1Korea is now progressing in BL dramas
Why is this drama giving me 16 episodes high quality straight drama vibes ? Yes , finally a Korean BL series with excellent cinematography .Except " Semantic Error "( Masterpiece) , all of those dramas from Korea, were " good " ( not best ) for me , so I had not that much high expectations but " Secret Relationship " is really better đDisclaimer- If you don't like Love Triangles and messy plotlines then this is not for you.
POSITIVE-
1 . Adaptation of a very popular Manhwa " Secret Relationship " , this is a +1 point for this drama.
2. Excellent cinematography ( Rare in most of the KBL )
3. Handsome actors with great acting skills.
4. Green Flag ML .
5 . Beautiful Soundtracks .
NEGATIVE-
Messy story plotline with full of toxicity,
Overall -
8.5 / 10 , their visuals are eye catching, Manhwa lovers will definitely like this drama.
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Slow, steady, but confusing
All the reviews rate this drama between 9-10 and I feel bad being the first one giving it a low rating in comparison, however it's how I honestly feel about it.The main story is nice, I really enjoyed watching how the leads became close despite of being polar opposites. But it didn't make me feel anything at all. It already happened the same to me with "Where Your Eyes Linger", and right before writing this review I realized that both dramas have the same director (since that's a common denominator, I guess the problem here is the director). I don't remember much of WYEL because it didn't leave a memorable impression, so I would have to rewatch it in order to remember why I didn't enjoy it.
In the case of "To My Star", the problem that I have is that they tried to include many sub-plots with not enough time... which ended up leaving more questions than answers.
What exactly happened to Ji Woo's family? How did he end up running a restaurant with Hyung Ki? How did they ended up being friends/drinking buddies with Yoon Seoul? Why Seo Jun hyperventilates when hearing something break? What exactly happened at the bar that night? How did Yoon Seoul obtain that video of the fight? Where did that english speaking reporter come from? What's her relationship with Hyung Ki? How did she ended up at Ji Woo and Seo Jun's home? What was the place where Ji Woo went after leaving his house? Why did the intern leave and come back? What's the awkward "I studied abroad" sub-plot about?
And I could keep going on and on. They tried to include so many things without giving a proper explanation, that they ended up messing up a drama with great potential. So as I've said, the only thing enjoyable was the main story (aka how the leads meet and fall in love). The rest... a waste of time.
The actors did a good job though. I liked the chemistry between the leads, and the rest of the cast was okay.
So if you are wondering about watching this drama or not... give it a try. My recommendation is that you must focus only on the leads' love story and ignore everything else. Just focus on how they meet and their time together, and just ignore the other stuff.
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This review may contain spoilers
Movie just made to "compete" against Solo Leveling's anime
As someone who read the novel, and was, in a way, saved by it, Orv holds a pretty important place in my life, which makes this live adaptation even more disappointing.While at the very beginning, I was really disappointed when I saw who was going to act as Yoo Joonghyuk, one of the main protagonists, in this live adaptation, it seems like he is actually the best actor out of them all ?
Not only has the director butchered, spit, stomped, shat, burned the original story, but he took everything that made Omniscient Reader's Viewpoint so iconic and important in the eyes of the readers, and just swapped it out for some generic, stupid, male-main lead of any random isekai, and didn't even bother to try to do something decent with it. The main actors don't seem to understand even the most superficial things about their own characters. I'm not going to delve into how the use of gun is also going against what the author, SingSong, wrote in the novel, but damn the CGI was utterly trash too, but the script sounds AI made and has a few plot holes too, which makes the whole movie unbearable to watch.
Here's a few examples:
-Kim Dokja was a lonely reader who kept living for THIRTEEN YEARS just to be able to see the ending, even though TWS was literally the most boring novel in the world, so much that KDJ was the last and sole reader of the novel. It's explicitly written a the beginning of the novel that he was disappointed that the novel was ending but he was really grateful to the author tls123, and was very polite to them. SO WHY WOULD HE READ THE NOVEL FOR 13Y IF IT'S JUST TO TELL THE AUTHOR THAT IT WAS ASS. It doesn't seem like Kdj appreciated the novel at all ?
-Kim Dokja was, again, a very lonely guy who didn't have any friends, and he basically hated life smh. Anyway, he's not someone that really looked forward to living, and is a morally (very) gray character, which made him a lot more relatable that the typical mc. Why would he start to want to save the world ? Out of pure compassion ?? Compassion he doesn't have ??????
