Reviews

Utterly disappointing (Only good for a HATE-watch)

The Next Prince feels like an underbaked cake with perfect icing, visually stunning, with gorgeous cinematography, lavish costumes, and clearly a high budget… but the writing is flat, disjointed, and lacking depth.

I actually enjoyed the first episode and felt a spark of interest, but after that, it was all downhill. Each week I found myself less engaged, to the point of skipping entire scenes. The writer set up a promising world and then just… walked out of the room.

Let’s talk about Khanin, or not, because what is there to say? He started off strong with a sassy, confident personality, but the moment he stepped into the palace, all of that disappeared. He became a lovesick puppy following Charan around for no clear reason. Was it just because they’re Zeenunew? Because nothing in the story really justified the romance. Imagine your entire life falls apart after some random guy shows up, and somehow you're supposed to fall for him anyway?

And don't get me started on how Khanin completely forgot his life in the UK the second he entered Emmarly. That entire backstory might as well have been deleted. As for Charan, the idea that he has a debilitating trauma response to rain, and still gets sent alone to the UK to retrieve the crown prince, is just absurd.

Their romance had zero momentum for me. It started with promise but became boring fast.

I adore JimmyOhm, but the Ramil–Paytai dynamic was just bad. Paytai deserved to run far, far away from Ramil, who was cowardly, frustrating, and made no smart choices.

Calvin and Jay actually had an interesting storyline, but they got the screen time equivalent of a fruit fly's lifespan, blink and you miss them.

Princess Ava had potential to be iconic, but her character was reduced to spouting "girl power" lines while being surrounded by constant misogyny. She deserved much better writing.

Now Chakri, Chakri is the moment. Scene-stealer, fan favorite, and honestly the most consistent character in the show. No notes there.

Overall:
The Next Prince is style over substance. Beautiful to look at, but hollow. The cast did what they could, but the writing left them stranded. If you're looking for something to roll your eyes at while admiring the outfits, this might be your perfect hate-watch.

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Another generic fantasy drama that is only good because of the secondary characters

Tale of the Nine-Tailed started with a very good plot and the first episode was incredible, however, over the course of the episodes the story went downhill. I expected a lot more from this story, I thought they were going to innovate, but in the end it ended up being one more generic fantasy drama with terrible special effects and a main couple that despite having chemistry in the kissing scenes, did not convince during the most emotional scenes .

The story also had several inconsistencies in the script and the plot of the main couple was often erased by the secondary characters who often steal the show during the episodes, so I connected with the secondary characters much more emotionally than with the main 2 .

For me the characters that stood out the most in this drama were Lee Rang, played by Kim Bum, and for the character Ki Yoo Ri, played by Kim Yong Ji, I found their story much more interesting than the maqin ones and I think that they had more chemistry than the main couple, and they didn't even have a romantic relationship.


Another point that I found very negative in the story was the ending and when I say this I am not referring to the fact that a certain character has sacrificed himself, as I already expected it, but rather because of the many holes and lack of explanation that this ending had .

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SAY HELLO TO THE REAL ME

Hey, everybody. Ji Woo here.

It's no secret that you loved me in "To My Star", because I've read the glowing reviews and comments here on MDL as well as every other social media platform. In that series I'm a grumpy chef with no patience for celebrities or celebrity culture, who ironically ends up having to live with a major movie star and falls in love. The series was one of the great romantic comedies of 2021, with amazing rewatchability.

I must confess, though, that I wasn't really cool with it. You see, while in that series I made deadpan wisecracks and rolled my eyes at the rascal behavior of my soon-to-be boyfriend, beneath the surface I was actually a seething cauldron of rage, further hobbled by a malignant case of low self-esteem.

I know, I know -- I did an amazing job hiding it. To watch me in "To My Star" you would never know how profoundly unhappy I was, or how much I resented the man you thought I loved.

But I have good news -- there's a Season Two now, and in that series I let it all hang out. For TMS2 I made it known I wanted my toxic antisocial side to be as front and center as possible, despite however much it might clash with the lovable grouch I was in Season One.

