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The plot was very credible such as the characters. The love story between the two forbidden lovers is amazing and very realistic which only made me like the movie more.
It may be a little slow in the beggining but as we go into the movie it gets better and more interesting, leaving you wanting to know the ending of the couple. The sensual scenes are very romantic and sexy at the same time (at least I thought so).
I noticed the characters growing in me as the movie advances, and I came to love the main couple (even if they don't always make the right choice - in my opinion). Even though the ending is not perfect I was very satisfied with it.
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This review may contain spoilers
OMG!!!! You must watch this drama because the story line is perfect. Sometime when i watching drama, i skipped a few scenes. But, I don't skip anything in this drama. I think the story line is not complicated as the other lakorns but it has plot twist (actually i already guessed it first, but my sister couldn't guess it haha). Their acting are excellent. The female lead succeeds in playing 2 roles from 1 body. I prefer the female lead from the future to the past. Beside that, i can't take my eyes off to the male lead because he is so cute especially when smiling. His smile makes my heart warm haha. The other actor and actress acting's also very good too. The female lead and male lead should act together again in the other drama. Their chemistry is so excellent. The soundtrack from this drama are so easy to remember. I really like the opening song especially when it is played during a romantic scene. At first, it's hard to find the soundtrack in spotify, but finally i found it. I think i will rewatch it again someday. I just don't like the ending (this drama is happy ending but...). I hope there is season 2 or another drama playing by the main couple. A big 100 from me to this drama if they make season 2.... Was this review helpful to you?
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"Melancholy is the happiness of being sad."
Edgar Allan Poe in one of his anthologies says, "And so, being young and dipt in folly, I fell in love with melancholy." Knowledge of the soul boundlessly make s us gloomy if the pros of feelings fail to keep us cheerful and vigilant. Melancholy leads to doubt which in turn results in despair and ultimates cultivates wickedness."Melancholia (멜랑꼴리아)" is a journey of desolation, dejection and despondency with fruitful meanings and worthwhile outcomes but what's different? It's mathematics. Yes, the most hated subject in the world, haha. The drama uses a different approach to promote the mathematical perspective of life through the characters who are devotedly peruse mathematics.
The drama have more than a dozen of flaws, even to be called good. It's purely an average piece and can be easily skipped though I can't exactly say it's bad and deserve to be treated as a complete trash, and I have many reasonings for it as well.
Note: There is no paedophilia or cheating involving the leads of the drama. It's just stupid perceptions of some narrow-minded people who jumped into conclusions without watching the drama.
Based on 2 different time periods with a gap of 4 years, the story is almost equally divided into 2 parts; a past story of 2017 and a present narration of 2021. Ji Yoon Soo (Im Soo Jung) and her most favourite student Paik Seung Yoo (Lee Do Hyun) falls victim to a conspiracy of intentionally set up scandal that frames them of having unsound relationship. Owing to the constraints, both of them fail to prove their innocence and fall apart, just to find themselves in misery. 4 years past the tragedy, both of them cross paths and unite to bring to surface, the corruption, conspiracies and the big faces behind it, in the school, of the past and the present.
Yoon Soo, morally upright and endearing woman, is a highschool math teacher, who is aware of the art of steadfastly making someone fall in love with the subject. She's all the qualities to be a perfect teacher but her sense of righteousness gets her in trouble. Paik Seung Yoo, born genius and immensely attracted towards math, is a highschool student after dropping from MIT which he joined at very young age. After a tragic experience, he shows no interest in studies, tho he has all the capabilities to conquer.
Im Soo Jung is an amazing actress and a movie person, rarely opting for dramas and very selective in that regard. She must have seen some potential in this though the execution went shabby. Lee Do Hyun is definitely the best in acting, among the rising Korean actors and his performance was good as well. Other than the leads, there are in fact many familiar and good actors in the drama and I will refrain from mentioning them to keep it short. But special applause for Jin Kyung who played Noh Jung Ah, the Principal of Asung High though she's the main antagonist in here. She definitely created an impression with her character dynamics and we are aware of her acting skills.
Plot development.....umm..... It's inconsistent and unremarkable though it had scopes and rooms for improvement with the episodes; like given the basic plotline and the mixture of 4 genres (romance, highschool, slice of life and corruption reveal), it could have been a lot lot better to finally come forward as a decent melodrama but, alas! I wasn't really that bothered while watching the initial episodes with the slow pacing, but the later half consequences made me realize that that the speed was totally inaccurate to begin with.
As a story, it isn't actually a trash as some people will tell you, or even below average. I would say it's just ordinarily average and the ratings can lie somewhere around 6.5 bcs Well, talking about episodic progression, From ep1 to ep8, i.e exact till the first half, it's a fair watch and didn't feel like skipping or fast-forwarding. The show starts going downhill from the beginning of 2nd half with the repetition of some events and constant push & pull between the characters over one thing. To reach the ultimate goal, i.e. bringing forward the truth, they particularly start dragging from the 13th episode and that's clearly visible. Tbh, I started fast-forwarding from 9th ep at 1.5× and kept the same till the end.
The script could have been squeezed into 12 episodes or even 10 by increasing the pacing and removing all the dragging they did in the last 4 episodes. However, I must admit that the ending sequences in the last 2 episodes were good.
Kim Sang Hyub is a producer of extremely popular yet qualitatively mediocre dramas. His dramas blow up bcs of good-looking cast and the story he adopts are usually typical cheesy romcoms. But this was a different approach, i. e. not a romcom and cast ain't dominated by good-looking young mass. Moreover, the slice-of-life elements along with mathematical pov; all these things are not his forte and he couldn't even execute them experimentally, which is quite visible. The direction was poor, the pacing is unnecessarily slow for a corruption-reveal drama. The slow screenplay could have been manageable only if it were a warm pure romance genre but that's not the case.
Kim Ji Won is known for only one of her scripts, that's Doctor John, which was in fact a good drama. I haven't followed other 2 dramas of her so can't really tell about her skills though I can assure whatever she had to offer for Melancholia, that didn't work to a great extent. Can't cite the script a total failure but it surely had the potential to be a good and likable one-time watch. I have already talked about the plot development above, so let's move on.
OSTs are very good indeed. Park Se Jun is quite a talented composer with the experience of working in uncountable numbers of dramas and the 4 OSTs of this show are the proof. I loved all of them. 2 of them are in English and other 2 are in Korean.
"All I Need" by Jemma is a ballad of comfort. More than love, it depicts solace, relief and assurance. The vocals of one of my fav singers Sunwoojunga in the soulful and longing song "Darling" questions one's faith in love. "Lilly of the Valley" by Band Nah, a popular indie trio is actually a cover of the song with the same title by Daniel. It's simply a beautiful melody that expresses gratitude to the essence of love. "Let Me Know" by Cheeze is a melancholic call in true sense; it has the feels of an authentic Kdrama OST.
The most notable thing about the drama is mathematics. I am a bio major and wasn't that fond of mathematical practises but I, for sure, knew that it's an interesting subject and studying it can be enjoyed though not everyone can accomplish it with utter amusement. The writer has tried to connect mathematics with life, love and living in a beautiful way. Mathematics here is not just a mere subject of academia and profession, it's much more than the mystery of the universe and one's pleasurable experiences.
