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Great cast, great acting. The story line is great. Every episode is intense. The acting skills of So Ji Sub as Kim Woo Hyun is very intense and UHM Ki Joon as Jo Hyun Min played the villain so good.
The cyber world manipulating technology is also awesome. Really hope this does not happen in real life, it's frightening to even imagine.
Overall a perfect 10, a drama definitely not to be missed.
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This review may contain spoilers
It's raw, it's dark, it's light, it's depressive, it's happy, it's sad - it's the full spectrum.
As usual I went into this "blind" - I did not watch trailers or read about it, I just knew it's playing in a tumult time for Thailand. Of course this is a drama and it does not represent historical accuracy, but it depicted quite accurate what the gist was. There were protests, there was political killings and there was a revolution (a bit later). Thailands military still has more power over it's goverment than any democracy should have.This series is partly hard to watch. Not because it's bad, because it's so acurate, because the acting is so good and of course because it's so sad - in a good way. The company said this is not a BL, it's a gay story - and it mostly is. They did not disappoint in their description. There is only some fluff but mostly it felt really realistic.
Tanwa (played by Mile) is a typical end of 1960ties free spirit (they would have said hippie at the time), but without a direction. Trin (played by Apo) is more or less the opposite, he knows what he wants and he knows what he stands for. This two worlds clashes and after the traumatic events where Victor (played by Peter Deriy) died, Tanwa find the courage to move on by his mothers unreleased book (given by his father he was at odds). Then we have a second couple, the colonel and the journalist - a poetic love which could not be fullfilled, because the colonel decided to protect his love and sacrifices himself for it. I have read comments that say Dhevi is the villain, but of course she is not. The colonel used her (and her family) to advance his career and he had to pay the price for his decision. This also saved the live of his love the journalist. Is it nice? Of course not, but such were and are (sometimes) the realities we live in. It was quid quo pro - he gained social status which made him go through the ranks of the military into a powerful position and she gained just the man she loved even knowing he has no feelings for her. And in contrast to most BLs: She got not furious and made no scene. It's just realistic.
All the cast were really amazing. When you know that Tencent in the form of WeTV financed this project it's absolutly stunning that they did all that what they can't do in China with such a controversial story. Of course this is a hurtful story, this is not the typical BL fluff you may expect. This is raw, brutal, repulsive, sad but also poetic, happy and beautiful.
For me this is a 10, because besides the realistic approach, a good story and the production quality, it's the right step for Thai's entertainment industry to not just cater to the fangirls. The story is the star of this show and not just some fan-favorite actors. So, if you have not seen it, it's a must watch for me!
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Even better than the real thing.
Investiture of the Gods is one of my less favorite Chinese classics because it is a lengthy, chaotic collection of Chinese myths and anecdotes involving gods and demons. It would not be easy to turn this tome into into a coherent and well-scripted drama with an engaging plot and proper character development. Impressively, this production pulls it off by making storyline a very, very loose adaption of the original novel. Most of the criticism highlights the plot changes and that it doesn't tell the whole story. That is absolutely fair but the end result is a vast improvement from other cheesy, incoherent and lengthy versions. As someone who is not attached to the original story-line, I am good with it.Although released in 2019, this drama was shot in 2015 and has struggled with censorship - yeah even ancient uprisings/regime change is not a popular topic with the Chinese censors. Update: Initially only 56 of the intended 65 episodes were aired but at this point, all 65 episodes have been released. It is a quality production and the for early viewers, it is well worth going back to watch the last 10 episodes in full. The all-star cast includes Luo Jin, (a very young) Deng Lun, Wang Likun, Yu He Wei and Zhang Bo. They were awesome together and it was quite evident from the rapport between the characters that they had big fun filming this. It is obvious from the CGI, sets and costumes (albeit beautiful) that this is from an older vintage than the more polished 2019 releases but it also doesn't suffer from the excessive filler disease that is plaguing the latter.