I asked the director if we could start out by brainstorming on how to debunk the me of TMS1. And she was up for it, let me tell you. By then she'd achieved tons of acclaim for the romantic comedies she'd directed. The notices about her were even better than mine or the ones for TMS1 itself -- they made out like she was the goddam Nora Ephron of Asian drama. But to her credit she wasn't satisfied with that and wanted to achieve a new level of creativity, kind of like Woody Allen did when he brought out "Interiors" after his own string of legendary romantic comedies. (Sorry -- I know it's probably not PC to mention the Woodster.)

So, she and I got to work, and since you've read this far I'll share some of what you can look forward to.

In TMS2, I:

1. Leave my boyfriend on his birthday after he doesn't show up on time for the birthday party I never told him about, and which I can't possibly postpone until the next day because, well, in Season One I'd also walked out on him on his birthday. The viewers who want an early start on talk of how deep this season is will love the parallels.

2. To signify that this series will be the cold winter that befalls the warm summer of Season One, leave my boyfriend a terse breakup note along with the box containing the uneaten birthday cake, placing the box where he'll be sure to find it when he returns to the darkened, silent house.

3. Disappear for a year while making no contact whatsoever. True -- it's risky to drag it out unrealistically, but it has to be a full year because a two or three month disappearance is for sissies. We're reaching for extremes here.

4. Start up an Italian restaurant in my bleak home town, opening for business every day for months without a single customer while still buying food and supplies that I prep in the kitchen each morning.

5. Bear the crushing weight of a dark scandal caused by a friend of my parents, that everyone in town takes out on me by not eating at my restaurant.

6. Have my obsessed ex-girlfriend show up all the way from the USA with one goal in mind: rekindling the relationship we had as teenagers. In a dramatic contrast to my horrible treatment of my boyfriend, make sure I treat her only with kindness and understanding.

7. Befriend a little moppet straight out of Central Casting: precocious and adorable, spouting lines of adult dialog like they were written by Neil Simon, but then hurt and vulnerable when we need to generate a crisis. Above all, make sure I always treat her with kindness and understanding as well. Heck, let's even have her start out by calling me "Dad".

7. Have my boyfriend show up after a year of desperate searching, begging to understand what has happened and with one goal in mind: bringing our relationship back from the brink. In contrast to my benevolent treatment of my ex and my friend's daughter, have me treat him like a piece of dogshit I thought I'd scraped off my shoe months ago.

8. Make sure this includes me telling my boyfriend repeatedly how I never actually loved him. I'll gaslight him by implying it must have been his imagination the whole time.

9. But, in a plot twist, have me give him a big sloppy kiss one night and then sleep with him ... only to revert back to the shit treatment the next morning.

10. After my boyfriend finally gives up and leaves, have me read about the relapse of his illness, which is almost certainly due to the stress I've put him through.

11. But then, before viewers can start to blame me, include a scene where I finally turn on the phone I've had switched off since the day I disappeared. Show me ugly-crying while I read the poignant messages from the man I abandoned.

12. Finally reveal the reason why I wanted my boyfriend to feel so much pain: I was lonely. He had a job that kept him busy, and while I certainly could have gone back to working in a restaurant or even opened one of my own, I stayed home and quietly seethed.

There's more, but I don't want to spoil it for you.

Tbh, there were moments when I worried we might go too far with all my terrible behavior. Fans of Season One would want to kick my ass over the 180 in my personality and the dark, angry tone of the whole enterprise. That's when the director reassured me that in the last two episodes we'd do another 180. My personality from Season One would miraculously reappear.

I worried that such a HEA ending might seem too fake and forced. After revealing my rotten core, how could even a wane smile from me ring true? But the director insisted. She felt that as much as she'd enjoyed the challenge of throwing Season One under the bus she had to reclaim her romantic creds. The final two episodes would be a return to the bright and easy comforts of Season One. After enduring so much sadness and frustration, viewers would be weeping for joy over the tsunamis of fluff suddenly crashing over them. Even better, the return of the Season One vibe would almost certainly silence the critics while making TMS2's defenders all the more adamant.

Still, I was skeptical, I'm telling you.

She reassured me, though. She said that this kind of crazy shit makes people go tribal. If anybody complains about the sudden happy ending, or about the whiplash plot points or the inexplicable disconnect between the grumpy but lovable me of Season One and the asshole I am in Season Two, it won't be a question of defending the show on its merits -- fans will just change the subject and say the complainers have no eye for genius. Season Two will be declared an absolute masterpiece no matter what. And if commenters dare to dissent they'll be told that all they want to watch is fluff, and they wouldn't know Great Art if a painting fell on them in The Louvre.

