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Sorry I love you is the equivalence to masterpiece for me...masterpiece is not about perfection...it's about how the drama affects me...
even though I've only watched this drama 8 years ago ( and that I've never re-watched it) I remember every scene in it...every feeling it gave to me...every tear I shed for Cha Mu Hyuk's pain...no drama ever have affected me that much... it taught me more about family than any family drama...and more about love than any romantic one...it taught me about life, pain and happiness...it opened me to emotions I would've never felt & to thoughts I would've never thought...for the 1st time I saw death beautiful & suicide OK...for the 1st time I knew what love actually mean...it's not that complex...it's what makes you happy...useless sacrifices are not needed...living the time you have left together is what really matters...being by each others side even in death.
I Love that drama...not because of how good it was written or the brilliant acting or the nice direction...I love it because it made me see things in myself I would've never seen...and I know for sure...If that 11 years old young me didn't accidentally watch that drama at that time...I would've never been the same person I am today :)
*** For the music I love the OST...Snow-Flowers is one of the best Korean songs I've ever heard.
*** one day I'll re-watch it and I know it'll affect me the same way or maybe even more :)
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Decent drama adaptation
> STORYGiven that the drama was set to have 10 episodes, I understand that there would be a lot to fit in if they were going to do an adaptation of a webtoon that has over 140 chapters. Still, I did hope that the changes they make would fit in such a way that the drama would make sense even for those who have not read the webtoon. In this case, well... Let's just say that the 'Sweet Home' drama adaptation is like a "longer movie adaptation" of the webtoon. I expected it to be very fast-paced all throughout, but I did find that there were times where it felt a bit slow.
The story, as they have changed it slightly, I felt was lacking and a bit all-over the place. Even when I knew that some bits were similar from the webtoon, I still couldn't help but feel a bit confused. First of all, why the hell are there so many surviving tenants in a 10 episode about humans being hunted by their desires? You would expect that with having too many characters to pay attention to that each of them has their own story to tell. But because of the episode limitation, a whole lot of the characters have not been to fleshed out -- even the supposed main characters themselves. If this was going to happen, I would much rather that they got rid of others quickly either by being consumed by their desires, killed by the other tenants, or eaten by the monsters. If this were a zombie movie where the bitten humans become zombies themselves right after, I wouldn't mind at all because we all know how that would go down.
My point is that the story is meant to be different in that the cause of the chaos in their world is psychological and emotional, which therefore means that having a deeper connection with the characters might weigh a lot more. (Because yes, we did get some background story and some struggle with some of the characters, but it still somewhat lacking in depth, in my opinion.) This is why I could not help but feel that the drama is a little confused about how it wants to be. Should it be like the other fast-paced zombie/monster pandemic stories? Or should it stay close to the webtoon's story? Or should it be like a mash of the two and a whole lot more? The addition of a new element in the story made it all the more confusing to me -- is the cause of this chaos biological? Psychological? Emotional? Evolutionary? Did someone plot this whole chaos? Was it an accident? Is this about weaponizations? Or what -- is this like COVID??? What is going?? In the end, they have chosen the option of having a possible second season to hopefully try and make sense of whatever happened this season.
> CAST (and MONSTERS)
The story aside, the actors did very well in portraying their roles. Even though the characterisation was lacking, it was still passable and the actors brought some life to their characters that would make you want to cheer for them. I actually thought that the makeup, special effects, and CGI weren't so bad for a drama that tries to bring life to monsters. Very good effort! If anyone is not a fan of horror, it would be best to skip those monster bits.
There was enough action in this 10-episode drama and while I was hoping for more monsters, what they have given us was enough. You wouldn't be disappointed in this aspect. I also liked the setting that they've chosen to be the Green Roof Apartments and the details that went into it; each apartment and their tenants have different stories after all. (This is why I was hoping that if they were to adapt this particular story that either 1. They spread it out in different seasons -- but given the costs for this to even be adapted, I highly doubt they'll go for this route. 2. They write it in such a way that makes sense for a 10-episode drama.)
> MUSIC
As for the music, I feel that they could have chosen better? I mean... I do not mind 'Warriors' by Imagine Dragons, but I just thought that they really had plenty of other songs to choose from? I don't know, I think it's just me. Other than that, the music sound effects and such were not too bad.
> Would I watch this again?
I wouldn't mind watching it again, it was a fun ride watching it the first time :)
> Would I recommend this drama to others?
