Reviews

"The world will turn colorless"

*** Contains a few spoilers***

Honestly loved it so much. It left me sad and with an immense void in my heart but also satisfied? It's such a beautiful movie.


When Jianqing said "if Ian couldn't find Kelly at the end, then the world will turn colorless" and the next scene is Xiaoxiao putting on earrings for him in a colorless picture. The cinematography of this movie is so detailed and simple, yet mindblowing, I love it.

Also this dialogue:

Jianqing: We have everything in the end.

Xiaoxiao: Just not each other.

Bitch that shit HURTED. HURTED MUCH.

The way they still cared for each other after all those years makes me so sad and it reminded me of this American movie 'Before Sunset' because I watched it only a couple days ago and I was kind of hoping for their romance to develop like Jesse and Celine's but it'd have been wrong to wish for an affair right...? Unless...

The scene of Jianqing's dad letter to Xiaoxiao absolutely wrecked me up, do NOT touch parents being abandoned by their children and expect me not to cry.

I love how this movie's whole plot is surrounded and greatly affected by their poor status, however, poverty is never seen romantically and Jianqing's dad even mentions something like "do you think you can do anything now just because you're rich." What a wise man.

Also, the whole game was a love letter and a confession to the world, how would their lives have been if only he got on the train or if she looked for him after watching his interview about his game... 

Anyway, this is probably one of my fav sad romantic movies that i'll rewatch in the future if I'm in the mood to bet sad.

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We have a classic story of an extreme playboy who is so good at conning women and making them love him that it's amazing to watch the desperate antics he gets up to to pacify each of his women. For any women who considers herself to have dignity and self worth, this show is like a slap on her face. It's disgusting, the type of humour in this show is so despicable that I'm so astounded how the female actresses didn't quit or walkout after reading the script.

Reasons why you should skip this show {SPOLIER'S AHEAD]:
The male lead is a whore who wants to get with the female lead, make her love him only to dump her when she falls in love with him
-The female lead is supposedly very smart, but gets outsmarted by the whore of a male lead at every step
-The male lead juggles around everyone and interferes with the lives of everyone around him to the point where everything revolves around him wanting to get girls and somehow having to fix up the messes he creates because he can't help himself from being a lecher
-Apparently the only thing that the male leads balks at is rape, so sweet of him when he thinks hooking up with any willing female, cheating on multiple women at the same time, being a chronic compulsive liar and destroying the lives of those around him just to feed his 'God' ego make up for him not being a rapist on top of all this, THANK YOU SO MUCH WRITERS FOR LETTING HIM HAVE ONE REDEEMING QUALITY, I MEAN, IT MEANS SO MUCH TO US VIEWERS TO SEE SUCH A POSITIVE ROLE MODEL
-Male lead almost ruins the female leads parents marriage by hooking up her father (to get him on his side so he can keep tabs on the female lead when she's with her parents) with a prostitute who ends up extorting money, a house and even a car from the father (aside from the fact that he ALSO cheats on his wife of 20+ years)
-Male lead at multiple occasions tries to break up and destroy the love life of his "best friend" (I put that in quotation marks since who needs enemies when you have friends like the male lead?) by framing him time and time again. Male lead sets up the situations thus that his best friends girlfriend always finds her boyfriend with other girls, even though the poor dude wants nothing to do with the disgusting behaviour of the male lead, who is his best friend.
-If there was an olympics for a male whore who can juggle between numerous females and still not get trapped, the male lead in this show would win, hands down
-The worst part about this show is that at the end, the male lead still doesn't reform, he stays a flirt, and the ending scene is literally his wife having to drag him out of some sort of strip show/bar
-Female lead apparently can't stand guys like him but somehow can't help herself but fall for this slimy manwhore
-Female leads acting is stiff throughout the show, hard to enjoy when you just want to cringe anytime she tries to be cute or sexy

To the writers: I hope you stop trying to make shows where such despicable behaviour is rewarded and constantly wins over those who have better morals and behaviours. It is not funny that the female leads mom tries to almost kill her husband after she finds out he was cheating on her. I can see an argument can be made that by making this a comedy that the writers are trying to present a serious issue in a lighthearted way, however, thats not how this came across as. If that was the intention, they completely missed the mark. The whole show seems to be about how male chauvinism is rewarded and you can get away with anything if you love someone, but just not enough that you are willing to stop cheating on that person every now and then.

