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My Mister C drama remake
It's not that I don't love the C cast, but anyone who watched My Mister the K drama with Lee Sun Kyun & IU will always compare & it's unavoidable. While watching this made me miss Lee Sun Kyun (RIP) more. His voice was so iconic and I watched enough of his dramas where I was deeply saddened by his passing.They made plenty minor adaptions for the C drama version but overall story is the same. It's worth watching as a standalone but if you watched the K version then the C version will feel different.
-Lee Sun Kyun felt more depressed than Mark Chao
-IU felt darker than Zhang Zi Feng
-Jang Ki Young the debt collector was way more convincing than Zhang Xin Cheng
-The bad guy GU Chen's character didn't give off the one dimensional sleazy vibe so I actually like this character better than than the K drama version.
I am a fan of the C cast but My Mister holds a special place in my drama list
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Underwhelming
EDITED: [REVIEW] A Disappointing Yet Memorable Ride: My Thoughts After RewatchingI finally got to rewatch the series, and honestly, my opinion hasn’t changed. It still feels underwhelming and didn’t quite live up to the excitement it promised.
The Strong Start That Didn't Last
The first three episodes were gripping — great pacing, strong buildup, and enough tension to keep you wanting more. But after that, things started to unravel. The plot lost momentum and fell into predictable revenge-drama clichés.
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1. The “Too Easy” Path for the Protagonist
Everything suddenly became too convenient for DH. People appeared left and right to help her — no real struggle, no real fallback plan. That made me wonder: What was her original strategy?
She spent over a decade planning revenge, yet the execution relied too heavily on unexpected allies. What if they hadn’t shown up?
I’m still waiting for a revenge drama where the lead has a solid, well-thought-out plan that doesn't rely on sudden plot devices or savior side characters.
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2. Screaming and Hysteria Everywhere
At one point, almost every character was screaming and acting hysterical. One or two characters? Fine. But when it becomes a trend, it loses impact and becomes exhausting to watch.
What really baffled me was how powerful, composed villains suddenly turned into clueless wrecks. Instead of fighting back or outwitting the protagonist, they panicked. Their only move? Humiliate DH by using her mother. That’s it. That’s their big counterattack?
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3. Emotional Breakdown... But Why?
Near the end, these villains — who lived shamelessly for years — suddenly broke down. Lee Sa Ra’s descent into drug addiction felt abrupt. PYJ’s unraveling also came out of nowhere.
I would’ve preferred to see them punished with their minds intact — fully aware of the consequences. That would have made the revenge more satisfying.
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A Scene That Didn’t Sit Right
One scene I strongly disliked was Lee Sa Ra’s scandal. She was drugged, and yet the way they exposed her was framed as if she deserved public shame. That crossed a line. She was a victim in that moment — and the show shouldn’t have treated it like justice.
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The Unnecessary Shaman (Yes, That Happened)
Don’t even get me started on the shaman subplot. Completely unnecessary.
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No Sparks in the Romance
The romance angle? Flat. There was no chemistry between the leads. It felt forced and disconnected from the main narrative.
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It Could Have Ended Sooner
Honestly, the series could have wrapped up in five episodes. The second half dragged. Flashbacks were used to stretch time, not to add value.
That scene of DE leaving the school, finally smiling — that should’ve been the ending. Everything that followed just felt like filler.
Also, what’s with the “everyone secretly knows each other” twist? It made the story feel small and too coincidental.
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The “Avenger Team” Ending
I had high hopes for the assistant’s character arc. I thought she’d seek a new life for herself or her daughter. But instead, she joined the revenge squad?
As for JYJ, I expected him to walk away from his father’s killer — a man too far gone to feel guilt. Sometimes, the best revenge is healing. Being happy is a kind of revenge, too. And yet, the show went with a cliché “Let’s build an avenger team!” ending.
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The Most Powerful Scene
If there’s one moment that stayed with me, it’s DE’s scenes with her mother.
She didn’t cry in front of her bullies. She didn’t cry over the past. But when her own mother tried to destroy her — that’s when she broke.
That betrayal hurt more than anything.
I understood her when she said she was glad her mother never changed. If her mother had shown even a bit of warmth, DE would’ve had to process and possibly forgive. But knowing she never cared made it easier to let go.
She was done — and in that moment, you could feel it.
