's character flawlessly too. His best scenes are the bra scene, his lines whenever he talks to Teh especially on the last scene... that was really moving.
- the chemistry of this 2 is out of this world. We are not just talking about physical chemistry, but most especially their chemistry on acting.... They really help each other in showing their best emotions. I don't think this series won't be as good as it is if either of them are not casted on their roles. THEY ARE SO PERFECT TOGETHER! Let's claim it. Billkin and PP are Nadao's BL KINGS!
ITSAY just raised the bar on how BL series should be done. Having good script is not enough. Having good actors are not enough. Having good director is not enough. Having good cinematography and editing are not enough..... ALL of these components in making a Masterpiece should be in synced and this is what ITSAY did. It has everything we can ask for.
It may not be the cup of tea of others, but it's definitely not just a cup of tea, but also coffee, soda, soju and all other drinks to MANY! I have watched so many reaction videos and read many reviews and almost every one has all praises to this show.
Truly a Masterpiece, definitely a perfection. That's "I Told Sunset about You."
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Cherry Magic! Thirty Years of Virginity Can Make You a Wizard?!
214 people found this review helpful
This review may contain spoilers
The Best BL of all Time! So Go Watch!
I have never written reviews for anything but this drama forced me to write one. The recent surge of BL had us BL fans swooning however during the process the BL's lost its originality and offered the same plot with school/university/ engineering/love triangle/making all the females either villain or brainless fujoshi but with different actors. I am not bashing other bls but it was getting very repetitive.But then BOOM! came this BL out of nowhere. Surprising us with its wholesome and refreshing original plotline. This is a story about an introverted salaryman who was just going with the flow of life and not much caring about love thus stayed as a virgin. However, when he turned 30 he was bestowed with the mind-reading ability and this is where folks one of the most hilarious yet MOST tender wholesome love story of the BL world's begun. Our protagonist, Adachi, finds out the popular and most perfect guy in the office, Kurosawa, has an intense crush on him.
Adachi is someone we all can relate to especially us introverts. He looks down on himself, lacks confidence, and always gives up fighting for himself and others when needed. But after he gained the power we could see the changes in him. He never once used his power for himself or to harm others rather he used them to help the people around him. He is becoming a better version of himself. Slowly but steadily he is overcoming his weakness for a better life.
Where else Kurosawa is completely opposite of Adachi. He is an extrovert person and the most popular guy in the office. He is a perfectionist in whatever he does. Girls go gaga on him including me. He is smart, handsome, confident, and knows how to carry himself. He is the go-to person, whenever someone faces any kind of problem. He is the perfect example of how a salaryman should be. However, when it comes to Adachi he loses his calms and his confidence wavers. All he wants is to stay beside Adachi and make him smile. Kurosawa will be happy and content as long as Adachi is happy and stay beside him even if as colleagues but that's going to change very soon though.
Cherry Magic has stolen my breath and my heart! Every week I anxiously wait for the new episodes like my life depends on it. The chemistry between the leads is sizzling and you can feel it from the very first interaction and you can feel as each episode progresses the chemistry intensifies. At first, honestly, I thought this will be like Ossan's love with overly comedic with little focus on romance especially when I read that the guy will have mind-reading power and the trailer also really didn't impress me but thank god I gave this gem of drama a shot and I fell in love.
The best thing about this drama is that all the characters no matter how small or big their role is very much like real life. All of us can relate to them in our life personally for me I could very much relate to Adachi and Fujisaki-san. Episode 4 touched my heart so deeply like no other bl could. Also, how could we forget our poor Kurosawa's fantasy?! Trust me it will make you laugh and giggle like a kid. Well, all episodes will make you giggle and scream in the middle of the night like a banshee in loose...or like a kid!
And to all the BL writers out there please learn from Kurosawa how to write perfect gentleman. Kurosawa even though is restless about his feelings for Adachi he never ever tried to force his feelings on Adachi. He is always respectful and he even felt remorse when the co-workers forced him to Kiss Adachi ( episode 3) albeit it was only a forehead kiss Kurosawa still felt bad which shows how considerate Kurosawa is and how much kindness and respect he has for Adachi.
This is a genuine love story between these two men that will warm your heart and soul...make you feel like you are on cloud 9. Make you feel fluffy and soft and gushy and will definitely make you say "EHHH!".
The thing with Japanese bl is that they don't need to show physical intimacy to convey their feelings. They can literally carry the whole show, with the same per as those that hugely depends on physical intimacy to gain popularity, with their eye contact and body language, and what acts they do for their loved one. Again I am not bashing anyone specific.
I think like most of you I am also not a fan of Japanese acting. They often feel cringe to me and made me stopped watching Japanese drama for a while. So for the people who are worried about the acting, YOU HAVE NOTHING TO WORRY ABOUT. The acting is actually top-notch. Both actors perfectly understood their characters and have dutifully are able to portray them just as they were written in manga. Machida is literally Kurosawa and no one can deny that!