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Chaotic, Cringy and Unhinged But I LOVED it a lot!

Yeah so I watched The Heart Killers and I liked it. A lot. Like, way more than I should have. Clown level of obsessed.

First of all, this is a romcom that has a crime and action background story, so do not expect logic. I’m serious. Romance is THE plot. Everything else is just a build-up for it, so keep that in mind. And honestly, this is amazing!! I was completely entertained from the start to the end. I didn’t even care how over-the-top or unrealistic it was. It was just that fun.

So the story is about Bison and Fadel, two hitman brothers who run a burger shop. Yep, a burger shop. Kant, who is a tattoo artist with a criminal record, becomes a police spy to stop them from reopening his car-theft case. He’s tasked to investigate them but then realizes one of them is a one-night stand he hasn’t forgotten… Bison. So naturally, he tries his best to get close to him to get information. But the older brother Fadel is super suspicious and not having it. So Kant asks his best friend Style to seduce Fadel and take him out so Fadel would be less focused on him. Like that was the plan. And it kind of works. Somehow.

The story is quite new and unique for a BL. It is messy. Everyone is a red flag and I LOVE that!!!!! Seriously. I live for this energy.

This is a total cringe fest, and there were a lot of times I felt the embarrassment not only for the characters but for the actors too. Especially in the first half before I got used to the tone. This is not a complaint. I like me a cringe show haha. It added to the charm in a weird way. Once I accepted the show was unapologetically chaotic, I was in.

So about the characters:

Fadel: I liked him a lot. Like, a LOT. I felt like he and I have some similarities. Minus the fact that he’s a gunman obviously. I related so much to him. His thoughts were so much like mine. He had this whole "no matter how much you love someone, I just don't believe that you can completely lay yourself in front of them" mindset and I could not agree more. Love and trust are different things. He was so closed off about his feelings and thoughts. He has his walls so up, guard all the way up, and it's not easy at all to break through them. He believes in logic more than feelings. He is so INTJ. I liked his development arc too. Like, as he slowly accepts that he loves Style, he doesn’t just become a fool in love. He still is not all trusting even in love and I adore this so much.

I liked this man a lot. I don’t even know how to say it properly. Can he accept me as his sister? I want the lifestyle of not getting involved with anyone. Like??? That quote — "no matter how much you love someone, I just don’t believe that you can completely lay yourself in front of them." — has always been my motto. I wasn’t expecting to see it in a drama and it hit hard.

Style: Our unhinged crop top boy. He definitely has a style for himself. He didn’t even have to open his mouth for me to feel embarrassed. He just appeared on my screen and I got that second-hand embarrassment immediately. He is an extrovert and the word shame does not exist in his vocabulary. He is an auto mechanic and can’t resist when Kant offers him his father’s car he has been eyeing. So he goes all out to win the heart of Fadel. He annoys him a lot and keeps messing with him without even knowing he is a gunman. Like every "I’ll kill you" joke could’ve been real and he had no idea. Then the day after Fadel agrees to date him, Kant tells him about Fadel’s job and it hits him that he could’ve literally died in the woods while confessing to him. But it’s too late to back off.

I actually liked his scared reaction after that lol. And he did eventually fall for the killer but stayed unhinged. I want more characters like him. He was SO FUN. He is a diva. Every line he says is iconic. I can’t. I need a friend like him.

"You made me hit on a gunman. I could’ve made headlines: handsome man found in the woods."

Fadel threatening to kill him with a gun and Style says, "Can I buy clothes? Let me at least die in style. Handsome man with clear skin found dead in crop tops. My dad would recognize me."

And so much more!! My search history for the next years: Style iconic lines lol.

Kant: We have a tattoo artist with a dark past and a teenage brother he has to take care of alone. He is sweet but a red flag too. I liked him. I thought I’d have more to say about him but that’s really all. He didn’t have much of a story besides that and his relationship with Bison. I liked that he still did the job of getting info even though he was in love with Bison because YES!!!!! Don’t let love take the lead. He is a good big brother. Everything he did was for Babe (his brother). And I understand him a lot. He can’t just leave his brother alone because of a man.

Also, his tattoos looked fake as hell.