Finally, if you end up loving TMS2 as much as I do you'll be pleased to know that we're already thinking about a Season Three. It would feature even more crazy antics by yours truly, because, honestly, unless I get some serious therapy there's no telling when I'll relapse. The possibilities are endless!

Sincerely,
Han Ji Woo

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Lovestruck in the City is simply not for everybody who only loves watching KDRAMA.

You have to be open-minded on how the writers wrote those (flawed) characters and scenarios because if you’re not, it’ll much harder for you to understand how the story built. And if you know Park Shin Woo as a director, he is not someone to please viewers.

It’s actually weird to see that half of the internet world(twitter), people hyping this up but on the other side(mydramalist & tumblr), dropping this. Ha!

If you review this drama based on the storyline and characters, please state your age and who resonates with you most. If you review this based on mockumentary type and how it delivers the story, please watch until episode 8.

Let me say this again, THIS DRAMA IS NOT FOR EVERYBODY, it’s for the people out there who know what love can do on and for them.

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The Inferno ran out of fuel

This season of Single's Inferno was a whole mess, and if I had to sum it up in eight words, it'd be: Tarzan & Jane: A Dumpster Fire in Hell. The show's attempts at forcing drama and romance were cringeworthy, and the cast was just...meh. The whole thing was a skippable snooze-fest and that’s putting it lightly. Netflix has officially driven Single’s Inferno into the ground, and Season 4 is the flaming wreckage. What started as a mildly entertaining dating show has devolved into a predictable, lazy mess where one contestant hoards all the attention while everyone else fades into irrelevance.

This season’s culprit? Sian, the show’s leading lady, who spent ten episodes collecting male validation like Infinity Stones, culminating in a finale where three men lined up to get their hearts stomped on for the privilege of losing to Junseo—the human embodiment of the Cart Titan.

Let’s talk about Junseo. Every interaction was a performance, from the unnecessary back-and-forth with Minseol (as if he’d ever pick her) to the grand finale where he slung Sian over his shoulder like he was Tarzan reclaiming Jane. His entire existence was exhausting, yet somehow, Sian was enthralled. She didn’t want stability, sincerity, or basic respect…. hell no, she wanted someone who’d play mind games with her for ten episodes straight. And she got exactly that.

Meanwhile, the actual interesting contestants: You Jin, Hae Lin, and Min Seol barely got any fucking screen time because the producers were too busy shoving ‘the Sian show’ down our throats. The editing was trash, the pacing was horrific, and it was obvious Netflix has no idea what the hell they were doing. Instead of genuine connections, we got the same old and haggard love triangle formula dragged out like a bad K-drama. The way they were expected to choose people based on looks alone and like a 5 minute conversation pissed me off.

The best part of S4 was Theo, the greenest flag of all the guys and You Jin, the most bubby down to earth girl from the women. They are the reason why I’m giving this show 2 stars because they at least gave me something to look forward to and had me rooting for them even though both were so overlooked.

Lowkey, this season's panel was better than the others, but Dex needed to ditch them and get back to the inferno immediately! Ji Yeon deserved better than what she got like it was so obvious her and Tae Hwan were not compatible. I honestly would’ve liked it more if she turned him down at the end. And, tbh, the wild card men should've all stayed - what was the point of that whole thing, anyway? Jonghoon was hella bland and much too relaxed for my liking. Bro was just there for free vacation like Habin from season 3. He literally put in zero effort, and that "relationship" with Hyejin? Forced, fake, and chemless. Same energy with Jiyeon and Taehwan - I called it from day one, they had zero sparks.

This season was TRASH, and the fact they're making a S5?! HELL NO!!!! WE DO NOT WANT IT!!!!

At this point, it’s clear the show is beyond saving unless they bring in regular people instead of these performative plastic diva’s and lazy ass men. Bro the way they need men who actually try instead of them sitting around waiting for women to chase them. Like, I could try to understand if these men thought they were some prize or were super fine, but that wasn’t the case this season. They were all so unbelievably MID. The most decent looking guy to me was honestly Theo or Dongho. Every single one of them was mid compared to the Season 1 and Season 2 cast. It’s safe to say Single’s Inferno’s flame has officially burnt out.

