The Story of Park's Marriage Contract
23 people found this review helpful
Fun and silly ride with a few potholes that make it bumpy
The first half of this drama I really enjoyed. It was light and silly and the strong willed Yeon Woo was fun to watch. Sa Wol was one of the best characters in the show. She was so funny and lightened every scene she was in but also carried her loyalty and wisdom well.Overall and nice watch to pass the time. But there are some things about this show that I found reduced the rating for me. First was the future Tae Ha's unbelievable jerk behavior when they first meet. I know that is a trope of the overbearing boss kind but it bothered me here. When he finally lightens up and starts to accept the situation he does become more likeable. Next is how quickly the women adjusted to the changes. It did not feel realistic with how fast they changed the way they dress and act in a time that was so dramatically different than what they lived in. And finally, is the love story. While it was fun to watch them bicker and find their way to each other then the love story gets a little boring. It almost felt like filler to watch them after that and while I love romance I thought that time could have been cut out for me and just moved on with the plot.
Slight spoiler here so be warned but I also could not stand the ending for the Old Joseon Tae Ha. I was annoyed the whole time I was watching it as the character did not deserve it.
Overall the music is quite nice, the production was done well from sets to costumes, and the parts were acted well. A good way to pass the time but I could also recommend several other shows I would find better than this as well.
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The acting in this is great. The only slight quibble I had is that Cha Eun Woo is noticeably younger than Im Soo Hyang even though they are supposed to be the same age. He's even supposed to be 10 days older than her. However, it's not a big enough issue to affect the show, it was just something that I noticed. Both of them did a great job with their roles as did all the cast. The two creepy guys in the show are exceedingly creepy and the evil girl is horrible, so those roles were filled well too. My favorite characters though (aside from the two leads) were probably the second male and female leads. I loved their relationship and enjoyed any time they got to be onscreen together...or even separately. They were just good characters who were fun to watch.
The music in this is really good too. It was catchy and fun.
I absolutely recommend this show. And if you enjoy a sweet romance, I think you will too.
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The story is very suspenseful. I watched this as it came out and every week I was left wondering what would happen next. The only weakness in this drama is that the people that are told to follow someone aren’t very good at it. There is no ninja stealth in this drama. Although, I guess you could look at it as the people that are being followed are just really good at giving the others the slip. Also, they aren’t very good shots unless they are pretty close. I read somewhere that the guns used in that time period didn’t have very good sights. Maybe it is just part of keeping it real??? LOL I usually don’t like dramas that are this long because the story gets bogged down, but this is an exception. Every episode added to the story and there is very little flashback filler. When they do flashback it has meaning.
What makes this drama great is the acting. I gave it a 10 because of Joo Won and Park Ki Woong. Joo Won’s acting as Lee Kang To/Bridal Mask is amazing. He really should get some kind of an award. He has an uncanny ability to make a person feel what the character is feeling. Park KI Woong plays Shunji to perfection. I’m completely captivated by this actor. The character is so intelligent. I have a love/hate connection with this character and that is a tribute to Ki Woong’s acting ability. The female lead character of Oh Mok Dan/Boon Yi is played by Jin Se Yun. I wasn’t really that impressed with her acting until the last two episodes. However, looking back maybe she felt that her character couldn’t show emotion and that is why she was stilted in the beginning and then showed her emotions at the end. Han Chae Ah who plays RaRa is really good. All you had to do was look at her face to know what she was thinking even when she was trying to hide her emotions. I loved her character and her acting. The side characters were really good too. Special mention for Ahn Hyung Joon who plays RaRa’s bodyguard Katsuyama. He has skills. I hope to see him in more dramas in the future.
The music for this drama is fantastic. I love the theme song.
I will probably rewatch this at some point.
I think this is a must see for everyone. It is defiantly a heart wrenching drama of epic proportion.
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What I didn’t enjoy was how the female lead was written to be so friendly with Su ho’s ex best friend. That dynamic felt unnecessary and took away from the relationship I actually cared about. I would’ve preferred to see her story focus more on Su‑ho instead of building connections with someone who had such a painful history with him.
Overall, I loved the main couple, but I really wish the drama had shown more of their romance and growth together. I’d love to see these two reunite in another drama or movie someday.
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Best C-Drama of 2025 – The Best Enemies-to-Lovers Ever
This is the best C-drama I’ve watched, especially this year.It’s definitely the best 2025 C-drama. Everything about it is amazing, and I’m so happy Liu Yuning is finally getting the recognition he deserves. It just makes me so happy — and finally, he gets a happy ending! We haven’t seen him in a happy ending much, and my boy truly deserved this one.
However, I wish the last episodes were longer. At the very least, we should’ve had a special episode where we could see more of the couple. I really wish we had seen his reaction when he saw his child for the first time, or scenes of her being pregnant and him taking care of her — showing concern, being gentle. I would’ve loved to see him care for her more.