Yes, especially if you like monsters and zombies films/dramas. Also the quality and acting in this drama is good! It would not disappoint you. (Unless of course, you are like me who is reading too much into trying to make sense of the story then... Well... It's up to you!)
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What I didn't like was the romance. The leads weren't charasmatic and lacked chemistry. They both were much better in scenes with other actors. Together, they were annoying. Uhm Tae Woong is a much better actor than what he was in this. They introduced a couple of really great characters in the last few episodes that should have been introduced earlier. The series would have been the better for it. A few scenes could have been a little tighter and crisper.
All in all, I am glad I watched Blade & Petal. I was looking for revenge & fighting and I got it. I would rewatch scenes, but not the entire series. If you read a synopsis and thought it would follow the classic Romeo & Juliet path with romance seeping out of it's pores, go back and read it again because you missed something. If you appreciate a talented cast and good (not great but good) writing, and a production in it's totality, give it a whirl.
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This series should have never been created
I intended to write a typical review with the aspects of the drama that I enjoyed and the parts I disliked, but then I realised that there was not even one positive thing I could say about this series, not even one. If you enjoyed this drama, please don't read further.This is probably one of the worst series I have watched in my life and in the thriller-mystery genre it may actually be the worst.
I will get straight to the point which is the plot. Imagine a chessboard where the players can move their pawns however they like, without considering the rules. That’s how this series is like. The writer uses the characters, which are equally badly written, however she likes without taking into consideration that there is something called logic. The genre of this series does not allow plot holes. It is not a drama where a pigeon and his friends can appear to save the day and you are fine with it, because the genre allows it. They are not even the types of plot holes that you can dismiss, because you are having a good time.
We all have watched kdramas where the police officers are portrayed as idiots and they don’t use their brain to think. Well, comparing to the characters in this series where everyone acts like they have only one brain cell left, those police officers should have won some medals for their exemplary behaviour.
The actors were mediocre, but to tell the truth, I am not sure if it is because they are not good actors or it’s because their characters were so badly written that they couldn’t do anything better than that. Even the OST has nothing to offer and it was one of the few times that the music felt so out of place.
This may have sounded a bit offensive, but since I felt like this series insulted my intelligence, I couldn’t write what I felt in a more positive way.
Do yourself a favour and forget about the existence of this series, because it shouldn’t have been made to begin with.
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This review may contain spoilers
A good drama to watch if you love dramas which are more realistic
This is not a drama where a prosecutor fights for justice or to clear someone's name. No prosecutor runs to catch a criminal or do some great investigation to solve an unsolved mysterious case. This is just an ordinary story where you can see daily lives of prosecutors working while glued to their desks. I loved this so much because it exactly did what it said in the synopsis. It was like peeking into a prosecutor office of a small town. And I loved how they kept everything within the office and didn't get into the personal life of the prosecutors and turning it as a family drama. The only problem I had with this series was that it was very episodic. Thankfully, they didn't take each case to solve per week like a detective series but showed various problems / cases of the prosecutors in each episode. I loved those non-elite team of department 1 and how Prosecutor Cha mingled with them. The comedy was not overly done which would have spoiled the entire show for me and I loved the flow of the drama which was slow but not draggy.Things that I enjoyed:
1. Usually in these kind of dramas we always have an ML who is always right and wins all the time in an argument and FL who eventually learns from him. Here the scenarios were totally different. And I love how they portrayed Cha Myung Ju and Lee Sun Woong.
2. There's no unnecessary or forced romance between the leads just because they are leads.
3. Supporting actors were amazing and they made the drama much better
4. Love scenes between Jung Woo and Mi Ran were super cute though it was short.
5. Being a life genre drama I worried about some draggy melo parts but there were none. The comedy aspects of the drama (though it's very little) made the drama very refreshing.
Things that I didn't love:
1. I know it's not a thriller and didn't expect a fast paced story but sometimes the drama felt too slow
2. There isn't any structure that connects the whole story and it mostly felt episodic. So, as the drama progressed there were times that it felt aimless.
3. Could have given the supporting characters more time and explored them even more.
4. The power battle between the leads was entertaining at the beginning but felt annoying at some point.
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When the episodic format was both the best and the worst part of the show.
