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I’ve been meaning to watch this drama long time ago but obviously I forget about it (I have no idea why) then I found its thread in MDL and decided to give it a chance.
Note: I agree with most points mentioned in the two reviews below but I had to state my opinion.
2)Storyline/Plot:
*Generally speaking this is a smartly written storyline that revolves around the world of crime while having romance as the center of many plot changes.
Positive Points:
*Honestly speaking, twists are the most important part of the storyline since you can’t lose interest while watching; those unpredictable events are the reason that catches the audience attention (especially me).
*Main genres:
--->Crime/Thriller: This is not a detective drama hence don’t be scared by the intensive police meddling into the storyline; it had some crime elements into it but they weren’t that deep to be fully considered as a “Crime drama”.
Thriller was simply astonishing here; it had many great suspense moments which prohibit you from predicting anything. There were a lot of mind-blowing events that you can’t see it coming therefore I have to give writers credit for many “What? When did that happen?” Scenes.
---->Romance: Though it was a little annoying when it comes to changing the spoken language, this was a well written Japanese-Korean romantic story; there were magnificent cultural interactions within the romantic story which made it more and more fascinating.
Other than that, romance had many charming and dangerous turns thus it will never make lose interest while you’re following its events and development.
Negative Points:
*Even if there were some negative points, they didn’t ruin the story’s aspect; they’re acceptable overall.
Story: 9.5/10.
3)Acting/Cast:
*This is a Korean Japanese drama consequently there were actors from both sides which made it more interesting than any other Japanese drama cast.
*Takenouchi Yutaka was always a very respectable actor; he was brilliant as this drama’s lead male because the role matched him so well. As you watch his acting, you’d feel depth which makes you want to see more of him on screen.
I am not familiar with Choi Ji Woo but she made through; her acting was believable and full with feelings which made her completely fitting for this type of role.
The rest of actors were good but not too great; in general, they were up to standard.
*As for characters, Sho/Takumi wasn’t an unusual character (discovering the truth behind the death of his father) still it felt creative and very absorbing no matter what sort of events he went through; whether it was action, romance, suspense, the character conveyed many fascinating feelings.
Yuna was a typical character until unpredictable twists took over. On the whole, the character was appreciated mainly because it leaded an unusual path.
*Other characters were important for the story’s development; I couldn’t imagine this kind of story without their presence.
*Appreciated character: Kim Young Jae because he added a special taste to the storyline plus he was one of the most unpredictable characters out there: More mysterious, more fun!
*Relationships:
--->Romance: One of the most charming chemistries that I’ve seen so far; it’s one of those romantic stories that you want to see more of it on screen but no matter how much you see it, you feel that it’s not enough. The lead actors had a mesmerizing relationship indeed because every scene they have together was absolutely attractive.
--->Sisterhood: I appreciated the relationship between Yuna and her sister; it felt natural and special in many ways.
Cast: 8/10
Acting: 9.25/10.
4)The ending:
It may have fallen into Japanese detective style endings but I haven’t seen it coming no matter how much I think about it, I was thrilled to find out the out-coming of the story.
The ending: 8.5/10.
5)My impression:
*For me, this was a joy ride of pleasant events. I loved this drama simply because it was way too far from my predictable sense; it was really absorbing especially near the end.
*I’ve fallen in love with Yukata in this drama; aside from his astonishing look, I felt a great actor in here: I will definitely watch more of his dramas.
*I was bothered by the bilingual characters in here. Though, I stated that I liked the Korean Japanese interactions but I can’t say that I enjoyed changing the language because I watched this drama Raw which made me get a little lost when they spoke Korean, I can understand Japanese but Korean is just a no (My Korean lingual skills are far behind from my Japanese) but fortunately they translated some of them into Japanese.
*Is this drama memorable: Yes it is, simply because of its unpredictable twisty events that made me enjoy it to the extremes. Nonetheless, I don’t think this is the greatest drama out there since there are many others of the same genre that suppresses it.
My impression: 9/10.
6)Overall:
*If you like crime Japanese dramas with many twists then you will enjoy this.
*If you like great romantic chemistries then you would like this.
*Rondo is a great drama that’s full of enjoyable twists and great actors who knows how to deliver amazing feelings.