There is very short-lived romance or you may take it as almost little to no romance, but sure there is development of chemistry, there ie comfort and there is undisplayable emotions that constantly blooms despite all the odds they have to pass through. This is not romcom and you should skip it, if you're actually expecting some romance. Even so, this buildup is worth it, in my opinion.
Bullying in highschool, corruption in admission process, unfair and unequal treatment to students in the same school, illegal & phoney favors, creation of unnecessary competition among students, parents negligence to children as well as leading children towards wrong paths, etc. are the factors used in the drama. I love how the writer has put emphasis on the ways of nurturing a child and their future, both in home and school along with the mistakes in the process that can ruin them. It also addresses the ways in which children are wronged by adults.
In short, the drama had too much potential with a good plotline, good actors and good premisea but what ruined it are choppy script, poor character dynamics, shoddy plot development, superfluous pacing and expendable characters of no significance. But personally, it was watchable for reasons like: mathematical interpretations of life, resolute leads, acting of the major characters, up to par basic plotline and so on.
I don't believe in completely discrediting something for flaws in some parts of it. If something specific has convinced me, I should def be fair with mentioning them. On that note, Melancholia, overally, is not a bad drama though it has a lot of flaws which could have been easily avoided. The major reason to watch the show is the mathematical frame of reference and utilization of that outlook in the drama. I came here, as expected, for LDH and ISJ and several other actors whom I like, and yeah, I loved their performances even though the drama didn't interest me to a great extent. So on a final remark, you can either skip the drama entirely or watch it in leisure when you have nothing to watch.
P. S. All of these in my review are very personal. I loved the drama but I didn't; i would like to describe it like that. For me, this drama was actually very difficult to judge; it'a not really very bad and not very good as 2 different groups will claim but I guess 7.0 is fair enough considering all the aspects. I thought it's important to put a unbiased, fair and balanced review. Some might agree and disagree with both my contents and ratings but I'm okay with constructive arguments.
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I liked it.
This is a cute series - if you like fluff, this is for you. I'll likely forget about it fairly quickly, as it really has very little to say - it's just a well-done production of a very standard BL story.I'll start with the negative to end on all positives. The reason I didn't enjoy this more is that I think the main character was poorly cast - I didn't find him likeable and I don't think he was well-acted. Before anyone knifes me, Shinwoo is an even more awkward character with even greater problems expressing himself, but I'm totally in love with him. Kang Yoo Seok managed to imbue his character with layers, subtly expressing a large range of emotion. But if you scratched Lee Sae On and found out he was actually a mannequin that can talk, I wouldn't be the slightest bit surprised. This made me not really care who he ended up with - I was just resigned to him getting one of the love rivals when I was kind of hoping they'd form a thrupple with Shi Woon.
The show was also a bit too sanitized, with everything too perfect - it was a bit distancing. For example, TK was visibly plastered with white makeup - they all were, but it was worst with him.
There are a lot of positives, too - other than the main character, all the acting was great. Choe Chan Yi's DaOn was a masterpiece of placing a happy face over a struggle with inner demons - the subtle suffering under the smile was really affecting.
And while the show was a virtual checklist of BL tropes, it did avoid tropey cinematography and attempts to translate manga frames into live action. For example, there was no weird wide-eyed stare when anyone kissed, people just reacted naturally. And there wasn't that stupid triple-take whenever anyone hugged, kissed, held hands, or at any other time - that always drains the moment of emotional energy, and I was happy that was dispensed with and I was allowed to just enjoy the moment.
The story is well-laid out and coherent - we needed more context for Shinwoo's behavior, but it wasn't a big issue. I really, really needed there to be an explanation for why anyone was interested in Mr. Robot with so many superior options available, and we really could have done without the sole female character being a villainess, yet again - but I never once thought to myself "that makes no sense", and there were very few cheap and lazy excuses for drama, and the dialog was good.
I gave the story an 8 - unorignal, but well-laid-out and paced (slow, but it moved in a direction instead of meandering all over the place).
I gave the acting a 7. I thought it was a 9 for everyone else, but Lee Sae On dragged down the average, and he was the main character.
I rated the music a 7. I don't remember any of it, which is good. It did it's purpose and wasn't intrusive.
Rewatch is a 3. I can't imagine why I would ever watch this again - maybe if someone did a Shi Woon cut I would want to see that.
The "suggested overall" was 6.5, but 7 seemed more appropriate - I don't think a series should be too heavily dinged just because I don't want to watch it again.
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Revenge Is Sweet…
Screenwriter Kim Ba Da’s revenge-filled drama follows vengeful young woman Yoon Ji Woo ( Han So Hee) who seeks to find and bring to justice by hunting down the murderers of her father ( Yoon Gyung Hoo). Taking up another alias and infiltrating the police force as Oh Hye Jin , Ji Woo’s quest sends her down a dark road with many revelations coming to light.
Whilst the drama does present some prominent messages about corruption and morality both within South-Korean society, the justice system and the police force, the drama itself doesn’t really stray away from the stereotypical reaches of the “ revenge” drama, from Ji Woo’s experiences as an outcast teen to the “ murdered parent” trope soon taking central route before the actual zest of the revenge story crumbling slightly by the midway point . Of course this boils down to the ultimate question; “ is ‘ My Name’ actually worth watching or is it a waste of time?”
One of the strongest virtues of the series came through the acting front of our main cast. Main actress Han So Hee was undeniably dynamic as Ji Woo. Whilst the actress has respectfully formerly come under mixed reception for her role in the controversial Netflix flop ‘ Nevertheless’, Han So Hee reinstates any doubts within her moody, angst-driven and cunning onscreen persona as Ji Woo. As a character, our female lead has two different lives which are both intriguing as one another. On one side it’s easy to understand Ji Woo’s role early on in the series. She’s the “ outcast” and socially isolated from her peers due to her father’s criminal record and past. However refreshingly rather than presenting Ji Woo’s father as a “ heroic figure” in the eyes of a grieving Ji Woo, the series helps to explore more complicated depth to Ji Woo’s emotional state, as well as cunningness and stubborn to enlist help in unlikely places to reenact her revenge.
Helping her along the way comes the merciless and mysterious gangster played brilliantly by Park Hee Soon, Choi Moon Jin. Moon Jin acts both as a major mentor figure and an antagonistic plot foil for Ji Woo by helping to reinvent her identity as Hye Jin as well as hide his own personal motives also . He shares his own reasons for helping Hye Jin / Ji Woo but isn’t afraid to be more brutal or punish those who put a toe out of line.
As Hye Jin our female lead is a talented and a skilled police officer who over the years has not lost her raison d’être for revenge. Her partnership with fellow colleague and partner Jeon Pil Do( Ahn Bo Hyun) presents a great contrast between other relationships in the drama. Bo Hyun plays Pil Do with a laidback yet naturally driven charisma as a hardworking cop. Naturally as he spends more time with Hye Jin he becomes more curious about her identity and motives. Whilst a later plot development was supposed to present a “ moment we’ve all been waiting for” this undeniably felt lacklustre due to lacking screenwriting and bonding opportunities often made revelations between the fall short of plot drive.