This is a drama made for all the fans of friendship, bromance, male and female friendships, discussions on the topic of loss and how to deal with it, presented in an easy to digest manner. For all that love great acting and good on screen chemistry. Viewers who like to accompany the characters on their journey to figure out who they are, what they like, what they are good at and who and what they care about. Do you fit in the group? It’s more than likely you will enjoy it.The best aspect of the drama was easily Tseng Jing Hua’s performance and Pu Yi Yong’s character. There is so much depth in that performance. The best part? The gaze. Depending on the situation Jing Hua was able to completely change the way he looked at people and things, and clearly show the viewers all the emotions the character was feeling. With all the hardships he had to go through after the coma and newly discovered "skills" - we were presented with a strong, but also vulnerable lead.
Yi Yong, Guang Yan and Chu Ying became one of the most entertaining trio I have watched this year. Distinctive personalities which at first seem not to mash up well, created a mix one cannot resist and ends up loving. Yi Yong being the most empathic, Guang Yan - smart and genuine, and Chu Ying driven and motivated, three characters perfectly fitting into a well known trope of “heart, brain and muscle”, but at the same time being more than the two-dimensional trope.
While the separate cases of the spirits and their stories were great and had surprisingly a lot of depth and detailed background, I cannot say the same about the overall arc and plot. And that was my biggest issue - I enjoyed the show when I was watching, but I did not feel the urgent need to check the new episodes as they aired.
Most of the longer plotlines were not elaborated and explored enough and the set up to the conclusion was weak. They dropped some information here and there, but they did not diversify the hints enough. You need to literally cut out and paint your own puzzle pieces to truly create a full picture in your head. There are a lot of great revelations in the last episode, but they would be far more impactful if they were spread in time a bit. Instead of dropping all that’s important in the last episode, how about showing bits and pieces in the earlier episodes? Sounds like a more engaging storytelling method.
Basically - they opened with a really elaborate set up for the characters and their backgrounds, then we get close to nothing for most of the show, just to be hit with a tsunami of information by the end…
As I said earlier, Tseng Jing Hua’s performance was one of the best aspects of the drama, but truth to be told, the whole cast did a phenomenal job. Big props to Jack Yao, who played my favorite spirit.
The production was amazing. Brilliant styling and design for all the spirits - all unique in their own way. Everything just created a cohesive and believable picture, which is honestly not that easy to do, when your show has so many fantasy elements.
All the calligraphy scenes? Pure perfection! From the acting of Tseng Jing Hua (again, how the character’s gaze changed each time he picked up the brush just gave me goosebumps), to the design of the whole process, up to the CGI and camera work!
Overall, great drama that slightly missed the target to be an unforgettable beautiful journey.
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This review may contain spoilers
A drama full of cliché elements done right!
Ousama ni Sasagu Kusuriyubi is an adaptation of the manga of the same name, which I haven't read, so my review is from the point of view of a person who is not comparing the drama to its original work.What is the main trope involved you ask? Fake Marriage!
Do we have plenty of dramas in dramaland of the same trope? Yes! Definitely!
Even then, is this drama still worth watching? YES! ABSOLUTELY!
The drama can be categorized as a breezy watch, with all the cliché tropes present (fake marriage, first loves, rich man/(comparatively) poor woman etc.) but what really sets it apart is its acting and script. The actors succeeded in involving the audience (at least me) with their characters. I felt the emotions that they were feeling , especially the main leads, Ayaka's tears, Togo's micro-expressions added so much more depth to the emotions... I basically laughed with them, got embarrassed with them, felt sad for them etc. The chemistry of the main couple makes you root for them and the friendship and family moments are really heart-warming.
As is implied earlier, the story is pretty cliché but the script is well-written and really fun. I smiled through most of the episodes and waiting a week for the new episode was honestly a torture! The drama really puts your mind at ease as all you have to do is sit back and enjoy the episode (without a lot of thinking).
The drawback would be:
Was the last episode a little lackluster? Yes.
Was the last episode disappointing? To an extent, yes. It felt as if something was missing.
What about the last 15 minutes of the last episode? It kind of redeemed itself.
But was the last episode enough to destroy the enjoyment felt throughout the drama? NO! I am usually someone who lowers the rating significantly if the ending, in my pov, is messed up. That's because a bad ending makes the entire drama very insignificant and unmemorable to me. But even though Ousama's finale episode was a little disappointing, the good parts of the drama are so damn memorable that I probably won't be forgetting this drama anytime soon.
I am not usually a fan of rewatching shows, but I can definitely see myself coming back and rewatching the drama for Togo and Ayaka.
Conclusion: DEFINITELY WORTH WATCHING!
