This review may contain spoilers
Disappointment
I would describe this show as a big disappointment; I did not have high expectations for this show. The bar was low, and somehow the show manages to go lower than that. As someone who watches a lot of Netflix shows, this is at the bottom of the list. Everything was flipped here; the way Netflix executed this show was horrible. In the first season, we all can agree that Sun Oh had a lot of screen time and Hye Young did not. However, here is the opposite I wouldn't even consider Sun Oh a main character when he had minimum screen time. I went from liking Jo Jo's character to hating her. The whole "spear" situation was just wrong. She goes from installing a shield to using the "spear" to ring Hye Young's love alarm.. and they want us to think that she is sincere and is a way to show Hye Young that she loves him? No, it was stupid and idiotic; why couldn't she be honest for once in her life. I was so happy when it came crumbling down when Hye Young found out. She deserves no one! They tried to make Sun Oh into a villain when we all know we all feel pity for him, at least give him a good ending him crying all the time is not going to give closure to his character. This was poorly developed and horrible written. The only reason why I kept watching it was for the developer's storyline and because Jo Jo's cousin, she was the only interesting character on the show besides the developer(s) and Hye young. Hye Young was a sweetheart, but he deserves better than Jo Jo. I want to say that I am neutral in the whole love triangle situation, but Netflix did a horrible job. First, they make a majority of the viewers in season one like Sun Oh, and with little information about Hye young, expected people to like his character be happy that Jo Jo ended up with him... NO. The ending was no better than season one's ending. Jo Jo was the villain in her own story; she created all the problems herself.Was this review helpful to you?
he won but what did it cost...? everything.
If you're like me and enjoy intense gripping thrillers with well written characters, I promise you, this series will not disappoint. The Worst of Evil is a crime thriller set in the 90s, where a detectives goes undercover in order to take down a dangerous drug trafficking organization only to discover that his wife seems to have a complicated past with the gang's notorious kingpin. The plot is very well written and does a fantastic job exploring themes of moral ambiguity and cynicism. The two male leads, Ji Chang Wook and Wi Ha Joon both deliver phenomenal performances and which really helps engross the audience and allow us to feel what's at stake for our main characters. Also shoutout to Bibi for her stunning performance as Lee Hae Ryeon, absolutely killed it. In conclusion, The Worst of Evil stands as one of the most captivating and well-crafted series in recent memory. From its intense, action-packed plot to its deeply layered characters, the show keeps you on the edge of your seat with every episode. The performances are exceptional, with the cast delivering emotional depth that makes even the most harrowing moments feel personal and meaningful. The writing is sharp, and the pacing strikes a perfect balance, gradually building tension while revealing twists that never feel forced. The Worst of Evil has a rare combination of thrill and heart, making it an absolute must-watch for anyone who loves a gripping, thought-provoking series. This is one of my favorite dramas of all time and I would highly recommend it to any thriller enthusiasts.Was this review helpful to you?
Marxism on acid.
Bong Joon-ho’s “Parasite” deserved more than Palme D’Or. After getting 8 minutes of a standing ovation in Cannes, this movie was just more than an award. But, I’m grateful to finally be able to watch this film and this is probably one of the best and insane movies in 2019. There is so much to talk about this movie, not just about Marxism, class consciousness, and social hierarchy, but more than a symbolism. The genius doesn’t prove we become bourgeois, but neither does the proletariat. There is a tradeoff between the two and in the satire comedy thriller drama, Joon-ho takes us into the depressing picture of a social class.Bong Joon-ho always pokes issues about social class and hierarchy like one in “Snowpiercer", about a ruler’s fight for prosperity. In “Parasite”, Joon-ho places his audience in a unique but unusual circumstance. We try to move and also struggle to “sneak” and “alight” in the fertile flower. A detailed sequence shows the plan of deception so that this poor family is able to control the rich family. However, there is no root in this movie. Instead, we laugh at the richness of a rich family with this poor family. “Parasite” makes a serious incident into a funny yet ridiculous situation.
“Parasite” is not just a home invasion film but there is a lot of symbolism and satire both in society and country. Like for example the life of Ki-taek’s family, no more than poor families but the world has never looked at them. They are only more concerned with status, social class, and wealth compared to poor communities. The film is terrorizing its genre in horror, not just about socialism yet about people. The ladder is a strong symbolism, where the Ki-taek family may temporarily enjoy rich family wealth. When they go down a ladder, it’s not separated from the fact they still remain as a poor family.
This movie is like a rollercoaster, you want to breathe but you can’t. This is a sad experience. Seeing the Ki-taek family and other families is a suspense of the main plot. In fact, back again to a stereotypical of the rich and the poor. Poor people can be geniuses but not rich people. Conversely, rich people can have all but not for the poor. The house is a temporary place where you want to look after and care for but makes you feel comfortable about the house.
Not on intelligence but on chance. There are up and down, good and bad. But, this movie combines all of these so it’s difficult to know which ones are worthy of pity. There are just unworthy characters, jumping up one flight of stairs to another, trying to find a way up but it’s so easy to fall. Business and work aren’t shortcuts but in order to be successful, live prosperously, and become rich, there is a process. And finally, the characters in this film fail to keep their “ladder” each. All of the characters are free, as well as actors and actresses, whether a dialogue is on their expression, we really stand and easy to understand.
The acting, the camera, the tone, the symbolism, the case for this movie is just everything and I still think about it when the end-credit appears. At first, you laugh but then, between feeling sorry and sad. Bong Joon-ho presents an idea that’s easy to understand. “Parasite” is fantastic in terms of criticism, messages, plot, tone, performance, score, etc., deserved more than anything. This is a “fun” movie.
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1This review may contain spoilers
Had the potential to be the best BL of all time, but ended up a mess.