Overall: 9/10.
Note: If you were already spoiled, don’t watch this because it makes you lose the taste of its suspense. Another point, I hope you can find subs for this drama because I heard that there weren’t any; it’s a shame that this amazing drama doesn’t get the appropriate attention.
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Her story is gutwrenchingly tragic and I was disturbed more about her life after the uprising than the uprising itself. There are at least three semi-graphic rape scenes and a horrible account of more sexual assault done to her by a variety of people. None of this was mentioned in the synopsis at all, so I had no idea that it would be in the movie at all. I do not recommend this movie for the fainthearted, the easily offended, or pretty much anyone but the most stoic viewer. Definitely not for younger viewers at all. I am an adult, and one who is not that easily disturbed and I still found this movie disturbing. That being said, I can still see why this movie won so many awards. It is deeply serious and brutally shows the effects of May 18th. It also shows the darker side of human nature.
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Lovely underrated movie.
☆Watch if you like bunnies.Don't watch if you hate apples.☆
I shall give a few reasons why this movie was good.
1. The female lead has an adorable quirky personality that you can't help but love, with a natural beauty and not one of those annoying high-pitched voices.
2. The male lead is cute and shy but still very handsome and smart.
3. A lot of fluffy and really funny scenes that make you blush and laugh.
4. Storyline was surprisingly fresh in it's own way.
In short, a cute drama thar you should just give a try :)
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Best healing program
Surely will be missing this a lot. A month went by so quickly and I'm so sad that it ended this soon but I'm so happy to see the boys got to rest, relax and do what they’ve always wanted to try and they truly deserved all of that.We already knew how gorgeous their bond but through ITS we got to witness another heartwarming and beautiful interaction of these 13. This was so far the best healing program, It was indeed, a healing time for both the members and CARATs.
thank you SEVENTEEN.
thank you HYBE and Pledis staff.
thank you ITS team <3
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Much of the narrative is sung. but do not be put off by this presentation. It will grow on you. The ending is superb and worth the wait.
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1Ask me no questions, and I'll tell you no lies.
Mysterious Lotus Casebook is a dark 江湖/jiānghú story about the ultimately futile aspirations and obsessions of the martial world. In an epic battle for supremacy, Di Feisheng of the dark Jinyuan Alliance challenges Li Xiangyi, the leader of the righteous Sigu sect. Both men disappear from the martial world afterwards, leaving a vacuum at the top and their sects in disarray.Ten years later, aspiring young detective Fang Duobing comes across Li Lianhua, a famous itinerant doctor whom he is convinced is a quack. Determined to expose him, he attaches himself to Li Lianhua as inextricably as a wad of chewing gum in his hair. They run into Di Feisheng, who immediately recognises in him his old nemesis Li Xiangyi. The two old rivals remorselessly keep Fang Duobing in the dark as they try to figure out who sabotaged their fight and search for Li Xiangyi's deceased sect brother Shan Gudao's corpse. An unlikely friendship develops as they work together to solve a series of strangely connected jiānghú cases.
Plot wise, this drama is solid but dry and unremarkable. The cases all unfold at a fast pace and are easy to follow, but do not engage audience participation. They are simply plants for clues to a treasure hunt for artefacts that unlock the main conspiracy. Despite a hint of the supernatural, the cases fall short of chilling or suspenseful. The hidden mastermind behind the main conspiracy is pretty obvious and revealed fairly early on, and even the ironic twist at the end is not much of a surprise. Both villains are one-dimensional jiānghú archetypes driven by vanity and delusions of grandeur. Wang Herun's scarily convincing portrayal of the Saintess of the insane cackle elevated the role beyond its one-dimensional character blueprint.