The story recounts the reign of the evil King Zhou of the Shang dynasty (an early Chinese dynasty); a time during which allegedly both gods and demons still walked among man. He was a tyrannical and decadent ruler who inflicted great suffering on his subjects under the undue influence of his favorite consort Daji. Daji is said to have distracted him from affairs of the state and exhorted him to acts of great cruelty. Even the heavens intervened and Jiang Ziya was actually an immortal tasked to raise an army of heroes to defeat this evil king. Many lives were lost in King Zhou's overthrow and these heroes were memorialized as gods in popular folklore. The novel likely emerged as a romanticized account of their epic struggle where gods and demons fought alongside mortals on both sides of the conflict. The drama very broadly sticks to this overarching plot but is creative and loose with the details around how they got there.
Yang Jian (Luo Jin) is a half immortal child born with the Third Eye predestined to cause the down fall of King Zhou. Lord Su conceals and raises him in his household as his foster son alongside his daughter Daji (Wang Likun). The young Yang Jiang and his foster sister Daji, who is renown for her beauty and kindness, are in love. This is one of the major departures from the novel, where Daji and Yang Jian barely intersect. In order to save the lives of her family and their people, Daji forsakes all to enter the palace as a concubine but they are all slaughtered anyway. Grief stricken and vengeful, she vows to make King Zhou and his empire suffer. She sells her soul to the evil thousand year old fox spirit (Deng Lun) in exchange for his aid. Wang Likun's Daji was masterful from her transformation from an innocent young girl to the ravishing, cruel and manipulative temptress that brought down an empire. I was stricken at the barely concealed loathing and sadness in her eyes when she seduces her worst enemy; I prayed she could suppress the hatred and the evil that was consuming her; I was repelled by her indiscriminate and breathless cruelty. Throughout she has sad and angry eyes and she clings to the memory of the person she once was. I was wowed by her acting. The young and yet undiscovered Deng Lun pulled off the role of the evil fox spirit who is Daji's only confidante with great relish and panache. They had remarkable onscreen chemistry - as she lost her soul he found his when her cause became his. Even though Luo Jin is technically the male lead his role of loving Daji unconditionally from afar didn't leave much scope for character development. So Deng Lun stole his thunder a bit on this one.
While Daji's scenes are mostly quite intense, the rest of the drama is somewhat irreverent and littered with comic relief. Yu He Wei's Jiang Ziya is the glue that pulls everything together this character absolutely rocked! He is kind hearted, a bit goofy, naive and unambitious immortal that is banished to the mortal realm as punishment and is tasked with investing or martyring the gods. His mortal identity is as a hapless noodle seller with a terrifying termagant of a wife and a lovely daughter. He takes Yang Jiang and Jifa as his first disciples and together they gather the rest of the immortals as they prepare for their fated mission to topple a despot. While falling safely short of slapstick , the camaraderie between Jiang Ziya and his family and disciples had me howling with laughter. Although some the comic moments dragged a little bit at the end, it was very bearable. It makes such a difference to watch something with such a confident, experienced and well-rounded cast. Even the villains were well cast and really captured the spirit of their characters, especially the evil fox spirit and King Zhou. This was truly a fun drama to watch - it has good vs evil, gods, demons, some romance, some bromance, love, hate, friendship, honor, loyalty - it made me laugh as hard as it made me cry. I enjoyed this so much I kept putting off watching the last episode because I didn't want it to end. I am not sure why this drama didn't get higher ratings but I suspect it was some combination of the plot changes, that it looks a bit dated and the fact that there was a long gap before the last ten episodes were finally released. Undoubtedly the humanization of Daji may have also been controversial - after all Daji was one of the most bloodthirsty villains in Chinese history and literature.
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A nice addition to the greats
Crash Landing On You was about our main female character that ends up in North Korea after getting into an unexpected accident and a North Korean soldier that ends up falling inlove with her. Sounds interesting right? Well the premise of the story is already an attention grabbing but I didn't immediately watch it upon airing simply because I was dissapointed by majority of Kdramas that was released last year which has also interesting premises but got boring/uninteresting in the middle and eventually dropping it. This drama was like a saving grace for my drought, After getting recommended by one of my friends, I watched the first 4 episodes when it was still airing and finally a series worth of sticking up until the end! Every episode leaves you wanting for more. All characters are potrayed very well by the actors. I've seen comparisons of this to DOTS and I can say that the plot and acting wise, CLOY was wayyy better miles ahead. (This is coming from a big fan of DOTS like me). Probably the only thing that DOTS did better are the osts, yes CLOY lack great osts with only a handful of memorable ones unlike in DOTS where every ost leaves an impact. You might think why I'm comparing this two series because some of you might be doubting to watch CLOY simply because it's another soldier theme drama especially those who still haven't watched or dropped DOTS, but I can assure you, this is different. You will enjoy every bits of it, This drama makes you care for every characters, no one is left behind. Our main leads have great chemistry like I can't imgine any actors playing the same role, Hyun Bin and Son Ye-jin were really meant to play the roles of Captain Ri Jeong-Heok and Yoon Se-ri. All in all Crash Landing on You managed to give everything I want from a rom-com series. It might be cliche and predictable at some parts but it was done right and this series will also give you a new perspective on how people actually live on the other side of the korean peninsula.Was this review helpful to you?