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Final Thoughts
While the story had its flaws, the cast delivered incredible performances — especially the actors who portrayed the villains. They carried the show with their intensity and depth.
🟨 Rating: 4/10
Disappointing in execution, but memorable for its early tension and complex characters.
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Don't like the ending at all!!!
This drama was great at the beginning but in my opinion she was really mean to him, and in the end he always came back to her i think she was really narcissistic and thinks only on her and not on hyuk feelings for my it wasn't fair or gain at all , and she only said that she loves him in the last episode when all he did for her from the beginning was love .They deserve better ending, the secondary leads had better ending than theirs this was a complete disappointment for me because it was a great drama.
For me was more gain than love , for the secondary actors than them .
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How to Wreck a Popular Franchise—Trigger Warning Edition
Trashing Consent in Sexual Relations and a Respected Franchise—all in one toxic package!VERDICT
HIStory 4: Close to You has no redeeming qualities. I’d like to believe its lazy storyline, fetishization of gay relationships, and disregard for the virtue of seeking consent before pursuing sex will remain unsurpassed as a nadir for the genre. Given the warmth a substantial section of BL fandom has bestowed upon this toxic swill, however, I fear that filmmakers in the future may continue to believe that audiences will overlook the absence of consent as long as they cast handsome men in lead roles and contrive plot lines that lead those men to bat eyelashes at one another, smile warmly, and then kiss. It’s true, I think, that BL audiences like those things. Like them a lot. But it’s absolutely possible to create those moments without resorting to sexual assaults as technique for courtship. A writer need only put some effort into depicting wooing and warmth. Way more satisfying to observe than the rape of an unconscious victim. Any potential viewer who wishes to avoid the promotion of rape culture, ought to pass this series by without bothering to sample it.
And that criticism doesn’t even approach the other potentially toxic issue here, an incestuous affair between stepbrothers. Close to You is not the first BL series with a rape storyline. It’s not the first BL series with a sexual harassment storyline. It’s not the first BL series with a stepbrother incest storyline. But no other example comes to mind where a series is so unapologetic about all of those things. It’s as if the makers said, “Let’s bundle every trope, every plot device that has provoked backlash in the past and stuff them into this story as the main plot. Then, let’s see how far we can push those boundaries before people protest.” Sadly, many people think the fact the raped character accepts his stepbrother’s affections proves that such things are possible. Um, no. It proves that the writers can write any outcome they like, no matter how implausible, and people will think it’s charming. You know, as long as handsome men kiss.
Previous iterations of the HIStory franchise earned a great deal of goodwill in BL fandom. And not just the straight female segment of BL fandom. The earlier incarnations also appealed to gay male audiences who could see aspects of their lives in those stories. As a genre, BL sometimes gets accused of fetishizing gay lives for the entertainment of straight women. For me, the HIStory series largely avoided those pitfalls, as it told thoughtful and provocative stories. The thoughtfulness of those stories is certainly a reason I stuck around for this series long after it raised my hackles. I had faith the makers would somehow redeem themselves. In this instance, that faith went unrewarded. Close to You has sullied the venerable franchise so severely I’m not sure it can recover.
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let me get one thing straight about all of your concerns
i saw some one comment and was impressed as they said it correctly bcoz so many out there having concerns with sehun agethere's some actors out there portrayed as highschoolers.
Lee Minho (26) in "The Heirs"
Kim Tae Ri (31) in "Twenty-Five, Twenty-One
Hwang In Youp (30) in "True Beauty
Choi Woo Shik (31) in "Our Beloved
Summer"
Oh Sehun in Dokgo Rewind which was also a teen series
I bet, you've watched some of these written above.
okay so i know the people commenting here doesn’t want us to know that they don’t like a certain actor so pointing out a silly thing as age factor was so useless
he is already way mire famous in the outside media and the director knew this too
nope the director didn’t think oh he was almost 30 no he didn’t bcoz it doesn’t matter
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Passionate romance that heteros don't get
Most heterosexual plots simply don't get an exclusive passionate romantic plots like this one. They usually have a bunch of other things going on and a bit of romance thrown in. Not here. The focus is on the ML and his journey to discovering love and himself. And it does make me a tad envious because they really don't beat around the bush in Love in the Big City. They explore friendships which are mostly wholesome and endearing.The show is not all roses and sunshine though. There are some dark topics explored. However, most of the show tries to be positive because the male lead is a cheerful individual making the best of difficult circumstances. Maybe even a little toxic positivity that can be frustrating or concerning for others around him at times.
