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Norwegian Wood has managed to touch me, as I have felt like each of these characters at some time in my life.
Turn the lights off, watch it alone and make sure you are not interrupted. It will slowly creep up on you, making you feel something not just about the movie, but about you and your past.
A must! even for you who have read the book!
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This review may contain spoilers
So you have heard this show is good, but you are wondering whether a 12 episode show about a famous chef will be interesting for you. However, this show is about so much more than just cooking and is definitely one of the best Japanese drama’s out there. I’ll explain why in this spoiler free review :) .Story: The show is based on the true story of Akiyama, a young man who shows little potential to be successful in life, but will somehow become the emperor’s chef someday. The story is the main strong point of this drama. The story is not about ‘just cooking’, but focuses on Akiyama and his family and friends who have to overcome various obstacles. It is hard to explain why the story is interesting without spoiling, but let's just say the story is more about pursuing a dream/ family problems/love/etc and not about 'kitchen trouble'.
It is made clear from the beginning that Akiyama will be the emperor’s chef, so the question is not whether he will succeed, but how. Akiyama must make a lot of sacrifices to pursue his dream and that’s where the drama aspect comes in. The story is about how we need the help of other’s to be successful, but simultaneously can be slowed down by getting too attached to these same people. This forces Akiyama to make hard and dramatic decisions.
Akiyama is a bit selfish, doesn’t mind bending some rules and has a quick temper, which makes his character very interesting. There are various side-characters, who all have their own problems, ambitions and agenda. The screen time is well divided and they all get their moments to shine, which will make you care about their fates as well.
Moreover, the story is well divided over the twelve episodes. Some might think that the first episode is slow, but after that the story makes progress every episode. Around episode 3 / 4 I was already hooked. The ending is also well written and is likely to have a lasting impact. The show is sometimes funny, often dramatic and continuously inspiring.
What makes this show truly great, is that the good story is combined with flawless acting. Takeru Sato shines as his role and deserves all the recognition he got for this part. As time progresses Akiyama’s personality matures. Sato aptly portrays all the different Akiyama’s through changes in posture / voice / expression very naturally so you will hardly notice it. Moreover, he is able to play both the funny and the dramatic scenes very well.
Kuroki Haru does a great job as Toshiko with the use of some subtle but great acting. She has great chemistry with Takeru. Suzuki Ryohei was the biggest surprise for me. In this show he proves he can also play a different role than the usual brute type he plays. He played his emotional older brother role very well. Hopefully this will make him play more varied roles in the future. Most of the secondary characters are portrayed quite well by the actors, who are able to give their characters personality with only limited screen time (BANZAI!).Furthermore, I really liked the acting of the French girl and the old shop owner. Besides the French girl, there are various foreign actors in this show, but I was not very impressed by their acting. Two secondary characters even annoyed me with their poor acting skills. But it was probably hard to find good acting for the various smaller foreign roles. They were not in many episodes, so it didn’t bother me that much. The main cast (that also includes a foreign actor)did a great job.
The music was quite good. There were nice sound effects, and some good tunes. They complemented the show nicely.
Rewatch value: I do not usually rewatch shows, but I will probably rewatch this one someday if I crave for some good story telling.
I normally do not give 10’s (other than 1 Litre of Tears), but this show has a brilliant story, combined with great acting. Besides some very small complaints, this show was just perfect. This will remain the one of the best Japanese shows for a very long time. Give this show a chance, you will not regret it. BANZAI!
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A cut above.