The last few episodes didn’t have much screen time for the couple, but overall, everything about this drama is perfect. The costumes, the acting… the chemistry is off the charts — honestly, the best I’ve seen this year. I also loved how mature they were as a married couple. They cleared up misunderstandings quickly, actually communicated, and even apologized to each other — such a refreshing dynamic.
There was no storyline that dragged on too long, which was great. I appreciated how understanding they were toward each other, and how he didn’t accept her so easily. It took him more than 25 episodes to recognize his feelings, and I found that realistic. At the end of the day, she is his enemy’s daughter — so him letting go of all the revenge he’d been holding onto for years instantly would’ve felt out of character.
Everything was just on point. The story was unique — not the usual dynastic plot, but more clan-based, which was a nice change if you watch a lot of historical C-dramas like I do. I was also really surprised by how much sarcasm and comedy was in it. When I first saw the trailer, I thought it would be a dark show, but it turned out to be lighthearted and fun. Honestly, I laughed more than I have at actual rom-coms!
I loved how they were always willing to say “I was wrong” and take responsibility — that’s such a beautiful thing.
I felt bad for Bi Zhi when Fan died, because he never actually wanted to be a commander. He only took that position to protect her and build a life with her. But in the end, he lost her and had to raise their son alone. That was really sad. Although I didn’t really like her character, I understood her — I just wasn’t very emotionally invested in her.
Also, F4 deserved to get a happy endings :(
So happy Zu Er was cleared so we were able to finally see this masterpiece. Wish we got a special episode so we could’ve enjoyed them one last time.
I keep finding myself repeating scenes as there are truely amazing memorable scenes. I would say it’s a rewatchable cdrama for sure. Not too heavy and full of romance.
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GMMTV's Worst BL
I don't think I've ever seen a story that had an interesting premise go down the drain in 10 episodes. This is the worst show I've seen produced by GMMTV since Waterboyy and that's saying something. Heed my advice and don't watch this show.First things first, I feel so bad for the original author of Tonhon and Chonlatee because I know it must've hurt to see your work bastardized in such a terrible way. Why the hell did they add toxic homophobia to a character who was never homophobic in the first place?
Tonhon was a male lead that I couldn't rot for in any way shape or form. It's time BLs move past the characters with toxic masculinity mixed with homophobia who suddenly realize that they're into men (or ONE man). Tonhon never atoned for anything of the hurtful things he said to Chonlatee or his roommates Ai and Ni or to any of the people he offended in passing. If anything Tonhon should've been left in the dust along with his homophobic father.
Chonlatee was an okay character, he had guts until it was time to check Tonhon on his homophobia. He was refreshing, in terms not taking shit from no one but I got tired of seeing Khaotung pull the same confused/constipated face everytime he was faced with an obstacle.
Ai and Ni were quite honestly strange and it was obvious they were a couple, Tonhon must've been dumb as hell to not see through that. Mike and Toptap have acted together and previously were each other's love interests in 2Together, so I was confused as to why the chemistry wasn't good as it was before. Their chemistry was sorta there but their performances left me wanting. Also what was with the cut scenes around them kissing lmfao. Did they not do it properly or something?
GMMTV definitely through this garbage together and thought they could feed it to BL fans with no consequences. The budget was not ENOUGH for this production, as it looked like they cut corners and shit. I know they pay well and are quite well known so I'm not sure what's up with the lackluster production.
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When Love in the Moonlight first hit my drama radar, everything about it put me off. The promo posters just radiated cheesiness, so much so that I’m pretty sure I internally gagged. Not to mention, everything about its premise was overdone and oftentimes badly so. The crossdressing girl, the handsome prince, the political intrigue mixed somewhere in there...Was it worth the risk of watching and likely being disappointed?
The thing about Love in the Moonlight is that it is definitely a good show. Well, partially. It suffers from what I like to call “K-drama syndrome,” where it starts off at its peak and then plunges down into its inevitable doom, where the plot and characters deteriorate in a cesspool of their previously glorious existences. It's exactly as revolting to us viewers as it sounds.
The storyline of Love in the Moonlight is incredibly unoriginal. Its desire to take on the tropes of a crossdressing female who falls in love with a higher-class man was quite impressive, and for a good half of the drama, the execution was phenomenal. I found myself practically twitching while I waited to watch the next episode upon release.
There’s something about cliches done well that’s just as appealing as a never-before-seen storyline, and that’s what Love in the Moonlight accomplished. Its cheesy romance was bolstered by a talented leading couple, and its political aspect was intelligent, yet not overly difficult to follow. Not to mention, the characters were all lovable, each with their defining characteristics that made you love to see them. I admired the drama's ability to make the usually predictable storyline both unpredictable and addicting, and making me take back all my doubts from the beginning. Touche, writers; but that victory only lasts for a little while.
The problem with Love in the Moonlight is that as time goes on, you begin to see the infection of K-drama syndrome more and more. I'll admit, the writers keep you on your toes enough so that you barely even notice the problems unless you take a glance backward. But holy cheese, did this show throw away its potential at being perfect.