The beginning few episodes were funny and enjoyable but somewhere towards the end, the show started to feel slow and dull. Not sure if that was intentional. Overall the characters and situations are mostly realistic.
I wasn't too happy about the way the series ended especially since the last 2 or 3 episodes weren't as interesting.
The opening theme is nice but the OST in particular did not stand out to me.
For the most part it is an easy binge watch with good cinematography, interesting characters, good acting and a job well done by Nam Yoon Su.
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Mermaids Only Listen to The Heart's Voice, It Says You are Worth It
The Blue Whisper: Part 1 (与君初相识) is a 22 episode drama adapted from the novel 驭鲛记, The Blue Whiper by 九鹭非香. The Blue Whisper is set in a universe where there are magical races (demon) and spiritual masters (human with longer lifespan). The narrative revolves around Ji Yunhe, a spiritual master but also a nine-tailed demon fox and Chang Yi, a mermaid and the lord of north.Helmed by Zhu Ruibin, the director from Ashes of Love, The Long Ballad, Noble Aspirations and more; you can have a high expectation for this drama! The Blue Whisper has a high-quality production that features a splendid set, lavish costumes, remarkable cinematography, brilliantly choreographed scenes, an enchanting music score, and more.
The Blue Whisper sets, props, scenery and people are simply eye-catching, which keeps one visually interested all the way through. Unlike most historical dramas lately, The Blue Whisper has a vibrant and bold colour palette and outfit which makes it refreshing to see! The drama also has exemplary cinematography, the use of soft filters and vibrant colour at the same time provides a pleasant and vivid viewing experience. Every shot is also beautifully angled creating a feast for the eyes. Moreover, The Blue Whisper also has a beautifully done and well-rendered CGI and special effects. The use of authentic set designs and props also further enhance the realism of the whole universe.
The Blue Whisper narrative is brilliant and captivating, even if you don’t read the book beforehand, you would understand the drama as the overall narrative is easy to follow and well-paced. The drama storytelling is progressively paced and satisfyingly engaging with hardly a dull moment or substantial fillers. There are some light-hearted scenes with pure comedy, and some of the drama’s dialogue is also witty and sprinkled with light humor. Although some may find the troupe of lying to each other in order to save them is kinda cliché but this one doesn’t bore you.
What I adore from this drama is that every character in the drama is extremely well-written, each has its own distinctive personalities and qualities; they are multi-faceted and complex. Each character is properly dimensioned and balanced, even the “bad” characters have shades of grey, no one is black or white. They have their own background story and obsession, which leads to their action; thus, you might even feel their actions are justifiable. Although the main couple is the focus of the story, other characters and their relationships are not cheated out of a good storyline too! In addition, I also love how the side characters build up and enrich the whole story, instead of being just there for the necessary of the drama plot. You care for the characters and even if you don’t like some of the characters, others will most certainly capture your interest and heart.
Ji Yunhe and Chang Yi is stellarly portrayed by Dilireba and Ren Jialun. Both actor’s facial expressions and emotions are compelling. Their acting can make us relate and feel the character’s happiness, anger, pain that you can’t help but shed tears for them. Both of the actors can also convey their love, heartbreak and everything through their eyes and micro-expressions. It is unimaginable that anyone can pull off Ji Yunhe and Chang Yi in such compelling way other than Dilireba and Ren Jialun. Furthermore, Dilireba and Ren Jialun also have explosive chemistry; there is a great rapport between them and the romance are very good. They look fitting together and there are many squel-worthy moments.
Ren Jialun’s portrayal of an innocent tailed fish to an overbearing North lord is excellent! But what I find really commendable from his acting here is his acting of an innocent and pure tailed fish, it is unlike something he has shown before, he has acted as a cute and innocent 8 year old kid before in Under The Power, but here he is totally different he evokes a different charm. Ren Jialun character didn’t speak a word on the early episodes (until eps 3) but he still managed to convey his emotions with his eyes (sorrow, happy, anger and more). That’s what I find really amazing from Ren Jialun, he can simply convey his emotions with his eyes, and here with his pouty lips.