(Just because I liked it, doesn't mean you will too. But I can say with confidence, that its a drama worth giving a chance!)
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You either Love or Hate this drama - I love it and I hope you do as well
Completed: 9/19/2022I have not seen the Korean version so I am just reviewing this on its own. I can see how “Discovery of Romance” can get both positive and negative reviews. The whole premise of the story is about a love triangle: an ex-boyfriend comes back into the female lead’s life and stirs up all types of emotions and troubles. If you do not like love triangles, this is definitely not the drama for you.
I can also see how many might drop this drama within the first few episodes. I was somewhat caught off guard as well, as I wasn’t expecting it to be a comedy. There are many silly and comedic moments in the first 8-10 episodes, and mainly due to Qin Jun Jie’s character, the ex-boyfriend. Our three main leads are not super lovable characters either. They are flawed and the initial comedy doesn’t paint a great picture on them, well, maybe except the perfect boyfriend. However, if you are able to stay a little longer and keep watching, you will see that this is a drama about healing, closures, rediscovering yourself, following your dreams, personal growth and how complicated feelings could be in real life. Feelings are not always black and white, and being wishy washy about feelings and decisions is actually the most realistic part of a relationship, especially a love triangle.
I stuck around because I am a fan of Janice Wu and Qin Jun Jie. I haven’t seen Janice Wu in a drama for quite some time and still remember how much I liked her in “Le Coup de Foudre” and also as the sassy actress BFF in “You are my Glory”. I became a fan of Qin Jun Jie after watching him in “Listening Snow Tower” (love him but not the drama) and also in “Noble Aspirations”. I’ve never seen him in a modern drama so I am looking forward to this. I am so glad I stuck around because they are both awesome. The chemistry between the two is amazing. The argument and bickering are fun, but the emotional scenes are just something else. Even when they’re just calmly talking about business and designs, I can feel their chemistry slowly sizzling in the background. They are the main reason why I watched, did not drop and gave “Discovery of Romance'' a good rating.
I really like how we learn of ML and FL history by seeing how differently they remember events of the past. ML only has the happy memories and thus wants to get back with FL. On the other hand, FL only has negative memories and wants nothing to do with ML. The storytelling is interesting to me. With the flashbacks, we see a younger and more innocent version of the couple. It’s like both Janice Wu and Qin Jun Jie are playing multiple roles.
There are many frustrating decisions made by the three leads. How I want to scream and shake some sense into them. When you watch this, either you hate them or you try to understand where they’re coming from. This continues to be that fine line of liking and disliking a drama. The drama also switches from a rom-com happy and silly tone, to a more melodramatic tone in the last ⅓ of the drama. I personally enjoy the more emotional scenes and the process of the former couple coming to realize that their relationship really has ended, and ML finally found closure. We also follow the perfect boyfriend’s journey of accepting his past and loving himself.
This might not be a perfect drama but I really like it a lot.
Other Random Observations:
1. FL has such a cool relationship with her mother. We need more mother characters like her in C-dramaland.
2. I appreciate natural kisses - no fan service, but happens when it’s appropriate in a normal, loving, mature relationship.
3. A surprise cameo in the last episode. I’ve never seen this actor in a modern look as well.
4. Finally brought back some humor in the last episode.
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“你的心我用的很好” - Because from Start To End: You Have My Heart
As an ordinary human living in a place where humans and demons form symbiotic bonds while co-existing with each other, what would you want to know about the scholar and a story now disrupting the status quo, more than a ripple in the beliefs held by you and your ancestors for more than one thousand years?Co-produced for Bilibili’s youth-oriented Stargazing Theatre and part of the “Beijing Grand Audiovisual” Initiative, superb production capabilities of Hua'Er Film and Television alongside Beijing Canyu Film and Television have created this period supernatural short drama containing down-to-earth investigative cases. Melding elements of old-school classics with ancient literary beauty for a “small yet exquisite” unique approach, “You Have My Heart” attracted significant attention in its early development stages. This is not a drama about grand intrigues and complicated conspiracies, heart-stopping adventures, imperial plotting, or saving the world.
This is not "Love Beyond The Grave" nor "The Strange Tales of Tang Dynasty". Despite gorgeous cinematic visuals and well-controlled usage of modern CGI with camerawork, it is filmed as an old-school classic with philosophical undertones and quietly-piercing emotions, containing details which mandarin-speakers such as myself can catch and immediately question in episode 1 whether "You Have My Heart" is a different take on the ideas of Ning Caichen and Nie Xiaoqian from Pu Song Ling's classic compilation of supernatural tales.