This franchise needs to die expeditiously!

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One more "Flower Boy" series are over... and I am left with yet another broadly smiling face. Though I will not spill compliments that these series left me breathless, like the previous, "Shut Up Flower Boy Band", did, but this drama, in its genre of bubbly, funny, cutey-cutey-cutey, totally had me from the first moment till the last.

First of all, I am now noticing a pattern in the series as I have watched all of them, though they are called "Pretty Boy" and hey, who can say you don't see enough pretty here, but has anyone also caught him/herself on the thought that the characters crated for these series seem very real? I mean, forgetting about the bubbly front, there were real people, real feeling, real problems, and I like it so much, that it feels real watching these characters. I like characters that have depth, and the series have never failed to give me the characters. And though at first you may thing Enrique is the most funny, cute and bubbly character you could ever see, throughout the series he will show you so much humanity, so much sadness, so many unforgettable words... Though Dok-Mi may seem the girl who has closed herself and hasn't thought about her life ever since, will show you so much smile, so much strength, so much pain that she has been through and how much she grows by the end of the series, how much she changes Enrique and changes herself...

As the drama is mostly a comedy, I thought it is important to note that you'll find here not only comedy but also real characters who will make you feel for them, which I really appreciate.

This was the 3rd drama I was watching with Park Shin-Hye, and she again proved her abilities, I adore the girl.
Yoo Si-Yoon was just adorable as puppy-panda Enrique, I hope to watch other things with him.

Music was, like the drama, cute and calm. I really like the slow piece during the sad parts, and Park Shin-Hye's song, so alike her character and warm to my heart.

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This is a nice, quirky fantasy/romantic comedy. It features an excellent cast, and a lot of charming and interesting characters. It has quite a few twists, and is really cute and interesting. The main character is a kind but naive fairy, who has lived on Earth for several hundred years. The main love interests are a professor and his young assistant (they also live together). The two characters are like night and day, the assistant being sweet and willing to believe the fairy, and the professor being cautious and skeptical. One of the two love interests is the fairy's reincarnated husband who died suddenly several hundred years ago.

What likely makes this show a hit or miss for several people: the show is a bit on the weird side and does not go as expected. A love triangle is also a big player for the plot here. Typically when you watch a drama, you can point out who the female lead will end up within the first couple of minutes of the first episode, even if there's a love triangle. This drama gives you a bit of a guessing game, and the answer...is not what a lot of people were expecting.

As someone that dabbles in story writing, when a storyline isn't super predictable, I like it a lot more. I also enjoy finding clues to upcoming plot twists within the dialogue and events of the show. This was the case for "Mama Fairy."

This is a drama where you have to pay close attention (especially in the flashbacks) in order for everything happening to make complete sense. It had me hooked from the start, so I was never confused. I was extremely happy with who the female lead ended up with, but this was not the case for quite a few people. But when watching, it was clear that the drama pointed in that character's direction, via other characters' opinions of the love interests, the flashbacks, and the female lead's feelings toward the guy she ended up with. It's subtle, but the hints were there.

Romance aside, the main characters are each interesting in their own individual ways. It was interesting how each of the reincarnated love interests shared traits with the people/creatures they were in their past lives. Learning more about them through the flashbacks was a highlight of each episode. One of the main characters had a very tragic back story, and his story developed into a great one of friendship and redemption in the end. It ended up being the highlight of the end of the series.

That said, this show isn't perfect. Even as someone who loved and enjoyed it, I disliked a trio of supporting cast members at first. I eventually grew to like them a little bit as they started playing a part in the main storyline, but that took a few episodes. The other issue I have is the CGI. At some points I can see where it was necessary, but practically every animal that appears (even if it's a random cat running by) is CG. It's very fake and cartoonish looking, so it took a bit to get used to.

I adored this show, it's a new favorite of mine honestly. However, if you're off-put by eccentricity, love-triangles, and/or quite a few plot twists you might not like it. Even though it's a romcom, there's a complex story behind it, and that's one of the main reasons I enjoyed it so much. This series is best approached with an open-mind, and a willingness to accept that not all is as it appears to be.

