3Fifty shades of cliche.
This drama is a dark, melodramatic blast from the past. It is fifty shades of the worst outdated bodice ripper romance cliches imaginable. Dong Tingyao is the sole survivor of her family's massacre. She suspects warlord Fang Tianyi to be the culprit and finds herself a maid in his household. The villain is obvious from the beginning but sadly our voluptuous heroine has more guts than brains and finds herself in one dicey situation after another. Fang Tianyi is the kind of alpha male hero that struts around flaunting his magnificent chest while he uses very coercive methods to seduce Tingyao. Yes, exactly the kind of story that has all but been eviscerated since the advent of feminism and political correctness decades ago. And yes, I unabashedly sucked up every ridiculous, outrageously hot but ahem,I mean totally unacceptable moment of it!The bottom line is you won't enjoy this drama if you think about it. But the leads sizzling chemistry and Fang Tianyi's hot, searing gaze and the heavy lidded way he eyeballs Tingyao is enough to make me forget to breathe, much less think. Despite the cheesy lines and some iffy costumes, the acting, especially by Dai Gaozheng is mesmerising. The melodramatic plot allowed both actors to demonstrate their ability to convey the gamut of intense emotions - love, hate, forbidden desire, fear, frustration and passion, lots and lots of passion. For the first time I really understand why these kinds of characterisations used to be so hugely popular in the past. It is a strong testament to the actors chemistry and skills that can make me look past all these out of favour tropes. Honestly if anyone in real life tries to pull a Fang Tianyi on me, he'd get a kick in the nuts that causes permanent damage. But as a fantasy guilty pleasure of a short drama (10 minute episodes), I enjoyed this immensely.
The ending was terrible but then so were so, so many other parts. Nonetheless I am peeved about it enough to give it a 7.5 instead of an 8.0. Yes I am petty that way. Still, this is a fantastic way to indulge in the occasional smoking hot guilty pleasure.
Final comment: consider stopping at ep 29 for best viewing experience.
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The Yin-Yang Master: Dream of Eternity
125 people found this review helpful
The Perfect Yin Yang
The Yin-Yang Master: Dream of Eternity is a much anticipated movie that went through hell and back, and literally pulled us fans into the same predicament. This production has been plagued by backlash against its director-screenwriter, Guo Jing Ming who lost a plagiarism lawsuit back in 2004 for a novel that he had published and since then, there have been those in the industry calling for a continued boycott of his works. On top of that incident, another accusation of plagiarism was made against him, this time for this movie where certain scenes resembled Marvel’s 2016 release of Doctor Strange. This fresh wave of backlash had resulted in the film being pulled from cinemas less than 2 weeks after its initial release in China on Christmas 2020. There were real fears that Netflix, which acquired the world-wide distribution rights, may pull the plug on this as well. Fortunately, it did not and the movie was released on the streaming platform as originally scheduled on 5 February 2021.Dream of Eternity is adapted from the novel series Onmyōji by Yumemakura Baku, with a fair amount of interpretation through the screenplay (as I understand from various news sources) written and directed by Guo Jing Ming. This is the 3rd incarnation of live-action based on the novel series, the first two were Japanese adaptations in 2001 and 2003, and comes into direct comparison (and probably competition as well, due to the timing) with another movie based on the Onmyōji mobile game (which is also inspired by the original novel series), The Yin Yang Master. To be perfectly honest, I haven’t read the novel series, played the mobile game, and even seen the two Japanese adaptations. So I went into this on a huge wave of anticipation and excitement based on rave reviews by nearly everyone who had seen the movie.
The plot focuses on the adventures of the lead character, cosmologist (Onmyōdō, the traditional Japanese art of esoteric cosmology) Qing Ming as he investigates strange cases linked to an overarching mystery involving the heavenly realm and a mystical artifact. This takes place in a fantasy world where supernatural beings (demons, and others that I’m unsure of how to classify) co-exist. Along the way, he develops a friendship (and bromance with hints of BL) with the Imperial Guard (similar to the Embroidered/ Brocade Jing Yi Wei guards) Bo Ya. Together they form a formidable partnership in tackling the unsavoury otherworldly (super)villains that get in the way of solving mysteries. They also encounter other intriguing supporting characters such as Princess Zhang Ping, Master Long Ye and He Shou Ye.
If the story depicted here is anything like the original source material, I’m severely tempted to start reading the novel series. Exquisitely intricate world building of the highest degree with equally fleshed out major and supporting characters. Little wonder a running time over 2 hours is needed to bring this entirely fantastical setting to life. It certainly did not feel that long at all, as the storytelling progresses at a reasonably engaging and quick pace with perfectly-timed intensity and thrills where it mattered. Perhaps an additional 15 to 20 minutes would have provided more richness and depth to certain scenes and the development of character build-ups and relationship dynamics.