People with no magical powers are easily viewed as mundane yet valued by Liu Fufeng, a willow tree demon choosing to be a guardian who has protected Yin-Yang Crossing for a thousand years. Planting seals throughout the area, utilizing purification rituals, and other methods used to suppress what the people believe is an evil force deep beneath the earth in this location- Her routine is disrupted by the newly-appointed county magistrate Bai Shanjun. Staunchly logical and armed with skills of a coroner plus knowledge of the capital, this minor government official does not believe in gods or demons, and assumes he knows how to carry out his appointment in this backwater remote region.
Their unavoidable meeting triggers memories and buried issues of a loss unresolved from one hundred years ago, which caused fundamental damage to her spiritual essence. Can a heart mired in the past, and two conflicting souls living in the present, come to terms with each other? How will Liu Fufeng find the key to undo and resolve a tangled web of karma which connects three beings? Will they succeed in solving mysteries and safeguarding this place from an evil older than them?
Yin and Yang constitute a core worldview of ancient Chinese culture. “Yin” is the night, darkness, and chaos. “Yang” represents day, light, and order. Their mutual relationship and transformational continuity is recognised as the fundamental law governing the world. “渡” in “阴阳渡”(Yin-Yang Crossing) symbolizes a tangible boundary between spaces, a turning point in a journey, or the passage from one shore to another (as per 渡 which can also be understood as the action of ferrying across the water).In traditional Chinese narratives, the Yin-Yang Crossing is a unique nexus connecting the mundane human world to the supernatural realm of spirits and demons, and can also be viewed as a metaphor pertaining to intertwined destinies or the fluid shift of good and evil in an instant.
All this, Bai Shanjun comes to realise. Through the eyes, questions, thoughts, and feelings of Bai Shanjun as the emotional core of the story, the audience learns and shifts with his beliefs corrected by reality. He learns far more than he expected, and he involuntarily cares for demons and humans in ways he never imagined. Recognising the layers and strategic considerations of Liu Fufeng are instrumental to his burgeoning passions for justice and love in this unique place. Humans and demons in the cases he investigates recalls the Justice Bao series of the 90s, where every individual matters and the truth is not always comforting. Deeply wounded by betrayal and having lived for much longer than a human, Liu Fufeng’s considerations of how to move forward are a slow thawing of irreversible subtleties. Resolute and determined, the solution she needs is through her understanding of Bai Shanjun as a person awakening important feelings and ideas within her.
Love, hatred, obsession, redemption- Discarding formulaic tropes found in historical costume dramas, cases distinctive in personal values drive the overarching plot. These eerie tales dissect delusions, greed, and hopes. Each individual's story being explored strengthens the overall main plot and certain concepts in the understanding of our leads seeking specific answers, to protect Yin-Yang Crossing. The investigative storyline is logically sound without being unrealistic, be it manhunts or autopsies. Through a narrative which illustrates divides of humans and demons, the message of staying true to yourself and embracing goodness is skilfully cemented.
This drama is very smart and apt with its dialogue, painting the art of show not tell, and piercing the heart with diplomatic lines of humble elegance or emotional boldness. Whether it is a grandfather gourd demon or an individual whose nature cannot be changed, details about Yin-Yang Crossing and the traits of different individuals living in this realm are further revealed in careful sequencing and pacing. Through the case of a half-demon bullied by others, Bai Shanjun learns about a specific law in Yin-Yang Crossing pertaining to humans and demons, and what Liu Fu Feng thinks about humans and demons having offspring due to her style of explanation. The attention to dialogue and its importance can be seen in the likes of episode 14.
Be it netherworld illusions, green desolate forests, wind and snow or falling leaves as the seasons pass (including CGI such as a certain spell cast in episode 20 andIwantaGIFofthat), the sets are richly atmospheric and appropriately eerie. Every scene whispers a story of its own. Scenery involving Liu Fufeng or Bai Shanjun recalls artisan tapestries of warm colours, solid shadows, and ethereal light, especially in her abode. Liu Fufeng as the aloof strong demon lord is richly gowned in sharp commanding colours and structured robes. Bai Shanjun is a stubborn minor government official, whose robes are as simple and straightforward as his character.