This is a wonderfully produced drama that deserves a lot more attention. It is a riveting tale of sibling rivalry that spans a time of rapid change and turbulence in modern Chinese history. Jiang Mosheng and Lu Yuanzhi are both adopted and apprenticed by Master Su Jingan of Sancai (Triple Cut) House, couturier of the Qing Imperial Court. Sancai House routinely outshines other rival houses in the workmanship, symbolism and design of the intricate ornamentation of the Dowager Empress' court robes, allegedly due to their seamless stitch, a tradecraft that is passed down from one generation to another. Master Su's most bitter rival is his former fellow apprentice, Master Bai Henian of Sihe House.Jiang Mosheng is the older, steady, responsible brother and heir apparent, whose great talent is meaningfully enhanced by his passion and dedication. Lu Yuanzhi is the hot headed, audacious and visionary brother; a rare talent whose brilliance is nothing short of genius. His recklessness however lands him in serious trouble. To save him, Mosheng cuts ties with Sancai House, defects to Sihe House and accepts Master Bai as his foster father. This sets the brothers down a complicated path of reluctant rivalry, conflicting loyalties, mutual friendships, convenient alliances, mistrust, betrayal and forgiveness. The most prominent feature of this drama is the Abel and Cain relationship between the brothers and it is well written, consistent and riveting. Both of them are flawed characters and neither is completely blameless for how things play out between them. Although Yuanzhi learns to rein in his recklessness and temper as he matures, it still manages to get the better of him. His culpability over Mosheng's sacrifice constantly lingers in the air between them. Even though he can be such an ass, I have to sympathise with Mosheng's battle with his own worst instincts in the shadow of someone who is perpetually a cut above. Both Zhang Haowei and Hong Yao delivered excellent, empathetic performances, alternately frustrating, enraging and beguiling me at all the right moments.
How the design of the cheongsam or qipao evolves to reflect the changing attitudes of times is the main, fascinating centrepiece of the drama. While not in the same league as the more modern and sophisticated qipaos of Wong Kar Wai's iconic In The Mood for Love, all of the outfits from the Qing court robes to the Western flapper dresses are simply gorgeous and I truly enjoyed the mini history of Chinese costume. How the female characters are dressed is also symbolic of who they are - Yaoyao is a remnant of the past at sharp contrast with Lijun, the ultimate, progressive modern woman. Kang Ning sits in the middle - she embraces change in a way that marries it with tradition; and thus she is truly Yuanzhi's muse. True to character, both Kang Ning and Lijun have a very refreshing attitude towards relationships and love that I truly enjoy and they fight to write their own stories even when events conspire against them. The only character I didn't like is Yaoyao who is your typical c-drama archetype but she is written that way as a foil for the other two. There are enough dimensional, grey and consequential characters in this drama that I am very satisfied with the character aspects of it. Most of these key roles are performed by veteran actors whose acting often surpasses the quality of the dialogue. I laughed my head off at the dynamics between Lijun, Feiyu and her father.
This is largely a character driven drama where the main characters have to cope with the changing times as they transition from the Qing era to the Republican era and Japanese incursion. While the pace is fast with many exciting and unexpected turns along the way, not all of the sub plots and arcs are consistently well written. Some of the stressing events that the main characters face are a bit contrived, can be lazily written and at times defy logic. But between excellent acting and all the interesting character developments, I found the plot holes quite easy to forgive. I do appreciate how all of the characters go through rough times, experience loss, how actions have consequences and justice is often blind. The villains are decent but less interesting than the characters themselves, some of whom are quite grey if not outright vile.
I am happy to recommend this as a very enjoyable watch with some good fresh takes on old tropes. Overall for me this is an 8.0.
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The bad points:
- The dialogues sometimes were sooo very cheesy
- Sometimes the acting was a bit...er...too much
And now the good:
- the story is totally crazy and over the top, but it never takes itself seriously. Yeah, even all the people in the movie think everything happening on screen is absurd.
- same goes for special effects: you know it's not just badly done CGI, but something that was meant to be so cartoonish.
- there's some gore, but not too much to be unbearable (mind it, the movie is still far from family-friendly, but there's no Koroshiya Ichi-style stuff)
- good looking actors everywhere, everywhere!
- the characters get some backside stories without being overly dramatic
- you can never, never tell what's going to happen next.
- it's fast paced, funny and full of suspense from beginning to end!
All in all, it's a good take on survival games horror, and I am soo much waiting for a follow up! Not for the fainthearted but I would recommend it to everyone else!
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Han Hyo-Joo confirmed one more time her acting talent and bringing tears to my eyes.
If somebody asks me to tell them about this movie in two words, I'll say 'warm sun'... This movie gave so many warm feelings...
Director's and cameraman's work is brilliant... The game of lights in this movie, in my opinion, is one of the main positive effects... Because of the light in the movie... everything is printed in the smallest details in my brain... the girls clothes... the guys hair... the sun in the room... the beautiful kiss... the family feeling with the dog... the massage...the drama watching time...their field full of the yellowest flowers...her, touching his face to 'see' him... (I can go on, until I've told the whole movie..thehe).