The cast is one of the major reasons for getting excited over this movie. Mark Chao headlines the eclectic ensemble that also comprises the likes of Deng Lun and Olivia Wang. The award-winning Mark Chao is globally renowned for his role of Ye Hua in Eternal Love (TMOPB) as well as numerous other starring roles since he made his debut in the critically-acclaimed Monga a decade ago. Deng Lun is another big name in the xianxia series through his major role in Ashes of Love. Olivia Wang is probably not as universally renowned as the two gentlemen, but she has been no less prolific with a portfolio of works that spans 15 years in the industry.
The characters of Qing Ming and Bo Ya were delectably portrayed by Mark and Deng respectively. Mark invokes a particularly subtle kind of charm and sophistication as the titular Yin-Yang Master that makes him appear genuinely warm and sincere but with a dash of self-assured confidence. Deng’s Bo Ya is seemingly more minimalist with a stoic disposition permanently etched on his entire being. These two make for a great couple, whether as brothers-in-arms or even beyond the usual conventions. Wang was almost unrecognizable as the Princess Zhang Ping, even without the heavy Tang-esque makeup. I felt that although she was probably way out of her comfort zone in this role because it was such a controlled and subdued character to portray, her performance was on point. Her character is arguably one of the most enigmatically intriguing.
The most talked about aspect of this production that garners the highest praise from most viewers, with which I agree wholeheartedly, is its visual representation. This is a big budget production that seamlessly blends top-tier CGI technology, beautiful cinematography, and astounding choreographed sequences with breathtaking set designs and immaculate costumes that embody the world of Onmyōji, supposedly set in the Japanese Heian period. There is absolutely no way to describe how visually stunning this film is - you just have to see it for yourself. Principal photography fully took place at Hengdian World Studios and apparently this film and a sequel were filmed back-to-back in what is a planned series. The impressive visual effects were provided by the well-known Korean animation and motion picture VFX production company, 4th Creative Party which had produced feature films in Asia, Hollywood and Europe, most notably Okja, Snowpiercer, and The Host.
The music in the film is no less exquisite, composed by celebrated Japanese composer Kenji Kawai, famed for his works in Ghost in the Shell, Death Note and Ip Man series, among many others. The BGM for this production is one of the best in the fantasy genre, where traditional sounds blend harmoniously with contemporary tones. The OST lists 2 tracks used in the film, both of which are slow-tempo ballads:
Heart Fallen 心殇人 - Huang Ling 黄龄
Infatuation Tomb (Ending Song) 痴情冢 – Deng Lun 邓伦
Overall, The Yin-Yang Master: Dream of Eternity is an exceptionally well-crafted film that is stunning to watch, refreshingly straightforward and uncomplicated (despite the premise), and effortlessly enjoyable as well as fun. It’s a no-brainer, what are you waiting for? (before Netflix actually removes the content because of plagiarism issues...).
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This drama has set the bar too high
How can a drama be so perfect?SHOWSTOPPING, JAW-DROPPING and just SPECTACULAR.
And this is coming from a highly critical kdrama watcher. I have honestly dropped so many dramas just because they got boring, and the ending felt too predictable. But with this drama, it was different. This drama has set the bar so high that it has become the golden standard for me. EVERYTHING from the humour to the romance and the little plot twists keeps you engaged throughout. There will never be a moment where you get bored. Even in the midst of a scene that you would think to be serious, you will almost always end up laughing. And speaking of laughter, your belly will probably ache at the end of each episode lol.
Apart from the plot, the actor and actress have outdone themselves. They will 100% climb up your kdrama actor/actress list.
The music is on point especially this one song that will get stuck in your head lol.
If you're a picky drama watcher I highly highly highly recommend this.
Have fun watching this :)
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When fiction meets reality...
As a sociologist and someone from a country that went through two dictatorships, Youth of May, a drama that addresses one of the most tragic moments in South Korean history (which took place during a dictatorial period, it is important to emphasize) caught my attention.I usually believe that art in general, including dramas, has a social function, which is to remember, even what we most want to forget, because even what causes us sadness is part of the stories we experience and it is of course, the stories that make up a country and its people.
And in Youth of May it is possible to identify this effort to revive the collective memory, mixing fictional aspects and others that go back to the often cruel reality. For, against the background of the Gwangju massacre, Youth of May portrays the multiple deaths that can be experienced in traumatic events.