I came in not knowing what to expect of performances, and I fervently wish the drama had at least another 10 episodes! Zhu Zheng Ting’s emotions had me feeling what he shared. His tears made my eyes blurry. His smiles had me rejoice. His dual roles have me replaying certain scenes.
I want to see more of the transformation of Hankiz. Her changes were very subtle in the beginning, and the final three episodes had me emphatising with Liu Fufeng. Different supporting cast members all left an indelible mark with their acting. Whether it is Li Mao the half-demon that I want to hug and befriend, Shu Lang who earns a name in a story that left me sad and glad, the Wish-Temptation fox demon- Constable Xiaohu and Liu Fengling as respective sidekicks to Bai Shanjun and Liu Fu Feng have me hugely-amused and squeeing inside, with their contrasting personalities. Li Jia Nuo and Zhang Zijian mesh very well. Can I please get another drama with them?
When it came to Bai Shanjun and Liu Fufeng, a meltdown occurred.
I have yet to recover from episodes 16 and 22.
I am glad that I might never fully recover.
Balancing high-tension emotional dynamics with classical Eastern aesthetics recalling atmospheric supernatural pathos akin to “Strange Tales of Liaozhai”, the narrative of co-existence between humans and demons while exploring bonds is underpinned with one lesson: Throughout the changing cases and passage of time, how you move forward with all of yourself can help create what you truly seek but could not imagine.
Character developments and emotional changes of Bai Shanjun, Liu Fufeng, Xiaohu and Liu Fengling are well-paced. By the final six episodes, their words and actions will awaken an emotional buffet inside you. Brilliant writing, terrific directing, and compelling performances come together for a memorable classic, which I am happy to rewatch as many times as I want.
Drama lovers of classical Chinese literature and the drama classics I have mentioned will greatly enjoy 22 episodes of cinematic visual poetry recalling heartfelt cultural simplicities that need no explanation, such as intentions fueling emotional intensity, heart-stopping intimacy, and audacity of grasping a women’s sleeve without letting go. In public.
The music is exquisite, a feast for the senses. Understanding the lyrics matching respective moments and episodes of the drama further elevates the entire experience, and only highlights the thorough careful immersion of the cast and production team in their efforts and understanding.
In episode 16, what is longing? Can it cross a divide?
一山 一梦 一回
晨雾又拂轻眉
又似远山近水
你的眼垂落在心扉
can be understood as:
"A mountain, a dream, a moment in time-
Morning mist gently caresses your brow
Recalling distant hills and nearby waters,
Your gaze gently rests upon the gateway of my heart."
In episode 22, it is not what is spoken that becomes the final line. The song which plays in the final minutes is an ancient poem transformed in its final one-third, and the words are incredibly beautiful.
In the Book of Songs heralded as a cornerstone of classical Chinese literature, “The Reed” is the fourth poem from the first section of the compilation known as ‘Airs of Qin”. One of China’s most famous ancient love poems from more than two thousand years ago conveys exquisite imagery and emotional depth: A determined lover paces the riverbanks as the seasons change, but their beloved remains tantalizingly out of reach.
The final one-third of this poem has been altered to become:
{ 茫茫世间 (这世间)
风月浪漫 (风月浪漫)
风景万千 (风景万千)
不如见你一面
青山无眠 (无眠)
等绯色映红你的脸
红尘万象, 怎及你一眼 }
And in those final moments, what comes through in those scenes is loud and clear. Episode 21 is where everything that came before ties together. Changes literal and metaphorical in all characters, big and small, are essential colours in a rainbow after the rain. All I could think of in final moments of 22, even after the credits...
From existence to end-
You Have My Heart.
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~[ #More about the production: https://kisskh.at/809090-xin-jian-cuo#comment-26534162
# Episode 1 reaction: https://kisskh.at/809090-xin-jian-cuo/episode/1
# Episode 11 reaction: https://kisskh.at/809090-xin-jian-cuo/episode/11
# Episode 22 reaction: https://kisskh.at/809090-xin-jian-cuo/episode/22
# Songs of the drama (including links to listening): https://kisskh.at/809090-xin-jian-cuo#comment-26496296
# Partial translation of the song in episode 16: https://kisskh.at/809090-xin-jian-cuo#comment-26618742
# Lyrics of song in episode 22: https://kisskh.at/809090-xin-jian-cuo#comment-26634982
# Our leads talking about each other: https://kisskh.at/809090-xin-jian-cuo#comment-26510592
# How do I understand Liu Fufeng's powers, if I expect exorcisms (note spoilers until episode 22)? https://kisskh.at/809090-xin-jian-cuo#comment-26656104
# Final thoughts after episode 22, complete with screencaps: https://kisskh.at/profile/Xiang83/feeds/oQeL1OuW ]
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One of the aspects that stood out in this show was the acting. Ayase Haruka was fantastic and played her role extremely well. She played a modest and anxious woman who didn't know anything of love. She played the character so that she didn't seem anti-social or obnoxious. From her hurried walk and cute smile to the way she fixed her glasses constantly, the role just fit. The other actors were also very good in this respect, but indeed if I were to especially mention another actor, it would be Tamaki Hiroshi. That man can do anything and have me rooting for him - fantastic role, though it was minor.