This review may contain spoilers
Worth watching for the acting
I was very excited when I started watching this drama because of Woo Dohwan who is basically one of my favorite actors (yes he is handsome but his acting skills are pretty amazing too).At the beginning, I was really intrigued about his character Hae Jo. And the first half of the drama was really exciting and fun!!! the whole chase through the country, the drama, the funny moments were on point, if only the drama had continued like that…
Basically, after they got rescued from the island and came back to Seoul everything went down the drain…
In my opinion there was a lot of unnecessary drama and the plot was not moving on. The main lead was sulking and treating Jae Mi like trash and it kept on going back and forth. I got quite bored during a few episodes to be honest…
And then the scene when Hae Jo leaves Jae Mi in front of her mother’s door and runs away! Why??? Why did he have to run away??? I was sooo confused! What was the point anyway if you were gonna go back to Seoul afterwards? I thought he was gonna start his journey to look for his father with Heung but no they just went back to Seoul!!! I got really annoyed tbh and I also got annoyed at Jae Mi a couple of times. At the beginning she was acting like a spoiled child, punching Hae Jo and telling him to die etc. I think thats a little bit too much to say to someone, no matter how shitty they treated you…
Ofc I was also a little bit annoyed at Hae Jo at times. Why did he have to agree to kidnap the first woman from her wedding? And why did he say such mean things to Jae Mi in their first relationship? And then being so egocentric and kidnapping her and throwing away her shoes etc.
In general I also found it kinda sad how quickly and easily Jae Mi got over Heung and the treatment of his mother and how easy it was for her to move on and fall in love with Hae Jo again… I don’t think she was really in love with him… he was just a nice man she wanted to have kids with…
And finally, I was reallyyyy annoyed about how the drama started with the search for Hae Jo’s father but was never finished!!!! Like what was the point of watching (except for Woo Dohwan’s naked upper body)??? We already knew how it was gonna end (him dying in the snow) so what other new information did we gain??? I was very confused and quite disappointed to be honest…
The storyline is definitely lacking and most of the characters were very problematic too. However here are some good points:
1. The quotes: Hae Jo had some impressive quotes and it brought me to tears many times.
2. In general it did have some tearjerking moments. I dont understand why the movie’s genre is romance/comedy… it is more of a drama imo.
3. The acting skills!!! Like no matter how annoying some characters were, the actors brought them to life sooo well and authentically… Kudos to all of these high class actors.
4. The music especially the instrumental one in dramatically sad scenes (for example when Hae Jobwas dying in the snow). It was one of the reasons I got hooked on the show. The music, directing and screenplay were done sooo well!!! I couldn’t stop thinking about it…
In general I think it is okay to watch it if you are interested but be prepared for some toxic characters and relationships…
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they better stay with me
did i love addicted? yes.do i love this even more? shit, i might.
but then again, i am absolutely a sucker for found family, and this is just that. also, the tension between wubi and suyu? it it clear they're drawn to each other, in the most beautiful way ever, i'm not sure they're even aware of it most of the time themselves, but it is clear, that they'd do whatever it takes to save the other, no matter what happens to them - which is also, more than clear in the last episode.
and with that said - what the fuck was that last episode? i think i might still be sobbing, currently writing this through my TEARS. there better be a season two - and soon.
wubi and suyu deserve nothing but happiness and all of the love in the world.
is this a hard BL? no, but is it still a BL? most definitely, which was obvious to me, very quickly - the stolen touches, the stolen glances? the possessiveness? we don't always need kisses, we don't need physical touch for there to be love.