Though the plot is not something brilliant and new for a Korean movie, actors and the crew makes the movie unforgettable, in my opinion..
Watch it, you won't regret!
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What was good:
- The chemistry of the lead couple. They were completely believable as a couple in love. If seeing two people snuggle and kiss for 14 episodes is your jam, then this is your show. I also found their journey in love pretty believable, until the end. It was flawed and realistic... except for the end, which was terrible.
- Showing tough issues like workplace harassment, domestic abuse, and what filial piety looks like in modern times. What was most frustrating was that the issues didn’t all get the discussions they deserved.
- The mood and direction. In contrast to a lot of Kdramas that are shown to be bathed in blinding white light, everything in this show was shot with warmth and intimacy. There were a lot of scenes that were shot to seem like you were intruding on an intimate moment and a lot of silent scenes where you could see the characters processing their emotions. I thought it was really beautiful and resonant.
What was not good:
- The writing. There are a lot of interesting side characters in the show and I kept on wanting to learn about their motivations and was pretty disappointed. The mom was pretty frustrating and I don’t blame the actress. The story just didn’t give her much to work with beyond being “oppisitional”... but why? Her logic made some sense but was so extreme it didn’t warrant 10 episodes of plot. Hers was just one example of the story not being handled well.
- Clumsy resolution. Without giving things away the ending was pretty cliche. There are last minute obstacles that could have been resolved with communication and then a quick resolution at the very very end.
Overall, I recommend the drama but caution expecting much from the story. Clearly the drama was more character rather than plot driven. I just feel like this couple deserved more.
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Lin Chen and Qi Ling, you either will love them or hate them. Qi Ling starts out as your plucky goofy young lead but he does have a character arc, and slowly matures. Some people might find him grating, I thought he was adorable. Yin Chen, beautiful ice queen of my HEART. Love him, Qi Ling does melt that frosty interior slowly. Their bond drives the show. I liked the ladies Shen Lin, Lian Quan, and You Hua. The plot was decent. Not mind blowing, but I enjoyed it
Give it a try, maybe you are like me, and can see a gem amongst all that bad stone!
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This review may contain spoilers
So teeeeechnically, I have one episode of this left, but my thoughts and feelings about this drama are totally set at this point, and I know the last episode isn't going to change them, because I know the last episode is going to be just as superb as the rest of the series has been, so I'm writing my review now.And yes. That is the sum up of my review. I think this series is superb.
Why do I think that? It's very, very simple.
Tian Qing is a compelling character, struggling with questions about her identity and coming to terms with the answers she ends up discovering. Her journey to understanding and acceptance is heartfelt and truthful and speaks deeply to that desire in all of us to know who we really are. Cheng Nuo's journey of dealing with his past and allowing himself to heal from it and forgive his family for their mistakes and failures provides so many lessons on what it really means to love those around us and let ourselves live a full and meaningful life. And Tian Qing's adoptive father, Jia He, the foundation upon which the entire story is built, is so honorable and upright and kind that you love him immediately. You understand just what a profound impact he has had on the people around him and feel compelled to emulate him in your own life, to be that kind of person yourself.
This is a drama about healing and forgiveness, identity and knowing who you are, being true to yourself and true to what you know is right, living a life of service to others, and doing the right thing even when it's hard. It's a drama about truth, and that is why I love it so much and think it so incredibly superb. (The cinematography is also absolutely stunning and lush and vibrant, a character in and of itself. The drama's worth watching solely for that if none of the other reasons compel you.)
The only thing that is going to push people away, and I hate that I have to make this caveat, but here we are...
Is that this drama is slow.
It's an unfortunate reality in Asian drama world, that slower dramas that focus more on character and story then creating thrills and excitement simply do not get the praise and recognition they deserve. Instead, they're called boring, or uninteresting, or poorly written, or some other unfair and unflattering insult. And as I'm sure you can see from some of the comments and other reviews here, this drama has received it's fair share of those insults as well. But believe me when I say, those are not fair critiques. A slow drama is not a bad drama, and to rate a slow drama as bad simply because it is slow is poor reasoning. It's not going to be everyone's cup of tea, and as I said in my review for another similarly paced drama, Andante, they aren't typically mine either.