This series got off to a good start, but took a wrong turn around ep 10 and largely fell apart. The plot centers around Dr. Tin, who gets trapped in a time loop that he can only escape by saving Tol, an accident victim. He repeatedly fails, falls asleep, then begins the same day again, etc. Along the way he gradually uncovers more and more of the mystery of what happened, and draws closer and closer to Tol, the man he has to save.It's quite well written - until it's not. Close to the end the perspective shifts to Tol, which deflates all the dramatic tension built up to this point, and then suddenly people's personalities change, to the point it doesn't feel like we're dealing with the same characters anymore. The story also starts to take a lot of "cheats", where the "rules" of the setup are changed in fairly silly ways - like all of a sudden kisses restore memories of past time loops - even if non-consensual, even unwanted, so it's not Love or something, it's just lips touching that works. There's also a magical notebook which makes no sense, i.e. if you go back in time, what you wrote before shouldn't be there anymore, and the way it's given to someone else makes no sense.
The finale is so random that I stopped caring what happened, and the ending is flat and anticlimactic. It's happy-ish although it doesn't make sense so it's not really satisfying.
The acting is superb all-around. This is Tee's best performance - he was adorable in Miracle of Teddy Bear, but here he plays a darker and more complex character, and everything he does is so authentic. Tae is also wonderful in this - he has that impish smirk, but he can also play cute and vulnerable and then shift to on-fire sexy - but it's his subtle moments that are the most impressive. At the end of Ep 9 he's so powerful - both of them are. Their chemistry is so on point, and so natural, and their characters are so fully realized. But then that's all thrown out and they essentially become different people.
The music is way better than typical - there are no old-fashioned power-ballads, and the soundtrack effectively supports the story.
One warning - there is a huge amount of secondhand embarassment in this - Tin is a terrible liar and he screws everything up constantly, and it's painful to watch. It's very well done, but I had to take breaks sometimes.
I loved this series up to about Ep 10 - after that I more or less stopped caring. It was still overall a good experience, but the lazy writing in the last few episodes prevented this from being one of my favorites of all time, and I was sure it would be.
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Another Level of Romantic Comedy Drama
At first I watched this drama, I actually think it would be a cross-dressing drama when the male lead would hard to convince the female lead about his real gender HAHAHA. But silly me, I am expected this drama way too low than the actual story. I must say that the drama is EPIC, the plot, the acting, the soundtrack, especially the unexpected villain are all ON POINT. Never expect this much for romantic comedy drama (who turns out to be melo in the second half of the drama).I love how this drama put the right song in the right scene, and make you remember that scene a lot because it was totally beautiful (especially the rain scene, the swing, and the fight scene).
I feel like a butterfly fulling my stomach after I finished watching this drama, and I know I would miss Dong Joo - Nok Du couple much. The parents-children relationship also getting me in tears much, applause to Jang Dong Yoon who brings the sad scene greatly, because when he's in tears, I feel my tears suddenly flows too. Such a great actor! Kim So Hyun acting is unquestionable, because she's veteran anyway.
For me, I am positively would re-watch this drama, because the story is so interesting (and probably would be hard to move on like I did in 100 days my prince), and Jang Dong Yoon is so handsome and pretty at the same time, it's like one package of cinnamon roll he is.
They have great chemistry on or off screen (you should watch behind the scene by the way). You know, the drama is successful if we want them together in real life, it's just exactly what we want for JDY and KSH HAHAHAH
If you haven't watched the drama yet, I think you should give it a try. If you expect the light rom-com which we could expect where the story would leads us, then you won't have it in Tale of Nokdu. Because, as I said before, this drama is another level of romantic comedy drama (in general) and would make you goose-bumped in every episode.
P.S : you will love our beloved and sassy Lady Kim
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How to train your dragon koi.
This rom com xianxia is a barrel of laughs. It is about an ancient spirit dragon Tian Yao who falls for the wrong woman, a rancid Taoist harpy called Su Ying. She steals the guileless Tian Yao's heart and scales at the altar, dismembers him and stashes his core magical parts in different directions. A shadow of his former self, he encounters a dauntless, money loving, ousted Taoist disciple Yan Hui. They form an uneasy alliance that subjects the embittered Tian Yao to the indignity of becoming her demon familiar, a dragon koi. His plight wins Yan Hui's empathy and she vows to help him recover his shards. She soon discovers that learning how train your dragon koi is an arduous and dangerous task. Despite his deceptively benign appearance of an odd hybrid of koi, deer, pony and dragon, Tian Yao is a very dangerous creature. Apart from having deadly taste in women and friends, he also has a nasty habit of stabbing first and asking questions later.The interference of a mysterious shadow cupid Bai Xiaosheng comically advances their romance until the enabler turns into an obstructor. It is pretty much three's company as they go on many adventures, picking up lifelong friends along the way. Despite some run-of-the mill xianxia tropes and cardboardl villains, the friendships and adventures shine and are the high points of the drama.
Zhou Ye again proves her mettle as one of the most promising young actors out there. Her Yan Hui is spellbinding. She infuses the role with that effervescent joie de vivre and passionate idealism of youth that inevitably eludes older, perhaps lovelier and more seasoned actors. She looks shockingly good with Hou Minghao, whose acting is to say the least, a work in progress. But dang, he is so drop dead gorgeous that I barely register that he looks constipated at the most inappropriate moments. In some ways, his casting is brilliant as a rather uncomplicated and overly good character that loves and hates with equal ferocity. After all, dragons, kois, ponies, deers are all creatures with bigger hearts than brains. So he does some really (let's admit it) not smart things but he is so pure hearted it's almost impossible to fault him. Notwithstanding some acting rough spots, this splendid pairing had me rooting hard for them all the way.