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This review may contain spoilers
Too Much Hype, Not Enough Sustenance
Before I begin, I will be spoiling a lot of key plot points in this review. Please read this after watching the drama.Plot summary: Two men, Pran (Nanon) and Pat (Ohm), grew up next to one another. Even though they're the same age, like Romeo and Juliet, their families hate one another due to past bad blood between Pat's father and Pran's mother. The two had been secret friends since childhood, but once Pran's mom found out that her son was friend's with Pat, she moved Pran to another school. Years later, the two are reunited in university studying at rival majors: Engineering and Architecture. Once the two meet, they discover that not only are they in the same school, they also live across the hall from one another. The more time they spend together, Pat realizes that he's always loved Pran. Pran has always had a secret crush on Pat. The two decide to get together, but being from rival households and rival majors at school, they have to navigate carefully or else they will have to break up.
The overall plot of the story is quite easy to follow, as it's a tale that's been told a million times. So there's not much originality when it comes to the plot, except that instead of a man or a woman, they're two men. My biggest critiques about GMMTV plots is that they're predictable. Episodes 1-4 usually spend time on exposition. 5-7 the two characters start falling in love. By episode 8, they are usually together, and in episode 9 we start running into the 3rd and final conflict in their relationship which takes the remainder of the drama. Episode 11 usually wraps up the drama, and episode 12 closes everyone's story arch with (usually) happy endings for everyone. I've watched so many GMMTV stories that the predictability can be a bit annoying, especially with a well known plot like a Romeo and Juliet romance.
I will now discuss my X number of grievances with this drama in no particular order.
1. The side characters did not get enough time for what I think was needed for them to actually have a role. A pet peeve of mine with side characters is that if they aren't doing significant work in the drama to have them, why show them at all? I felt like Pa and Ink's addition to the story was quite welcomed. I loved having a lesbian couple, but since the story was not about them, we barely saw their relationship bloom and even focus on them after they got together. It was just like, they're together, but we don't have time to expand on how the two developed. Mo, Louis, Safe, and Chang had no reason to be in the story as they barely had lines and could easily be removed without changing anything in the story. Korn, got more lines in the later episodes, but he was basically unneeded except to start fights. Wai is probably the only side character that mattered as he becomes a villain of some sorts in the middle.
2. Half of the story felt like fanservice. Ohm not having his shirt on for most of the drama, or taking it off every chance he could get was well great eye candy, but was it needed for the story? I felt like they knew it would attract fans by him having it off. Like a lot of the extra things that the characters did with one another to me felt like it was to have us enjoy them having sweet moments together, but not because the characters themselves would have acted like that with one another.
3. I say this about every GMMTV show. Stop having actors sell products. It takes away from the drama. Figure out a way to sell your sponsors without literally praising how good the product is in the show. Like, every show has sponsors but at this point is to have it in the background enough times that people implicitly see it and recognize your brand. It's not for your actors to sell it in the show. It disrupts the flow of the show.
4. Pran has already known and accepted his feelings for Pat. He already knew he liked him. However, Pran up until episode 4, thought he was completely straight. I would have like more than the simple one-liner where he says something like "Love is love, and I can fall in love with anyone regardless of gender." I felt like this just a revision of the horrible, I'm not gay, but I just love you trope. Instead of just saying the character is outright gay, it's that they're in love with the person or pansexual, which is fine. However, to me, it reads as, we're still keeping the female fans by giving them a bone and making them fall in love with Pat's character because he could still be in a straight relationship.
5. I read in some other review that this drama was made for the LGBTQ+ community and I couldn't disagree with this comment more. I felt like it was quite targeting to women and not the LGBTQ+ movement at all. As a gay a man, I would've loved to see more actual support for the community than fan service to make the girls fall in love. Being openly gay, or in an openly gay relationship is quite scary even if you're in Thailand. I love to see the inner struggle that gay characters go through to be themselves.
6. The plot was a bit childish at parts. Like why are grown adults fighting like high school kids. I asked my Thai friends how realistic this was and they all said not at all. It's like, why are grown adults fighting on campus? Because of some stupid rivalry. Give me a break. Unfortunately, this plot takes the first 4 episodes which makes it so boring. Even the parents. Like, I was pissed at the dad, but this whole plot point was introduced and never really resolved.