I gave it a 9.5/10 as I was interested throughout, and fell in love with the story and characters.

(I also rate heavily based on personal enjoyment)

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D A E B A K !!! GIVE THIS DRAMA A SHOT! DON'T BELIEVE IN THE BAD REVIEWS!

Okay, before I get into a slightly detailed review about Itaewon Class let me tell you first that a lot of the reviews I've read so far were made by bogus watchers of KDRAMAS. They're either new to watching or have watched romantic comedy genres only so far. If you don't care about a rich story and you're only looking for a fluffy romantic and funny drama, then I guess this drama aint for you. But this drama goes beyond what you usually expect from a KOREAN drama and keeps you interested the whole journey while episodes keep on getting better building up.

Itaewon Class is amazing. I literally adjusted all the scores of my completed dramas in order to accommodate my rating for Itaewon Class. Among the six remaining dramas in the 9.5 list of my profile, is Mr. Sunshine and Live -- which I consider co-top 1's. I firmly put Itaewon Class as my 2nd best drama watched ever, and it's not because it was lacking in any way, but quite the opposite. It's just that the two dramas ahead of Itaewon Class made me cry more :)

This drama had everything, and I mean EVERYTHING. From a dark-skinned character, transgenders, corrupt officials, and more. This drama tackled racism and gender discrimination at some point which are issues in South Korea. All I can say is that this drama is out of the norm.

I loved every second of this drama; as each episode goes by it keeps getting better and better. The characters were complex and character development was on point. The antagonists were perfect; they were so perfect to the point where you can't even hate them at the end. The story was rich and balanced dealing with a bit of romance and comedy, but a lot of heart-warming, sad, and hype scenes. Above all else that was amazing in this drama, the ending was perfect. The writers did a good job portraying each individual's last moments in the drama bidding them to a good farewell, having no loose ends.

Overall, this drama is a must-watch, especially for cultured drama watchers. It's hard to put all my opinions in one review because everything started at least 8 weeks ago, and my review can never do this drama justice, but just give this drama a shot and I guarantee you, as long as you keep an open mind and stick through the end; you'll most definitely get attached.

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One of the Best Sapphic Adaptations till Date!

Set in the 1950s, “Jeongnyeon: The Star Is Born” delivers a classic retelling of two Korean art forms- Gukgeuk and Pansori.

I spend a lot of time learning the intricacies of these two folk arts, which are quite liberal and intriguing as compared to those in my motherland. For those unaware, Pansori is Korean genre of musical storytelling performed by a singer and a drummer, where the singer tells the story by singing and the drummer accompanies her on the drum. Incorporating this aspect into Gukgeuk was the main highlight of this show, which refers to a theatrical performance that combines singing and dancing. In post war era, Gukgeuk was extremely popular and women portrayed men’s roles. In short, it was an all female- production which had a cult following from the 1950s to 1960s, after which it rapidly declined due to the rise of films. “Jeongnyeon: The Star Is Born” delivers a subtle romance with homoerotic tones. Adapted from the webtoon “Jeong Nyeon” (정년이) written by Seo Irae (서이레) and illustrated by Namon (나몬), the original storyline was a sapphic love story. Even though the show is a censored adaptation, the all-women ensemble renders itself useful in maintaining the sapphic flavors.

Read the complete article here-

https://kcdramamusings.wordpress.com/2024/11/18/jeongnyeon-the-star-is-born-series-review/#more-1325

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I'm very glad about my drama trade I did with another MDL user because it made me watch this little gem, that I surely would have never touched on my own. The summary and the promotional covers never piqued my interest before.
 
There are so many things that I love about this story. First of all is the idea in itself. They did a pretty good job with explaining the visions, making them convincing without making it look too much out of space. With the same pace Do Kyung was getting an idea of what was actually happening to him, it made me understand it step by step, too.

The way the romance was emerging. From the original setup to the new one. Well explained and real. I got a pretty good feel of how deep their emotions were growing and I liked the idea of "fate" here. I loved how that whole relationship was developing, even though they sometimes seemed a little foolish. But that's what love actually is, right? Acting against all logic and not getting bothered about other people's opinions. What makes you really happy and how do you want to spend that one life you got?