"Death" does not always refer to the body, but to dreams that are not lived, hopes that are dashed and reputations destroyed. Making you question what it means to live? Is a person who has given up on their dreams alive in some way or is they dying with each passing day?
That's the question I asked myself when I was introduced to the protagonists, especially Myung Hee who, for various reasons, is forced to give up her own future until finally the opportunity to leave for another place arises. But what to do, when meeting Hwang Hee Tae, our male protagonist, she finally decides to live...
Giving up a "fair" path that allowed her to live securely in sacrifice of her own happiness, Myung Hee experiences love, fear, self-pity, while questioning herself and her own values. Feelings that are interesting, as the protagonist starts to question herself and her choices, while she sees the self-control she had slip through her hands, replaced by the possibility of living a love...
Already with Hwang Hee Tae we learn somehow about remorse, about autonomy and responsibility and, in a way, submission, while he is willing to exchange his own future for the possibility of saving someone from the past, aspiration ruined for an "exchange" , who made him meet Myung Hee on a blind date. He who was willing to give up on himself found a reason not to abandon himself...
It is from this exchange that Hwang Hee Tae and Kim Myung Hee live their love, intensified by the almost instantaneous attraction and historical moment they were experiencing, as well as by the networks of relationships that tied them to a reality that cannot be defined in any way. positive. After all, the use of repression against the innocent will never cease to be regrettable.
The relationship created between the historical event, the novel presented and the other relationships demonstrated allows us to think about abstract concepts such as justice, injustice, insurgency, freedom and the false feeling of being free, as in the case of Soo Ryeon and Soo Chan's family, our secondary characters. Being Soo Chan awakened from his illusion in the final part of the work.
It is noteworthy that this symbiotic relationship (dramatized historical event + romance + family) also allows us to think about how hard reality can be. Because, through the characters, it was possible, at least for me, to somehow establish a connection with the feelings evoked and delve a little deeper into the presented historical fact.
It's as if somehow it was possible to bring, with the plot presented, an understanding even if shallow of the difficulties of those who did not have their stories told. I wonder if I'm traveling, but I got this feeling while wandering.
And finally, with the sum of the novel, with the representations (which still do not represent the full complexity of such violence) accompanied by worthy performances, the doors are opened to seek to know a little more about the true Youth of may.
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Being from the suburbs and living more than half of my life in the city, seeing such simple-ness was very refreshing for me. Part of me almost wanted to go and live there. Give up everything and just go to a village and farm and live. Then again it made me think, after being brought up in the city can we actually do that? I was jealous of Hae-won through out the movie. She had a place to return to and most importantly she knew how to return and live their comfortably.
I really wish there is another movie for this like the Japanese adaption of this because for some reason I felt this movie deep within. It was beautifully and artistically done.
One of the best films to just watch during summer, alone on the verandah, with a cool drink and a snack at hand. (Stressing on the snack cuz believe me this movie makes you want to eat)
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The One True King.
This drama packs a powerful punch from the very first episode with frighteningly intense fight scenes that had me flinching at every viciously lethal sword stroke throughout. The dark and intriguing wuxia plot is like an addictive, multi-dimensional jigsaw puzzle that brilliantly seduces with a mysterious backstory and shadowy motives of the key actors. This is a very intelligently written drama that will appeal to engaged viewers who enjoy pulling at threads until all is revealed.Be warned - there may be mild spoilers ahead although I will steer clear of major spoilers.
Wen Siyuan, the suzerain of the information broker Shanshui sect is tasked by a gifted itinerant doctor Zuo Qingci to help recover a stolen defense map that was entrusted to marquis Yan. They enlist master thief Su Yunluo/Fei Kouer and the two top disciples of the powerful Zhengyang sect (Yin Changge and Chen Manqing) to aid them in this dangerous quest. It turns out to be a bonding adventure for them that results in a friendship and trust that can prevail over existing loyalties and conflicting agendas. It also drags them into a battle for the throne and reveals secrets relating to a decade old conspiracy involving their elders.