7. The pacing was poor. We spent so much time, like 4 episodes, setting the fact that they all hate one another except Pran and Pat who secretly know each other. That needed one episode. The building of the two group's tension was unneeded since most of these characters have no importance in the plot, let alone lines. The ending felt rushed from episodes 9-12. It was like, we needed to tie up loose ends, so let's even jump ahead 4 years. Show that things are kinda changing but not really... Or, that tag at the end where they're 5 years into their relationship and playing a drinking game about what they don't know about each other, albeit cute, was just fan service.
What I did Like:
1. Despite having a lot of things I overall disliked, I did find the drama enjoyable. I do recommend people to watch it because Ohm and Nanon are both excellent actors. The two had great chemistry. Especially episodes 5-8. These episodes were really well-written and well-acted. The emotions were very raw and I related to it quite well.
2. Some of the plot was interesting, especially during the whole Wai saga. He became a super villain and I was all for it.
3. The cinematography was gorgeous. I loved a lot of the emotional night scenes.
4. I loved Pa and Ink's relationship. They both had chemistry. I wish they would have their own series. I think they're both great actresses.
Final Thoughts:
I liked it. I don't think it's better than some of the other BLs. But I think it's worth the watch, especially for the episodes where their acting really shined.
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Part Fictional Part Historical Story
Despite the really vile and annoying antagonists, this drama has done quite an incredible job by incorporating a romance fiction into the actual historical characters and events during the period of Emperor Taizong (626 – 649) and later Emperor Gaozong (649 - 683) of Tang Dynasty. This is the love story of Kudi Liu Li (Gulnazar aka Guli Nazha/Gülnezer Bextiyar) and Pei Xingjian (Xu Wei Zhou aka Timmy Xu) who was an actual historical figure.The story is adapted from the well-loved novel “The Bright Moon of Great Tang”. According to readers, like many other adaptations, the original characters and plots have been relentlessly butchered, rendering the final production with incoherent logic and badly modified characters that could cause viewers to spew blood. They claim the screen writers have made the Liu Li character stupid, impulsive and annoying. The screen writers have also given unlimited power to the seemingly unimportant head of the palace seamstress shop, making the Zhuo Jin Niang (Li Xin Yi) character vile and despicable, which to many, is bizarre and a total hogwash. They have also made the Cao Wang (Prince of Cao) character extremely dislikable, turning him into a nincompoop who does not receive equal retribution for his heinous acts, like trying to murder the Crown Prince, umpteen times. Many viewers also criticize the acting of the main leads for being mediocre and unbelievable.
The Characters and Acting
Kudi Liu Li (Gulnazar) is the daughter of the world number one best embroiderer and seamstress who is framed and executed in the palace. Little Liu Li escapes execution and has been disguised as a boy living in the palace. Inherited her talents from her mother, Liu Li becomes a gifted embroiderer/seamstress for the Emperor. I really love the beautiful little girl who portrays the juvenile Liu Li. Her acting is wonderful and believable. Many viewers dislike the grown-up Liu Li character and complain about Gulnazar’s acting. I can see why viewers are frustrated because Liu Li has the tendency in running into trouble because she is too impulsive and naïve. However, in times of trouble Liu Li can analyze her situations quickly and come out with good solutions, hence saving herself and those she cares. According to actual historical record, Pei Xingjian’s second wife was of Turkic ethnicity. Gulnazar’s Uyghur background appropriately fits her role as Liu Li. For me, Gulnazar’s acting is not totally a flop; I quite like her as Liu Li, even as the disguised Xiao Douzi, she is rather cute and believable.
Pei Xingjian (Timmy Xu) is a super intelligent person, well verse academically as well as an incredible fighter. He later becomes a good friend and the bodyguard of the Crown Prince Li Zhi, saving him from all kinds of danger and near-death situations. Timmy Xu is very good looking with a wonderful physique. However, I wish he were more relax in his acting with more natural movements and facial expressions. As Pei Xingjian, he does make the character very lovable and enjoyable.