\What makes this drama a success are fascinating main character designs, strong rapport among the three leads, the scintillating dialogues, and well-choreographed and exciting action sequences. The real mystery is about who Li Xiangyi was and why he was killed. The answers are at surface trivial. Li Xiangyi was perched at the top of the martial arts world as the world's best swordsman and leader of the righteous sects. This made him the envy and natural target of virtually everyone. However, Li Xiangyi was far from the perfect hero of Fang Doubing's idealistic imagination. In fact, he was a self-absorbed, pompous ass who believed the universe revolved around him and his worldview. His swordsmanship is matched by a brilliant, cynical mind and a razor-sharp tongue that, according to poor Ai'man, can slay a person with a few words. If there is one thing lacking in Cheng Yi's otherwise stellar performance, it is that his Xiangyi is too empathetic. This masks his many flaws and hides how insufferable and difficult he was as a person. It took me awhile to realise that his sect had some inkling who Li Lianhua really was but they refused to recognise him because they just did not want Li Xiangyi to come back.
As for Li Lianhua, he is just a shard, a detached, sickly, disillusioned and world-weary remnant of the glorious Li Xiangyi. Cheng Yi really compels with his heart rending expression of this facet of the character singing his swan song without a shred of self pity. I lived for the sudden bursts of energy or sheer willpower that momentarily revives the breathtaking, dazzling and dizzying swordsmanship that propelled Li Xiangyi to dominate wuling. Only to all too rapidly diminish back into Li Lianhua again, a wickedly unapolagetic compulsive liar whose mantra is clearly, "Ask me no questions, and I'll tell you no lies." This is how he keeps everyone, and especially the hapless Fang Doubing, at arm's length; to avoid new personal entanglements. Fang Doubing (which literally means "sickly") is a parody character, the typical naive, high-minded, young adventurer raring to make a difference in the martial world. The dialogue is well written and humorously illustrates how grudgingly Li Lianhua is moved by this pesty young detective and tacitly accepts him as his successor. However, this kind of clichéd relationship dynamic of the clueless sidekick that elevates the brilliant sleuth is too common and quickly becomes boring. Li Lianhua's lies to Fang Doubing went on for too long to the point it became cruel and unnecessary. Their relationship is over explored and shortchanges the more interesting relationship in the drama.
What disappoints me most is that the writers opted to very cursorily explore the more complex and interesting relationship between Di Feisheng and Li Lianhua. Di Feisheng is the most layered villain in this story; that rare antagonist who transforms into a protagonist. Like Li Xiangyi, he rises to the top of his sect through sheer martial prowess rather than by winning hearts and minds. They are enemies who become friends, both betrayed and searching for answers. But his story is sidelined for much of the drama, his backstory is rushed, and his relationship with Li Lianhua does not really get a chance to develop and grow. Yet the best moments of this drama, are when all three of them are together, like a found family.
I like that this ends with an action-packed finale and satisfying final confrontations with the antagonists. But as for the plot, the best reveal is when Fang Doubing figures out who Li Lianhua is, which isn't really a revelation to the viewer. And I can't really pinpoint when the plot reaches its climax, as none of the high points make a strong impression. As for the ending, it is fitting but not as definitive as I would have liked. Most of Li Lianhua's journey is about putting his affairs in order and offering closure to those he cared for; to help them move on from Li Xiangyi who in all the ways that mattered died ten years ago. Yet Li Lianhua continues to string poor Fang Doubing (and us) along, which is too cruel and inconsistent with the drama's core message about letting go of past attachments and moving on. These kinds of endings that try to please all audiences really annoy me. I still enjoyed this superbly well written drama, immensely even though I think it had the potential to be much better. For me, this is an excellent 8.5/10.0 and a highly recommended watch.
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So - if you start to watch this BEFORE there is a season 2, please be aware that this story is INCOMPLETE, it's not simply a case of "bad ending", it's unfinished. For me, that's entirely unacceptable and the main reason I quit watching western shows entirely.
Putting that to one side, I feel it's only fair to talk about the show that IS there as well.
The easiest analogy for this show in US shows is "24" - top grade action, lots of shoot outs, lots of explosions, lots of car chases, some amazing parkour along the roof tops and some great effects. I thought it was overall quite well executed and disagree with the comments that Suzy was poor - I thought she was spot on for the character she was playing (though perhaps she's portrayed as much more "bad ass" in the publicity, in the show she's much more of a rookie).
Lee Seung Gi plays a great role as the main character, the completely (and probably unreasonably :) ) unstoppable stuntman who can do just about anything - hey, this is meant to be sensational fiction so just kick back and enjoy it, it's great fun. He does a fantastic job.