-KDJ has a few skills that are extremely important to the plot but they don't seem to exist (like omniscient readers viewpoint, yk the name of the WHOLE STORY)
-The name of the movie doesn't make any sense since kdj says he ISN'T a prophet in the novel
-Kdj straight up lies by saying he's a prophet (which he isn't btw, he's just a READER) FACED WITH A LIE DETECTOR
-Constellations weirdly enough don't exist so the whole plot can't actually be called an adaptation ?
-Butchered the characters of JHW, YSH and everyone basically.
-KDJ trying to save the character he hated the most in TWS and that he killed in the original novel lmfao ?
-Kim Dokja and Yoo Joonghyuk whole interactions, of a reader and his favorite protagonist, being weird, unnatural, unnecessarily homophobic (they're not gay, but you can feel that they REALLY wanted Kdj to be "straight")
-Missed the whole central point of the story of friendship
While the movie had an enormous budget, the results are more than disappointing, be it from the directing, the acting, the CGI and everything from start to end. The movie can only leave the readers upset after watching the movie, and the non-readers confused, about the plot.
Even by forgetting the misogyny that's hidden in the LA, the directing team made Kim Dokja (a lonely and pitiful reader who only wanted to discover the epilogue of his favorite story) a writer. By doing that, they entirely missed the whole point of the story, that was thought and written for the readers, for them to be able to relate to the main character.
I'm not going to keep trashing the story because my review is in fact very long, but I'll say, the story left me in tears, not because of how good or sad it was, but because of disappointment and anger.
The utter lack of respect from the directing team is truly maddening, and I hope, I really hope that SingSong-nim isn't too disappointed by this.
Because it can be felt that this LA was made just to compete the anime of Solo Leveling, made with money in mind and not the audience.
Thank you a lot for taking the time to read this, and please DON'T watch the live adaptation of Omniscient Reader's Viewpoint, it's a waste of time.
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It was all for "today".
"Right now, you feel like you're falling behind others. Even so, you should live. As you live, there will come a moment when you'll realize, it was all for today." ~ Koo RyeonThe feelings of being constantly torn between killing yourself or killing everyone around you, is dangerous and as unfortunate. In a world, where individuality has become the primary choice of us, what everyone should be attempting is to extract out the positivity out of it. Situations and circumstances definitely play roles in making us commit deeds, that we'd never thought of even. But in the end, it all boils down to the fact that, one needs more courage to live than to kill themselves. Rightfully quoted so, "Sometimes even to live is an act of courage".
Created by 'Studio N' and co-produced by 'Super Moon Pictures', "Tomorrow (ë´ěź) [2022]" is the live-action adaptation of the 2017 manga of the same title by Llama. Developed by Hong Seok Woo, the show is a fantasy cum slice-of-life drama, broadcasted on MBC and internationally distributed on Netflix.
"Tomorrow" follows the day-to-day work of the Risk/Crisis Management Team of Jumadaeng (the afterlife company for Korea) which serves to prevent highly suicidal people from committing the deed and strives to bring happiness in their lives. Choi Joon Woong, a jobless young man, gets involved with grim reapers as he tries to save a man from taking his own life. Soon he goes into coma, becoming half dead, and joins the RM team till his recovery. There he meets, Team Leader Ko Ryeon (Kim Hee Sun) and his assistant Lim Ryung Gu (Yoon Ji On); together they save countless lives while facing the threat of disbanding from other departments of Jumadaeng, including the most elite Park Jung Gil (Lee Soo Hyuk), the leader of the escort team. Kim Hae Sook plays the Jade Emperor in Jumadaeng.
The controversial concept and the criticism surrounding it about suicide prevention, might seem futile but I do not wish to discredit and disregard the understandings of people about such a sensitive matter. Nevertheless, it's a relief how this show has been able to create narratives and conversations, about this topic.
Plot development follows both fragmented as well as staircase rule, and I believe this was a best decision in the webtoon writer's part. The pilot episode wasn't very impressive to me, that could have me in it's overall grasp though it seemed decent. I would say the execution in the 2nd episode was also fine. Episode 3 is where it suddenly took me to paradise (not literally because the sufferings of people were so saddening). I mean to say that I could suddenly understand the intentions of the writer and what everyone involved is meaning to relay to all of us. The furtherance was amazing; them handling one case after another, trying their best to sort everything out and put things back to their places, all of that evoked all kinda emotions, making us think, understand and realize about the possibilities that our lives could offer us. The seens involving Jumadaeng and the interactions of all the reapers working in it, was fantastic to witness; particularly Ko Ryeon and Jun Woong conversing was always melting my heart. Everything was okay until the finale week which somehow ended up ruining things for the show. As much as I love this show in overall, the very fact that the ending turned ordinary and rather shoddy, will always bother me, whenever I am reminded of the show.