Yet ‘ My Name’ isn’t without its more obvious problems either. Pacing could sometimes be a major downfall. Whilst a major drive was evident within Hye Jin/ Ji Woo’s search for her father’s killer, this major plot point felt often rammed into the storyline when it was necessary rather than flowing more coherently within the small subplots which followed in each episode. Evidently another major downfall as a consequence occurred within plot lore and logic with many setups (including early on) often falling short or lacking more depth due to writing and character exploration often falling short. Consequently the ending was overly anti climatic than well-paced or completed with an expected yet abrupt twist which failed to bring a sense of finality or completion overall.
What is refreshing about the series is that it isn’t afraid to trade any punches with presenting brutality in its full glory. Interplayed with moody lightning and a dramatic OST, bloody fight scenes and knife attacks, as well as hallucinogenic palettes of bright reds, purples, blues and golds during drug and dodgy dive raids help to shed a more dangerous and dark presentation of the mysterious underbelly of Ji Woo’s world.
Overall ‘ My Name’ is an odd array of both a highly-talented cast and crew, but often falling short of plot-writing also. The revenge drama was a fairly archetypical approach to the revenge genre; intriguing with many interlaced messages shedding light into corruption, violence and problems in South-Korean society, but sometimes failing to hit the mark with actual build-up . Undeniably a good watch but lacking more finesse in certain areas.
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I don't completely know how to feel about this show. I did find it compelling; I breezed through the episodes because Nanno is a fascinating character. Chicha Amatayakul did a great job of portraying Nanno's emotional extremes; she transitions smoothly from Nanno's cute, happy-go-lucky, fragile, and innocent facade to her true dangerous and sinister self. I didn't care much for that maniacal laugh of hers (sometimes less is more), but I feel like that was more of an intentional choice that didn't work for me rather than bad acting on her part. The music was beautiful, but also appropriately unsettling, so it was effective in enhancing the emotional quality of the scenes and the tragic nature of the story.It is never really spelled out who, or even what, Nanno is. Each episode begins with her transferring to a new school to terrorize a new set of students. The first two episodes seemed to imply that she focuses on punishing people guilty of a specific type of crime, but the crimes her victims commit actually vary quite a bit. Therefore, she doesn't appear to have a particular motive, and there's no implied catalyst for her behavior. It seems that she simply has a good eye for other characters' weaknesses and she chooses targets based on who is most likely to give into their dark impulses. Why? There probably is no particular reason, other than finding it fun.
Nanno is quite happy to tempt and lead her targets onto this path of destruction, however in many cases, she asks them more than once if they are sure that that is what they want to do - apparently giving them a chance to reconsider and back out. When they continue to act against their conscience, the rest of the episode is the subsequent unraveling of their lives as they reap what they sow.
Given this pattern of leading her prey into temptation in order to enjoy witnessing their downfall and despair, along with her obvious supernatural nature, the figure she ultimately is most reminiscent (to me) is Christianity's Satan. (Note: I'm not saying that this is what she is or that this was the actual inspiration for her character.) Often, Nanno also serves as a scapegoat, becoming a horrific visual representation of the violence and hatred of the other characters. Even when she is attacked and brutalized, Nanno laughs because she has already won by manipulating them into committing such atrocities.
Horror, and especially psychological horror, are genres I generally avoid. The trailer of this show looked intriguing, so against my better judgment, I decided to give it a try. There were a couple of episodes I was sure would push my buttons, but that never actually happened. I'm relieved that's the case, and I found that this was a tolerable level of creepy for me. However, if you're interested because you're a big fan of horror, you might be disappointed. When it does cross into gory territory, it looks pretty unrealistic. A few episodes have little to no obvious supernatural elements (such as "Ugly Truth"), while others heavily depend on it ("Wonderwall," "BFF").
"Girl From Nowhere" is somewhat reminiscent of "Black Mirror," which is a comparison I've also seen a few other people make. This show has the same relentlessly pessimistic view of humanity as being inherently corrupt and ugly - except rather than focusing on the ugly future we might create for ourselves with technology, "Girl From Nowhere" focuses on the horrors ordinary people are capable of now, with just a little push in the wrong direction.
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To My Star Season 2: Our Untold Stories
71 people found this review helpful
This review may contain spoilers
ALL HURT & NO COMFORT
This series looks at love through rose-tinted glasses and calls it a day. Emotionally manipulative and angsty, this BL tries so hard to make you root for one of the main characters but fails hilariously.STORY & CHARACTERS: There's nothing new or unique about this story. You've seen this shtick before in most breakup dramas. The common tropes of moving back to the childhood village, reuniting with the past lover, and having the main love interest chase the other stubbornly - have all been used before, but that's not the problem. These predictable tropes aren't really the story's downfall. It's the fact that the mystery of the break-up was recycled from the first season. The themes of insecurity and low self-esteem were already the major conflicts in S1.
Season 2 was basically the same thing, but with higher budget and more unnecessary characters that got more screentime than the two main characters.
There's no plot twist here, folks. One of the main characters (Ji Woo) is literally just the carbon copy of his S1 persona. He did not develop at all, but just regressed to a more selfish coward who spews hypocrisy and hate every time he opens his mouth. He verbally abuses Seo Joon, the other main character but asks for comfort from the latter ("please hug me"-ep 10) when he's the one who finally gets rejected.
This is endless angst with Ji Woo consistently hurting Seo Joon for 7 episodes:
First strike: JW knew that SJ has extreme emotional trauma from being abandoned by his parents, and yet he still abandoned SJ without a proper goodbye on his birthday.
Second strike: Every chance he gets or in all their interactions, JW sees it fit to hurl emotional abuse & insulting words to SJ. SJ did not do anything wrong in this relationship. Even with his his exhausting schedule, SJ still makes time to see JW. Sometimes, he only sleeps for two hours just so he can hang out with JW. SJ neglects his health and his own friends for JW.
Third strike: JW let SJ sleep in that brutally cold camper van for DAYS because he couldn't summon enough humanity to be kind to the person he proclaimed he loves.
Fourth strike (and the most hurtful): JW slept with SJ, and told SJ the morning after that they could continue this "fuckbuddy" relationship. That was the lowest blow, and you could really see the exact moment SJ's face falls at the implication.
TLDR: This series has no heart. It tries so hard to tell a deep, idealistic story by making everyone cry their heart out in the dark (seriously, the lighting is so bad. I can barely see anything), but it doesn't quite make it because it's hard to get past the baseless cruelty & hurt. There is NO justifiable excuse for JW's behavior- of him emotionally scarring someone just because he himself is feeling lonely & isolated.
JW's pain & chosen isolation are understandable. His mental instability is not his fault. Choosing to break off a relationship is not a sin nor should it be condemned. He has every freedom to do so, but nothing can ever excuse or justify every single hurtful word and behavior JW chose to throw at SJ.
FINALE: There's no comfort or genuine resolution in this story. It isn't realistic or even idealistic at all. Nobody would want to have this kind of relationship filled with inequality & insincerity. In the end, the writers will try to put a band-aid on all the emotional trauma & abuse, but it's simply not enough. Strong angst & decent acting, but not much else. This love story is as shallow and insincere as Ji Woo's love for Seo Joon. Truly a tearjerker but for all the wrong reasons. 5/10
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1This review may contain spoilers
A cliche love story about your pick me ex-idol next door & the ordinary boy she falls for.