I was dying with pleasure seeing all that skinship. It felt comfortable and real and made me very, very happy. When it seemed like their pent up emotions were finally exploding, I felt the same. I'm a sucker for hugs and here are so many tight embraces that I wish I had someone near me who would hug me just at the same time, lol. And their kisses... Don't get me started with those. All these things are one big part of what made this romance so intense and beautiful.

The acting was very impressive. Eric blew me away. His character drew me in to a point where I couldn't stop but root for him all the way, no matter what he did. I saw his remorse, I felt his misery and I enjoyed his approach to slowly change himself and become happy, no matter the outcome. Same goes for Seo Hyun Jin. Her despair, her hunger for love and her feeling of betrayal of life itself were crushingly unfeigned.

There is some really strong writing in this drama. Some dialogues had a big impact on me and made my heart flutter all of a sudden so many times. The story did a pretty good job at riling up my emotions in every way possible.

I also loved the side stories. Interesting characters even though some of them were a little exaggerated. I enjoyed them nevertheless. Do Kyung's sister was one hell of a person. Her on/ff modes were hilarious but what I loved the most was that no matter what, she stuck to her family, supporting them in her own way whether blood-related or not and was always like a guardian. I also loved Hae Young's parents. Although her mother was really, REALLY stubborn towards the end, I enjoyed the time when she was silently giving in, showing that she truly loved her daughter and wanted her to be happy.

About the two second leads here...
Well, I didn't really care for their stories while watching the drama. Now, at the end... Well, of course they had their reasons for behaving the way they did. The other Oh Hay Young... as the story went on, her character became more palpable and explained some things, but it didn't change the fact that I couldn't care less. She had her chance, she blew it. End of story. Han Tae Jin... same goes for him and on top of that he was a petty loser. He couldn't accept the facts, acting all childish, throwing one tantrum after another. Do Kyung and him both did wrong. But at the point where Do Kyung realized his mistake, Tae Jin blamed others and continued his raving, staying blinded by his anger.

The ones I disliked till the end were Do Kyung's mom and Chairman Jang. No further explaining. Just stating that fact.

If there's one thing to complain about, it would be the dragging in the middle and until ep 16. I know that every scene and every moment were important for the story and can't be considered fillers. But I still think that they could have made some things a little shorter and not putting me in such agony >.< (although it makes you wonder if I would have gotten riled up about it with the same intensity, if they HAD made it shorter, right? Haha...)

In the end a very, very enjoyable roller-coaster with many memorial moments. Lots of emotions, lots of ups and downs and very satisfying in the end.

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The kind that nibbles at your heart until theres nothing left

Reality is sometimes far from ideal. It can be sad. Disappointing. Frustrating. Daunting. Painful. I found all these in Si Yu, Zi Zi and Xiao Ling's life as depicted here.

We saw the rosy moments. The happy and content times, often fleeting or even underappreciated. But often they had to face so much struggles that life throws at them. In this aspect, the writer does not shy off from showing us the ugly.

The issue in SY and YM's relationship or the cracks in ZZ's marriage. They were very real. Sometimes its not cookie cutter clear who is in the wrong. The relationship stalled at this point from the contribution of both parties. In SY and YM's aspects, they werent on the same page at that time in their lives. I found this to be all the more painful because they love each other but not enough to stay together and be happy.

Often i get upset when watching so i caution those with a feeble heart. But yet 41episodes watch and cried, I'm still here eagerly waiting everyday for new episodes to watch my very flawed male and female leads. As much as it pains me to see them falter, and grope in the dark as they refind themselves. I want to cheer for them. For ZZ to gain independence and confidence. For SY to understand what truly matters and stand back on her feet. I want to witness when they would find back their true selves, and their way to happiness.

The acting here is amazing. The leads are so flawed and imperfect, sometimes weak and sometimes they frustrate the hell out of me, but i cant hate them, i pity them and still want to root for them. Zhu Yi Long (this guy's eye acting and micro expressions are so on point), Liu Si Si and Han Zing Zhi all had their shining moments. Lastly i love the girls' friendship, they are there and supportive but never stiffling or condescending even though they all are so different and have different ambition and dreams.