There are 3 screenwriters for the show: Kim Yu Jin, Park Ran and Park Ja Kyung, and all of them are debutants according to their bios. Nonetheless, as I have opined multiple times, it's not really easy to turn a book into live-action adaptations and the secondary screenwriters needs to be immensely attentive and dedicated while turning books into scripts. So is the case for this; I believe the combined efforts of these budding artists have blossomed into such an amazingly beautiful masterpiece, sparking deeper thoughts and evoking essential emotions. The dialogues are sometimes heart-touching and emotional and as thought-provoking and gut-wrenching at times. The storytelling method with few monologue notes is alleviating and gladdening to a large extents.
Kim Tae Yeon PDnim with the experience of both a screenwriter and a director in both movies and dramas, have been able to do a wonderful job in preserving the eseence of the show. With him co-directs Sung Chi Wok PDnim, who has been a part of several modern well-recieved Kdramas. The tone, scope and subject matter of the show, perfectly corresponding to it's title, has been justified and the inherent messages has been yielded. The pacing was perfect, dedicating each episode to a single case and also narrating the back stories of the main cast meanwhile. The screenplay management, the scenario setups, the screen-editing and the overall execution, everything is beyond 'well done', which reflects in the outcomes that have provided us with gratifying and fulfilling experiences from the show. The only thing that felt off in the initial episodes was the sound production, the background editings, I mean.
The cinematography is pleasing, each episode usually starting with dark colour palettes depicting misery, and gradually shifting to light and colourful hue, implying, the new beginnings and as hope. The designer and makeup team deserves as much credit, for both accurately and demandingly bringing out the best of the characters, through the careful works on the actors. The fighting scenes, as required in few scenes, were exciting and convincing, if not very impressive.
Composed by Jo Seung Woo and Won Ho Kyung, there are a total of 5 OSTs, and I believe this much is enough. I love how they were incorporated into the story and screenplay.
# "Red Ligh"t by J. DON is my most favourite, which is a rap song depicting the mysterious ways in which one's life operates. The vibes of the song matches with that of the show. It makes me happy rap tracks have become the most prominent in modern slice-of-life Kdramas.
# "Still love you" by Yoo Hwe Seung (N. Flying) should have been the no.1 if not for the original track, where he is a co-singer with Lee Hong Ki (FT ISLAND). The track is of high pitch melancholic and sorrow-inducing lyrics, narrating the hardships of life. The vocals of Hwe Seung are amazing enough to make you cry. I suggest you listen to the original one, as well.
# "My Only One" by BEN is a soulful song reminiscing the moments spent with a precious person that you have admired for a long time in your life.
# "My Loneliness Callls You" by SURAN is again, truly a call for having happiness back in your life, soliciting the presence of your love.
# "Don't Leave Me, My Love" by An Da Eun is a beseech of holding back everything that you think is important. I didn't really like this one.
What I liked...
# Jun woong's character development is what the writer wanted to be the cause of the story. In fact, it was for him, we got to witness jumadaeng and such lovely members and also, the lives of so many people and their different kind of struggles. I could see how he'd turned out to be by the end of the drama.
# Comedy elements in the drama are hilariously funny and glad it was mostly restricted within jumadaeng or among the reapers. Most of it is credited to the Jade emperor (Kim Hae Sook) and equally to Ryung Gu, and Jun Woong was usually the victim of their humors, haha.
# The wide range of personal and social issues introduced and the underlying messages, presented in a fresh way, surely gets through all the way to the heart, viz. school bullying, poverty, career tension, loss of loving ones, ignorance to imperialism victims, life of war veterans, workplace taboos, injustice, sexual assault victims, miscarriage, etc.
# So happy how they thought of involving an animal in one of their episodes, showcasing the importance of pet-human relationship and the subsided emotions.
# Suicide is not something to even think about easily and even so it remains controversial, you really never know what an individual get through while making such decisions, no matter how absurd it seems to me and you. Also, it's not really easy prevent suicidal thoughts of others easily, but we need to understand that this was a fictional show where the writer had to throw light upon various stories and sticking to only one would have differed from the core concept of the story. I personally have nothing to complain.