Moon Jung Hee as the leading evil lady, Jessica, brilliant - her character drips with greed and nastiness perfectly and was fun to see her on-screen plotting counter-moves.
As with all these kinds of action shows, there are going to be plenty of times where you think "wait, wasn't he just stabbed in the leg and now he's running?" but shrug it off, if you want to look into things that closely you're probably not a fan of the genre anyway :) It's silly, it's fun and it's entertaining.
Production values are sky high, it's got a top top end movie feel to it all the way through.
The story does get a little bit tiring with the constant twists and turns but it all made sense as the story unfolds itself multiple times, it definitely keeps you on your toes.
In short, really enjoyed it right up until they left it without any ending, and there's no real hint that there's actually going to be a season 2 yet even. I *may* be a little grumpy about this.... but i've tried to separate my feelings on that topic from the rest of the show :)
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Comedy & Crime
This drama is NOT to be taken seriously. SIG is his usually wonderful self, this time bouncing around as a shaman, who is secretly trying to avenge his friend's murder. He used to be a profiler & uses that in his fortune-telling. The team at Cafe Minamdong is just fun, although those who hate slapstick, exaggerated comedy will not like them.The police team are also fun, although the two junior detectives were a bit over the top even for me. I liked the female lead (really, people! WTF is wrong with her? She's a cop, going after criminals!), and the older mentor just is one of those seasoned Korean actors that brings verisimilitude to every role he takes.
The mystery has an interesting twist - I wondered after about the 8th episode, but it didn't fully reveal itself until nearly the end, and did so in a very good way. I've watched a lot of dramas with this kind of thing before that have not done this as seamlessly or logically, frankly - playing with the audience or using shock value (or both, like Mouse ). This one did it well.
All in all this was just a fun, refreshing drama for me to watch - nothing heavy, satisfying action, very few true plot holes or logic fails (other than some over the top kinds of comedic situations), and just, SIG being very funny & appealing throughout.
I find all the negative reviews ridiculous, frankly.
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This review may contain spoilers
Disappointment
I would describe this show as a big disappointment; I did not have high expectations for this show. The bar was low, and somehow the show manages to go lower than that. As someone who watches a lot of Netflix shows, this is at the bottom of the list. Everything was flipped here; the way Netflix executed this show was horrible. In the first season, we all can agree that Sun Oh had a lot of screen time and Hye Young did not. However, here is the opposite I wouldn't even consider Sun Oh a main character when he had minimum screen time. I went from liking Jo Jo's character to hating her. The whole "spear" situation was just wrong. She goes from installing a shield to using the "spear" to ring Hye Young's love alarm.. and they want us to think that she is sincere and is a way to show Hye Young that she loves him? No, it was stupid and idiotic; why couldn't she be honest for once in her life. I was so happy when it came crumbling down when Hye Young found out. She deserves no one! They tried to make Sun Oh into a villain when we all know we all feel pity for him, at least give him a good ending him crying all the time is not going to give closure to his character. This was poorly developed and horrible written. The only reason why I kept watching it was for the developer's storyline and because Jo Jo's cousin, she was the only interesting character on the show besides the developer(s) and Hye young. Hye Young was a sweetheart, but he deserves better than Jo Jo. I want to say that I am neutral in the whole love triangle situation, but Netflix did a horrible job. First, they make a majority of the viewers in season one like Sun Oh, and with little information about Hye young, expected people to like his character be happy that Jo Jo ended up with him... NO. The ending was no better than season one's ending. Jo Jo was the villain in her own story; she created all the problems herself.Was this review helpful to you?
Under "Your" Skin
Under The Skin is a 20 episodes crime drama produced by Linmon Pictures . The narrative revolves around a forensic criminal profiler and a detective who meets again after 7 years and proceeds to work together to solve cases while uncovering what happened 7 years ago. Under The Skin is compelling, thrilling, and emotional. It has an engrossing plot, impressive cinematography, and art direction.As a crime drama, Under The Skin is not groundbreaking, but in my opinion, it is one of the best out there. What makes Under The Skin different from any other crime dramas is how they solve the cases. Instead of just going through the tracks and pieces of evidence like any other crime drama, this drama focuses on another aspect, forensic art, which is rarely seen in other dramas.