From the start, that GOT callousness of characters dying at the roll of a dice probably made me protect my heart from caring too much about any of the main characters or couples. My favorite characters are the more peripheral ones - the Ghost Boy and the One True King. All of the characters in this drama are flawed and make mistakes. While Qingci and Yunluo are clearly the leads, there are many important, well developed and well acted roles. Our leads are both single minded to the point of obsession in their goals; Yunluo in a decade long quest to heal her shifu and Qingci initially with Yunluo and later on, with revenge. While I did not enjoy the obligatory angst, the overall progression of this relationship from an unhealthy adolescent infatuation to a mature and sustainable one was well done. Both young actors are charismatic and convincing but it is Zhou Tingwei's enigmatic Wen Siyuan that steals my heart and anchors the entire cast. Romance is not this drama's strongest point but the one between Siyuan and Manqing is sophisticated, witty and laced with just the right amount of spice to make the sparks really fly. The women are strong and independent and have their own agendas that can be higher priorities than love so they don't just meekly fall in with their men's plans. Best of all, they don't bore me with any high pitched squealing. The bro-mance between Changge and Zhuyuan is also very enjoyable although I don't love where the the story goes for both characters.
The real hook of this largely plot driven drama besides the satisfyingly bloodthirsty action is discovering hidden identities, motives and secrets, understanding Qingci's ruthless strategies and his end game and how he adapts when things don't go completely to plan. Which happens A LOT. Because the villains are just that cunning and that much more powerful that sometimes they win. The way tension and suspense is built in this drama is really masterful but can induce stress. The story is brilliantly written but unfortunately flaws and plot holes emerge towards the end. The first arc is really exceptional on all fronts but the excitement and ruthless brutality peaks there although the story continues to be absolutely riveting. From ~ episode 30, the story succumbs to crowd pleasing but unnecessary romantic tropes, some gratuitous deaths and imminent tragedies. While it builds to another climax the ending was only just satisfactory and did not meet my admittedly high expectations. There were too many holes and they unnecessarily wrote themselves into a certain outcome that they did not dare to follow through on with the same characteristic cruelty of the earlier arcs. I am left wondering if their quest was ultimately futile and if the high cost of revenge can be considered justice. To me, the true unsung hero of this story is the One True King who is willing to sacrifice for peace but is not king in name. This is the character that moved me the most. Does the legend of such a noble king make this a very dark wuxia or one that is bathed in bright light?
This is the most awesome wuxia of 2020, flaws and all. I initially considered it a 9.0 due to my high personal enjoyment but objectively 8.5 is more than fair given the messy ending.
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Seldom can dramas make me feel this frustrated, excited, bubbly all in one episode. That’s what an incredible drama should do with you - completely play with your feelings, make you question certain things. The genre is definitely melodramatic so prepare to feel heart-broken and to weep a whole lot. However, this is also a realistic drama showing the unfortunate lives of two humans and their natural approach to romantic love. Seeing the two characters develop feelings for each other and being connected in the past made my heart oh so weak. I’m a sucker for the main characters to have a bomb chemistry. And oh boy, the lead actors killed it! First, Won Jin Ah is currently one of the most memorable young and starting actresses out there for me. She was so professional with how she transferred her character’s feelings. I have to say, this was my first time seeing Lee Jun Ho’s performance as well and not only is he an amazing actor, but a singer as well. Speaking about music, the OST was so sincere, the songs made such an impact on all of the scenes, and me included. To add, I appreciate that the viewers got to see the different lives and struggles of the supporting characters. Each of them have their own unique story which makes this drama worth rewatching all over again!
(Also, I felt the need to address something as well. Never drop a drama if you’re not sure on how the ending is going to turn out like. The natural progression of the drama, the characters, their developing stories are what make this series worth watching.)
Overall, this drama makes you appreciate life even more and live your life to the fullest every day somehow. I bow down to the creators of this drama for giving me a thrilling rollercoaster ride full of incredible emotions!
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If I have to describe this drama in one word, I'd say it's "nostalgic". It does seem like an obvious choice since it's a story about past life, but making a mere viewer like me constantly feel warm and comforted by the characters and the bond between them is not something other past life stories can easily do. This is the product of seamless writing, talented cast and their acting, mesmerizing music and phenomenal cinematography. This drama is at the very top of productions of its kind, it will stay there for a long time, and it has possibly exceeded the standard value of other genres as well.
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The story, for me, sums up into a beautiful story about destiny and camaraderie that surpasses the boundary of time. Instead of being something completely new, it surely makes a lot of new choices in characteristics, settings and storyline.
You will experience this simple concept of love and friendship on two timelines: one is back in 1930s Kyungsung (Old Seoul) when Korea was under Japanese rule, and one is in present time Seoul. Although the present time is their main timeline and their past is shown as their recollection, both timelines have their own weight and are laid out equally well.
The main characters are this story's forte. In the present time, we have a bestselling writer who appears snobbish at first but opens up into a very thoughtful person, a ghostwriter who can look both like a caring gentleman and a lonely lost puppy at the same time, and lastly, a fan who is strong, caring and rather very respectful for someone entitled "number one fan". They really are a bunch of good qualities which you can't help but fall for.