# That being said, I loved how well the writer emphasized to tell us the stories the persons concerned with the issues in each episode, giving them a bigger fraction of the show. We rarely see the main cast of the show being taken away of this (in a good way, I mean).
# No one can confidently utter that they shall live tomorrow, so death is as natural as to be born. It is very touching the way the the vehemence of death has been propounded. It's nothing new for Kdramas like this, but the ideas and the elements used to represent, definitely move your heart.
# Paralleling jumadaeng (afterlife) with the world of living is another factor that makes the drama .. From the organizational structure to the regulations and operations, everything didn't feel less than any other MNC; they have every single thing, technology, glitches, resumes, editing, and what not.
# The epilogues at the end of each episode were so satisfying and as delightful and truly exhilarating.
What I didn't like...
# The shared past story of the main leads towards the ending is one the biggest (probably the only one) setbacks about the show. I would have loved it if they'd shown it bit by bit from the beginning but the one episode dedicated to the particular matter, that too towards the ending, ruined a small part about the show. Again, it could have been done in a very amazing way, but the way they represented wasn't very likable to me. And as predicted in the 15th episode the finale was rushed.
# As everyone else, I also expected Rowoon to be the part of of something big or let's say have his own share of gut-wrenching past story. Unfortunately, the writers didn't have any such plan, instead he was treated like a supporting character, not all the times though. My disappointment about this particular matter comes from the fact that Rowoon is no rookie or substandard actor at this point.
# Lee Soo Hyuk being shown as the main cast in in the poster and then the makers backstabbing us by giving him unsatisfactory share of screentime is very disappointing. I admit, overally the entire main cast has received half the time, bcs the makers have emphasized on narrating the stories of the victims but of the half, Lee Soo Hyuk gets the least, and I didn't like that.
# I think I have already told how it turned out to be a rushed ending, so saving the elaboration again, I strongly feel the ending could have been a lot lot lot better. sighs.
Final Remarks... Overally, "Tomorrow" bestowed love, hope, everything else that you felt on personal levels. The denouement has been essentially deep, eloquent and worthwhile, provided all efforts contributed by the entire cast & crew. "Suicide prevention by Grim Repears", might interest/intrigue some while making people think for a while, but I suggest you try this out. For me, this was worth my time and emotions and I would cite this as a must watch. My rating of 8.5/10 is the reflection of it's drawbacks, as mentioned, would have given a 9.0 otherwise.
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Comedy & Crime
This drama is NOT to be taken seriously. SIG is his usually wonderful self, this time bouncing around as a shaman, who is secretly trying to avenge his friend's murder. He used to be a profiler & uses that in his fortune-telling. The team at Cafe Minamdong is just fun, although those who hate slapstick, exaggerated comedy will not like them.The police team are also fun, although the two junior detectives were a bit over the top even for me. I liked the female lead (really, people! WTF is wrong with her? She's a cop, going after criminals!), and the older mentor just is one of those seasoned Korean actors that brings verisimilitude to every role he takes.
The mystery has an interesting twist - I wondered after about the 8th episode, but it didn't fully reveal itself until nearly the end, and did so in a very good way. I've watched a lot of dramas with this kind of thing before that have not done this as seamlessly or logically, frankly - playing with the audience or using shock value (or both, like Mouse ). This one did it well.
All in all this was just a fun, refreshing drama for me to watch - nothing heavy, satisfying action, very few true plot holes or logic fails (other than some over the top kinds of comedic situations), and just, SIG being very funny & appealing throughout.
I find all the negative reviews ridiculous, frankly.
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Geniuely a really good drama, not what everyone is making it out to be
Iâve never written a review for anything, but I feel like this had to be my first. As I think people are making Nevertheless out to be worse than it is. Personally I really enjoyed this drama so much.My favorite things:
1. The cast was truly amazing and their chemistry was so good that I always found myself smiling at the screen and repeating many scenes
2. THE ACTING!! The way they portrayed every single scene truly came down to the chemistry between them but just wow Song Kang and Han So Hee's acting truly needs more credit than what they are given
3. Every single ost in this drama was beyond beautiful, I looked forward to every week adding a new song to my ost playlist to have all the tracks on constant loop
4. The story was very realistic for their situation and this is the biggest thing I think people are making out to be worse than it is
One main thing I think people are forgetting or pushing aside is this is supposed to be a friends with benefits relationship and it is very emphasized from the beginning that thatâs all thatâs wanted. The word âtoxic relationshipâ keeps being thrown into correlation but I personally donât see anything toxic about their relationship when everything was put out there about the friends with benefits narrative. Yes, their relationship can be seen as flawed as the aspect of feelings are very evident but we also have a character who has never felt any of that and itâs an unfamiliar feeling that they donât know what to do. In addition, communication between Na Bi and Jae Eon doesnât really happen except for the times they explode in anger since they donât address what theyâre feeling.