The other aspect would be the humour. It's been a while since I've genuinely thought a Japanese drama to be funny, but this one had some especially hilarious scenes and it really brought up the mood when things were getting too serious.
The let-down was more or less the story. At times, it was boring, at other times it was over-the-top. Excessive crying, sudden changes with no warning, plenty of monologues. Also, some of the characters were left very (unfortunately) undeveloped. Asao-san (Tamaki Hiroshi) was a prime example - meant to be the third entry into the so-called 'love triangle' - but really wasn't. He didn't pose any threat whatsoever to the relationship and all in all, was actually a more or less useless character. Another example would be Ooshiro-san (Ryuusuke). He was an interesting character but wasn't focused on at all, which was a pity.
I have watched other romance-comedies with an older female lead and a younger male lead (Last Cinderella, Kimi wa Petto) and this really didn't do the theme justice. Having the sole problem in the relationship being age difference (and the ramifications of that), it wasn't really enough. The age problem was handled fairly well, but I've seen it done better.
Overall it wasn't too bad of a watch, but there were definitely some disappointing parts and I personally would not recommend it to someone else.
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The movie is slow, but it is so realistic that you feel you're not watching a movie. I love how the family handles the situation and how the parents realize about themselves when they exchange the child.
IF you don't like a slow artsy movie then it's not for you.
IF you want something different then it's for you.
IF you want to relax and stop thinking about your daily work then it's for you
I don't cry in this movie..this is NOT a tearjerker movie...but the effect will last long.
The scene when a father was holding a camera and browsing at the pictures taken by his 6 yr old former son is what HITS me.
[ koreeda style is this......he will make you walk calmly slowly THEN a f*cking truck
came and hit you in the end, the damage will stay with you for months ].
Check my Blog for other reviews & other JDramas stuffs. (｡◕‿‿◕｡)
https://thatjapanesedramaguy.blogspot.com/
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This was just a seriously bad drama that I watched regardless, cringing all the way through. :/ What can I say...Statutory holiday and pouring outside? One more drama to add to MDL? ....
Maybe Yang Jin Sung did it as a favor? Though she wasn't good here either. How could she be? The male lead definitely needs an acting mentor/coach (he's an ex-boy band member) and the writing/plot? - The leads fiance dies, then he finds her doppelganger and she...Holy smokes! It's what she does and how she/the writing explains away her decision, that I find horrid. Let's see: make-up, lighting, acting, plot..poor, poor, poor and lame. Go on and see for yourself. That's what I always do.
You may disagree with me but I doubt it.
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This review may contain spoilers
JohanNorth Forever
Personally, I loved this couple when I read the books and was thrilled to see the actors bring their characters to justice!I believe it made a huge difference that the author Howlsairy was the screenwriter and made this episode based on the extra side story from the book North: How much is your love?
The plot: Simple and basic, nothing much. But you do see the growth in their relationship, which made the entire plot an eye candy for people who adored this pair!
The Music: I prefer the original soundtrack more but that is just a personal preference.
The Acting: Maxky and Bas deserve all the love and applause. Not only did they bring the book characters to life, but they also added their own charm to it. It was refreshing to see the softer side of Johan which we only got glimpses of in Fourever You. North's dedication to making the relationship a smooth sailing was so adorable! You see their effort and how much they both were trying to keep eachother healthy and happy. It was amazing to see how balanced their relationship looked. Also a small detail I noticed was mentioning North being close to Arthit which we will be able to relate in the upcoming season since North plays an important Friend role for all the couples to come. Till then, JohanNorth, you will be missed, you are the best! P.S: I would definitely love to watch Maxky and Bas act again on some other project as well!
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