These three characters are then tasked with a mission to find out what truly happened in their past lives that makes things the way they are in present time. As they recall past events together, they develop a strong bond just as how they did in the past – if not even stronger because now they also have a chance to learn things about each other they previously didn't know.
At the same time, their past timeline is where the political genre comes in. It's not heavy on politics at all, I can assure you. It rather weaves this setting into the main message very nicely because here our main characters share their passion in fighting against the Japanese for liberation. It's rather super romantic, I must say. "To protect the love I couldn't protect in my past life. To meet again in a liberated homeland and love freely." – This quote says it all.
Other than that, this story gives you a good laugh. Side characters are as three-dimensional as the main ones, and many of them will surely grow on you. Also, this could be because I'm Korean, but even their dialogues and choice of action are three-dimensional. Every word they speak, everything they do, has a good reference and reason behind it. The constant mention of supernatural beings is witty, and how they involve famous quotes, poems and authors really fits with the plot. I can't praise this drama's writer enough for her super well-done research. There's really no plot hole or boring/dragging moments.
And, oh, did I mention? The said writer is Jin Soo Wan, the amazing writer behind Moon Embracing the Sun and MDL users' all-time favorite Kill Me, Heal Me.
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For the cast, I have seen almost every single one of them in their past works, and they still didn't remind me of their other characters at all, which is always important. They were so alive in their roles. I specifically want to praise our leading cast Yoo Ah In, Im Soo Jung and Go Gyung Pyo who had to take on two roles each for their separated present and past characters. They all nailed it. Additionally, Kwak Shi Yang who portrayed the antagonist deserves extreme compliments. The fact that he made me utterly hate his entire being proves that his acting was marvelous. That is an A+ for someone who's been in the industry for merely 3 years.
Another thing I fell in love with was the music. This drama's OSTs are gems – not only because we have golden voices like Baek Yerin and SG Wannabe but because the lyrics were written according to the storyline. The music cues are planned out so well that it's almost cunning. They appear at every right moment to add meaning to what we're seeing on screen, and often times they call for tears. In other words, they are not just background music but part of the storytelling itself. Don’t ever forget to read the meaning of those songs, and you’ll be in awe.
Likewise, the cinematography, the costumes, sets and their props are also impeccable. "Visually stunning" describes this entire production. This is one of those few dramas that you can pause at any moment and get a beautifully-composed still image. Present day Seoul and 1930s also have a clear line between them – both done beautifully from a lot of research. The color is graded in a cozy lukewarm tone and will make you feel like watching a beautiful independent movie on a big screen.
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Romantic, evocative, delicate, sentimental, homely.
“Nostalgic” it is. Nostalgic really sums up everything.
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Witnessing how this drama played out every week felt just like witnessing a piece of art. I never thought I'd have a chance to give straight 10s on a review, but this drama felt like an exception from the very beginning, and it never disappointed me until the end. If this isn't enough to make you decide to watch, I don't know what else will.
I don't think I'll be able to get over this drama in a very long time. This drama is my home.
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Kim Sun Ah made Kim Sam Soon one of my favorite K-Drama leads ever! Sam Soon is loud, stubborn, charming, emotional, unfiltered, and absolutely hilarious. She was equal parts frustrating, & inspiring to watch. She's not the usual passive female lead, and I loved watching her take charge of a situation. She is matched up with Hyun Bin as Hyun Jin Hun, who walks the line between arrogance & charm so expertly well. At first I didn't recognize him, because he looks so different in this compared to Secret Garden, but his performance in this reminded me of all the things I loved about him in that drama. Together, their chemistry made them a rom-com dream team. The fact that they didn't fit seamlessly together, and that they were not always good to each other, made their relationship feel more honest. I think they were the perfect blend between discord, and harmony. I could literally watch them go at it all day... in fact, that's exactly what i did. lol.
The lead performances were a clear 10 for me, and every minor character in the supporting cast was also really great, but I feel like I have to deduct at least 1 point for the 2 supporting leads. It's clear that Daniel Henney's purpose in this drama was to be eye candy. Most of his scenes involve him smiling at people while they teach him Korean language & culture. His acting was decent enough, but far from good. Jung Ryeo Won's performance was also underwhelming. As much as I loved to hate her character, there were also quite a few moments when I cringed through some of her acting scenes (in both languages). It was initially jarring to hear so much english spoken in scenes, with actual fluent speakers, but it made their acting inexperience much more obvious to me. The only moments of boredom I felt during this drama was when these two were the focus.