Nevertheless (haha), I think everyone has mixed reviews depending on your stance on a friends with benefits relationship, but if youâre looking for a drama thatâs more raw with sexual scenes and tension. A cast with amazing chemistry and a lot of fun scenes when theyâre all together. In addition to people trying to understand their emotions and feelings when it comes to love this would be a great drama.
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The story isnât original as itâs a remake, in all honesty this is one of the first remake I can say was better than the original, I might seem biased as I watched the remake before the original, but Iâve done that to a few shows and always Felt the original was best. Every episode was full of adrenaline hoping everything will just turn out okay in the end.
The character development was a main point in the storyline and showed the growth of friendship and love between the two main characters
The acting was phenomenal especially from a child actress starring in her first major role of a drama she stood out to be the best role in my opinion throughout the drama
Overall this drama is the best to start off 2018 and Iâm kind of sad for it to finish now I would recommend it if you can stomach a lot of tension after every episode
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While telling an interesting story, Healer manages to do brilliantly what most fictional works should and sometimes fail to do: create 4-dimentional characters, believable persona whose growth and mutual interaction reach the heart of the viewer. When characterization is so strong, the plot twists - whatever they are - fall to the background, becoming a mean to an end. In this sense, it doesn't matter how many times the same plot subject has been used in a drama: what matters is how this same subject pertains to the journey of the characters. The reason why I was constantly on the edge of my seat while watching Healer, is not because I wondered what was going to happen next, but because I was eager to know how each character would react to a certain event. Will she give up? Will he fall apart? Will that one lie, speak the truth, run away, face the challenge, cry, laugh, rejoice? What would I do, in their shoes?
And every single time I feared the ominous K-drama tropes would sneak into the narration with the usual noble idiocy, nth misunderstanding, petty jealousy or envious triangles, these characters surprised me and made me extremely happy for NOT conforming.
Someone here called this drama "a breath of fresh air" and I couldn't agree more.
This story, while simple on the surface, hides a few, much deeper and more complex subjects. One over all, the roles of adults and how their choices can make the lives of children a living hell. K dramas have accustomed us to adults who abandon their children, or abuse them, dictate them, mold them to their will, silence them. In the best of scenarios, they over protect them. This drama, on the other hand, gives out a different message: adults should give their children the means to fight their own battles, their own way. The same could be said about women, who are the true strong point of this drama. I wish I could write an essay on Young Shin and Ahjumma, but don't worry, I'll spare you the boredom, Suffice to say, true courage and strength are not in the fists.
Healer is also a love story. A sweet, realistic, heart wrenching and heartwarming love story made of little, endearing details. It's the encounter of a young man with a tough shell and a vulnerable soul and a young woman with a fragile body and a brave, unwavering heart. They are so natural together, watching them is a pleasure. I think I fell irremediably in love with them as a couple. I ascribe it to the acting, but also to the brave script, which for once depicts 2 young adults who admits they are attracted to each other physically as well as emotionally. I do not expect a drama to show me anything happening under the sheets, but I'm a little weary of tons of dramas where the girl is shocked by the mere hands touching and calls for a trial. Guess what, Young Shin and Jung Hoo are human!
I've read somewhere this drama had a very low budget, so low that they had to film lots of scenes in a rush and couldn't afford complicated special effects. I grew even fonder of it because of this and wish viewer would stop comparing this show to others which had a lot more money to work with. All the actors give out the impression of truly believing in what they are doing, that's possibly why there's a collective, tangible alchemy keeping the whole cast together. As for the music, I admit at not having liked a particular song in the beginning, but because it was so fitting to the story told, I ended up loving it too. The instrumental pieces were perfect.
As I said, I've already watched this twice. When I reached the end the first time, I felt the urge to go see again how it all began and how it all unfolded. When it comes to dramas I like, I am a serial second watcher and go in search of that lost detail I've overlooked before. I think Healer lends itself very well to multiple watching, because even when you already know the outcome, the journey there still has so much enjoyment to give.
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Not a KDrama, but a dramatic Korean story with a lot of Korean heart. (A hybrid?)