***DISCLAIMER: This is just my opinion, we don’t have to agree and I’m not here to argue with anyone. This review is kind of long so please bare with me.***A/N: I went into this drama blind without reading the webtoon or having any preconceived ideas.
Tropes: grumpy/sunshine, friends to lovers, on and off / toxic relationship
General Overview:
I kind of liked this drama because it is really nostalgic and takes you back. The cinematography is beautiful and it seems like it was meant to be a documentary or memoir of sorts recounting Doona and Won Jun’s experiences and how they crossed paths and essentially changed the trajectory of each others lives forever.
An ordinary guy and a superstar girl – that’s a cliche if I’ve ever seen one. I found it kind of tricky getting into this drama because the first 2 episodes are slow and you’re not really sure what exactly is going on because theres not much context but as you keep on watching and bridge the gap between episodes 2 & 3 and really delve into episode 4 & 5 things start heating up and becoming more interesting. I like the relationship between Doona and Won Jun because it shows us what a new adult / young love is and how at times it can be messy especially when there’s a lot of miscommunication thrown into the mix.
Their love story is by no means perfect but it’s also realistic in the way that other people watching can definitely relate to it and look back on their own past relationships / first loves and be reminiscent of a similar time / experience in their lives. Even if you have never experienced something like there are a lot of important life lessons to be learned.
I honestly feel like this drama lacked depth and they could’ve done so much more to better capture the struggle between wanting to live a normal life with your love and choosing to chase/ follow your dreams and be an idol. The ending sucked big time but again, I had already predicted it would be a sad/open ending by episode 5.
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A More Detailed Review (spoilers ahead):
Doona opens with Doona submerging herself in a pool of water and seemingly sinking to the bottom of it and drowning… I believe this is a reflection of how she truly feels on the inside.
The drama follows Dream Sweet Doona, a kpop idol who has fallen from grace and has taken a hiatus from being an idol due to an on-stage accident in which she stated she could no longer sing. We see her smoking profusely in a lot of the shots... we're not sure what's going through her head. Doona appears forlorn and despondent, as if she is fighting to find her place in the world while being neglected by the individuals she most badly wants to hear from. The number one person is P (her agent), who does not respond to any of her texts or phone calls.
As the story progresses we see Doona meet Won Jun and a love/hate dynamic develops between them. She can’t believe Won Jun doesn’t know who she is and that he’s not a fan as she sees him sporting a sweet dream hoodie. Anyways a uncanny dynamic develops between them and Doona finds herself annoying him and asking him out to eat for the fun of it. Won Jun thinks she’s only teasing him and is not actually serious. They get into a spat one night as Won Jun says something that hurts her feelings and sends her over the edge.
From there they make up and you see them hanging out and Doona giving Won Jun advice on love as Won Jun still seems to have feelings for this girl (Jin Ju) from his past. It seems they were almost high school sweethearts and did like each other but in the end things did not work out. Now a year later, Jin Ju has re-entered his life and Won Jun wants to obviously be more just friends but they keep missing the timing. I think this is essential to the plot because Jin Ju is a symbol of the past… and past memories while Doona is a symbol of Won Jun’s present and future. Back then, Won Jun was weak timid and was not able to confess to the girl he liked and win her over. This past Won Jun seemingly no longer exists as he is intrigued by Doona. He enters unfamiliar territory when he is with her and so she seems enthralling and fun to hang around. Even though Jin Ju and Won Jun have all the history and memories, it shows you can only hold onto a person for so much and no more. This was demonstrated when Jin Ju finally starts showing interest in Won Jun and was able to confess her feelings, he had already mentally moved on and was now interested in pursuing Doona.
Insights:
Doona lacks emotional intelligence because she has never led a typical/normal life. She also has trouble controlling her emotions, which I believe is related to her lack of emotional awareness. As someone once said, you have to be good with yourself before you can be good for other people. I think Doona needs to take care of herself and prioritize her mental health. It was very saddening watching her go through these psychotic breaks and moments of weakness completely alone. If “being in a room of crowded people and still feeling alone” was a person, that would be Doona.
Given that Donna appeared to have been groomed from the age of 13 or 14 until her early 20s, my heart ached for her. Doona became codependent on her agent as he effectively made her into an idol. It's obvious that the agent did not view her as a real person, but rather as a product or item. He was a manipulative man who only valued her when she was complying with his wishes. Her agent was simply emotionally absent and only doing his job but Doona misinterpreted it for love and concern. In essence, he exploited her as a tool as Doona only piqued his interest when she brought in big bucks and advanced his career. The moment the flip switched in her head and she told him she could no longer handle the idol life he became very cold and distant. It just showed that his affection for her was conditional on her performing and acting a certain way.
It's clear that Doona is a complex individual who has led a very one-dimensional existence. She had a one-track mind because her life was always regimented and linear. Her walls and fences gradually started to come down when her celebrity faded and she had some alone time without others chasing her, revealing the shell of a girl who genuinely needed to repair her inner child. Her mom dropped her off and was too busy coning others out of their money, so only her grandmother took care of her. She did not regard Doona as her daughter or child, but rather as a paycheck. She seemed more liberated and at ease when she spent time with Won Jun. I feel like hanging out with Won Jun made Doona feel free and ordinary. In a way he came into her life as a blessing.
Likes:
I enjoyed the cinematography and the setting. It was a very cozy and fitting drama to watch in the fall!
I liked Se Jong’s performance as Won Jun. It was refreshing to see a very emotionally intelligent man grace the screen. He literally was such a green flag and gave off the impression of a man who was ready to open his heart to someone who didn't appear to deserve him. Se Jong portrayed his innocence and naivety to perfection. It was endearing, but it also demonstrates how males are capable of feeling emotions and having strong feelings for the person they love. I can understand why he was only able to see the best in Doona because love is blind and gives people rose-colored lenses.
The chemistry between Won Jun and Doona was off the charts, if that's what you were mainly watching for. Warning if you are currently single this drama will definitely make you feel even more so. I felt like a third wheel or like I was intruding when watching some of their scenes because it was a bit intense and caught me off guard.
I thought Ha Young’s portrayal of Jin Ju was endearing. Her character brought so much light even in darkness and was one of the best to come out of this drama. Ha Young is seriously so charming on screen and has one of the best smiles I’ve ever seen. Her story was so tragic and she smiled and pretended to be happy on the outside to conceal the fact that she was actually breaking inside. She has strict parents which I’m sure people on here can relate to however the emotional and physical abuse she faced daily was so uncalled for. I liked how Jin Ju handled it with grace and eventually left her home situation. I was lowkey rooting for her and Won Jun in the beginning because she seemed like the of ray of sunshine he needed in his life. To me their personalities seemed more compatible than Won Jun and Doona but they took too long to confess how they felt. Even though her and Won Jun did not work out I am glad they are still friends… and you never know they might have missed their timing now but they could always reconnect years from now.
I also enjoyed the performances of the supporting cast. I-Ra and Jung Hoon were cute and I am happy they got together in the end. The friendship dynamic between everyone was refreshing and I’m glad they still met up to hang out and drink together rather than the friendship being lost after everyone moved out of the building.