But I watched this, and I felt something. I watched this, and I appreciated the characters and the story. I watched this, and I'm glad I did.
Now this is technically where the actual review ends, but I have some further, broader thoughts I want to share that aren't directed solely at this drama, so if you're interested in reading them, well then here they are, lol.
Minus Fated to Love You (my first ever drama) and the Started with a Kiss series, I didn't watch any Taiwanese dramas for the first however many years of my drama watching life, preferring Korean over pretty much every other country (for context, I've been watching dramas about ten years, maybe longer). However many years ago though, I dipped my toes into Taiwanese dramas again with Just You, and loving it to pieces, decided to give some other Taiwanese dramas a try. There was Office Girls (high marks from me, even if I did find the female lead frustrating), Aim High (very strong and enjoyable start that got me invested, but then devolved into obnoxious, annoying, uninteresting drama about one of the secondary romantic couples and completely ignored everything else the drama was Supposed to be about), Miss Rose (dropped without even meaning to, because the story stopped being interesting, and I can't even remember anything that happened now), King Flower (I tried so hard with this one and just couldn't make it through), Easy Fortune Happy Life (Hate It), P.S. Man (also Hate It), I Do2 (they got one decent episode in before completely ruining the entire thing), Rock n' Road (I wrote an entire blog post where I re-wrote the drama to make it actually good), and Pleasantly Surprised (it...bored me? I guess?). Which the exception of three dramas, I dropped all of these. And one of the three I finished (Rock n' Road), I did so out of obligation.
So as you can see, I had very little luck with Taiwanese dramas the last time I tried to get into them, and because of it, ultimately stopped attempting to watch them altogether. They didn't seem to be very good, I wasn't enjoying them at all, Korean dramas were checking off all the boxes on my drama needs list, and there are so many dramas out there anyways that why waste my time on ones I clearly am destined to not like?
Well, I think I can unequivocally say that if this is the direction Taiwanese dramas are going in now, count me back in, because this was a compelling story from start to finish, and I like being compelled to watch something because it's good.
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So this drama is, first and foremost, very brave: it takes a topic generally considered yawn inducing - and conceited - and builds upon it one of the cleverest, suspenseful plot I've had the fortune to watch. Because the topic intrigued me, I approached this drama expecting to be intellectually swept away. What I wasn't prepared for, was to have my feelings deeply involved too. This drama is clever, yes, but it's emotionally intense and moving too.
Truth be told, in the beginning I was so confused by the trillion characters, names all sounding the same and genealogy tree that for a moment I thought I had suddenly become an idiot. Should you happen to experience the same, please don't despair: this is like a pile of jigsaw puzzle tiles thrown at you all at once that you start putting together. Once you have glimpsed the main picture, the rest follows on its own. I haven't found a single dull moment in the 24 episodes. I enjoyed the sometimes long political dialogues and didn't want to miss a word. I enjoyed the steadfast growth of each character and the relationship between them all, the marvelous setting, the wuxia-like sword fights.
Mostly, I enjoyed the portrayal of a great King, which naturally leads me to the acting. Among the brilliant performances of all, Han Seok Kyu shines his own light. I was sad to see Song Jong Ki go, as he delivers a great act of a young and fearful king who grows a backbone, but it's his older version I came to love, admire and enjoy the most. Second in my personal enjoyment chart is, hear hear, So Yi/Dam. By general consensus, a female character is considered strong when she opposes the rules, or when she can kick and fight. So Yi's strength, however, is in the brain, which she uses to comply with the rules, instead of opposing them. Shin Se Kyung embodies intelligence and courage in a very calm and effective way. Loved her to bits. Our third lead is the bridge between the passionate vision of a King and the idealism of the woman he loves. His common sense and simple views on life are a paramount addition to the dynamic and while he undergoes a major change throughout the drama, he stays consistent to his nature till the very end.
A character/actors review would be incomplete without the villains. There are moments when you may question who the villains really are. Their motives aren't wrong in the grand scheme of things, but idealism alone won't win a war and their methods go from arguable to unacceptable, mixed as they are with political greed, blind loyalty or personal grudge. Kudos to all the actors, though, for making me love to hate them.
I don't think the music is the strong trait of this drama. It has a few instrumental pieces and a couple of songs which are neither a disturbance nor a feeling magnifier. I must admit, however, that a couple of pieces are quite haunting, as I found myself humming a tone or two while doing totally unrelated things. Whether this is because they were used too often or because they were good, I don't know.