My verdict
Apart from Pei Xingjian, this drama makes references to many real historical figures including Wu Zetian (the famous/infamous female Emperor), Li Shimin (Emperor Taizong of Tang), Li Zhi (Emperor Gaozong of Tang), among others. As expected, many of the events in the drama are fictional, including the exaggerated wickedness of the antagonists and their blatantly heinous schemes and crimes. Many viewers feel such acts are overdone and illogical. Some viewers even claim, rightly or not, the plotline and characters are copied from the Korean drama "Jewel in the Palace" (2003). Whatever it may be, don’t let the low ratings mislead you. From the perspective as an entertainment, the story is indeed entertaining with clear line between love and hate, black and white, right and wrong; there's simply nothing in between.
For me, I find the fiction ties in very well with the actual history, romanticizing historical figures and events, giving the viewers a part fictional and part historical story. I love the beautiful Tang era dresses worn by the ladies, the street scenes, the palaces and the overall settings – all carefully done and shot. The embroidery, especially the double-sided embroidery, one of China's pride, talents and legacies, is exquisite and breathtaking.
Until the final few episodes, the writers still continue to add on more outrageous antagonists and twists at whims. I believe they really enjoy watching viewers being disgusted.
Enjoy the ride!
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This review may contain spoilers
I am my own Pawn..
Oh how I wish I could love this drama more.. I really wanted to, like absolutely wanted to love it.. And I genuinely wanted to rate it higher.. The first half made me feel like it had so much to offer.. It was good, the cast, the story, the way everything flowed and then somewhere around the halfway point, the drama looked me in the eye and started gasping for air.. It felt like it just gave up.. The expectations were real.. Sure it's another historical CDrama about a woman who dies, gets reborn and wakes up ready for revenge even if she has to burn everything down.. We have seen that.. Except we haven't really seen it like this.. At least that's what the first half made me believe..The script, the revenge plot and the political intrigue were all pretty good to an extent but the production quality was an absolute letdown.. Quite a few times it felt like I was watching a low tier drama.. The VFX was pathetic and some scenes had almost no energy.. While some of the ML's action scenes were a blast to watch especially when he stepped in to save the FL, then again, there were also scenes that were really poor.. There's one battle scene where the FL fights alongside the ML and her soldiers and she is slicing through the enemy soldiers, but the whole scene lacked any sort of energy.. It looked like her slices wouldn't even cut a paper let alone a human wearing armor.. There was no energy or intensity at all.. I would blame the director for this..
The heavy use of AI really hurt this drama and took away a lot of the sense of realism.. Seriously, it was bad.. The war cries, the large scale battle scenes.. When you are looking at an army of 3000 men, you should feel something.. Here it all felt lifeless, almost like looking at a watercolor painting.. Some better editing, camera work and a bigger budget would have made this drama a spectacular watch considering the cast..
The cast, well they were top notch.. Gave some solid performances.. Chen Duling as Chu Zhao was seriously good and honestly this role felt like it was tailor made for her.. Except for the action scenes, I guess.. Anyway, she carried the whole drama.. Then again the entire story revolved around her, so she kind of had to.. Zhou Yiran sort of surprised me.. He was really good as Fu Jiu, but his character was underutilized.. He sort of disappears after 16 episodes and barely gets any screen time after that.. On top of that, he had no real impact scenes in the second half.. No fights, nothing that really made him feel like the male lead.. This just added another dent to his identity in the drama.. I wish they had done more with his character.. There was a war going on after all.. They could have shown more of his battles, how he killed the enemy state's prince and so much more.. I don't know why they chose to leave out that part of his arc.. I get that this is Chu Zhao's story but they had a great opportunity to use his character to bring some excitement to the last leg of the drama..
" Zhao, You were meant to soar up there..
And my role is to uphold you "
The chemistry between the main leads is so good that it makes you keep watching even when the story starts to bore you.. Layered and not overly sweet.. Good stuff..
We have to talk about the supporting cast too.. Tang Xiao Tian and Gao Mao Tong were impressive.. The Deng Yi and Xie Yan Fang rivalry was intriguing, but it just becomes too much.. There's so much back and forth between them, but nothing really happens for a long period of time..
This is the kind of drama that would have been okay with lesser episodes.. There were quite a lot that happens that we could have done without.. The pacing feels aggressive yet somehow it just drags on and on.. But at the same time it feels like the drama could have had more episodes as well.. Because it feels like they cut out a lot of the good parts just to make room for the court drama and the political tension.. Characters who were carefully built up suddenly start making decisions that feel like they exist only to push the story to its conclusion.. Deng Yi backstabbing Xiao Xun was one of them..