Dislikes:
I must admit that Suzy's performance was not the best and fell flat for me. I believe she could have put more effort into truly selling the role. She mostly just posed in the scenes and kept on smoking and sighing which got really repetitive. She seemed to be in unfamiliar territory and did not have a similar experience to channel when playing Doona (a pop star fallen from grace) This led me to believe that she had never really had a had first-hand experience with despair, mental health concerns, and depression / loneliness as an idol. This role was clearly daunting for her and it showed.
In the 3rd act conflict when Doona saw her ex (the agent) and dropped Won Jun’s hand not once but TWICE I was pissed. Like that was an immediate red flag! And then she legit got in the car with the ex and didn’t like that he wasn’t reassuring her and saying all the things she wanted to hear then she opened the door, threw herself out of the car and hurt her foot?! That was absolutely psychotic and batshit crazy. Then she wants to come crawling back to Won Jun and playing the victim?! LOL this was so toxic and messy but at the same time realistic portrayal of young (blind) love. But more seriously, in those moments I questioned if Doona actually had any care or sympathy for Won Jun or his feelings. She was saying one thing but her actions always consistently proved otherwise. I guess this is what people would call a contradictory character but to me it was apparent she needed to work on herself because her behavior was deplorable.
The miscommunication between the leads was absolutely unnecessary and they could have fixed their issues with a simple and honest conversation. When Won Jun asked her if she’s back bc her agent didn’t want her I was like damn! Get her again for me. Being the other person, who appears to be someone's fallback or backup plan in case they can't get the main person they're seeking, is a tragic situation. The exchange between Doona and Won Jun eloquently encapsulated how awful it is.
I was irritated by the agent's attempt to minimize Won Jun's significance. He pretended to be concerned about Doona's welfare, but his true motivation was to use her as a means of generating income for himself. He presents himself as superior to everyone else and shows pretends like he has no concern for those so-called "kids." Mind you he's in their business 25/8 and suggested they break up immediately. In my opinion, the agent acts like a whiny boy who gets upset when he doesn't get his way in a situation.
9 episodes seemed too short but also too long because if you think about it this drama could’ve easily just been a 2 hour movie lmao… there’s so much unnecessary dragging out of the plot.
As I reviewed my episode ratings, I realized that I only ever gave one episode an 8/10, while the others received ratings between 4/10 & 6/10. Tbh, this drama suffers from a severe lack of depth and overcompensates by focusing too much on ridiculous relationship drama. It does far more showing than actually telling. Then again, there is only so much they could fit into 9 episodes. Realistically speaking this drama only needed to be about 5 or 6 episodes long, after that it became tedious and started to drag on.
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Quotes I liked:
“𝙊𝙛 𝙘𝙤𝙪𝙧𝙨𝙚 𝙬𝙚 𝙬𝙤𝙣’𝙩 𝙖𝙡𝙬𝙖𝙮𝙨 𝙠𝙣𝙤𝙬 𝙚𝙫𝙚𝙧𝙮𝙤𝙣𝙚’𝙨 𝙨𝙩𝙤𝙧𝙮 𝙚𝙣𝙩𝙞𝙧𝙚𝙡𝙮 𝙗𝙚𝙘𝙖𝙪𝙨𝙚 𝙬𝙚 𝙖𝙡𝙡 𝙝𝙖𝙫𝙚 𝙖 𝙫𝙚𝙧𝙨𝙞𝙤𝙣 𝙤𝙛 𝙤𝙪𝙧𝙨𝙚𝙡𝙫𝙚𝙨 𝙩𝙝𝙖𝙩 𝙬𝙚 𝙬𝙖𝙣𝙩 𝙩𝙤 𝙝𝙞𝙙𝙚 𝙛𝙧𝙤𝙢 𝙩𝙝𝙚 𝙬𝙤𝙧𝙡𝙙.”
“𝙔𝙤𝙪 𝙤𝙣𝙘𝙚 𝙨𝙖𝙞𝙙 𝙩𝙤 𝙢𝙚 𝙩𝙝𝙖𝙩 𝙮𝙤𝙪 𝙖𝙣𝙙 𝙄 𝙘𝙤𝙢𝙚 𝙛𝙧𝙤𝙢 𝙩𝙬𝙤 𝙘𝙤𝙢𝙥𝙡𝙚𝙩𝙚𝙡𝙮 𝙙𝙞𝙛𝙛𝙚𝙧𝙚𝙣𝙩 𝙬𝙤𝙧𝙡𝙙𝙨. 𝙏𝙝𝙖𝙩 𝙮𝙤𝙪 𝙣𝙚𝙫𝙚𝙧 𝙘𝙤𝙪𝙡𝙙’𝙫𝙚 𝙞𝙢𝙖𝙜𝙞𝙣𝙚𝙙 𝙬𝙚 𝙬𝙤𝙪𝙡𝙙 𝙚𝙫𝙚𝙧 𝙘𝙧𝙤𝙨𝙨 𝙥𝙖𝙩𝙝𝙨. 𝙎𝙤 𝙩𝙤 𝙛𝙞𝙣𝙙 𝙤𝙪𝙧𝙨𝙚𝙡𝙫𝙚𝙨 𝙨𝙞𝙩𝙩𝙞𝙣𝙜 𝙨𝙞𝙙𝙚 𝙗𝙮 𝙨𝙞𝙙𝙚 𝙬𝙖𝙨 𝙥𝙪𝙧𝙚𝙡𝙮 𝙗𝙮 𝙘𝙝𝙖𝙣𝙘𝙚. 𝙊𝙧 𝙢𝙖𝙮𝙗𝙚 𝙚𝙫𝙚𝙣 𝙖𝙣 𝙖𝙘𝙩 𝙤𝙛 𝙙𝙚𝙨𝙩𝙞𝙣𝙮.”
“𝙄𝙩’𝙨 𝙣𝙤𝙩 𝙩𝙝𝙚 𝙥𝙚𝙤𝙥𝙡𝙚 𝙬𝙝𝙤 𝙬𝙚𝙧𝙚 𝙣𝙚𝙫𝙚𝙧 𝙩𝙝𝙚𝙧𝙚 𝙩𝙤 𝙗𝙚𝙜𝙞𝙣 𝙬𝙞𝙩𝙝. 𝘽𝙪𝙩 𝙞𝙩’𝙨 𝙬𝙝𝙚𝙣 𝙮𝙤𝙪 𝙡𝙤𝙨𝙚 𝙩𝙝𝙚 𝙥𝙚𝙤𝙥𝙡𝙚 𝙩𝙝𝙖𝙩 𝙬𝙚𝙧𝙚 𝙖𝙡𝙬𝙖𝙮𝙨 𝙩𝙝𝙚𝙧𝙚 𝙛𝙧𝙤𝙢 𝙩𝙝𝙚 𝙨𝙩𝙖𝙧𝙩.”
“𝘽𝙡𝙖𝙢𝙞𝙣𝙜 𝙩𝙝𝙚 𝙬𝙞𝙣𝙣𝙚𝙧 𝙬𝙝𝙚𝙣 𝙮𝙤𝙪 𝙡𝙤𝙨𝙚 𝙞𝙨 𝙧𝙚𝙖𝙡𝙡𝙮 𝙤𝙣𝙡𝙮 𝙜𝙤𝙞𝙣𝙜 𝙩𝙤 𝙢𝙖𝙠𝙚 𝙮𝙤𝙪 𝙡𝙤𝙤𝙠 𝙖 𝙡𝙤𝙩 𝙢𝙤𝙧𝙚 𝙥𝙖𝙩𝙝𝙚𝙩𝙞𝙘.”