To be honest I feel the live-action characters have more feel to them than the manga in my humble opinion. Also, the director did an amazing job of executing the story. And I am glad that they are adding their own original scenes to this adaptation and changing the timelines of specific scenes which I think will be more exciting.
The only con is the development of a side couple. Don't get me wrong I love them too. Tusge is a chaotic virgin that cracks me up every time he comes on screen and our cutie Wataya is such a tsundora lol. But I wished their story would have progressed with the same care as the main pairing but it's ok. This series is already a perfect 100 for me.
And Udon-Chan is love, Udon-Chan is life!
Listen guys once you start watching this series you will not be able to stop yourself from re-watching the currently out episodes again and again. I have already lost count of how many times I have re-watched the 5 episodes. Cherry Maho really spells a real cast at its viewers then we can't stop watching the series even if we want to.
So what are you guys waiting for join our Cherry Maho cult!
Sorry for such a long-ass review and I know I am not the best reviewer out there but hope this review at least is helpful to you lots.
Peace Out XOXO!
Edit- I have finally finished the whole series and my man I LOVE LOVE LOVE it so MUCH!! It was perfect!!! For me, the character development was so good. Adachi overcoming his fear of losing his power and mingling with people, understanding people without his power showed huge character development! Finally, Kurosawa can have his sweet life with Adachi. I do hope we get a season 2! I wanna see more of their sweet life. Call me greedy because I am. Fantastic ending to a fantastic series. Guys watch this show or else you will be missing out on the biggest gem of your life!
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What a sweet poster! ... Fooled me. Well, I didn't even watch the trailer. I couldn't anticipate the plot, the atmosphere; nothing. Koreans have this unhealthy habit of using same-gender romance as fanservice, and personally, I'm so sick of it. They bring the sweet part of it and forget how unrealistic that is, especially in Korea, but it's trendy. So, coming from such a harsh society, it's rare to see a realistic and brave movie regarding this matter. Lately, not only in cinematography, but also music, I've noticed more support and attention in this country. Night Flight is nothing about fetishizing homosexuality and avoiding the truth. This movie manages to show a honest reality, with striking scenes and a solid plot.
It explores the relationship between three childhood friends — Yong Joo, Gi Wook and Gi Taek. Yong Joo and Gi Wook own the plot, while Gi Taek holds a meaningful role through the story. The two of them have a complicated relationship, a kind of bitter, one-sided friendship which lacks closeness and words. This already confusing relationship they have takes a new turn when Yong Joo realizes the feelings he has for Gi Wook have been romantic for a very long time. So he walks further. And everything crashes, in a very beautiful, aching way. Don't expect sweetness, there's no such thing. At least, not how it usually looks like. Let go of your affectionate dramaland and learn to see differently. The emotions can be seen only through gestures, the way the look at each other, the way they don't when they can't see each other (but they wonder about the other) and the words they always seem to share without speaking. Both cruel and kind words. Thus, the moments they speak, the dialogue is actually complex, behind its simple words. So, it's intense and much honest. I found they personalities very pure, pained and so lonely, bearing their own heavy stories, but they choose to cope with their feelings in completely opposite ways — Yong Joo is the bright, brave and sincere one, while Gi Wook is quieter, violent and doesn't know how to express himself. I thought for a moment, given their situations, it's more expected for their personalities to have been reversed, but this way it's actually more interesting, I really like that.
The acting, with more interest in the body language rather than words, was intense and surprisingly good. I could feel their pain growing under my skin, and all it took was looking into their eyes and their messy gestures. Some scenes are still haunting me.
Given how quiet and raw the movie feels, when the music starts, it speaks emotions. Not too much, really, just the right amount of sounds to make it more touching, at the right time. Visually, there are many important details; sometimes it's bright, but mostly dark. Some shoots are serene, colorful and truly artistic, matching the emotions (love), while some are simply raw, monotone and cruel, matching the reality (pain). A very creative contrast.
Do I plan on rewatching it? Of course, probably many times. I'm typing and I can feel the urge to go back and watch some parts, but I'll stay away for a while and let it sink in. Not long, though. I can't wait to see if it's going to hurt more or less (most likely, more). Profound movies always touch deeper the second time.
Yes, it's a sad, realistic movie, with sad teenagers in love. Too young to be so damaged, yet very common. And no, the actors don't look like models, their skin isn't godlike. They look human and, also, they fight for being humans, in a world full of emotionless and harmful silhouettes. This movie shouldn't be overlooked or judged before watching. Let go of any previous disappointing experience with gay-themed movies and dwell in Night Flight. It's the kind of movie that should be watched late at night, when the mind is a little tired to analyze, and the feelings are more perceptive. Because it stains, yet it doesn't feel only painful — it's also very sweet. Beautifully tragic.
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I guess if you're the type to prefer fluffy, lovey dovey, Kdrama cliche type of dramas, then this won't be for you. My Mister is completely different in terms of the "Kdrama formula."