As for the plot, its biggest criticism is that it strays from the original beloved novel in some unforgivable ways in terms of both Yan Hui and Tian Yao's characterisations. I didn't read the novel so I won't opine on that. What I can observe is this drama hooked me from the start despite the low budget and the somewhat cartoonish CGI with phenomenal storytelling. I loved Bai Xiaosheng and found him to be a wickedly good accretive addition to the original story. Unfortunately, about halfway through the characterisations of Bai Xiaosheng and Tian Yao take an abrupt nosedive. It is as if a different writer took over and defaulted into the worst, laziest tropes out there. Although the narrative recovers from a massive hiccup in the middle, it falls well short of the beginning momentum. The writer failed to capitalised on such a fresh and unusual character such as Bai Xiaosheng and turns him into a tired trope that gets sidelined toward the end. Nonetheless Wang Yilun is hugely entertaining in this role and though not as pretty, he is incredibly charming and out acted Hou Minghao. As for how Tian Yao's character is assassinated, I have no words and although he more or less redeems himself, I wish they had not gone there. I am told Yan Hui is also diminished in this adaptation but as far as I am concerned, she is perfect in her imperfections. She elevates Tian Yao to the extent, that I can forgive his character's stumbles in the middle.
While I enjoyed this drama from start to finish, there are too many shallow sub-plots in the latter half and the theme of love obsession is over-exploited. The ultimate antagonist had repetitive indifferently narrated motivators that while hateful enough, lacked depth and complexity. In fact, Su Ying was a more interesting villain than the final boring mastermind who is just beyond meh in terms of motivation, acting and complexity. Overall, this is a humorously told story that re-hashes well explored xianxia themes with no profound new revelations. Indeed the underlying substance, emotion and message of the original works is perceptible but is neglected and abused in the telling. I had big fun and many laughs with this drama but I can see how it missed the opportunity to be a whole lot more and can only rate it 8.0/10.0. I may have gone with an 8.5 had they rolled out Hou Minghao in that spectacular white wig earlier on in the drama.
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1This review may contain spoilers
Petition to change the title to "Our Sunbae"
*Minor Spoilers Alert*What exactly went wrong with this drama?
Did the writer mix up the ML and SML scripts?
Did the director forget that the SML is not the ML and therefore shouldn’t be having half the romantic & swoonworthy moments with the FL?
Or did the production house get confused and promote the wrong man as the ML?
OHH OH OH WAIT, maybe they just wanted to make a clownery out of the viewers? Because that’s honestly what it looks like to me. But let me tell you some (or maybe more) things for sure so you can save your time.
This show actually follows its script for… what, maybe three episodes max? Yes. Three. After that, it completely forgets what it was supposed to be and turns into AGLTTNOCAFAYIBTEP (a goddamn love triangle that no one gives a fk about, yet somehow it becomes the entire plot). UGH.
Let me tell you the synopsis of THIS drama.
"After a tragic accident leaves their nephew Woo Joo orphaned, Hyun Jin and Tae Hyung are forced to raise him together despite their rocky first impression of each other. Thrown into the unfamiliar role of co-parents, they struggle to navigate childcare and their new responsibilities. Tae Hyeong, a photographer who prefers control and solitude, gradually begins to develop unexpected feelings for Hyun Jin. Meanwhile, Hyun Jin, still grieving her sister, focuses on raising U Ju as a way to honor her. As they spend more time together, their relationship slowly begins to change, though she hesitates to follow her heart"
Now like a teacher point by point I'm gonna correct the errors in this synopsis:
First of all, this show is supposed to be about the baby, right? The child whose parents tragically died in an accident?Because from what I watched, the plot barely revolves 10% around the baby and 90% around the SML and FL.
The term co-parent literally means: “to share the duties of bringing up a child.” Someone please explain where that sharing is happening here, because ONLY Tae Hyung is taking care of the baby.
“Hyun Jin focuses on raising Woo Joo” excuse me, where? Because from what the show actually portrays, she focuses more on the SML. Meanwhile, she signed up to take responsibility for a 1.5 year old child, yet 95% of the time the uncle is the one handling the baby.
I’m not saying she has to sacrifice her career for the kid. But if you’re incapable of handling a literal human being, maybe don’t step up to become his legal guardian in the first place. Handling a child is not a casual side quest.
Now this is like 10-15% of the drama. Do you wanna know what is the other 85-90%? A STUPID AND UNNECESSARY LOVE TRAINGLE.
I was hooked by the baby. I swear, how could anyone not be? He would be the apple of anyone’s eye. His crying scene made me terribly sad; I actually sobbed:( But as the show progressed, his screen time became almost negligible. I know we can’t expect a 1.5-year old to “act,” but at least the plot could have focused on his parenting and the struggles of balancing a career while raising him. Instead, that part is brushed off with minimal story, while most of the focus shifts to the FL’s love life. LAME.
This is peak catfishing!
The marketing? Misleading.
The drama? Pure Ragebait.
If the story had only focused on the Main Leads, I honestly wouldn’t have minded. But the SML feels completely unnecessary to the plot. He’s the one flirting and getting all those romantic scenes with the FL which, by the way, are the scenes the ML should be having with her. He barely has any relevance to the actual plot, yet somehow the entire story keeps revolving around him. I didn’t sign up to watch “Our Sunbae.”
Let’s go through the characters, even though the story mainly revolves around SML;
Tae Hyung, ML (namesake): He honestly has such a green-flag personality. Even though he never wanted to be involved with the baby at first, he slowly grew attached to him more than even the aunt did. What started as responsibility turned into a genuine connection.
I also love how he never forced his feelings onto the FL, yet he was always concerned about her wellbeing.