I've long debated about the re-watch value. I don't see myself sitting through the whole drama again in the near future, mostly because a well crafted thriller lingers in the memory much longer than a simpler plot. Ironically, its high quality makes this into a one-time experience. Which doesn't mean I won't go back to it when a considerable time has lapsed. It's an intense journey I recommend to everyone who's ready to invest a good dose of concentration in a drama.
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Loved the individuals, did not like the couples.
Am I the only one who was far more happy and entertained when I was watching the group moments and interaction between participants that were completely not romantically involved? Too many times I wanted to skip the dates and just watch them hang out in the house. I like them all as individuals, I like them all in the group setting, but I could not vibe with any of the couples at the end.And I feel like this is why the show failed me - I had no pair to truly root for. I felt like none of the exes would work out, since they just danced around each other, but never truly try to solved their previous issues. The new couples were easily shaken by the past relationships, which made me think they would not last anyway, so what's the point?
I actually loved first few episodes, but the more romantically involved everyone became, the less I cared. That said, I still like the whole cast a lot, especially the best girl Da Hye. Wish her all the healing and happiness she needs.
Overall, I have barely any thoughts. I think I just truly don't care.
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Let me first say that how this drama was marketed made it incredibly misleading. The summary and the promotional posters make it appear as if this is a show that's at least partially about our main protagonist achieving stardom despite all the obstacles that can get in her way. Spoiler alert (one for potential viewers' benefit): it's not. The plot is instead a disgusting mess of irrational decisions made by barely-likable characters that had me mentally writhing in my seat for 40 minutes at a time. There are predictable stories that can still be amusing to watch, and then there are stories like this that are just outright maddening. This whole show I was waiting for the promised moment when our main character would show her talent to the world and I was brutally disappointed.
The cast was possibly the least of all the evils that this show had to offer, and I ask that people take this even with a grain of salt. The reason for that is because no matter how in-character these actors were, the characters they played all were so unbearable by the end of this show that I wondered what on earth was going on in the writers' heads. Take for example Victoria's character, Mei Li. The drama shoves her in your face as the innocent, selfless, embodiment-of-kindness protagonist who, when she does something wrong, was righteous in doing so. Over the period of 40 episodes, this gets old pretty fast and a previously likable character becomes someone so unrealistically depicted that I was left astounded.
Admittedly, the only thing that saved this show from bombing even more than it did with me was the acting. Especially with some of the older actors, they portrayed some of the more emotional parts with enough persuasion that I did feel some sympathy.
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tl;dr: This show was a combination of irritation and crying from boredom.
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It is definitely a BL.
There's a scene where they're sitting on a swing. Watch it and tell me if bros sit that close, look at each other that way, the body language, and Oat even does the stretch-the-arm-behind-the-movie-theater-seat thing (adapted for swings).Also, remember, mother had put up a sign banning romance between staff and guests - what happened to the sign was significant, and even more important is the question Nabdao asks Keptawan when Kep gives him what he gives him at the end. That question is open acknowledgement by Nabdao himself that this is not a bromance situation.
Anyway, this is a 10/10 for me. I have to rate it for what it is, a short film, not a full series, and I've never seen a short BL as good as this. I was actually in tears all the way through the second part (in a good way, don't worry, the White Truck of Death doesn't show up and run anyone over in the last scene.)
The acting is wonderful - it's so natural, even Oak's OTT character is totally believable and sincere. Mon is just plain gorgeous, and this shows what can be accomplished when you get someone who is beautiful AND can act. What a difference a year can make at that age. The supporting characters were all well-acted too.
The story is tight and economical, and manages to really address rural problems and symbolically indicate what the solutions are - by showing us, not telling us.
I have nothing negative to say about this - I can't think of any criticisms - except maybe in a few spots the sound quality was a little off. The editing was tight, the writing respected the audience, and the romance was subtle and realistic given who they were and where they were. The technical quality of this is way above Wayu's previous works, which to me means they're learning and getting better, and I'm really looking foward to their next project.
I think they've mastered the short story - maybe it's time for a second attempt at a longer series.
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Three words: Stunning. Poignant. Unforgettable.
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