Ok, this series tells a Korean story, it´s about Korean destinies. BUT it's not an original KDrama. It is a (western) Apple production in which some (Apple) producers from the US obviously had a say. So, first of all, a bit of criticism about the American serial adaptation of a bestseller novel, which 'coincidentally' has a Korean fate as its subject. (Before I go into praise...)North Americans with Korean family backgrounds may have been involved in the production (the directors, the person responsible for the script adaptation and a lot of actors, for example). Nevertheless, it is and remains a North American production. The sad thing about it: the series production repeats - if you like - the theme of the story in a new media version: in this case, the profitable exploitation of 'Korean stories', 'Korean fates' and even a bit of the KDrama soul...
Using the example of several generations of a Korean family and their personal destinies against the background of Japanese colonization and racism to this day, why reduce a 500-page book to ONLY 8 episodes? Why not use the time and space and retell the story in at least 20 episodes, or even 50?
Quite simply: the series production is not of South Korean origin, and it is not made for South Korean television, but for the international streaming market. The rest of the world isn't THAT interested in South Korea, but it is quite touched by Korean fates. So, the enthusiasm for the original bestseller in a binge-capable, compact format has to be cleverly marketed in a colorful and moving way in order to attract new streaming subscribers to Apple. The world (those who have not yet read the book but have now watched the series) is shocked and touched by what happened between Japan and South Korea, which is still today formative for many Koreans. The rest of the world was hardly aware of this historical chapter. However, in the series adaptation, the individual fates were told less in detail. They were rather reduced to catchy basic emotions, and these were cleverly knotted as a cross-generational leitmotif in key scenes over time jumps. The focus is on Sunja - with the focus on Sunja in her third phase of life. This is embodied by Youn Yuh-jung, who was already able to leave a lasting impression on the international audience with (her Oscar for) "Minari" and thus gets plenty of screen time as a 'star' among many internationally comparatively unknown actors.
Well, that's the way it is.
If you have a background with KDrama, you will find a nice study object in "Pachinko" to compare the different narrative styles (Western style vs. Korean style) with regard to emotionality. Western style would be more like: 'I WATCH the mimes have their feelings'. The individual sequences of different timelines, some of which are strung together at very short intervals, convey this 'Western' handwriting. This is, so to speak, Western objectivity in the depiction of emotionality. The (South) Korean narrative style, on the other hand, deliberately draws the audience into the emotional world. E.g. 'I sympathize. I'm IN there too.'
So, with "Pachinko" there was a lot of Korean heart and soul mixed into the story and series adaptation. You can feel that. This is how an interesting hybrid production actually came about. It's not a KDrama, but a Korean story with a lot of Korean heart. Thus, the spirit of Korean storytelling still blows through some of the scenes. Actually, even the concept chosen for the series adaptation is the strongest element: if such a complex family saga is told in 8 episodes, then through the characteristic basic emotions in the form of impressive scenes - less in plot, action and dialogues. For example: when the mother ceremonially prepares the rice for the wedding, which they are actually not allowed to eat, or the young bank employee throws his expensive jacket into the puddle and dances footloose to the street music on the open street (in Japan!), or the grandmother, completely moved, after decades back on South Korean soil on the beach of her childhood... There are strong scenes like this - lastingly impressive, without words - that (want to and actually do) touch the heart. THAT, I would think, is Korean style in the way of its storytelling. It somehow sneaked into the production (still US production, even if it was trilingual) and confidently took its place. (Perhaps in the same way that people under Japanese oppression quietly preserved their inner dignity and inner defiance despite all bending and suffering.)
And by the way: the title track may be well and good. But! The intro clip is in my eyes most peculiar and completely missing the subject. It's nice that all generations come together here, but the extreme exuberance of the dance performance has nothing to do with the rest of the series. It seems rather strange, how in contrast to the particular, muted, rather gloomy 'Han' (Korean pain/world pain) of the story it comes along in such outlandish US style...
Nevertheless: the series is captivating, moving and over all a rather inhospitable excursion into inhospitable Korean living conditions, which are emotionally shaped for some even to this day by the Japanese colonial era. Even decades later in Japan and the USA, life is shown rather inhospitable. Only a few well-chosen scenes open up in a visually stunning and atmospheric way, as if to remind us that life itself is a gift...