Overall, I am disappointed that I couldn't rate it higher.. It's not bad, it genuinely isn't.. It just feels like they spent the first half trying to make something special but settled for something average after that.. It's so obvious that quite a lot was cut and in that process we lost a lot of good moments, character arcs and visuals.. This is definitely going to be a 14 episode drama on a rewatch..
P.S. I loved that deep red palace aesthetic and the costumes..
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A Masterclass in Storytelling So Far
FINALLY a drama that respects the viewer and their intelligence!It is a mature, masterfully executed historical drama that treats its audience with respect. My brain cells did not decay while watching this; instead, the narrative holds you in a vise from the very first episode and layers it slowly and tightly.
This is a compelling tale of survival, family, hierarchy, and sisterhood. It focuses heavily on the morally grey choices characters make when dealt a terrible hand by fate. The production thoroughly did its homework. The world-building feels authentic, grounded, and logical. Actions have real, tangible consequences without having to suspend your disbelief to the point that your brain shuts down.
The female lead possesses incredible courage and intelligence, but she isn't brash, loud, or flashy. It is deeply refreshing to see a heroine who doesn't do outlandish things that would realistically get her killed in ancient times especially as a slave. Even though she loses almost everything early on in a heartbreaking twist of fate, her resilience is inspiring.
The narrative sets up a beautifully paced slow-burn dynamic. The story takes its time to have the main characters to truly cross paths, allowing the writing to build their bond with a rare degree of realism, depth, and emotional weight. The way the male lead becomes intrigued—shifting from subtle, recognizing glances to later praises that carries a hint of seduction with her, it stirs up a smoldering tension that is far more powerful than heavy skinship.
I hope the quality of the story and the execution of it will continue till the end and not disappoint! Hope you will enjoy it as much as I have so far.
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Xianxia at its best
So much looking forward to this drama, and watching it now, it doesn't dissapoint, and meet more than my expectations. Productions and CGI are breath taking & topnotch, you will be really transform to the magical world of chinese mythology and fantasy. The story and plot is engaging, characters are properly introduced and acting are superb. Zhao Lusi is really a formidable actress, she can carry the role and any roles for that matter so brilliantly. Kudos to all TLI cast & crews, this drama is worth waiting and watching .Was this review helpful to you?
This review may contain spoilers
Zero Plot, Just Cooking and Singing
Let’s be honest, there is no plot to this 32 episode series. Guy meets girl. They fall in love. They SLOWLY get to their first kiss. Everyone stares at them with adoration. They stare at each other. The end.This is more of a - let’s just show a lot of good Chinese culture. Chinese dishes, Chinese clothes, Chinese music, Chinese tourist attractions. Bring in some good looking people, have them eat together and make it 32 hours.
This huge cast of actors did absolutely NOTHING. How much teasing can they give the main couple? How long must the FL act 12 and shy every single time she’s with her boyfriend? What about the side couples? They literally moved slower than a grandpa with broken hips. All the side couples got together in the last 15 mins. They have the main couple way way way too much screen time doing nothing but act cute. I wouldn’t mind if they actually showed some sort of character growth or storyline. If they made it just 12-16 episodes, it would’ve been short and sweet. But y’all.. 32 episodes?! What’s crazier is that I actually made it to the end. I mostly skipped by episode 25.
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The women should have been arrested for stalking
Honestly the only reason I could complete the entire show is because I am a Deng Lun fan. This show is full of negative Chinese female stereo types that we are supposed to find cute and funny. Perhaps if this had been a high school drama it would have been less annoying. The FL had the maturity of a five year old through most of the movie and all the women would have been arrested for stalking in the United States. One of them committed acts that had it been a male done to a female they would have been sent to prison but we are supposed to forgive her. The men tell them no but the women don't listen.To all the DRAMA writers out there... NO means NO. If it's not acceptable for a man to do to a woman, it's not acceptable for a woman to do to a man.
I'm not going to go into other plot holes and disasters. I am mainly writing this for those of you who are parents... don't let your girls watch this.
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This review may contain spoilers
Okay...I guess?