Bison: Literally an adorable puppy. But a bit dumb for a hitman. He was bringing out that damn gun every time like it’s his phone or something. Like?? But all this little cutie wanted was love. But a cutie can be crazy too lol. His feelings after knowing the betrayal from Kant? He went CRAZY. And it’s valid. Especially for a hitman.

Fadel: "We let them fall for us and then kill them. Make him believe you're crazy for him. Crazy in love, not crazy like psycho."

The way he had to specify that? LOL.

But seriously, with how Fadel and Bison killed people, they should’ve been jailed way sooner than they did. Carrying guns everywhere like it’s normal.

I don’t think I even have to talk about the chemistry because HELLO?!!!!!! It was off the charts. I will say though that I would’ve preferred some of the scenes to be just a hug or a small kiss instead of going all out, you know? But still. The tension. The vibes. The longing. All of it worked.

I really liked the scene when Fadel found out his ex didn’t leave him but was actually killed by Lily, his "mom," and Style comforts him. That moment was so good. It’s the one time Style’s quirkiness cools down and he makes sure Fadel knows that it’s not his fault. That Style would love him for who he is and stay by his side. It was soft. It was real. It was needed.

Also loved the friendship between Style and Kant. Besties for life. And Fadel and Bison, They are not blood brothers, but that bond is chef’s kiss. Total sibling energy. They’re so different but they just get each other. Gladly they’re siblings because I cannot imagine these two being friends with how opposite they are.

Anyway, I loved this show. I want more. I want chaos. I want crime. I want crop tops. I want Style quotes on a t-shirt. I want to emotionally detach like Fadel. I want more unhinged romcoms where everyone is a red flag and no one makes good choices.

I am begging for more messy, iconic dramas like this one.

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A simple show about a young woman navigating life. And it is a most extraordinary show.

Simplicity is one of the most confounding and elusive qualities in any context. Take a stroll through a supermarket and try to count how many brands of bottled water are on the shelf. It’s just water. They are just putting it in a bottle. But there are countless variations of it. Spring water. Sparkling water. Distilled water. That’s just some of the kinds. A product as common as an apple can be green or red and within each of those colors are multiple varieties each with their own combination of sweetness, tartness, firmness and suitability for eating raw or baking or to be used for cider or sauce. Simple things that somehow complexity mushrooms out of seemingly without end.

“Yumi’s Cells” is, on its surface, a simple show: a young single woman navigates her career and personal life. The narrative device of animated cells, each of which are responsible for a particular trait of her personality, is intermittently inserted to illuminate her inner mental and emotional processes and how they manifest in her behavior.

While the combination of animation and live action may be novel (at least in Korean dramas), that’s not at all what is remarkable about “Yumi’s Cells”. That is not to say that the animation is not terrifically entertaining. It may not be Pixar quality work, but the cells are mostly cleverly written. The dynamic between the primary logical cell and emotional cell helps keep a bit of a de facto organizational hierarchy. The cells add more than a dash of humor and some of it is in moments where a bit of lightness is decidedly welcome. Done poorly, these segments could have been dead space fillers. But they instead both advance the narrative and entertain simultaneously.

The quality of the animated scenes, however, is secondary to the live action. The production here is perhaps not award-winning, but it has a lovely OST. The photography is well done. The wardrobe, particularly with Ahn Bo Hyun’s Wung, has some standout contributions. But this is, on the surface, a simple show: a young woman navigates her career and personal life. Massive amounts of cgi and a thundering score would be woefully out of place.

As for the supporting cast, its purpose is mostly to provide scenery as Yumi and her inner cohorts navigate daily life. Lee Yoo Bi stands out a bit as Ruby. Park Jin Young is mostly in a half catatonic trance as Yu Ba Bi, but that may be by design. But this is not an ensemble show and the ups and downs of the minor characters are barely on the relevance spectrum here.

“Yumi’s Cells” has three things that shine and shine brightly. One is the editing of each episode and how it so cleverly advances the narrative. No shows, or at least very very few, proceed through time in a straight linear fashion. All feature some manner of flashbacks or time skips or possible futures. Here, although there are flashbacks, it is more that the action is revealed not in a linear sense, but in increasing magnitude of importance. But it is done in a way which does not require a viewer to have a degree in quantum physics to follow. They are simple stories, but revealed in a complex manner. The storytelling is absolutely masterful. Concealed things are revealed at the most opportune time. The pace of how the story progresses within each episode never lags. And although it is a simple show, there is an incredible amount of suspense and it is so cleverly and slowly ratcheted up to a climactic moment. It is a simple show and it simply executes brilliantly.