Hyun Jin, FL: Her being confused between the two isn’t really the issue. The problem is that she could easily turn one down while actively saying yes to go on dates with the other and yes, that’s very problematic. She also stepped up to become Woo Joo’s legal guardian, yet she’s barely taking care of him. It’s understandable that things are difficult, but if you’re not even financially stable or ready to handle a child, why take that responsibility in the first place?
Honestly, at one point I barely even saw any spark between her and the ML anymore. They should probably just co-parent the child, that’s it because he definitely deserves better.
And the actress’s facial expressions are so bland that I feel absolutely nothing watching her whether she’s supposed to be conflicted, upset, or concerned. I just kept wondering that she didn’t understand her character either, because she just looks confused the whole time… which honestly would explain a lot.
SML: Annoying, unnecessary, insufferable. I don’t exactly hate him, but he has zero relevance what the actual plot should have been and still ends up with the majority of the screen time.
Honestly, if you removed him from the show’s 12 hours, you’d probably be left with only about 5 hours of actual story.
After suffering from endless amnesia about what the drama was even about, the writer and director suddenly remembered it was supposed to be about the kid 🤣 so they crammed the entire story into the last two episodes. Rushed doesn’t even begin to cover it.
Don’t watch this for the romance, the love triangle drags on till almost the end and honestly there’s no point.
Because for enterity of this drama FL: sunbae sunbae SUN FKING BAE
out of nowhere: Hey I like you Tae Hyung
(AFTER GOING ON MULTIPLE DATES WITH SML)
But I would totally recommend watching the Woo Joo and Tae Hyeong scenes through reels, they’re adorable and genuinely funny.
The only reason I even started this show was because of the scene where Woo Joo cries after his parents’ death, which was an exceptional moment by the way. But apart from that the plot does absolutely nothing, like FOR REAL.
If you are still in the earlier episodes, just do yourself a favour.
I wouldn't say this was dud it had potential to greater than what was presented to the audience but yk some scripts should be kept hidden forever for the greater good of the audience and this is THE ONE.
Giving 3 stars only for Woo Joo and his Samacheon.
With Regards,
Biggest fan of Woo Joo & criticizer of this show
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The Uncanny Counter Season 2: Counter Punch
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This review may contain spoilers
Uncanny Counter 2; A Disappointing Follow-Up To A Brilliant Series…
When Uncanny Counter hit our small screens back in late November 2020, viewers were in for a great treat under the writing of Yeo Ji Na . The series was filled with intriguing characters, lore and high stakes to keep the plot engaging and well-written. What was delivered to our screens in 2023 left a lot to be desired, not just straying from the original webcomic, but being poorly written.The basic plot premise of the second season returns to our ragtag group of heroes, The Counters. Now slightly older, Mun ( Cho Byeong Kyu) has begun helping to train the other counters. Ga Mo Tak ( Yoon Joon Sang) has doubled up as a cop and Counter to help the team, while Do Ha Na ( Kim Se Jeong) and Chu Mae Ok ( Yeom Hye Ran) are left to harness their powers.
However, trouble is soon on the horizon when a trio of evil spirits Hwang Pil-Gwang ( Kang Ki Young), Gelly Choi ( Kim Hieora) and Wong ( Kim Hyun Wook) become an increasing threat to the counters. With the help of new Counter Na Jeok-Bong ( Yoo In Soo), the heroes find themselves running into more problems than one, especially for Mun and his friend Ma Ju-Seok’s (Jin Sun-Kyu)‘s journey down a dark path…
To understand where one of the major issues of the show lies, I think it is essential for us to address the writing change. Yeo Ji Na’s talents as a writer really shone through in season one. Her ability to address complex issues and themes, as well as facilitate them to shape our characters made the series engagingly dark, comical yet also filled with mystery and adrenaline. The story had stakes because the main villain was threatening and similar to Mun, viewers were new to the world of Counters and learnt about the lore and world of spirits along the way. It made the story engaging and proved Ji Na to be a talented writer.
After season one and for various conflicting and directional reasons, Kim Sae Bom took over from Yeo Ji Na as the main writer for season two in production. Kim Sae Bom, most likely standing out for his involvement as a screenwriter for Bad and Crazy, has a very different approach to writing than Ji Na even from the offset. Is this a crime in itself? No. In fact, the initial premise of season two did seem quite interesting alongside theme shifts, especially with new characters introduced onto the field. So where did things go wrong with Sae Bom’s writing? The big issue lay with the plot and character changes feeling jagged and convoluted , as well as the evident decline of writing between seasons.
Season one was well-balanced between themes of action, angst, friendship, supernatural and aspects of tragedy. It was far from a flawless masterpiece ( and did struggle a little with balance in places), but it was self-aware of its themes and characters. Season two tries to mimic a “ similar balance” in the mould of a mystery comedy setup. The fights are still there , but while the action is present, the emotional deliverance leaves a lot to be desired, even from the balance of themes. This resulted in a notable struggle with the writer attempting to imitate Ji Na in his own style while falling short of being a decent copy. As a consequence, witty jokes from season one turning into toilet jokes ( repeatedly) and yelling random English phrases to enact as the comic relief of the series.
When the series attempted to take a darker turn in parts, it struggled a lot to be poignantly reflective as the previous season. A mixture of sloppily rushed writing ( particularly out of character choices) as well as questionable connection with the audience, did often make these scenes feel more arduous than moving. ( One of the best examples being early on when we see the guardians first reunite with their Counters. Considering the emotional impact of their challenges throughout the first season, the cheesy happy family moments between the characters was somewhat out of place. It gave little opportunity to reflect on the actual development in the relationship between the Counters and their guardians from the previous season.)