Okay, here`s the thing:This was just a mess from a writing standpoint and there`s no two ways around it.We don`t have to find something realistic in order to connect with it and find it interesting. However, in my case, it should be consistent and this drama`s execution is lacking, when compared to the synopsis. And it`s not due to the lack of trying. It just feels mechanic. The girl finds herself in an absurd new world, has trouble dealing with it, a handsome savior appears, they fall in love, chaos ensues. Nope, it's not another Disney movie, it`s a supposedly gritty and ill-fated romance of two people found on opposite sides. But I just couldn`t get into it.
First the acting. This is Hyun Bin`s best acting role to this date, easily. His character is also the most likeable, albeit seen before and the chemistry between his unit is great as well. Honestly, I would`ve been fine watching their perspective of this unfolding, it would make for an interesting change. Seo Dan`s story is also mad intriguing and deserves its own show. Son Ye-jin however... I don`t know. I`ve watched her in this and in Personal Taste and I guess her acting style is just not doing it for me. In that way she reminds me of Lee Min-ho, though I did like his newest project. Se-ri is just an unfinished character. It`s like the writers wanted her to be strong and bitchy, but also a damsel in distress so from the get go, we see her be cunning and calculated, but then at the same time, she makes stupid mistakes a character with her capacity shouldn't. And through it all, it just doesn`t feel believable to me and that does fall on acting. And people will probably judge hard but here it goes: I see no chemistry between Hyun Bin and Son Ye-jin. None. Zilch. They effectively feel like a brother sister duo to me, if anything. Also, and I cannot go without mentioning this but: CLICHÉS!CLICHÉS LEFT AND RIGHT!YOU GET A CLICHÉ, YOU GET A CLICHÉ, EVERYONE GETS CLICHÉS!
I have a bone to pick with the way they used these clichés, rather than them being used at all. Again with the we`ve met before. Only this time we`ve met so many times, that it`s just crazy how we haven't recognised each other already. Again with someone being shot and almost dying. Only this time, it was done twice. Again with, OH LOOK WE`RE IN A BAD SITUATION. Should we solve it and think, as we`ve been established as smart characters?Nope, let`s kiss instead. Look, my main issue is that if you have such an impressive concept and such a cast on board with it, you better use it to your best advantage. And they haven`t really. If I was to interchange North Korea with any other severe world where individualism is not accepted, it wouldn`t make a difference basically. And that`s a problem. There was potential in this:That scene when the main leads had to separate finally made me feel something. But it came too late.
And then, THE COP OUT ENDING. Maybe I misunderstood something but this just may be one of the worst endings to a drama I have ever seen. If I`ve got my facts right, Ri Jung Hyuk was accepted as a pianist in Switzerland and his position was given to Pyo Chi-soo. Meaning that he can stay in Switzerland?And Se-ri, who now has no reason to hesitate decides to stay in Seoul instead of moving in with him and they settle on 2 week-are writers on opiates? What even?I can`t even hide how much I hate the ending and I don`t even like this drama a lot.
Anyway, sometimes you should trust the percentages and sometimes...just don`t.
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While the drama looks like a cheesy romance at first glance, it is actually not. It's a story about healing, about learning to accept yourself, about learning how to accept others, about how it's okay not to be okay from time to time. I believe the drama had a great impact of the viewers who are struggling with life and needed to be comforted.
The plot itself could have been a lot better. The introduction was strong as well as the first half, then the second half was kind of inconsistent. But well, if it doesn't get overdramatic and way too cheesy, is it even a Korean drama?
The cast was very well-chosen and I must say, Kim Soo Hyun chose the perfect drama for his comeback. I was never a fan of his, but he won me here. He was simply perfect as the selfless Moon Gang Tae. His character went through so much and Soo Hyun portayed his emotions so well, I believed every word of his.
And there's our queen, Seo Ye Ji. Such a versatile actress, she can seriously pull off any role and she always looks stunning. Go Mun Yeong is not an easy character to pull off but she did it flawlessly. I can easily say that this is the best role of hers.
Oh Jung Se though... if this man doesn't win an award for this role--- Like, honestly, his performace was insanely good. A total show-stealer. He has all of my respect.
Overall, if you're looking for a good 2020 drama, then congrats, you just found it. An engaging story, a smartly written script, a couple with great chemistry, brilliant directing and an amazing cast -- what more do you need?
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