* I have amended by rating and review upon finishing. This is the first time there's a huge discrepancy during "currently watching" to "completed". The conclusion continues its sarcastically cold reality- except the plot outcome for some of the characters to deliver the ultimatum ended up unrealistic in my opinion. We are suppose to receive the climax and send off our characters but the writing didn't deliver. After diligently shouldering the frustration and watch the humbling problems the girls faced for so long, you asked for a little reward and felt cheated. Watch something else unless you don't mind cruel reality and unfulfilled epilogue.

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Rape in the first episode. How is this dubcon? How does this show how so many good reviews?

Funny how everyone is either calling what occurs between Vee and Mark in literally the first episode "dubcon" or completely glossing over what happened completely.
What happened in the first episode is rape, pure and simple. It wasn't even dubious consent? Mark is still drunk to the point of stumbling and falling, and completely mistook the person he "slept with" for someone else. Vee was sober enough to drive the both of them to his place, and completely ignored how Mark literally could not consent. I can understand a drink or two, or a character sobering up on the ride home/after getting home, but he literally doesn't even act like he's sobered up at all?

Not to mention the morning after Mark is so freaked out. He's angry, calls Vee a villain like 10 times, and runs off AFTER Vee threatens to kill him if he tells anyone what "they did" last night. Which to be fair, obviously to Mark and the viewers he isn't really serious about doing something like that and he just wants Mark not to tell about his "infidelity only", but imagine someone sleeping with you when you're on the cusp of black out drunk and then making this kind of remark to you the morning after?
AND NOT TO MENTION Mark goes home and the first think he does is scrub his skin over and over in the shower.
I feel kind of disgusted watching this.

Watch what you want I guess, romanticize what you want (I guess?). But don't downplay what happened to make yourself feel better about continuing to watch this fascinating mess of a relationship.
Dont be a coward lmao, call it what it is.

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Overall good :]

For a short netflix kdrama I'd say its good.

The plot isnt confusing if anything its pretty straightfoward in a good way of course!

I think the main female really did carry the show though. The energy her character brought in really hooked me personally making me feel like watching the next episodes.
It doesnt feel too cliche well atleast to me it felt that way! Then again that might just depend on your taste if its cliche or not so keep that in mind.

For 10 episodes I think the pacing was pretty good actually the plot line doesnt feel to slow or to fast! Doenst feel like there many plot holes either which you gotta appreciate. They provide enough backstory on both main leads and the side characters also get their amount of plot.

Overall the show is just exactly what its description say it would be about. It was full with some humor parts and overall can be taken very lightly.

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While watching Secret Love, I was initially sucked in because this felt so different from the rest of the kdramas out there. I use to be a big fan of the genre, but then I realized that almost all of them followed the same formula, so I stopped.

I'm slowly getting back to kdramas, so I picked this one up and at first I was all in. I loved every moment of this show. The acting was top notch and the story, at least in the beginning, was complex and unique.

I loved it!

So why the 7?

Well, what I loved about the show was the complexity of everything and how everyone was flawed. As the show progressed and more secrets were revealed, I thought that it would continue to add to the depth of the characters, instead I got the same kdrama. Rich guy falls in love with poor girl. Poor girl has a guy that likes her and the rich guy has a girl that likes him. Drama ensues.

I can accept that. What I couldn't accept was this love story. Min Hyuk and Yoo Jeong just didn't make any sense as lovers. Min Hyuk had some reverse Stockholm Syndrome where he fell in love with the person he was tormenting. It came about from obsession and then he loves her. It made sense. But for Yoo Jeong to love him back all of a sudden? No. That never made sense and never felt authentic to me. After five years of being harassed and tormented, you don't just suddenly say "I love you too."

I also felt like the story dropped the ball with Do Hoon, who was the most interesting character on the show. He's been brought up in a family that expects him to be the best, but still keep his morals intact. That all changes when he allows Yoo Jeong to take the fall for him. Him getting close to Min Hyuk and trying to destroy him seemed to be his ways of making amends, but in the end I really didn't know what he was doing.

I enjoyed my time watching this and was eagerly waiting for the next episode to appear so I could watch it, but now that everything is said and done, was this really all that different from the rest of the kdramas out there? Kind of, but not really. There's a lot of plot holes and the ending was rushed. I just wasn't satisfied when it was done.

I am in the minority with this, so if you think this might be something you'd like then check it out, but if you are looking for something new in the kdrama world then I don't think you'll find it here.

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