Even if it's only told in 8 episodes (and by now apparently in 8 more for a second season), "Pachinko" offers an unforgettable, visually stunning excursion into a sad segment of recent Korean history using the example of a moving family saga. A concentrated load of multifaceted contemporary rich topics that can at best be roughly touched or tabbed upon in the series adaptation. Nevertheless. It is definitely a masterpiece to compress the 500-page epic into 8 slim episodes and - without having to bend the story too much - to convey a stringent, central emotional attitude even in the face of the inhospitable nature of being: the protagonist despite all the suppression keeping a quiet, inner dignity, grounded and clear - from there drawing the strength to face life and its challenges again and again, in all simplicity.
Lastingly impressive!
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â Beautiful scenography.
â Spectacular original soundtracks and background music.
â Okay acting. I was in it for Mike He and wasn't disappointed one bit in that regard, however, I feel like they could have fleshed out his character some more.
â Chemistry. This is really a matter of taste and opinion. The main couple did have chemistry and cute moments, but not to the degree that I would ship them (I think I shipped the side couple more). To me, their relationship felt more like a noona-dongsaeng relationship rather than a romantic/mature one, but guess that's a given considering the age of the actors.
What NOT to expect?
â A strong plot. The premise of the story was interestingâit was literally oozing with potentialâhowever, not very convincingly executed. The plot was not strongly knit together and above all, lacked focus. It lost me somewhere between the middle and the ending.
â A love triangle (although the poster might suggest otherwise). Not sure if there was a love triangleâif there was, it was very vaguely present. Don't forget, Mike He is not playing the second male lead, he is playing the main character of his own story.
â Not the most satisfying ending of all. In fact, the ending was WTF-inducing and felt rushed. On the plus side (or not, depending on how you're looking at it), chances of a second season seem high judging from the manner in which things were rounded off in the final episode.
Was it worth watching? Yes. Would I watch it again? Doubt it.
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1Alternate Drama Title: The Legend of Su Rongqing
The premise of The Princess Royal is a rather unique and intriguing one, but it soon felt like I was walking along a bridge that could collapse at any moment. The bridge looks to be sturdy, but in reality is missing the most important nuts and bolts to keep it standing. I was drawn to the drama due to its lead actors (Zhao Jinmai and Zhang Linghe), beautiful production and seemingly-interesting plot. The first few episodes were enjoyable, but everything soon went downhill.The Princess Royal is a historical Chinese drama, telling the struggle of a deep, political struggle and the romance between the Princess Royal Li Rong (Zhao Jinmai) and her consort/government official Pei Wenxuan (Zhang Linghe). It is adapted from the very well-received novel "The Princess Royal" by Mo Fei Bai. What sets the drama apart from other period series from the start is that the leads are sent 20 years back into their young selves (18 and 20-year-olds). This was an opportunity for the leads to redeem themselves and prevent past tragedies from occurring. In this sense, Li Rong and Pei Wenxuan were a lot more mature, as they had decades of experience with politics.
Iâll say off the bat that I had no problem with the acting whatsoever. The main leads, as well as the supports, embodied their characters very well. Zhang Linghe and Zhao Jinmai had a decent amount of chemistry, which (arguably) saved some of my sanity as I watched the rest of the drama. They had some cute moments, but even these scenes werenât enough to make up for the real issue: the overall plot.
As the power struggle between different political parties emerged, I soon got pretty bored with the drama. The plot was progressing in the way that people were plotting against one another for political gains, but it just felt like the drama really wasnât going anywhere. It was just the usual struggle between two princes for the throne with a few suspenseful moments thrown here and there. I just didnât feel attached to many of the characters in this drama as there wasnât sufficient character build-up. Because so much of the precious screen time was given to our oh-so-amazing second male lead, Su Rongqing (hence the title of this review). There was even an episode where Su Rongqing had 28 minutes of screen time (the entire ep is 40 min long). There were plenty of opportunities to cut some of SRQâs scenes to give the audience more scenes of the lead couple, or even scenes of other characters. Su Rongqing even took up a good portion of the last episode, leaving many viewers (and especially og novel fans) disappointed with the leadsâ short ending. Most of the other characters werenât given a definite/satisfying ending as well. There were also times when SRQâs actions just didnât make sense. I have no problem with the actor himself, but the character and his screen time is truly frustrating. I only read part of the original novel, and found many similarities between the novel and drama, but there are some unnecessary-added scenes in the drama (cough cough, SRQ). Who knew what the screenwriters were thinking.