I admit that the plot wasn't exactly original, but it wasn't typical either. The love stories in this drama are far less innocent than the k-drama norm, which was nice to see. There were many great rewatchable rom-com moments between Hyun Bin & Kim Sun Ah, and they share one of the best kiss scenes that I've seen in a drama.
Music also plays a key element in the story, which I liked, but I wasn't particularly impressed with the soundtrack.
Overall, It's lol hilarious, yet emotionally realistic. Even when the tone of the drama began to change, It never lost it's momentum. I continued to be excited about watching each episode, and I enjoyed every one till the very end. This drama could have easily ended with a pleasingly cheesy conclusion, but instead the ending was simple, and inspiring.
I think all rom-com fans should have this on their "to watch" list. Forgive the old school phones, and the ugly clothes, and I think this stands up against any current drama. I agree that "My Name is Kim Sam Soon" is one of the best dramas that I've seen, classic or not. I can see myself easily watching this drama again, & again... while eating a lot of pastries, of course : )
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I seldom write reviews for dramas, but I felt that this drama was worth my time to recommend it to others. Frankly, I went into this drama without high expectations because the plot summary sounded a bit funny at first. However, this drama proved me wrong and turned out to be one of the best rom-coms I have ever watched. I found myself waiting desperately for each Wednesday and Thursday to come, so that I could immediately tune in for the latest episode. And, more so, I found myself laughing and crying along with the characters.
This is a drama for people who like simple romance, without much salt and pepper, just pure unsophisticated interactions between two individuals in their home space as they gradually fall in love. This is also a drama for people who like to focus on main leads and don’t care much about side characters and their subplots, because all the side characters in this drama are purely for the development of the leads.
Story 8.5/10
The story is about a man called Kim Min Kyu (Yoo Seung Ho) who, due to childhood trauma, developed a rare illness that causes him to be allergic to humans (as in REAL skin allergy!) and he has since then lived all by himself for 15 years. Doctor Hong Baek Gyun (Uhm Ki Joon) gets Min Kyu to test out his newly invented robot, but due to unexpected circumstances, Jo Ji Ah (Chae Soo Bin) was sent in in place of the robot, and there begins their cohabitation life where Min Kyu slowly opens his heart and learns to trust people again. The story focuses on the two main leads and their daily interactions, keeping the story simple and linear. However, that does not make it boring, as seeing their relationship grow in real time was what I enjoyed most in the process. AND THEY WERE JUST TOO CUTE. Although this is a rom-com, it does have a melo downturn in the second half, so be prepared for some angst.
The reason why I deducted marks from the story, is because the pacing was a bit off in the last several episodes. Sometimes they would deliberately drag the plot for an episode to end in a cliffhanger. This took a toll on the plot development, causing the ending to be too rushed because there were many things left to resolve. However, the chemistry between the characters will still keep you anticipating for the next episode.
The story is not without clichés or plotholes, and while you may judge the realisticity of the story by asking “hey, how is it possible for him to not know how to distinguish between robot and human??”, I would say it depends on what you expect from watching this drama. Since this is a sci-fi/fantasy rom-com, its main goal is to present a funny, light-hearted story that does not necessarily have to follow the principles of reality, as long as it is internally consistent and effectively delivers what it wants to deliver. And I think this drama did an excellent job at telling a beautiful story about how bonds are formed, and how love could make you recognize a person’s soul no matter how they may change. As long as you overlook the basic assumptions that the story is founded upon, it is an enjoyable story.
Cast 10/10
Cast was well chosen and fit their roles A LOT – one of the major reasons this drama was well-received is because of the likable cast that keeps us wanting for more.
First of all, Yoo Seung Ho gave a stellar performance as usual. When he cries, you just can’t help but want to cry with him. His emotions felt so genuine and real, that his agony transcended through the screen. From happiness, to disbelief, and ultimately to despair, the transition of his feelings was like that of a real person. Imo, he delivered well the struggles and inner conflict of a character who fell in love with a robot.
Chae Soo Bin’s doll-like appearance and figure makes for a believable robot, and she did an amazing job portraying three personalities (a human, a robot, and a human pretending to be a robot) and they all feel different. On top of that, she had amazing chemistry with Seung Ho. Their adorable interactions were a major leverage to the story, and I don’t think any other pair would have spiked the same type of cuteness-overloaded, star-struck chemistry as they did.