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Final Thoughts:
Overall this drama is the definition of a friends to lovers, toxic love story with miscommunication at the forefront. It’s comforting and nostalgic in the way that sometimes you just need a soft drama you can watch without focusing too much on a heavy plot.
Doona is champagne problems coded, a total disaster waiting to happen. I think a lot of people only like this drama for the “steamy” or “hot” kissing scenes, which feels like a very one-dimensional way of viewing it.
Chemistry alone is not enough to sell me on a drama or make me rate it highly. If that were the case, what would even be the point of watching and reviewing anything? Additionally, the ML also had chemistry with the SFL, but that often gets ignored because toxicity tends to be more “entertaining” for viewers.
Should you watch it? It depends on your taste. If you enjoy cliché, predictable, toxic romance dramas, you might like it. It feels similar to Nevertheless. It’s slow at the start and not everyone will stick around long enough for the relationship to develop. If you do watch it, brace yourself.
Would I rewatch it? Absolutely not. Once was enough. Most of the conflicts could’ve been solved with one honest conversation, but instead everything was dragged out unnecessarily to seem deeper than it actually was.
To me, people see stories like this in real life but often romanticize the toxicity and ignore how exhausting it is to constantly want to be chosen with the same intensity you give someone else.
What frustrated me most was that both characters had flaws, but Won Jun still tried to understand Doona and give her a chance. Meanwhile, she was emotionally unavailable, immature, and kept hurting him because what she actually needed was therapy, not a relationship. Even knowing it wouldn’t last, she still used him as a placeholder, which made her behavior difficult to watch.
Still, there are some lessons here. This drama can serve as a warning about getting attached to emotionally unavailable or toxic people. It’s easy to ignore red flags when you’re lonely or emotionally invested, but recognizing those patterns matters if you want to avoid repeating them.
Doona and Won Jun both lack secure attachment styles. She leans dismissive avoidant and he leans anxious. Combined with her abandonment issues and emotional instability, the relationship becomes draining to watch. Realistically, what they both needed was professional help.
On a brighter note, another takeaway is learning that not everything is meant to last. Sometimes people meet at the right time, not for forever, but for a chapter. And that’s okay.
I ultimately scored Doona a 6/10, as the drama sits firmly in the realm of mediocrity despite a few notable moments.
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Once again, this is just my opinion, you can watch it & see for yourself!
Thanks for reading and happy watching!
˚ʚ♡ɞ˚
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This review may contain spoilers
Oh God, this show was such a mess.To start off with a nicer note, I'll talk about the drama's one and only saving grace: Lee Jun Ki. I am going to be honest, this was my first time watching him, and I was simply impressed. Not only is he a beautiful, beautiful man; he can also act like nobody's business. I also believe that even though he wasn't given much to work with, he tried his level best. And it showed, for the 4th Prince was the only character who I felt somewhat connected to. For me, this was a total case of liking the actor better than the character.
Next, I'd like to come at the people who gave so much flak to IU for her acting. Like, why y'all tripping? I mean her role wasn't even that hard, neither was it anything special. It was the same old 'bumbling, fumbling, self-righteous Mother Theresa level goodness' shebang that we've seen a billion times before. Every other actress in every other drama is doing it. It doesn't even require that much effort and for what it's worth I think IU handled it quite gracefully. People simply want to jump on the bandwagon of the 'singers can't act' stereotype and bash her, while ignoring the other much bigger problems with the show.
Speaking of problems, to be frank, this has to be one of the worst written shows I have ever watched. It's like the author had this vague idea of how to begin and how to end and so she bullshitted through the road in-between.
There is no character development whatsoever and convenient plot-lines are used time and time again to further the plot.
Want to give our hero the run-of-the-mill tragic pariah look?
No problem! Let's riddle him with some mommy issues and a scar to match.
Want to show our heroine change the hero's life by covering up that scar? Alrighty, let's make our heroine a cosmetician!
Want to show that everybody loves our heroine?
Let's make a harem of princes, throw some half hearted moments between them and take a leap; suggesting that they are suddenly so close that they would die for her!
The story is lacking villains?
Ugh, why not just bring back one that we already killed and got rid of before? We will just deem it a miracle of sorts and call it a day. Haha.
Uh oh, did our cranial light bulbs just fuse and we don't know how to prolong the show to 20 fucking episodes?
Nevermind. We always have good old flashbacks to help us through.
God, what a clusterfuck.
Everything was rushed and carelessly executed. They killed people just for emotional appeal. The relationships between characters wasn't fully explored. I mean, do you really expect my peepers to gush a waterfall if you scarcely show me a character; just enough so that he'll be in mind but not enough so that I would actually come to care for him, then in one random episode you show nothing but him and quickly kill him in the next to tug at my heartstrings? Nah boo.
Scarlet Heart was the definition of an ostentatious production. There was loud music flaring up out of nowhere to make scenes more dramatic, over-acting done by a lot of actors and numerous in your face close-up scenes. All these antics did well to suck up authenticity from the show and what you were left with in the end was superficial characters that are only pretty to look at.
Even the 4th Prince had major inconsistencies throughout. Many times, he seemed like a dumbed down version of Bidam from Queen Seon Duk. Thank goodness for LJK and his roguish charm, that he somehow managed to carry the show on his shoulders but ofcourse, one poor soul can do only so much.
The OST while itself brilliant, was also highly inappropriate for the time setting of the show. Do you really want me to swallow that a court lady in 18th, 19th century Goreo would be nodding her head and singing 'My Baby baby boy' in her moving carriage? Sorry, but I'm choking.
The story flows in fits and starts and the poorly executed time jumps don't necessarily help the case. Some aspects of the storyline had so much potential but the writers failed to tap into it. You could say that some scenes were well executed individually but they fell short at fitting together as a bigger picture.
It was crazy how sometimes, so much attention would be given to a supporting role and the main one's would be ignored. Or how important scenes would be inexplicably rushed while things that would be completely random would take up so much screen-time. The jumbled motivations and the fickle thought processes of all the characters reflected the confused mind of the writer.
When a show tries to elaborately sell me the fact that characters can fall from cliffs, get poisoned and stabbed in the heart and still survive, you know what, with some grievances intact I might actually buy it. But when the same show also tries to tell me that someone who got their knee banged up a bit years ago might, out of nowhere, lose the ability to walk or that heart-ache can cause people to have chronic heart diseases, I'm sorry but I'd just have to call the bullshit out.
Even though it was labeled as a period drama, it seemed like a parody of the genre. There were no intelligent palace politics or court intrigue. No cultural focus or attention to detail. All the antagonists were hare-brained idiots and the biggest enemy the good guys had to face was their own stupidity. Needless to say, they lost to it.
I don't consider myself a particularly hard person to move. Often little things touch me deeply and bring tears to my eyes but in this show- all these character deaths and tragedies- all I felt was a vague sense of detachment.