Dilireba also did a very commendable job! Dilireba has the ability to blend into every role, and in my opinion, Dilireba’s performance as Ji Yunhe here is several notches above all her works so far. The way she conveys her emotions through nuanced micro-expression and articulating every scene is beyond words. Especially on those scenes where she was laughing and crying at the same, when she turned into the nine-tailed demon fox. Every single Dilireba performance here is really praise-worthy.
Also, special mention to Hu Yixuan, she is adorable. Luoluo is loyal, bubbly, and clueless and Hu Yixuan manages to portray her and her lovable quirks so precisely. I bet she’ll steal your heart! Her scenes with Dilireba is also heart-warming and cute to see!
The Blue Whisper music scoring is also incredible. Sa Dingding is the music director for The Blue Whisper and she did a really great job! Every single OST and background sound is hauntingly beautiful, it’ll give you goosebumps. Each song also encapsulates a deep, beautiful and meaningful story. The poignant classical instrumental piece that accompanies the scene also sets a dramatic and emotional tone.
Overall, The Blue Whisper keeps you engaged and engrossed, you’ll find yourself wanting more new episodes!
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This review may contain spoilers
Generation to Generation is not the kind of drama that tries to captivate its audience with spectacle, kisses, or elaborately choreographed fight scenes. Instead, it focuses on something deeper: how the wounds and choices of one generation continue to echo in the next.The characters are generally well written—there are many of them, which might seem intimidating at first, but don’t worry: you won’t miss the essential ones.
YI RAN !
The true centerpiece of the series, however, is undoubtedly Yi Ran in his portrayal of Mu Qingyan. His performance carries a rare intensity: sometimes a single look is enough to convey an entire storm of emotions. His acting is remarkably precise—fragile yet strong, broken yet determined. The way his gaze shifts, the tension in his voice, those micro-expressions that communicate everything without a word… Yi Ran performs with almost dangerous precision. He doesn’t try to show emotion; he simply lets it exist. As a result, some scenes stay in your mind for a long time, and whenever he appears, you feel like replaying the scene at least three times.
In that sense, he joins what Luo Yunxi brought to the genre: a more sensitive, layered, and introspective way of portraying wuxia heroes. But Yi Ran is not imitating anyone—he offers his own tone, his own version of the anti-hero, more introspective and internalized.
Romance
The romance here is rather chaste—which makes sense considering the characters’ age. The drama beautifully captures the feeling of first love and first emotional experiences. There is no need for kisses; simple gestures like holding hands, or the speech near the end, create some of the most memorable moments I’ve experienced while watching a C-drama.
FL
The heroine fits her role well and delivers a natural performance. She is energetic and curious—at the beginning more practical than romantic—but she ultimately plays a crucial role in the hero’s redemption.
PLOT
Regarding the plot, the story explores the characters’ mistakes and their attempts to repair the past. This complexity makes the narrative very human. Each character seems to represent a different stage: some are still trapped by the past, while others try to break the cycle. What makes the story compelling is that their decisions are never simple. We witness their contradictions, their sacrifices, and their regrets.
Almost every character is haunted in some way by the legacy of Cai Ping Shu. His heritage leaves a different mark on each member of this so-called “orthodox” sect, shaping their motivations in unique ways.
On the demonic side, our hero is a man haunted by the past, driven by the desire to uncover the truth, avenge his loved ones, and ultimately bring peace among the clans.
PROD
From a directing standpoint, the series clearly offers more than just something commercially profitable. There are good artistic ideas here—new directions worth exploring. Some narrative threads could have been handled better, Yes, the editing could be smoother, especially at the beginning, and sometimes more dynamic later on but these imperfections are forgivable. Personally, I would rather support projects like this than PURELY commercial productions which is tailor-made to satisfy the fandom of the lead stars.
The director also delivers several visually beautiful scenes, particularly those set in water with floating flowers. Another positive point is the restrained use of music—there is no overwhelming musical overdose.
CAST
Finally, the supporting cast deserves recognition as well. Many of the younger actors show promising potential, and the couple representing the older generation is very convincing.
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I have no words to describe how problematic this was, from the relationship itself, to the way gender and racial stereotypes were portrayed.
Let me start with the quickest: there was a scene where the characters are in the UK, having fun with a lot of white people. Suddenly, they run into some gangsters, who just happen to be the only black people in the show so far. The racism couldn't be more obvious.