I loved how the Santa Maria research team and the leads were like a real family that cared for each other wholeheartedly. Every member had distinct personalities that made them memorable. As for the villains, they were mainly there to establish the bond between the two leads (and to showcase Aji 3’s intelligence). I was looking forward to the push-pull brotherhood tension between Min Kyu and Yoo Cheol, but sadly it wasn’t developed. I wish the love lines of the side characters were talked about more as well.
Overall, the characters could have been explored in more detail, but since I happen to not be the type of audience who likes side characters and side stories, I am already satisfied enough with my devotion to the two leads. In terms of casting, they all fit their roles very well and I will always remember them as these roles.
Message 10/10
I liked how they made a contrast between characters who think using logic (i.e. the scientists, Aji 3) and characters who think using feelings (i.e. Ji Ah). it shows that emotional intelligence is also a type of intelligence and, although it is often left unseen, it is a quality that’s not inferior to logic. The deeper message – human emotions is something that cannot be mimicked using logic, it is something that can only be felt by humans.
I would say the main selling point of this drama is the sincerity of emotions that the characters share and the heartwarming message. I was definitely touched by the genuine emotions of Ji Ah. She made me understand that sometimes things don’t have to be practical or logical to be meaningful. It’s the heart of a human that makes them transcend robots, and the heart of a human that can make a seemingly useless object become meaningful.
OST 8/10
There’s not much to say about the OST. All the songs match well with the sweet atmosphere of the drama.
Overall 9/10
I can’t say this drama has the best plot, but the chemistry between the characters and the heartfelt messages made up for it. Overall, it’s a drama with sincere characters that are able to touch people’s hearts using their dialogue. The chemistry, characters, atmosphere, and Yoo Seung Ho’s expressive acting have made it work.
It’s been a long time since I’ve been so invested in a drama. This drama reminds me of why I started liking Korean dramas, and I’m certainly glad I didn’t judge a book by its cover and gave it a try. This is one of the dramas that I will always remember even after a long time. It has a special place in my heart.
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This review may contain spoilers
I understand why people are upset by this movie!But I don’t agree!
Here’s the thing. They didn’t have any sexual feeling for each other in the second half of the movie. They died together so they could be reincarnated “together” so there would be no age gap and hopeful no gender gap either! Phop is gay that is why he and his wife didn’t have any kids there was no sexual love there only the love of friends. He never saw liu sexually he just saw dew in her body! You could tell by the way he looked at her there was never desire is his eyes only guilt, longing, and happiness! I think it was a beautiful ending! There was never going to happiness for them in this life so they chose the next! Your look at the movie wrong. Liu already knew and proved that rebirth and reincarnation were real and Phop proved that they could find each other even in different bodies, so they had nothing left to lose! Remember they are Thai which most are Buddhist not Christian. Suicide doesn’t have the same consequences in Buddhism. Focus on the LOVE in this movie not societies views on what is right and what is wrong. That’s exactly what broke them apart in the first half of the movie!
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My favorite trashy romance.
This is the drama version of the perfect trashy romance to curl up in bed with on a rainy day. It is not overly ambitious in terms of plot and will not satisfy hard core fans of the detective genre but overall it is an unpretentious hidden gem that will bring you on a delightful romantic journey.Our titular character Su Ci is a brilliant young investigator with a hidden identity as the daughter of a traitor. Her reason for existence is to unravel the conspiracy that led to her family's downfall and murder. In the middle of a case, she runs into Prince Qi who is traveling incognito. He is also trying uncover the traitor behind his army's crushing defeat and his consequent demotion. They fall like a ton of bricks for each other well before they figure out each other's hidden identities. They form a fast friendship with another couple they meet on their first case and team up to solve a number of cases that lead to the ultimate unraveling of a bigger political conspiracy and redress old injustices.
The main issue with this drama is aside from some really steamy romantic scenes, the various plot threads lack intensity. The main characters only superficially interact with the characters in the cases and the investigations seem to largely involve the four friends solving the case by talking to each other. As a result there is no build up of suspense and excitement in the gradual reveal of the cases. The overarching plot and main antagonist is known from the get go but is still better written than the short cases and at least there is a small twist at the end. Oh you didn't notice? Yups... that's what I mean... The main villain is well acted and it is a shame they left the only heavy face to face clash between him and our leads until the end. The whole point of revealing the villain early in the game is to let them face off a few times.
So why watch this? Because it is a lot of fun and even though it shows that it is a young cast, there is great rapport between them and both romances are very good. The OTP have boatloads of chemistry, they look gorgeous and fitting together and deliver many squeal-worthy moments - I mean who cares that it makes no sense that they retreat into a cave after an ambush when help is just around the corner? You have to embrace drama logic - they go to the cave because they can wow us with more hot kisses there, don't worry about whether it is safer to reunite with their friends and guards instead. They are written to be smart characters and they generally are when they are outmaneuvering their enemies or busting criminals. But there are also many times when heavy suspension of disbelief is required.