The acting of the series was admittedly a little mixed. Although the series has a good cast and some brilliant names introduced into the lineup , a mixture of overreacting and wooden dialogue did have a big part to play with some more cringe-inducing scenes . Some noteworthy performances did come through Seo Byeok-joon as Park Do-hwi, Ha Na’s first love, and Hong Ji Hee as Lee Min Ji, the tragic wife of Ju Seok, in particular. Both actors delivered good performances as their respected characters, even if the writing did not give their onscreen personas full justice.
Character writing is another mixed bag. Main lead Mun stands out in particular as the epitome of the show’s changed writing quality between seasons. In season one, Mun was very much the tragic bullied teen, who goes through a lot of character growth from naivety to teen angst ( mixed with powerful abilities) and then to genuine acceptance of his circumstances . He stood out as a fairly good protagonist because he changed and grew a lot from beginning to end, while still remaining true to himself. In season two, Mun is noticeably different from his earlier counterpart.
Of course, he is meant to be older and thus a little different from his teen self, but the more noticeable traits of Mun being somewhat anxious at times and fairly defiant, is changed for him playing the role of the comic man in the first- half . It isn’t necessarily bad seeing Mun grow out of his shell, but it felt odd considering how much Mun’s noteworthy personality traits were not carried over more in season two, especially by replacing a key aspect of Mun’s personality as a fairly reserved individual. In particular, season one featured heavily on Mun’s deep bonds with only a few people in his life. He needed deep connections with people such as his two best friends and grandparents ( and eventually the Counters) to form genuine relationships. These were important parts of Mun’s life and helped him to carry on. In season two, while these characters do feature in some background scenes, it was beyond out of character to see Mun having such a “deep” bond a practical stranger. It did not reflect Mun as an individual, and even more disappointingly, did not convey the character we had come to love through his gradual growth.Episode eight and nine attempted to offer a “ twist” to Mun’s circumstances, but having already repeated the same concept from season one, it felt a little overused . Perhaps the only good aspect we saw through this “ twist” came through an opportunity to see some more traumatic sides to Mun’s inner-self, as well as his strong bond with Ha Na coming to light. However, the resolution to this convoluted “ development” episode was both rushed and incredibly sappy, giving little opportunity to actually explore Mun’s darker and more difficult issues at heart and growth.
Then there’s the other counters. Mo-Tak was beloved in season one for being the sarcastic “cool guy”, who helps out Mun. The fact that Mo Tak was going to play a bigger role in season two gave so much potential for this character, yet, rather than giving him an opportunity to be developed further , the show rendered him as the show’s jester; often spending most of his time making unfunny jokes and being the butt of someone’s jokes. To add insult to injury, there was also the attempt to weaken the previously strong fighting abilities of Do Ha Na and Chu Mae Ok. Considering their poignant backstories and strength, it was sad to see them being put on the back burner for most of the show . The series did attempt to offer some “ intriguing” aspects with Ha Na’s first love ( one of the few good aspects of this second season) and she did feature in some later episodes, as well as Mae Ok with her son, but aside from that, they were rarely given as much exposure as within the previous season. Choi Jang-Mul ( Ahn Suk Hwan) features again in the series, though while in season one he was the comical rich man (with a not-so secret crush on Mae-Ok), in season two he plays more of the role as a clown in some of his featured scenes.
Then there’s the new counter Na Jeok Bong ( Yoo In Soo), arguably one of the show’s greatest letdowns. Yoo In Soo is a good actor, but even he cannot entirely save his character from failing. Jeok Bong is meant to be the definition of the “ fool with a hero’s heart”. He is beyond awkward and useless at fighting, but he is seemingly a “good person”. The problem with Jeok Bong is that the writing confuses creating the unlikely and foolish hero with being likeable as playing the useless fool all the time. Rather than seeing Jeok Bong gradually grow or develop into a better person ( even through nuanced scenes like comforting others, or be given a more difficult issue to face ) he is still played out to be the fool for most of the series. Instead, a never -ending cycle of toilet jokes and failing fights pretty much encapsulates this character’s screen time time and time again . Whether the writers didn’t want Jeok Bong to grow from out of Mun’s shadow or be the “comic relief”, it is hard to say, but the writing direction this character was taken in was a sad reflection of wasted potential, questioning why another counter was even introduced in the first place . ( Aside from plot fodder.)
The villains of the series were unintentionally a little mixed. Their initial introduction did hold a lot of potential; a trio of nefarious evil spirits who gain Counter powers and are not afraid to kill others in their wake. The problem is that while they are played by very good actors, their characters struggle to be well-developed threats . In season one, the big bad of the series was just that; evil to the core and driven to complete his goals of bringing destruction and ruining the Counters . In season two, it’s hard to really work out what the trio actually wants aside from some measly power grabs here and duped powers . Sure, they want to stop the Counters from getting in their way, but where are the true stakes? Why are they so fixated on them to the point of going as far as they have done? What are their true goals aside from just being plot devices? As antagonists, they are fairly “evil”, just not particularly with a sense of impending threat or being a true foil for the Counters. The stakes could have been there, but season two does little to make them an imminent antagonistic force beyond obvious “ plot drive”. This is sad considering the fact that especially Hwang Pil-Gwang, as the leader of the trio, could have been a really interesting character if he had been developed properly as early hints suggested. Gelly Choi did get her moments later in the spotlight by proving that she is quite devious, but considering her featured screen time, Gelly and Wong were certainly underdeveloped and underused .