In addition to the narrative, Yumi and Wung are not just immensely adorable, but they are painfully realistic and relatable. These are not chaebol heirs or hero cops or exorcists or genius orphans. They have anxieties and are emotionally scarred and don’t say the important things that they should say and they don’t always understand each other and they say part of what they need to say but never say the most important part of it and they hurt each other and they hurt themselves and they have all these flaws and, despite all of these things, they still find a way to intimately connect as human beings. And they struggle as two people intimately connected. It is one of the most honest depictions of a relationship in any medium.

The centerpiece of all of this is Ahn Bo Hyun as Wung and Kim Go Eun as Yumi. For Ahn Bo Hyun, this is new ground, both in terms of the personality of the character he’s playing and the magnitude of the role. If there is a theme in his previous roles, it’s testosterone with a side dish of not exceptionally intelligent. Physically, he’s not transformed beyond the hair and a few whiskers. Frankly, his impressive physique is one of the few out of place elements here. Wung is eating, hanging out with Yumi, eating and hanging out with Yumi or coding for hours on end. That distraction aside, Ahn Bo Hyun is a delight as the very left-brained, somewhat awkward but massively good natured and warm Wung. He has range. He has talent. And this is a role that suits him. Quietly, especially towards the end of this run, his depiction of a character who is lost internally but desperately trying to keep it buried is painful and lovely to watch.

As a swirling ball of earnest, bright, vulnerable and determined, Kim Go Eun is magical. She’s had no shortage of starring roles on blockbuster shows. But unlike those roles, here she’s the straw that stirs the drink. Not only that, but as the show is so deeply focused on Yumi, it is her performance that the success of the show largely hinges on. As the show delves deeper into Yumi’s character, Kim Go Eun’s portrayal grows more layered and nuanced. She hits all the notes in the emotional spectrum. She displays both speaking and physical prowess as an actor. The performance may not have a singular spectacular moment, but it is so uniformly deftly accomplished.

Separate, these two leads are wonderful. Together, they are indescribably transcendent. And the show as a result is a marvel.

Overall, it is a show - a simple show of a young woman navigating her career and personal life - that has seamlessly integrated exceptional lead performances and superb storytelling into a captivating package.

Recommended for everyone without any reconsideration, reservation or regret, as “Yumi’s Cells” is the most outstanding drama of 2021.

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This is a great movie to watch if you're feeling like you want something entertaining with a different story.

The story is something different. Even though time travel sometimes is a cliche, in this movie it isn't. That isn't the focus or the story and it develops nicely apart from that fact. All the characters had something you could relate to, and had something that you just HAD to love. Besides, the story has twist that while watching it I just kept thinking "what the heck? This wasn't supposed to happen here!", so it never gets tiring or boring.

The cast was great. Nishikido Ryo's acting was superb, specially if you have seen him acting in other stuff and you realize just how wide his acting is. The female lead and the little kid also did a great job, and the 3 of them together could create a feeling of a real family.

The music wasn't something special. It wasn't bad but it isn't something that I would download to listen to it all the time.

On the rewatch value I'll definitely watch it again soon because I liked it a lot.

So overall, a solid 9. I would've given it a 10 if it weren't for some stuff about the story that I didn't like and I won't mention here to spoil. Watch it, I think you'll like it :D

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To be a detective who not only solves cases but helps the victims and their families move on. This sums up the philosophy of the main character, Kaga, a new detective (shinzanmono) in the police department of a fictitious town.

Like most mystery story leads, Kaga is a genius who solves all mysteries that comes him way. However, what makes this drama unconventional is how each mystery and its characters are interwoven together to the main plot and how they all tie together into one long emotional journey that tugs at your heart. I enjoyed watching each episode for not only solving the mystery but also its believable characters who all have their own realistic reasons for their actions.

Another aspect I liked was how the drama plays with the setting which is something I rarely ever see in mystery dramas. Each mystery/episode was like a small trip down one of the streets of this fictitious town. Toward the last episode, I felt have explored the whole town with Kaga learning about the ordinary yet moving lives of its inhabitants living on each street.