Newcomer Zhang Linghe really impresses in his debut performance here as Prince Qi and my sense is he is an actor to watch. The main relationship is (outside of one short lapse) very well written - mature, mutually supportive and I just love how Prince Qi is very amorous he does not hesitate to pounce on Su Qi at any opportunity.
I really enjoyed this drama and if I were to rate it on fun factor and romance alone it would be a 9.0 for me but all things considered, I think an 8.0 is appropriate.
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This movie is fucking great. I watched it twice already. Both lead characters are so amazing and talented that you could feel their emotions, happiness, sadness, or whatever feeling right in their eyes and facial expression. The storyline is super compelling. It's a kind of story that stays with you and makes you think of it even after coming out of the cinema hall for days. Despite that violence and bully, the little love between the main leads makes me feel so warm and touched. Main leads did not talk much in the movie, but they communicate through their eyes and their expressions are damn amazing.
To sum up, the story, the actors' talent, and the casting choice are perfect. This is a must-watch movie.
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love like a storm
A masterful portrayal of the maladies of fledgling teenage love. Confused emotions from failing to separate friendship and romantic attraction, longing , pain from unrequited feelings, utter joy from being together, jealousy and the desire to possess; love is like a storm sweeping through the mind, enmeshing all the emotions. A teenage love is indeed special. Unlike the managed emotions of an adult who has learned to protect oneself , it is desperate and total. Such intricacies are rarely portrayed in dramas, more so in gay-themed dramas which unfortunately have a general lower quality. A must watch for all lgbt fans.From a general reading of the comment section, people please remember they are not experienced in love and cut Teh some slack . On one hand , he wants to do right by his friends, but the bitterness of unreciprocated feeling takes over making him manipulative and hurtful to others. Only when you grow up, you gradually learn to exercise restraint. So don't be to quick to judge him by adult standards
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This review may contain spoilers
YOU HAVE TO WATCH IT BUT FIRST...
Despite what others think, I loved the drama. I'm sincerely so tired of how dramas usually start with the guy being ruthless at first then you never get to see his ruthlessness once he gets together with the girl. But this drama? It's consistent.The intense male lead is what first made me interested in My Lethal Man, but as you watch it, you'll realize how perfect the girl is. I understand how most people couldn't wrap their minds with the idea that the girl looks exactly like the male lead's sister. To be honest, I had the same feelings at first. However, when you come to realize that they have been apart for 17 years without contact, you'll start to be more accepting towards the plot. You'll realize that yes, the guy indeed loves his sister with all his heart, however, he loves the idea of his sister when she was younger. He doesn't have any attachment to his sister's face or the way she looks now that they're older because he didn't spend his years growing up with her.
In terms for romance, this is where you'll see how the girl proactively fights for their love. She was the first one to confess, and at every point, she was unafraid to show her true feelings. When she says "I love you", she always follows up with the question, "Do you love me too?" (not in a pitiful and pathetic way but in a light-hearted way). With a keen eye, you'll notice how the guy is always the one who gets the better end in their relationship especially with how chivalrous the GIRL is- her always telling the guy she'll protect him, her willingness to accept the blame, her picking him up from work, her kissing his hand, and other details. You'll realize how the guy is always the one who feels giddy and kilig. The girl literally is his home.
Acting: Tbh, I think the guy effin' carried (not that the female lead didn't do well, she perfectly played her part too). I love how lethal and deadly he looks in most scenes. One thing you must take note of is his hair. You'll notice how the scene would play out with his hair and this little detail just the drama more enjoyable. Hint: hair when he's with the girl, and hair when he's going to the office or when he's on an errand alone.
Honestly, amazing directing. I love how when the male lead feels vulnerable, you don't see it right away, but you see it with the way he acts- through the way he slightly bends to hide his face in the girls neck to how he sits down on the floor to signify just how low he's become (or feeling).
Tbh, I loved the drama. It was a good one, but I hate how sometimes, I couldn't see the emotion on their faces due to the whitening filter. When shots are taken from afar, I can see how amazing the actors and actresses convey their emotions but during close up shots, I could't even see how the tears falls down their faces (sometimes, it just seemed as though they were trying to cry without the tears which makes it a bit funny). Oh how I could only wish Chinese productions won't feel the need to whitewash their actors anymore.
Hope to see more dramas like this😭
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