Last but not least with characters, it is hard not to mention Ma Ju-Seok, one of the show’s most divided characters for viewers. On paper, Ju Seok had a really interesting role; a “ nice guy” driven to the edge and Mun trying to help him. On the other hand, Ju Seok was simply a cause for plot rather than well-developed. One of his major flaws came through his “ deep bond” with Mun. The show constantly forces the message that Ju-Seok is a “good “guy, but the series forgets a key point in writing: show don’t tell. Rather than showing us these acts ( aside from helping Mun’s grandmother in some scenes ) we constantly hear the same narrative in dialogue that Ju Seok is a “nice person”, but not through very sincere actions or scenes in particular. To make it stranger, Mun is established to be intimate with a small circle of his family and friends, and takes time ( as shown with the Counters) to really develop intimate bonds. It makes little sense for Mun to suddenly trust Ju Seok on such a level ( helping his grandmother or not), without actually getting a sense of what has really drawn them to form such a friendship. For example, had Ju Seok played a role in scenes as an older brother/ uncle figure by encouraging Mun in other respects , then maybe this relationship would have been more poignant, or at least viewers could understand some of Mun’s trust in such a character . Instead, it rarely delivered the full intimacy it was suggesting, making it an odd spectacle to see Ju Seok try and go dark-side and for Mun to be so set on helping a near stranger . Ju Seok’s “ character arc” did have somewhat of a resolution, though it was rushed.
Perhaps the few strengths of this second season came through showing Mun’s darker issues ( though not in resolution), as well as the return of Mun’s friends Kim Woong-min ( Kim Eun Soo) and Im Ju Yeon ( Lee Ji Won). Although very much background characters, their teasing potential romance between the two characters: as well as their long-standing friendship with Mun, did provide quite fun and heartwarming in most of their featured scenes. Another minor character, Park Do-hwi ( Seo Byeok-joon), Ha Na’s first love, was also quite a delight. ( The series did seriously go about a very cliche way of his resolution , but his featured screen time was certainly engaging .)
The other issue at hand comes through execution. To put it simply, Uncanny Counter 2 struggles with pacing a lot. The major part of the series nearly drags along at a snail’s pace, trying to place some action in training montages and some villain scenes to lead up to the “ big showdown” . Later episodes did bit up the pace slightly and were slightly more engaging with the plot and some themes , but most episodes, especially the first-half, felt underdeveloped and quite repetitive. The ending was probably one of the show’s greatest letdowns. It certainly brought a bittersweet note for the show, but last minute plot points, which could have easily have flourished and been developed earlier on, were rushed and thrown in for quick angst. This lead the resolution to feel a little unresolved.
The directing of the series under director Yoo Soo Deong follows a fair sleek and basic cinematography. The CGI is decent enough, though compared to some of the more sleek palettes in season one, there is a little left to be desired for the eyes. The OST was okay; there were some good songs such as CRAVITY “Ready, Set Go” which helped set the mood in some scenes, and was quite catchy too.
Overall, Uncanny Counter 2 is not quite on the same level as its previous season both across the writing range and execution. It is understandable the show wanting to go in a different direction. Mun is no longer the naive kid we saw in season one, and has begun to grow beyond playing “ the heroic role” all the time. However, the way the show tried going about this with poor writing decisions made Uncanny Counter 2 feel a little rushed and convoluted in parts. There are definitely a few good aspects to the season , including accessibility to viewers who have not watched the previous part as well as some interesting characters and general setups . However, poor pacing did make this season feel out of place across thematic and writing styles. Overall, okay for a quick binge watch but that is about it.
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Tomorrow seems to be a step behind
One can’t say that they didn’t try. In fact, they tried so so hard. Impressive visuals, from shot composition to visual effects, big, big emotions and genuinely good acting moments, relevant subject matters and an important message- Tomorrow went all out. And yet, I am feeling lukewarm about it.Let me tell you what I sincerely enjoyed about Tomorrow, and there is plenty because my heart is not made out of stone, believe it or not: This drama balances a thin line between goofy comedy and over-the-top tragedy, that I think, sort of worked a good amount of the time. The silly moments gave the viewer a much-needed break from all the heaviness on screen, without taking away from the seriousness of the topics. That can largely be attributed to the characterization of our leads, who all had great chemistry together. I genuinely loved all our four protagonists and the end had me shedding a few tears.
Episodes two and three had some visually very impressive moments, I am not just talking about the quality of the CGI, there were clearly also very creative ideas and strong aesthetic concepts present, and while I feel like the rest of the drama was not able to live up to the standard these episodes set, it was still appreciated and overall Tomorrow was a stylish show nonetheless.
Eventhough I was not always happy with the resolutions the narrative offered (I will go into more details soon), there were a few episodes, or at least moments, that tucked on my heartstrings. While undeniably cheesy most of the time, Tomorrow offered genuinely bittersweet moments that were bound to move the viewer, and at the end, I couldn’t help but feel at least slightly touched by the hopeful messages this show at least tried to convey.
But I can’t help but think that Tomorrow just fell short on more levels than I can ignore. Suicide is a touchy topic obviously, and it might be too complex and nuanced for this format. This doesn’t mean that you can’t try but you are bound to run into a few problems sooner or later. There are so many factors that can drive a person to end their life, and those don’t need to include those larger-than-life tragedies the drama relied on. I often feel like Korean cinema does too much when it comes to tragic backstories, they just pile tragedy on tragedy to the point where it almost feels comical. This becomes especially troubling in this format, where the concept is to introduce and resolve a complex issue in the same hour. And even when the narrative wasn’t centered around unnaturally huge disasters, the time constraints this drama set itself, weakened its genuine-ness. Sadly, recovery is not a straight line. The right words at the right time might put you on the right track, but the road to betterment will inevitably include a few steps back at points in your journey (wow have I run that metaphor into the ground yet?).