While you don't learn much about the backstory of Kaga, I feel this doesn't take away from how great this drama was. This drama injects its own brand of quirkiness and creativity in its unique way of storytelling that is so different from the mystery dramas we are used to seeing today.

Overall, I would highly recommend this drama to anyone who is getting tired of watching mystery dramas with essentially the same set up and is looking to try something new.

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A Crowd Of Three tells the story of two friends who, for different reasons, are drifting through life. They are both orphans; directionless, scarred by their pasts and unhappy w/their lot in life. This combination serves to make them both a bit volatile. The journey they set out on is where this story starts moving forward.

This movie is dark. While watching I felt the same emotions they did as their journey progressed. I was bored in points, sad, tense and wondering how and where it would end.

The acting was actually very solid. It is no secret I am a fan of Matsuda Shota. He does a wonderful job playing Kento who seems, on the surface, the calm and more sensible of the pair of boys. With his emotions being repressed and boiling under the surface like a dormant volcano. This guy can act. Kora Kengo who plays Jun as more frantic; all his emotions out there for you to see. And almost a relunctant follower who doesn't want to be left behind by the only friend he has. There were many points in this movie when I found them both hard to like.

The plot is a bit wanting. Their journey a bit abstract. The ending intense. I felt as if the writing was good but this movie has quite an "Indy film" feel and so an artistic angle sometimes negates exposition and a solid trajectory of story. This left me unsatisfied.

The music is forgettable but I don't think it was meant to be anything but background sound so I gave it a 6.

My rewatch value is low but I'm not going to express why as that might spoil a person interested in watching. If you are a fan of Shota, I say give it a try. Also, if you are a fan of gritty, independent films you may like this. I'm giving it a 7. Mostly for the two leads.

I stayed with this for the acting and for that I don't regret watching.

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Truly Worth!!!

My all time favorite Drama is Goblin. I would say this is the best of all the Korean dramas that I have watched.
Selection of cast is really amazing, exactly matches their characters in the drama. This is not just the leads every single role played by every cast in the drams is perfect.
Music is awesome. Both songs and the background music is too good.
Graphics was also good.
This drama includes every genre available. I can keep watching it.
Untamed is my favorite Chinese Drama and Goblin is my favorite Korean drama.
I want to thank the directors for producing such nice dramas for us to binge watch. Thank you.

I like watching dramas that come under the fantasy genre :)

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Decently good, but probably not every BL fan's cup of tea

The story is told reasonably well. For those who are curious about whether this is just bromance: no, it's not (but this may not mean much). The story goes that a man is in love with his his adoptive brother, but he has to get married. He is unable to consummate his marriage, but is his love even reciprocated? The story doesn't seem altogether original and may remind one of older movies like A Frozen Flower, but it does keep one guessing how the adoptive brother feels. I wish the ending had been clearer about the brother's actions though, for the revelations don't necessarily cohere with his actions.

The story is tragic and rather moving, but sometimes the camerawork seems a little amateurish. It is around an hour and it feels as though some parts of the story have been cut short for no good reason. The back stories of the wife and adoptive brother are alluded to, but more could have been revealed.

The production is fairly good overall, but it may not go down too well with BL fans today who often prefer happy endings and more show of passion to depictions of angsty, repressed homosexual desire.

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Movie: Queer Butterfly / Queer Movie Butterfly


Story: I think the story was quite good because it tells a different tale of what people would think the "Adult World" is like and shows it from a different perspective as well. Some people would get confused easily if you do not pay attention to the whole movie from beginning to end so you have to pay close attention to understand all the characters roles and how they play a part in the movie.

Acting: The acting I think was quite good as well. They showed most of the emotions needed (THE BEST SCENES ARE THE KISS SCENES)

Music: You would usually hear music during a kiss scene obviously since in my opinion it would just be weird hearing the noises you know. But the music was nice when played.

Rewatch: I would honestly rewatch it for only specific parts which I enjoyed the most.