The drama has simple yet interesting cases, it is compelling, easy to follow, and has good moral messages behind every case. The process of case solving is also relatively simple, but still engaging. Each of the story arcs manages to be complex and intriguing while still showing the very real human emotions being experienced by the characters. I love how there is always a human element in each case, the culprit is not labeled as a "black" character, but more to grey. The drama shows you their own fascinating background story and makes you understand why they took down "THE" path.
Under The Skin script shed a light on social issues, there’s a human element and empathy in every episode. For instance, in the first case, you can see women’s prejudice in the workplace and what women need to go through to break the glass ceiling. The cases are realistic, it may resonate with the audience. My personal favorite case is in episodes 11 and 12, “girls help girls - woman can understand woman, woman protect woman”
Under The Skin is written by 6 scriptwriters, 5 of them are females which is why you might find that a lot of the cases and plot mostly revolves around women. The drama also manages to showcase the diversity in the police force, there’s a female detective, police officer, forensic doctor, and more (also there’s a lot of pretty ladies in the drama).
Other than a compelling script, the script is also immensely elevated by the excellent acting of every actor and actress in Under The Skin. The actors and supporting actors and actresses acting are phenomenal, they add so much emotional nuance that brings the characters to life. Both of the male leads, Tan Jianci and Jin Shijia portray their character very well. Tan Jianci as a natural and gentleman, and Jin Shijia as a charming yet rough character.
Despite all its hits, it also has it’s miss. For me, the only miss from the drama is the plot holes in the cases and some of the cases are not wrapped clearly and perfectly. But other than that, the whole drama is a hit!
Under The Skin keeps you at the edge of your seat with the thrills and suspense at the end of every episode. I believe this drama is worth the binge, those who watch this will feel addictive to consume the whole drama in one sitting.
Fun fact: yes the whole criminal profiling profession is indeed that amazing and 神奇. In 2017, the murder of Zhang Yingying in the United States. The police was not able to identify who was the culprit, and they asked help from a Chinese forensic profiler, Lin Yuhui. And he managed to draw out the culprit just from a blurry CCTV and helped solved the case!
P.S. Season 2 is coming! on one of the scriptwriter weibo post, she mentioned she went to gather some materials for Under The Skin season 2 and she also mentioned the drama should've have some more art aspect but was omitted due to the limited number of episodes, and she hopes that she can put those ideas in season 2 and the extra episodes!
Weibo post: https://m.weibo.cn/1461807075/4673683987108245
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This review may contain spoilers
Love doesn’t conquer everything in this world and that's okay
April 3, 20222521 is a tear-jerker full of life-lessons K-drama. I know people have been disagreeing and disappointed with how the ending went. But I think, the 2521 ending fulfills the original story that they were trying to convey. The emotional attachment I developed to this drama is unbelievable. I love everything from how the characters develop and seeing how they flourish into their adulthood. Maybe it’s because I am now a college student and that is why I greatly relate to this drama. Yes, it is true that we took high school life too easily and for granted. Yes, it is harder to meet up with friends now that we are old. Yes, people grow apart and that's okay. Yes, it is okay even if you don't meet your friends often. As long as you have each other, you will always find time even if that means every 6 months or so.
!!! MAJOR SPOILERS WITH DETAILS!!!!
- I am happy that Baek Yijin did not die or experienced some catastrophic event.
- I am happy how the girls are still supporting each other even though they have their own lives.
I think I am happy that everyone got the ending that they deserve including Yurim and Heedo's mom. I also think it is appropriate how Minchae's dad is never revealed nor is present-pandemic adult Yijin. I know I may be the minority but I think everything from this drama is just good. I may have bawled my eyes and wished for Heedo and Yijin to be the end game. But given the circumstances of how their relationship has gone down, it is much better for them to go their separate ways. Very realistic and has a bittersweet ending. I also think that Yijin and Heedo's endings is happy to some extent. Yijin is able to revive his family back and has a stable job. Heedo is happily a mom to Minchae, though I can't really say anything about her marriage to his husband as he was not shown in the story. This makes sense because this is about first love and their early adulthood/youth days.