On the brighter side, I appreciated the emphasis on female empowerment in this drama. Shangguan Ya and Qin Zhenzhen are very intelligent and loveable characters, quickly becoming the female leadâs biggest supports. Consort Rou was also put into a major political position. Quite a few women played heavy roles in the political landscape, which contrasts greatly with other political period Cdramas. However, Li Rong still made some questionable decisions, although she had already lived a previous life. Her constant entanglement with Su Rongqing also dragged the show. On one hand, she is telling Pei Wenxuan how much she loves him, but also can't seem to forget about her moments with the SML. Pei Wenxuan has plenty of reasons to be upset. PWX's character was great overall. He, like Li Rong, was very intelligent and thought ahead.
However, I would like to point out that the overall production wasnât bad. Many of the costumes and hairstyles were gorgeous, and the backdrops and props looked like some thought had gone into them (in other words, they didnât look cheap). The OST was nice, but I still donât understand why the production/editing team decided to use music in more scenes between the FL and SML than between the two leads.
In conclusion, there is real eye candy in this drama and the acting is top-notch, but the plot was just lackluster and disappointing. If youâre a Zhang Linghe and/or Zhao Jinmai fan, you could give The Princess Royal a try, but I did warn you! Otherwise, the drama really is a waste of time.
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This review may contain spoilers
Cute Couple -- Wily and yet Charming FL + Multi-faceted ML
Having watched this drama, I must say that I enjoyed the ride! :)What I liked:
- The leads are good-looking. Oh man, the two leads are gorgeous to look at and so cute together.
- I like a smart FL who can take good care of herself and Hua Liu Li (HLL) does just that. She can take good care of herself and others around her. I like her charms and her gift of the gab. She can be coquettish. She can be feisty. She is a capable person.
- I like a devoted ML who loves and protects his sweetheart. The ML is very handsome and very manly. I think he acts well too because in front of HLL, he is all puppy-eyes and wanting her attention. However, when it comes to being the Crown Prince and handling his duties, he is all intelligent, competent, courageous and a force to be reckoned with. He is THE MAN, for sure.
- Yuan Wei (YW), HLL's maid, is the best maid ever. HLL and YW are so cute together. She looks adorable and she is smart and capable too.
- Tian Jia Min (TJM) and her mother, Princess Shun An, are so cute. TJM is all bark and no bite. She became reluctant and yet, good friends with HLL after both girls were kidnapped and went through "thick and thin" together. TJM's mother is always fan-girling about HLL's mother. So cute.
- The king is a nice man and a good king/ father (on the whole).
- HLL's family members are nice. They support her and have her interests at heart.
- Yun Han understood the error of his ways and stopped betraying ML.
- I like that Ying Wang and the third prince are not out to usurp the Crown Prince's position. The brothers actually co-exist nicely despite the machinations of their scheming mothers.
- The "Easter egg" endings are funny.
What I didn't like that much:
- Psycho plotter/ mastermind who has a Jekyll and Hyde personality. Atrociously manipulative. I do understand that we need to have some tension and suspense and something happening in the plot but he was a pain to watch. So nasty and horrid.
- Song Shu dies in the end which made me cry too. He really held the fort and was a father/ brother figure for HLL.
Overall, the plot is engaging and riveting enough (IMO). I truly enjoyed watching both FL and ML. They are good-lookers who light up my screen. Their acting is also good. There is also a lot of heart in this drama. I highly recommend this drama! It is a pretty fun watch!
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i would classify this as pornographic, there are explicit sex sceenes, which is fine, but you have to be in the mood for porn to watch porn. i was in the mood to watch a movie.
a previous reviewer talked about it being a pedophiles dream and stated the male character was 17. he's actually 19, i even turned off the subs and listened to them state his age, my korean leaves alot to be desired but i can count, so by american standards it isnt pedophilia. the actor that plays him was also well over the age of consent in both america and korea at the time of the filming, so if the under age thing had you skeeved out, dont be.
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They story is not anything new, but I loved the way the executed this movie, and it really stands out. You get sucked in the first seconds you watch this movie. There is NEVER a dull moment! So in the 2 hours you'll be guessing, sitting on the tip of your chair and you might encourage some characters.
The acting was amazing, the fact that they could suck me in from the first till the last seconds is very good! I thought everyone precisely fitted their character.
The music helps a lot to build up some tension, and I recommend this movie to anyone who likes action, a good story, suspense and tension!
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12 episodes could've easily cut down to 6. Casts weren't bad, cute enough and acting not terrible, but director & editors did a crappy job making most of what's already an unoriginal story. Still recommend watching it if you like BL. Concept is still cute and idea for BL couples, and who doesn't enjoy happy ending?
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