After watching each episode, it's fulfilling, yet you are (extremely) hungry for more. This drama gave me the biggest comfort whenever I feel down. Ironically, the drama itself, is depressing, gloomy, and melancholy. You know how whenever you feel sad you want to see things like rainbows, and puppies, or eat good food in order to make you feel happier, yet none of that truly comforts you; or sometimes it might even irritate someone even more. My Mister is that person that would sit by your side, cry with you, hug you, and allow you to release your emotions so you truly feel comfort. It's not a stress reliever, it's something that makes you embrace those emotions and let you move on from them.
I've never seen a drama that portrays depression as realistically as My Mister, heck, I've never seen a drama that actually has depressed leads. Between each and every character, there is a special bond that is strong and meaningful. The relationship between PDH and LJA is not family love, nor romance, nor friendship. It's a different form of love that it's hard to wrap the head around, but the best way to describe it is human love. Human emotions, comfort, and acceptance. Personally, my favorite parts are the interactions between Lee Ji An and her grandmother. I cry in every single scene because it's so beautiful.
Honestly, during the painful scenes, you cry. The touching scenes, you cry. The silent scenes, you cry. And the happy ones, you cry. Maybe I'm just overly sensitive when I'm watching this drama... It's painful but heartwarming.
I think many people who don't like this drama probably thinks: the brothers are annoying or the drama is too slow. You can't really fully immerse into the drama unless you learn to appreciate the brothers, and what they symbolize. Although it feels slow paced in the beginning, trust me, 1 hour 20 minutes feel like 30 minutes.
The cinematography is stunning. Just like how many people said, it's like you are watching a movie within each episode. It's stunning in a way that is effective to convey the story and mood, and the beauty of each character. There is not one character I dislike, not even the bad ones, because they are all so compelling.
Edit:
For anyone who aren't feeling up to expectations, a little disclaimer. Don't dive into the drama expecting to be blown away or be on the edge of your seats the entire time. I watched it week by week, so the drama itself felt like it was very well paced. If you try to binge watch the beginning episodes, it might feel very very slow, eventually losing interest. But the best way to experience the high expectations, is for sure you really need to immerse yourself in small details, and focus on every single aspect in each scene. Sometimes it might even get a bit mentally intensive. As for me, watching it week by week allowed some breaks in between before fully going into analyzing mode. It's kind of like you have to critically analyze every detail in order for the viewer to meet its expectations. If all else fails, then it might just not be your taste and that's all okay :)
Edit Oct 2021:
I think what kept me coming back to stalking this drama is because somehow they were able to make the most depressing and mundane of things feel exciting and alive again. It's something that not many shows I've seen can do, which is why this show still has a special place in my heart.
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So Far, Most Re-watchable JDrama BL I've Seen
I've spent at least 6 hours of my life re-watching this drama! From Michieda Shunsuke's (Aoki) amazing facial expressions, to Fukomoto Riko's (Hashimoto) charming personality (definitely a scene stealer, it's so nice to see a strong female character like her), to Meguru Ren's (Ida) handsome face, this show finds itself ranking at the top of my list for 2021 BL's. Not to mention Suzuki Jin's (Akkun) acting - seeing him go from his more 'serious' role in Given earlier this year to something more lighthearted is a little head spinning; he has amazing range!As for the plot, there are some twists and turns in the first few episodes that had me cracking up and itching for the next episode to hurry up!
All in all, so far it's been an amazing experience to watch this show!
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Face off.
While looking for her long lost sister, Shi Qi is overpowered by the scheming Prime Minister's daughter Shen Qin. When she wakes up, she discovers that a magician used dark magic to swap her face with that of Shen Qin. She finds herself married to General Xiao Hansheng in Shen Qin's place. Shen Qin assumes Shi Qi's identity and returns to the side of her lover the ambitious and ruthless Prince Ning. Shi Qi is unable to expose Shen Qin to either man as her sister is held hostage by Shen Qin. The plot tightly weaves together lurid affairs, murder and intrigue, treason and breathtaking, titillating romance. The suspenseful tension climaxes in a satisfying face off between the two women with a gobsmacking twist. Best to steer well clear of spoilers for this one.While the chemistry between the lead couple sizzles with passionate intensity, there is a quiet authenticity in how their relationship blossoms. The powerful hook of this romance is the simple convincingly articulated idea that Shi Qi has a unique identity that transcends her physical appearance and her true soulmate can sense her soul, the core of who she is. This is at sharp contrast with Prince Ning who lacks insight and does not have the same connection with his lover. That said, the second couple's dark chemistry is also alluring enough to make me root for them. While the story is quite dark, the dialogue is infused with wit and humour. The rapport and banter between the general and his much aggrieved military advisor hilariously and effectively captures the evolution of the general's feelings.
There is little to find fault with in the crisp, intriguing plot and the heartfelt performances by the young cast. Indeed these gorgeous young actors can give lessons to their more established peers on how kiss scenes should really be done and how not to sleepwalk through a drama. Is it a masterpiece? Nope but it is addictive enough for me to rate it an 8.0.
Bottom line - this is a total find of a delectably sexy and suspenseful romantic short-length drama that you must start watching now. Just do it. And thank @Noel for this stupendously good recommendation.
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