I think 2521 set the standards for 2022 Kdramas. I know the ratings have gone down due to the ending and I understand that people are very frustrated with the ending. But I definitely think it is not rushed, and that it perfectly fits the overall narrative of the story.
So for those who are watching 2521, I hope you learn some lessons and learn to enjoy your youth. Happy viewing (maybe) and prepare some tissues by your side. I may or may not have a breakdown watching episode 16 and while writing this review...
Cheers 🥂
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This review may contain spoilers
A waste of time
Nevertheless is a K-Drama adopted from a webtoon with the same name. Before watching the kdrama, I have already read and finished the webtoon.*SPOILERS FROM THE WEBTOON*
In the webtoon, the story was straightforward because we know that PJE is just playing with Nabi. Nabi knew this NEVERTHELESS she still wants him. However, PJE continued being a player and Nabi ended up with Dohyuk, who had more depth in the webtoon.
Now that we have gotten the overall storyline from the webtoon, lets talk about the drama. I came into this knowing that the writers would definitely change up some parts because we know that kdramas doesn't like to be faithful to its webtoon counterpart (True Beauty). My expectations were not met at all. This drama is just 10 episodes of repetitiveness and back and forth from the main leads whereas the background stories were definitely more compelling. I will be analyzing the main leads only for this review since some of the characters weren't in the webtoon.
1. Park Jae Eon: In the webtoon, he is your charming playboy who can't commit to a single girl. He tried to but his efforts were diminished by Nabi when she told his gf a very off-putting comment which ruined his relationship with Nabi and his gf. This scene happened in the drama. HOWEVER, somehow, for some unknown reason, he forgives Nabi and is suddenly infatuated with her for no reason. What makes her different? Well we don't know. The writers completely took a different approach and painted Park Jae Eon as a victim with a sad background story and can't convey his emotions blah blah blah. The story was supposed to be realistic but it turned out cringey and predictable. A typical "bad-boy-turned-soft-when-he-falls-in-love". People who like PJE only sees him through Song Kang's face. Prove me wrong
2. Nabi: In the webtoon, Nabi was more outspoken. In the drama, she's more passive. There is nothing compelling about her. Nothing interesting. She is a very bland character who needs to find herself first before committing and jumping into relationships. One minute shes angry at PJE and the other shes not. Like, what make up your mind?!?!
3. Dohyuk: In the webtoon, he is cute but as we got to know him we found out that he did it with a girl who had a boyfriend. Hence thats why we see him saying that he always falls for girls who have boyfriends. In the webtoon, he ends up with Nabi. In the drama, Dohyuk is just too smitten with Nabi that he sees everything in rose-colored glasses. Basically he'd do anything for Nabi. This kind of character could definitely bore some viewers so that's why I think the writers should've added more dimension to his character. Well, they should've added dimension to all of the main characters.
All in all, I wouldn't rewatch because the episodes are too long and the leads gets on my nerves. The OST is really good tho. The acting... well.... it could've been better. I think this drama would've been better if it was just a short webdrama instead of a long 10 episodes with 1 hour each drama.
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1Identity Theft.
Here we go again - yet another ill-fated master disciple relationship! This starts predictably with a jinxed mortal Wei Zhi barely squeaking through into the prestigious Egret Academy. There her astounding lack of talent catches the attention and empathy of her master, Yan Yue. He is an immortal sent to discover and vanquish the remnant of the phoenix bloodline that is a threat to the Three Realms. You would never guess who the hidden phoenix is or that this cold faced inheritor of the realms falls in love with his enemy?!?Within a tired and tropey premise, the plot design of Beauty of Resilience is actually pretty good with some interesting and innovative takes. I found the Egret Academy's challenge arc to be very enjoyable in a way reminiscent of the Triwizard competition in Harry Potter and the Goblet of Fire. And I was intrigued by the mysterious Zihua Book Pavilion and its Shylock like master who extracts his pound of flesh. I also like that the Heavenly Empress is not just a decorative vase but has a rather important function as the mistress of time. Even the concept of Hua Rong is fresh and mysterious. Yet these ideas just don't quite come together in a good way in terms of plot and character progression.