FREE MOVIE (not eng subbed):
https://www.youtube.com/watch?v=o_545CVq9pA&index=1&list=LLdkNPQVCKt5mwR62PJ57G6A&t=1886s

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Quick and Uncomplicated Watch

I started watching this on a whim because I have been watching short(er) dramas lately and this seems to fit that category. Plus, I like shows centered around demons and all that jazz. The Fragments of Kylin was a short, mostly enjoyable watch, featuring a sweet and noble male lead, bubbly female lead, and fun side characters. I am neither amazed nor disappointed by this show because it wasn’t one of my highly anticipated ones and I wasn’t expecting much from it. While the female lead being bubbly did not bother me, I preferred her attitude and personality when she was in the demon’s realm. The Demon lord version of the female lead promised angst and pain, which I very much wanted, but sadly never got. Despite it being a lower budget show, they had some pretty costumes and even some of the CGI and OST songs were decent.

If you want a quick, easy, uncomplicated story with some funny moments, this is it. It’s perfect if you commute to work and just want some mindless fun while making sure no one talks to you.

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He Learned to Hide His Crazy

THE UNHINGED LIVE-WATCH NOTES 📝
Let me take you on the journey that was watching this absolute fever dream:
The premise hits: Reborn revenge where the twist is HE’S the one who remembers being a psychopath and has to actively suppress his “chain women to furniture” instincts as a ROMANCE STRATEGY. Incredible. Revolutionary. This man’s entire character arc is “learn to hide the crazy long enough to get the girl.” I’m OBSESSED.
The face situation: That smirk. THAT SMIRK. Liang Si Wei looked at the camera like he knows what he’s doing to us and he’s enjoying it. Sir, this is WEAPONIZED attractiveness. This should be illegal. I need a minute. Several minutes. I need to lie down……
Unexpected production value: The MUSIC? It’s actually good? It’s HOPPIN? In a vertical drama? Someone spent budget on the soundtrack instead of just looping the same piano track for 90 minutes? I’m SHOOK.
The coconut incident: THIS MAN JUST CASUALLY USED A DIAMOND RING THE SIZE OF MY ENTIRE MORTGAGE PAYMENT TO CRACK OPEN A COCONUT. A COCONUT. TROPICAL FRUIT. He looked at this massive rock and thought “you know what this is good for? COCONUT BREAKING.” The disrespect to both coconuts and capitalism. The AUDACITY. I’m screaming. This is the most expensive fruit-opening in television history and I CANNOT.
The internal conflict: Listen, I know this is problematic. I KNOW. But when Liang Si Wei is on screen looking like THAT with THOSE ABS and THAT FACE, I found myself thinking “you know what, piano chains don’t sound SO bad.” I’m aware I need therapy. I’m AWARE. But also he can kidnap me anytime. I’m a mess. We’re all a mess. This man is dangerous and I’m volunteering as tribute.
THE BODYGUARD REVOLUTION: HOLD. THE. PHONE. This man hired a LADY BODYGUARD to PROTECT the FL? A professional! Security! Person! To keep her SAFE! Not “I’ll be jealous and possessive and that counts as protection”—actual HIRED SECURITY with TRAINING and WEAPONS! In VERTICAL DRAMA LAND where FLs get kidnapped every 14 minutes with ZERO professional security measures! This is the most thoughtful thing I’ve ever seen a vertical drama ML do! Someone get this man a trophy for “Most Likely to Understand That Professional Security Is Better Than Toxic Jealousy”! UNPRECEDENTED!
The ex-fiancé’s brain cell count: This DUMBASS had an affair with fake sister—HER FAKE SISTER—and is out here confused why she won’t return his calls. Sir. SIR. You cheated. WITH HER FAKE FAMILY MEMBER. And you’re standing there with your one shared brain cell wondering why she blocked you? The cognitive dissonance is breathtaking. The audacity is STUNNING. I want to study him in a lab.
Character development (or lack thereof): She’s a painter! How do we know? Because she painted ONE (1) painting. In ONE (1) scene. Character ESTABLISHED! Career CONFIRMED! Never mind that actual painters paint multiple things, this is vertical drama land where one prop = entire personality. She could’ve been holding a stethoscope for all the character depth it provided.
Second ML’s mobility crisis: The Second ML is supposed to be injured and on crutches. SUPPOSED to be. This man is fighting those crutches like they personally insulted his family. He can’t OPERATE them. It’s like watching someone lose a fight with inanimate objects. He’s a GOOBER. Casting said “can you use crutches?” and he said “how hard could it be?” VERY HARD, apparently. Physical comedy was not intentional but DELIVERED.

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