I am not gonna lie, the love story sure was cute. No matter how over-rated they get 'good girl-bad boy' romances will always have allure. And since the romance was all the drama had going for it, I'll give acknowledgment where it's due. There were scenes that made me smile and swoon but they weren't nearly enough to overcome all the weaknesses of the show.
Normally, I would give a show like this a much poorer rating but it's solely because of my love for LJK that I brought it up a notch. Also, I have to say that despite all its flaws, it did make me watch to the end. So all in all, you should enjoy Moon Lovers like you would enjoy a toddler's company: by being indulgent and not taking it too seriously.
P.S: Go easy on the 'This ain't helpful' button. I know this drama is a crowd favorite but I gotta tell as I feel it is. :)))
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This review may contain spoilers
Surely Not Together
This was pretty bad and the only redeeming quality it had was the acting, that's about it. I started watching it mostly because I like Park Seo Joon and he has done stuff I enjoyed but I think this might be the weakest kdrama of his I've seen (not in his acting but overall).Maybe it's because I've watched my fair share of kdramas at this point or maybe because I've actually never been into it, but I'm getting at my limit of CEO's, rich and other chaebol people as main characters or romantic interests, it makes it very difficult for me to sympathise with their supposed struggles when they're crying while holding a Louis Vuitton bag in their hands, even more so when their sorrows are self inflicted, like in here.
I think their claims of this kdrama to be more realistic than others end with their separate personalities and the portrayal on the difficulties of getting divorced due to patriarchal systems. Yes, people like the main characters exist, but it's not like characters in other kdramas are unrealistic, there are plenty at the same level and way better too.
Their relationship? sure, it can be realistic, it can happen. Problem is when they're trying for me to root for them when clearly they're in a toxic dynamic that they should have already broken up for good a long time ago. ML should have moved on already when she just left him without explaining herself, her excuses are as weak as their relationship.
We're seeing here a woman that conveniently remembers the guy when she's in need of him, that is entitled and egotistical, and a guy that is a hopeless romantic and gets easily manipulated. Realistic? Sure! but not exactly a relationship I personally like to watch, less idiolise or think that it's nice and beautiful. If I was his friend I would be telling him to move on and go to therapy because he has clearly a bad case of dependency and unhealthy idealisation. If I was her friend, I would no longer be because I would have told her I'm not a fan of how she's using the guy and dropping him when convenient and making him do whatever she wants. All their breakups are pretty stupid and nonsensical, for people that technically wants to stay together that is. Realistic because she's not going to blow up her entire career for him? sure, realistic because he leaves his life and goes one year abroad to get space? not so much. All people around them also enable their relationship and no one seems to see the problems, not even their closest friends....okeeey.
In the constraints of ML character's portrayal is kinda realistic he didn't have any other partner because he was that obsessed with FL, but realistically in the real world? no. In real life if he had been that level obsessed to not get with anyone else probably he would have become a stalker or would have tried to end his life. Harsh, but let's be honest, his dependency of her passed as love is not exactly healthy. But anyway, this is kind of contradictory because it was not realistic in the drama that he would only obsess about her when she was around but seemingly he was capable and ok of letting her live her life when she was not around. Both of them use this IN-OUT in the relationship all the time, but it's not very realistic (especially on his side) with that level of dependency.
They have good times together, but they're very ready (when I say "they" here I mean mostly her though) to drop the other at the minimal inconvenience instead of talking to one another and deciding things together. Realistic? maybe in some doomed relationships, but either way not exactly a portrayal of a long lasting or meant-to-be relationship.
So overall, I think their portrayal of the relationship is ok on trying to show nuanced characters and a non healthy relationship, but again, the problem is when it's spoon fed to the audience as a healthy or fated relationship and trying for you to sympathise with their struggles (that they inflected on themselves), then I do have a problem with it. It's almost like they're trying to say that because they have been together and broken up so many times that that makes them fated lovers. I don't personally like it.
The plot is very thin and drags a lot. It's curious that I found the last episode of the series a lot more entertaining than any other in the series, mostly because it was more dynamic with seeing more of his work as a reporter, because let's be honest, the rest of the series he's pretty much just sat at this office table for a few scenes more than doing his job (and doesn't change the fact that most of the work he does is to help FL).
Meanwhile we get an FL that gets a position thanks to nepotism and we're told that she's good at it, even though she was not previously even interested. I guess the nepotism had to be excused in some manner.
Plot wise, FL's sister is more interesting, but even this plot was a bit dragged (paused at times for other subplots) and the resolution was not bad but not great, it felt a bit underwhelming because of how long it took to solve and how fast it was in the end.
FL's mother was presented as a conflict point at the beginning but then it was dropped and I guess the mother is amazing after all, a couple of words solved years of trauma of FL. Other than the plot with the sister, anything that came up plot wise on the side of the FL was kind of chaebol cliché and boring.
The last episode also has way more longing and feels than the rest of the series did for me, and it would have worked if the rest of the series had been different. One second you're feeling that longing, the rest you remember they're who they're and the history they have and you're like "I hope they actually don't find each other". But funny enough, them finding each other at that point would have actually have been better than what we got.
"Kids, your mother and I rekindled our relationship because our mutual best friend died and we met again at his funeral". Who thought this was a good idea? why did they kill that character anyway in the last episode? what was that??????? Bad writing!
Sorry to say at that point I started laughing at the sheer level of bad taste, it felt like a joke (this actually made me take half a point in my score of the series, you don't pull stupid moves like this 10 minutes to the end of the series). No, this specific move with the funeral doesn't make this more realistic. Them not meeting in Málaga? sure, although it wouldn't have been super unrealistic them finding each other there when she's actively looking for him, but it's ok.
Not like they could have made a million other reasons why ML would go back to Korea and meet her...
But I guess that since they couldn't just straight up start it and talk during the funeral (although technically she tried and it was not a cute move), they had to move the scene to the airport. Realistic? no, but cliché yes. Even ignoring the airport as a setting, realistic would be the guy saying "ok, yeah, let's talk when I come back maybe, as I said I came in a rush and I have things to wrap up back in Málaga. Plus I'm not going to waste the ticket I paid for, it was not cheap" (I mean, I imagine money doesn't matter in their case since she's loaded).
I guess this had the vibes of inverse Cinderella too in that sense.
Product placement is often and very on the face, I found it annoying.
Flashbacks with that blurry effect were terrible!!! It was...well... blurry, and very annoying to the eyes. They could have used a colour filter, a frame, grain , anything other than blurring the picture. I disliked every time there was a flashback because of this.
Overall I can't recommend, acting is good, there are a couple of cute moments if you forget the character's personalities and history but otherwise the writing/plot is boring, dragged, uninspired and their relationship is not healthy but presented as somehow fated.
I guess if you enjoy dramas like Lovestruck in the City you might like this too.
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Kim Seul Gi performs this role well and this role seems to be easy one for her. Ahn Hyo Seop has potentials and I think he can improve further in the future. However, the main characters do not have that strong chemistry. Their chemistry is ok and natural.
The music is great.
This is worth watching drama.
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1Mother most foul.