Second of all, the way that traditional roles are reinforced in this are subtle, but alarming. There's so much talk about how a woman is still worth marrying if she's infertile, and to me this topic was never addressed sufficiently. There's also a lot of romanticizing of "woman sacrifices career to be a wife." I'm overall really unhappy about the way women are portrayed in this drama—they're either gold-diggers, gossipers, dependent and overthinking, obsessed with a boy, or obsessed with fulfilling the perfect child-bearing wife role. There was honestly not one strong woman role I was happy with.
I hated the main male character. Aside from my superficially saying that he visually does nothing for me, I just thought his personality was one of the most boring and bland I've ever watched. Firstly, he has some creepy and stalkerish tendencies, and I'm sure a lot of things he did as a boss to his employee could be seen as an abuse of power. As the show went on, he honestly got worse (as a boyfriend)—he never seemed to try and see things from Shan Shan's perspective, and he became increasingly controlling. He kept trying to use his money to get her things without her knowing—as if he didn't trust her to make her own life decisions. He kept so many secrets and justified them saying it was for her own good. And worst of all, he completely disregarded her career and kept saying things like "that's my decision" and "it's not up for discussion" when it was supposed to be HER DECISION in the first place,
Add to that the fact that C-Dramas do this weird thing where they make the main characters initiate skinship and pair it with slow-mo and romantic music BEFORE I even had any reason to ship them, and all I got was a boss doing weird physical things to his employee when the extent of their relationship was him watching her eat through his office window.
I honestly wasn't a huge fan of Shan Shan either. This has something to do with the way the drama was filmed, but half of the entire show is her whining in internal monologues. So much of this show is advanced by Shan Shan "accidentally overhearing something," then overthinking it in a lengthy internal monologue while she pouts externally. As cute as she is at some points, I got SO tired of hearing her voice. MOST of the sub-plots are brought about because she needs validation from Feng Teng about their relationship, or that she needs to do something to "be good enough for him." And nobody ever tried to convince her otherwise, or argue that she was good enough. As the show went on, she also started standing up for herself less and less, and I almost ripped my hair out hoping that she'd say something about making her own life decisions, but she never did.
Overall, this was a tiring and dragging plot, filled with lots and lots of problems. The only character I never got TOO annoyed with might be Zheng Qi, who seems thirty times more fun to be around than the boring male lead.
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A must watch!!
Words are not enough to express how much I love this drama. It is one of my favorites. The story is beautifully sad and I cry like a baby every single time. The bromance between Lee Dong Wook and Gong Yoo is everything!!! They always make me laugh! Lee Dong Wook as the grim reaper was a perfect casting choice! (every time he is casted, it's a perfect choice). This gorgeous man can be awkward, funny, crazy, sad, angry, etc. And I love how he looks so young when he is clean shaven but so mature with facial hair. He is just so beautiful, and HOT 🥵❤️🔥🥰♥️. His portrayal of older Wang Yeo was superb; as usual, he gives it his all. And of course Gong Yoo was amazing as the goblin, too. He is an amazing actor and I love his friendship with Dong Wook so much! They have amazing chemistry!Was this review helpful to you?
1
1
1A Cinematic Masterpiece with Layers of Story
This series is a visual masterpiece, beautifully shot with stunning cinematography that captivates you from start to finish. Not a single episode feels slow or unnecessary; each one keeps you fully engaged. I really appreciated how the show explains key events within the same episode, creating a sense of clarity while also building toward a larger, more intricate narrative. The storyline itself is exceptional, layered, thoughtful, and full of purpose.One of the things I loved most was how seamlessly the show blended genres, offering a bit of everything without ever feeling disjointed. While the ending was somewhat predictable and I found myself wishing it had taken a different path, it didn’t diminish my enjoyment in the slightest. Overall, this is a truly remarkable series that I’d highly recommend.
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Weak story
Not fond of this season.Where do I start without spoilers...
Well to watch this season go watch season 1 at least so you understand the motives behind the vigilante group. What season 3 has become is just the opposite.
The problems this season faces is
- Lacking character development
- Case by case stories without a overarching or main plot that drives the entire season
- Principles are contradicted from season 1
- No prosecutor or police to challenge them which season 1 and 2 had
- Rushed cases and too far fetched at times
- The main lead actor starts making weird faces which I don't think he did in season 1 and 2
Watch if you have nothing better to do.