One of my favorite episodes featured a woman battling an eating disorder. The plot didn’t rely on over-the-top tragedy, the dialogue was at its most poignant and genuine and I feel like this episode was probably one of the more relatable, comforting and helpful ones. But by the end, I could not help but think that the problem had been grossly simplified. The character who had been determined to terminate her mental-illness-ridden existence like a week ago is seen smiling and eating again by the end of the episode. And I won’t say that I wasn’t moved by that moment, that it didn’t put a smile on my face, but to someone who has seen the effects of eating disorders firsthand, this conclusion came across as a bit weak. And I get it, the actual nuance of the topic might not have been a satisfying story. It might not have fit the hopeful message this show is so desperate to convey. You want to show the audience that the character is recovering because that is how illness is usually portrayed: as a challenge to be overcome or a war to be won. Illness is a story told in the past tense. But it’s never that simple or pretty. The actual story of illness might have been less feel-good. But it also might have been the more realistic, important story to tell.
Here is the problem of Tomorrow simply put: Depression doesn’t make good television. That sounds harsh but it’s true. Mental illness is not a three-arc story with a satisfying conclusion. It is a never-ending battle that you have to pick up every single day. And that doesn’t mean that it doesn’t get better, or better said, that you don’t get better at fighting, but it means that when your plotline is centered around suicide, you can’t provide your audience with a clean happy ending without coming across at least a bit ingenuine. No deeper issues or the roots of those were discussed. Every problem seemed to only exist at surface level and could be resolved with the right monologue. It felt like at points, Tomorrow was more concerned with giving its leads witty one-liners that save the day, instead of portraying the complexity of the present issues.
There are a few more problems with Tomorrow, the episode centered around a suicidal dog felt laughable, ridiculously out of place, and almost sort of insulting to me, considering the heaviness of other discussed topics. The episode around a veteran was so oozing with patriotism and propaganda, that it was almost difficult to stomach. The main conflict between Ryeon and Joong-gil could, in theory, have been resolved at any given point in the story, so it felt like a plot point dragged along for drama’s sake. The actual rules the suicide-prevention-team has to follow, are incredibly unclear and seem to only matter when the narrative relies on them, there were multiple moments where the cheesiness of this drama got unbearable for me et cetera et cetera. But compared to my main issue with the show, these criticisms seem minor.
When I look at Tomorrow, I see a drama that is desperate to make me feel better. I see a country, that has one of the highest suicide rates in the world and doesn’t seem to understand why. I see a team of people that genuinely tried. I see a story that failed to understand its own nuances.
You can call me bitter; you can look at my review and say that I simply didn’t get it. That the point all this time solely laid in the show’s hopeful conclusions. That it never tried or had to be gritty or complex. That there is no shame in a clean happy ending if it provides someone out there in the world comfort. And you would 100% be correct. If Tomorrow gave just a single person out there hope, it probably did its job. I don’t have to get something, for it to have worth. Maybe this drama simply wasn’t made for me. But all this doesn’t change how I feel. Tomorrow represents a big swing and a miss for me. But maybe I just need to be thankful that it attempted to swing big in the first place.
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A realistic and modern approach to love and healing.
This drama ain't your fluffy romantic love story full of cliche tropes but a modern and realistic one where both the leads have their own career, goals and views towards life. One is a town's boy who wants to live a slow and peaceful life while the other is a city girl with high ambitions and dreams.Both are different from each other and have their own baggage they carry within them while one is physically affected, the other is mentally. The leads have good chemistry and is shown through their teasing and lowkey flirting with each other. Things are kept at a good pace and aren't draggy.
One thing about this drama is that not everyone will like FL's character as some will find her selfish and annoying which she is too some extent and that she keeps on hurting ML's feelings which she does but then again this was never a drama with two perfect people. It has been more about two people, each having their own baggage and different way of living end up liking each other and seeing whether things work out or not. It is quite realistic and modern approach to love.
It is a good watch if you are looking something different and relatable type of a drama.
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It's boring!!!!
Just don't waste your time watching this.. 🤬It's so dry and meaningless... Worst plot twisted ending I've seen... It sucks... I wish somebody remakes it and lets Woori and Raphael end up.... Bullshitty ending 🤦♀️viewers will get frustrated after watching it... Also Kang Jae's character is super irritating... And you let Woori end up with Kang Jae!!??? 🙂ewww... Just ewww... It's a No-No...
Too Boring... Doesn't deserve even a half star... 🤦♀️🤦♀️🤦♀️🤦♀️🤦♀️🤦♀️🤦♀️🤦♀️🤦♀️🤦♀️🤦♀️🤦♀️🤦♀️🤦♀️🤦♀️🤦♀️🤦♀️🤦♀️🤦♀️🤦♀️🤦♀️🤦♀️🤦♀️🤦♀️🤦♀️🤦♀️🤦♀️🤦♀️🤦♀️🤦♀️🤦♀️🤦♀️🤦♀️🤦♀️🤦♀️🤦♀️🤦♀️🤦♀️🤦♀️also... It's like Woori gonna have 2 husbands... Wth.... Greedy???? Hmmhmm... No.... This is so not like a kdrama... This is so fake... So irritating for the viewers... Better make a season 2 and let Woori end up with Raphael.... If not.... Almost everyone is gonna hate it for the tasteless ending....