I prefer to review c-dramas that are arbitrarily split in two parts to circumvent episode caps only once, after the entire story has been told. In this case, I am making an exception because Part 1 is largely a family drama that focuses on a difficult mother daughter relationship. This Part 1 review will evaluate that aspect of the story and defer a full discussion of the romance to Part 2.Cheng Shaoshang is a grey character - a thorny, defiant, scheming and distrustful Han Dynasty fifteen year old. She is left to fend for herself while in the care of abusive but not smart relatives while her military family is away defending the country. She runs circles around them and grows up to be distrustful, cunning and unrestrained. When her parents return from the battlefront, they are appalled to discover a lovely, wild, uneducated child, shockingly unschooled in the etiquette expected of the young daughter of a newly minted marquis. Her mother, a fearless, decorated general finds in her recalcitrant daughter a greater foe than found on any battlefield. The mother daughter conflict is the guts of Part 1 and drives most of Shaoshang's actions and decisions.
As a fan of grey characters, I like Shaoshang's character design a lot and Zhao Lusi delivers a very empathetic and charismatic portrayal. While there are better actors, what makes Lusi special is she is very, very funny. Even though there is a recognizable pattern to her comedy, her timing and delivery is more refined with each drama. Underneath the humor, she shows us that Shaoshang is a sad person who refuses to weep; adroitly infusing a note of loneliness, false bravado and vulnerability. This makes the character extremely empathetic, to the fault of being overly so. Lusi seems less comfortable articulating Shaoshang's many flaws, which are glossed over hastily and in a muted tone. As a result, Yuanyi's insistence on harshly taming her daughter's "harmless mischief and high spirits" comes across as heartless and misguided. A more balanced depiction of this relationship rather than one where the mother is so unambiguously the villain would be more interesting and realistic.
One of my biggest issues with the character writing is how main characters, especially Shaoshang are elevated by diminishing other characters, particularly her mother. Their forced separation from birth and subsequent alienation and resentment deserves compassion on both sides but is written in a way that consistently only assassinates the mother's character. After suffering through many of their blood boiling disputes, I was pleased to see Shaoshang get some inkling of what her family went through after Hua City. And I thought she won her mother's grudging respect and approval in how she dealt with Lou Yao. So I was just gobsmacked and revolted by how her mother inexplicably smacks her down in front of the entire court. This is all so that Ling Buyi can gallantly come to the rescue by praising her to the skies as the best lady in the capital. Which considering how awful the other ladies in the capital are, is hardly such a great compliment. After the initial cheap thrill, it looks very high handed and coercive on Ling Buyi's part. It also undoes the hard won truce if not tentative mutual understanding between the mother and child. I don't need them to ever see eye to eye or become best friends but it is disappointing to see Shaoshang's nemesis in Part 1 reduced to a two dimensional mother most foul.
What I can praise is how Shaoshang is lifted up by her intelligence, courage, compassion and her ability to do the right thing even at great cost to herself, which we see in both the Hua City arc and Lou Yao arc. Unfortunately in the latter half, Shaoshang is propped up largely by kicking other characters down. I have never seen such a long list of repetitive, nasty and screechy female characters in a drama. They are all cardboard copies of each other - bratty, rude, stupid, arrogant and in love with Ling Buyi. The mothers are all older and uglier versions of their daughters. I don't enjoy watching women doing their worst to each other. Nor do I like that they are repeatedly dressed down by men, even when it is Ling Buyi and it is well deserved. Sure it is very satisfactory in a low way but it is also frustrating and with repetition, boring. It is very disturbing that with few exceptions (Qi Qi and third aunt), the likeable characters in this drama are all men.
Despite a few thrilling knight in shinning armor moments, the romance is only set up in Part 1 with little real development. Shaoshang's main purpose is to gain freedom and escape her mother's eagle eye and she views marriage as the means to that end. None of her suitors are that compelling and their courtship methods are so appalling they are comical. Lou Yao trails after her like a lovesick puppy, willing to wait on her hand and foot without realizing that women don't need to marry doormats or servants. Yuan Shen's retarded strategy seems to be to make her hate him and pray that hate turns into love. But Ling Buyi is the one that just takes the cake. He makes sure her parents, no, the whole kingdom, knows she has seen him nekkid and failing that, makes her an offer she can't refuse. Who ultimately prevails is pretty much a foregone conclusion with the casting of Wu Lei, which is also a bit of a shame. I'd enjoy it more if we are kept guessing for awhile and there is genuine competition among worthy suitors.
We don't get to see enough of Wu Lei or the romance as Part 1 is mostly Shaoshang's family story. However, there is enough romantic fan service that shows Wu Lei's chemistry with Lusi is promising. While Wu Lei looks incredibly hot as the cold and intimidating general Ling Buyi, initially he appears stiff, like he is trying too hard to project gravitas. He improves noticeably later on when he relaxes his face muscles and his character is humanized by his sidekicks Liang Qiuqi and Liang Qiufei or Tweedledee and Tweedledum. Tweedledum is my favorite side character; his vivid facial expressions in each of his interactions with Ling Buyi have me rolling with laughter. Indeed what really livens this drama's slow burn pace is the humor which also brilliantly amplifies character traits. It is a poignant reminder of how funny and ferocious Wu Lei's Fei Liu was. I had long forgotten how good he is at humor. I look forward to seeing more of Ling Buyi's story as well as genuine relationship development between the leads in Part 2.
If I were to rate Part 1 solely on the mother daughter relationship, I would only give this an 8.0. What makes me mad is this had a lot of potential and we really don't get that many good historical mother daughter character stories. Instead the mother is written to have so little redeeming value it just ends up being a giant waste of emotional energy. But I will throw in another 0.5 to make this 8.5 because apart from the first four episodes which were an aberration, I enjoyed the comedic moments immensely. I may have given this a 9.0 without the many nasty, noisy women.
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This review may contain spoilers
Look, there is a certain market for this type of drama/lakorn: fulfilling the niche of a psychotic guy trying to control a super humble and sweet girl. This lakorn falls into that category. I know not all Lakorns are like this (thank goodness), but this is the first slap/kiss Lakorn I've encountered and I'm not quite sure how to proceed from here in my selection of different Lakorns to watch next. I'd only recommend this Lakorn under very specific circumstances:
1. You aren't sensitive to very triggering themes (rape, mainly)
2. You like watching endless cat fights
3. You're in the mood for something very angst inducing with a couple that gives each other a lot of long looks of despair
4. You are okay with endless misunderstandings
5. You are okay with suuuuuuuuper annoying side characters
I guess it was entertaining (if you FF through all the side stuff)? I don't know, I feel like you have to be in a certain mood to enjoy this. And you also have to suspend your disbelief at how HORRIBLE the male guy is to the lead female.
I just don't think this Lakorn can ever be accused of having "quality" -- it was pretty poorly constructed: not very well fleshed out characters, the character roles basically being caricatures of themselves, no flowing story where the guy earns the love of the female, and really outdated drama tropes that were annoying to see repeated over and over again.
I don't want to give any spoilers, but I was completely unsatisfied with the end and how he "won" the girl. I was hoping for more character improvement and growth.
So....watch this I guess if you're a fan of slap/kiss lakorns? .....I on the other hand will be lamenting over how I gave 14 episodes of my life over to this show, and in the end....I'm not entirely sure it was worth it. I'm an angst addict, so I certainly enjoyed parts of it, but the main guy was waaaay too horrible for me to say I'm glad I watched it.
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