I really liked season 1 and unlike most people I felt Kang Ha-na made the entire season 1 pleasurable and would have loved to see her return in season 3 as a taxi driver member and be challenged by her mentor or another prosecutor.
It would have made a great season 3 seeing Kang Ha-na as a female lead and ultimately I would have ended that with her leaving the team and establishing a franchise and a spin-off into her own Taxi Driver: Prosecutor Kang like imagine prosecutor by day and she drives people around at night then gets cases...
Now that would hit.
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This was disappointing, but a last-ditch effort at the end sort of saved it.There was a sadness throughout the whole series (just 6 short episodes), with Tee and Fuse reuniting for their third anniversary together... except, from as much as we could tell, Tee and Fuse are attending different universities so they haven't seen each other that much in these three years.
Peak (Fuse) carried the series with very good acting, showing lots of emotion and crying real tears in just about every episode. Boom (Tee) was subdued pretty much all the time. At one point, we hear him speaking to his mother on the phone and, from what we can gather, Tee's mother is against his relationship with Fuse, with Fuse overhearing Tee's side of the conversation. Unfortunately, we get nothing from Tee regarding his own feelings... there's just an unspoken resolve that Fuse will break up with Tee, so that they can both get on with their lives.
In the last episode, Fuse tearfully says goodbye to Tee, but Tee stops Fuse from leaving. Tee calls his mom and says that he will stay together with Fuse and that's that. The series ends with video messages from many of the former Make It Right cast members congratulating Fuse and Tee.
The story was not well written. Sure, we can all understand the issues that young gay men often go through with their families, but it wasn't addressed at all.
Lukmo and Ess showed up to provide some levity (I'm not even sure why Ess was there), but their presence fell flat... the scenes with them felt awkward and forced. The very few attempts at comedy (Fuse/Tee shaving in the bathroom; a couple of fun moments with their friends) weren't enough to save the overall depressing feeling of the series. The video messages with the former MIR cast members did help to provide a somewhat satisfactory ending.
There is nothing wrong with presenting a drama here but, if that's what they the producers were going for, it just wasn't good enough. Too bad, because Fuse/Tee are a decent enough couple. Both actors deserved better, especially Peak (Fuse).
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Overall, it's not an astounding drama, however, it's one of the best online dramas i can find these days. Love the drama, many thanks to the director, actors and actresses as well as the whole production crew, who work with devotion and expertise.Alert: don't expect too much on the first half, this serial gets better as it progresses.
First half:
Plot:7,5
Actors: 9
Production: 8,5 ( great cinematography )
Second half
Plot: 8,75 ( getting better as the drama progresses)
Actors: 9 ( both on talent and appearance)
Production: 9( great angle, some tasteful cinematographically scenes that worth gif-making, good after effect, lovely and aesthetic background)
A special detail i want to add is that the loveline between XM and LF. It's not developed much but enough. It's cute and it adds different feelings along with the excitement of the film pace.
Some people complain about the OE , yet i love it, i don't want it to end so soon:(((.
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I actually enjoyed this more than the drama!
I LOVED the drama and gave it an overall rating of 9/10, but this movie is a straight-up 10/10. Something in this movie just felt RIGHT! I very much enjoyed the removal of the inner dialogue, letting me feel my own feelings rather than hearing the characters' thoughts. The scenes just seemed so much more beautiful! The music was also changed and gave it such a more (for lack of a better word) "mature" feel.This movie made me BUY a Viki Standard Pass so I could watch it (I have no regrets, now I can also watch so many more dramas). Please enjoy this movie, as it is the director's cut! They didn't just make a movie to make a movie.
If you're thinking of watching, please do! This show was wonderful in so many ways. Both Han Gi Chan and Jang Eui Soo did a fantastic job acting. Especially for Gi Chan, I can imagine it must've been hard to debut as an actor in a BL drama, not long after trying to debut as an idol. He was so good at expressing his emotions, I really couldn't tell that it was his first time acting. Every actor did a fantastic job portraying their characters! Without spoiling too much, the story is very sweet and had my emotions on a roller coaster, even though it was so short. The development between Tae Joo and Gook was amazing, and I am a sucker for romances like these.
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