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Disappointed based on the reviews
This is going to be a bit of a rant. I thought it was going to be a cool story about a girl who joins a gang to avenge her fathers death, goes undercover as a cop, finds and kills the killer, then either continues her life in the gang or is able to create a new identity after she kills him. While some of this happened, any trace of possibly not getting a stereotypical ending to the show disappeared over the last two episodes. Then the unnecessary romance? And sexual situation randomly with basically no development while her life is at risk. Just for the guy to die later. If you’re going to go the romance route, just do it, it’s like they thought of all the possible surprise things that could happen and just threw them all in with no thought. I just don’t get it. Then her fathers supposed deep cover. It’s understandable that a cop would be able to go undercover but to become basically partners with the boss of a gang is completely not plausible. They also went into no detail on how he was not only able to meet and join the gangsters or why they would ever have him be so deep in that cops would be tailing his daughter from home to school. If it had been something normal like they were best friends since they were younger, and they had scrapped the cop thing, it would’ve made more sense. Maybe could’ve even added a season to with the fl full gangster and the “ml” trying to take her down but also having a crush on her. But you don’t just join a gang randomly and become best buddies like that. But I guess anything to fuel the sunshine and rainbows ending that it was with the picture of her and her father even though she should literally be in jail for her crimes. I feel like I wasted my time watching this show. Maybe it was because of the short amount of episodes but it’s like they wrote this for some extra cash between dramas. I know I’m being harsh, but honestly i expected more maybe it was the synopsis that made me think it would be more than a revenge plot turned blocky redemption lone wolf drama.Was this review helpful to you?
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Ending Unworthy of a Female Lead with such Fighting Spirit
From the first episode, Hee Do has won our hearts with her quirkiness, her conviction and her fighting spirit. She put everything into her passions, whether it’s her love of fencing or her admiration of the national champion Yu Rim, or her love of her manhwa comics. She never gave up, even when she experienced the painful tragedy of her dad’s passing, she continued on. Despite Yu Rim being such a bitch to her in the beginning, her adoration never wavered.
There are a lot of good things to admire about Hee Do and her bold and dorky characteristics. The friendship between her and Yu Rim is very sweet, it’s stronger than their competitiveness and adversary, and the gossips that try to take them down.
Such unshakable devotion to a friend tells me she’ll also love with the same conviction. Her love for Yi Jin would be just as passionate. She believed in him, she’s understanding and supportive. She wouldn’t give up just because they hit a bump in their relationship. Her competitive spirit wouldn’t let her give up so easily.
The ending was very rushed, all within an episode or two and everything changes. The build-up to the end was steady and we see how their relationship develop and grow. Something that grows on such solid foundation wouldn’t just topple so easily. Him moving to New York is a weak excuse for a break up. It made no sense for Yi Jin to move to New York. That they could grow older and grow apart, sure that’s believable but everything happened so quickly that it’s unbelievable.
Hee Do being who she is wouldn’t give up so easily. She’ll keep on fighting for the man she loves.
If the writer is trying to get across that time and youth is precious, for us to grasp it and take full advantage of it, then the long build-up of Hee Do and Yi Jin’s relationship was somewhat misplaced. Throughout the series, they kept the audience playing the game of Did They or Didn’t They end up together. They keep throwing hints that they didn’t, but we still wait with hope that they did. That kept us going, but the ending never delivered. In the end, it was a wishy washy ending for a strong female lead.
The ending feels forced, a device just to make the audience cry.
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The Art Of Park Hae Young ✨
My liberation notes , My mister , another miss oh , we are all here trying
We’re in a universe of one of the best korean Screen Writers Park Hae-young. Every character will be flawed and often at their worst phase of life
Her writing is always a meditation of the pain every character feels. She finds ways of bringing it out at Her pace. every character of hers shows feels real vulnerable and imperfect ...
every word every dialogue every discussion has meaning and depth ..
these shows show u the hidden truths .. the unwanted talks and cuts deep into your soul ... every story feels deeply personal and reflective, almost like reading a diary .. some type of therapy
these shows have no plot twist or major turns out .. they focus on emotions feelings ,mental health .life challenges
Every character in her shows is searching for a way to live to love to survive .. a way to life
aren't these issues the most important ones after all 💟
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I like its romance although it was slow. This couple never broke up; never heart breaking , ...
They loved each other truly and they supported each other till the end. Their chemistry was sweet.
The plot was very unpredictable. That's why I liked its story. Also the story was full of moral, humanity and most importantly, Blood is brimming with life philosophies. Add to this the other invaluable life lessons that may be culled from the drama. To name a few, faith in God during adversity, compassion or empathy for the sick and dying; fleeting nature of life and vain things like power and money; moral science or the upholding of the ethics and standards of one's profession.
Although Park Ji Sang was a vampire, he proved that he is more human than anyone around.
Its villain was the best one I have ever seen in K-Dramas. He was so bad, really bad and he was so mean and wicked. He kept getting on my nerve in whole drama! :D
Acting was very good too. Although Ahn Jae Hyun acted awkwardly in early episodes, he kept getting better and better episode by episode. And finally he nailed his character! :) It is obvious that he tried hard for this drama. :)
The best actor in this drama is definitely Ji Jin Hee. He acted awesomely and I really hate his character in this drama. :D I truly commend him for his great acting.
Goo Hye Sun was so good too. Her facial expression was very unique in this drama. I praise her for her good acting.
Dialogues in this drama was so meaningful. Like "A hero dies for the person who recognizes that he is a hero.
OSTs were good too. It is really worth to watch and re-watch it again and again.
Lesson: never judge a drama by watching a few episodes or by listening to others' opinion about it.
This is a very different K-Drama with different story. It has no love multi-angel. If you like hot romance with push and pull; if you like predictable story; if you don't like thrill, murder and sadness and tragedy in dramas, DO NOT WATCH THIS DRAMA AND PLEASE DO NOT BASH IT BECAUSE IT DIDN'T END AS YOU PLEASE!!!
Watching this drama needs high comprehending and being meticulous. Because it has lots of nuance.
Oh! seriously, this drama does not deserve to be judge so harsh.
Thanks for reading my review and please forgive me if I make you sad through my words.
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