Indifferent character blueprints, mis-cast roles and uninspired portrayals are this drama's weakest features. While Guo Junchen's portrayals of multiple roles is technically faultless, he is not given much to work with. Yan Yue is just a cardboard xianxia archetype. He only gets to shine briefly as the morally conflicted Chen Yan and in his darker personas but enough to impress as a diverse young actor. He and Ju Jingyi look fantastic together and they actually have decent chemistry. While her acting here is more nuanced, Ju Jingyi, once again delivers the same old vapid, completely indistinguishable portrayal that is her comfort zone. This is compounded by her default styling with atrocious Persian princess head gear and heavy handed and unflattering eye makeup that makes her look like she just waltzes from one set to another. She actually has excellent comedic timing which sadly this humourless script gives her no chance to showcase. Mu Nan is the only engaging and empathetic character but is sadly matched up with the most tedious and mis-cast role. And that is just the tip of the ice berg in terms of how shabbily the writers treat him.
The supporting roles are one dimensional and the cast lacks experience, chemistry and rapport. Everyone is obviously acting and their relationships and interactions are so forced I couldn't engage with or care for any of them. There were way too many identity thefts going on where even the lead actors in the swapped roles are unconvincing as the characters whose identities they stepped into. It was so bad at times it was kind of funny. The villains are quite obvious from the beginning and they weren't satisfactorily dealt with. One of them perished so quickly I literally blinked and missed it. I went episodes thinking they were lurking for the right moment to pop out again. My hope for a satisfyingly long, painful and drawn out demise was never met.
This drama's strongest arcs are the early ones that take place in the mortal realm. After that the drama loses momentum and gets more ridiculous as it progresses. The ending however is quite original and quite cool but was so rushed and poorly executed that it took awhile for what actually happened to sink in. I would say this is something that you could watch up until the wedding in the second arc, skip all the messy and time wasting latter arcs and you'd still end up in the same place. The early arcs were a watchable 7.0/7.5 for me but I'd at most rate the latter arcs 5.0 for an overall rating of 6.0. Watch at your own risk.
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This review may contain spoilers
Till episode 10 it was quite fine, but then the script plummet...
The positive first: The special effect makeup was on point :) Even the acting was on point, even when we know that Pooh will never be a top actor because he does need a lot of speech training, but his facial expressions where also on point. When I watch a horror/mystical/crime series I expect the characters to act appropiate and we did not get that all the time. It makes no sense whatsoever when King enters the "Fridge" alone - no police officer would do that - also that Thup left the car, when his mom said he should not - there are more of such loopholes. As usual with a change2561 production the culminating finale is rushed and does not make much sense. The fighting in the end was also so off for me. So as usual the scriptwriters could not complete a very good story appropriately.To contrast this type of show with poetic love scenes felt off and it seems they did cut the NC scenes, because the editing is quite rough in that places. I would have prefered when the main couple had lust and desire first and love after the solving of the case which would also have more impact. The side couple was done better, because there was love from Darin all the time, but Sey not recognizing it. King which was not liked by most disappeared and the father-son conflict was unresolved. Was there corruption at work because dad would like to bury the case? We will never know, because the scriptwriters made the choice to give us drama but not resolve it.
I personally don't like stupid acting characters and I don't like drama when it's not resolved. So while I had rated this show very high till episode 10, the end "ruined" it for me. It's not catastrophically bad, but it could have been so much better. And so this series is far from a 9.5 or 10 I see here in so many reviews. I will always be critical when I see bullshit and I really hate it when they do it. Maybe some of you are fangirling or fanboying over the couples, but I do not care about the couples or the actors, only the story and the performance count (and of course production quality - but I can't say anything negative about that). For me it's a disappointment that a very good show got ruined for no benefit at all.
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The Longest Disappointment
So, because My Drama List is filled with people who say if you hate the drama you're ruining it for them, and upvote automatically any ratings that praise the drama highly, despite people telling you over and over it's bad and people hating the writing, I'm going to write this review for more balance. I love xianxia dramas. I've watched a ton of them, but this takes the cake on how terrible they can be. And yes, I watched all 40 episodes. Me and a bunch of other people who tried to defend it to the end, ended up flipping on the drama once they figured out what I said was consistent throughout the drama. But those people are less likely to write reviews.The only saving grace of this drama is Xiao Zhan and maybe the production values, but that's about it. And pretty production values when you don't have the story isn't enough for me. I've never particularly cared about pretty faces. I care about in order: Story first, acting next, production values (which include costuming, CGI, props, etc) last. If I wanted to gawk at pretty faces, I'd look at runway photos. The problem with this drama is squarely on the story.
The writing sucks so, so much on one key issue: The female lead's agency is all over the place because the motivations aren't clear in the character.
Kinda passes the Bechdel test. Sexy Lamp it's questionable about her agency. And she kinda fails Mako Mori at turns--they give her a goal other than a man, but do they ever implement that goal within the story? No. Not once.
The thing is that there is this bit where she's supposed to protect this dress, and after the tenth episode watchers drop like flies because of this dress. She could have climbed out of the ravine the entire time--which is shown in a later episode. She fights with her best friend's sister over said dress saying her best friend's sister can't wear it, but then by episode ten you understand why people dropped the drama hard. After all that lecturing about how her best friend's sister shouldn't wear the dress, suddenly she decides to dance in it herself. Which is a mind-numbing plot point. It makes no sense whatsoever for her age.
There is a difference between innocent and air headed, and she's air headed. Innocent is going into danger to retrieve her friend's dress. Air headed is wearing the dress after yelling about how terrible it is to wear it. Air headed, to me, is being oblivious of how others will react to your actions even when you know it's wrong and taking the worst action anyway.
And then if you think this is the largest crime of the female lead, you're wrong. It gets worse as the drama goes on and the agency of the characters is all over the place.
Let me be clear here, I don't mind delayed agency, I don't really mind passive agency. I don't mind a long try fail cycle. What I really, really do mind, is when the principles of the character are laid out, the lesson is stacked in the "I really learned this lesson" pile and you've spent say 2-3 episodes establishing what this lesson is, the character demonstrates they have learned it, and then the rest of the story doesn't apply it when it's clearly critical to apply it right then. Why did we waste our time with those episodes then? The writer actually put into the drama several spelled out points where she couldn't figure out how to get to the next section, so literally had another character tell the female lead what she needed to do in order for the plot to change direction, rather than it coming from the character. And for those who've watched the drama--this is the female lead in a nutshell.
OK, you want to skip the female lead. Zhi Yuan isn't better. He had a straight line until the end of the drama. His agency looked consistent, and then he made a mind-numbing decision in the last part of the drama along with one of those accidental amnesia events the writer comes up with where the female lead suddenly forgets all her past knowledge, and then both characters make this really odd decision together. First he fails and it makes no sense to the point that people on the main comments objected strongly. And then she failed by not applying her past knowledge when she learned the spell she could have applied right then just the previous 3 episodes making you go, that makes no sense. If any agency or moving forward for the FL isn't about the male lead, then the female lead forgets everything with no reason for it.
And you think, at this point, "But the male lead can't be affected by this, right?" Hahahaha. So wrong. By the middle of the story, the writer, who is lost on how to make character motivations work, has other characters telling the male lead character what his motivations are. She's jerking around the male lead by having other characters tell the male lead where to go, but without building a reason why he needs to go there for himself. I'm going there because Sifu said I need to go there. I need to do this because someone else said I needed to. Do I have a pesonal motivation for it? Meh, nyahh, I'm changing my mind because someone else is telling me to.
This leads to a lot of empty moves and the character agency being scattered to the wind, as the characters forget everything they've learned from the few episodes before them. Because their motivations are all external and nothing internal. So there wer people who wanted to defend the book and the drama to the end--until they got there and then realized really sharply what I said about the dress chapter being signs that the drama is going sideways was true. One watcher who was of this sort got frustrated both with the drama and the book saying both were a waste of time.
The female lead character--all of the characters need to learn things and apply them at key times. They shouldn't be told what they want from other characters. It's poor writing. And since the writing was terrible, I can't recommend the drama. My relative's B movie had better throughline of character motivations than this. And it's not a slam against Chinese dramas, since I've watched plenty of older ones and also have read classics and folktales--I do recognize how this employed older drama conventions. It's telling you that the main female character lacks motivation and agency which then infects the rest of the show and this is why I don't recommend it.
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