The romance is great, that much I will stand by. However, I attribute that much more to the capabilities of the leading actors than the characters themselves. I adored the Crown Prince at the beginning, and I likewise appreciated Ra On’s quirkiness. But over time, the writers lost sight of what made these characters unique and reduced them down to “male lead” and “female lead.” I don't even want to talk about the atrocities of the side characters, particularly Ha Yeon, who faded further and further into the background. It got to the point where she would come on screen and my reaction would be, "who is dis," because she had become that irrelevant. I’ve seen static characters, but I was puzzled with how the ones in Love in the Moonlight somehow managed to all move backward in development - their quirks disappeared. To me, there was nothing sadder than the moment I admitted to myself that the only reason I still liked the Crown Prince was because of Park Bo Gum.
Additionally, I have to say that the writers really lost themselves nearing the end of this show. It was cliche in the beginning, but at least they carried it out well. By the end, they were throwing so many tropes in your face that it almost bruised me. Most of which, I didn’t appreciate at all. There’s a difference between using previously-seen plot elements to better a show, and using them just because there is a need to. By resorting to the latter, the writers failed what could have been an absolute gorgeous ending.
For me, the one trump card of this drama was the cast, and this is the one basis I will recommend this drama off of. I sat down in front of the first episode knowing no one out of the main cast aside from Kim Yoo Jung, who I sneered at for being far too young for her role. By the end, I was impressed with everyone’s ability to portray their respective roles.
Park Bo Gum is phenomenal. He’s obviously goodlooking (those puppy-dog eyes though hehehehe), but the level of emotion he puts into every line and movement is awe-inspiring. Everything about his acting feels real, from the look in his eyes and - I swear - each shift of his facial muscles. He brings the Crown Prince to life in a way that I’ve honestly never seen another actor do with their character. And now I have posters of him on my walls. I wish this were a joke, but I guess I’m prouder to say that it’s not - he was just that good.
Yoo Jung is where I’m split. There’s no doubt she’s talented, but I’ll still enforce the idea that she was too young for the lead role in a romance drama. If you’re going to forget how weird it is morally that 23-year-old Bo Gum is interacting romantically with a minor, just know that her acting was far better in scenes where there wasn’t any handholding and whatnot. I’ll give it to her that she tried, and did well alongside Bo Gum, but she still needs more experience to pair with that acting talent. Soon enough, she’ll have a scary level of skill.
I would also like to comment on the music, most of which I loved. They chose a good collection of strong singers for it, and the instrumentals were beautiful (I listen to some of them when I work now because they’re that entrancing). I am going to go out on a limb here though, and say that the song they gave to Park Bo Gum was subpar. I know he’s capable of better music, and I just wish that they provided him the chance to blind us even more with his unlimited talent.
I’d say that Love in the Moonlight is worth the watch, if only to see how the actors are able to bring quality to a usually mundane plot. Despite the bits of disappointment I felt at the ending, I am still glad that I watched the whole thing through and I can say that I enjoyed myself for the most part.
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a subtle masterpiece
raw, intimate and delicate. it's tender and romantic and handles uglier topics in a genuine way. the music, cinematography and script were great. lovely use of light, colour and silence. the actors fit like puzzle pieces. more than plot it's driven by emotion which gives everything this subtle, quiet feel. perhaps to a fault for some viewers but i thought it captured the fragility of relationships really well. it's a drama to watch when everything surrounding you is loud, it feels like wearing warm earmuffs in the snow or sitting under the shade of a tree in summer. it didn't try to be more than it is yet it resonated with me and i feel like it would with some others too. in its simplicity i think it's one of my favourite dramas that builds and gives layers to each character, showing their flaws and strong points. i'll shut up now but i personally love this drama so much. hwang daseul has yet to disappoint.Was this review helpful to you?
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Beautiful visuals with garbage storyline
GJM is great at making every shot look pretty, but when it comes to writing a script and creating well-thought-out characters, he has absolutely zero talent.Let's start with Zhu Yan / Zhao Yanzhou - the character is either bipolar, or a hypocrite of the highest order. He blames Li Lun (his alleged friend of 30,000 years) for killing humans while he himself has absolutely no problem exploding a man's heart just to prove a point. He puts humans on a pedestal while he doesn't care about demons at all. He is lying, manipulative, gaslighting coward with a sense of grandeur. He lives through a traumatic experience, but instead of being proactive and making up for his mistakes, he chooses to spend 8 years wallowing in his own trauma and then turns his victimhood into a weapon and an excuse for every single bad action taken afterwards. In fact, he is so passive that if not for Li Lun's scheming, he would never have gotten a chance to atone for any of what he did. He is positioned as the hero of the story, almost a messiah, but in reality he is a pathetic coward who wants to be suicided by another hero's hands and does nothing to pay for his mistakes.
(Sidenote - Neo did a great job with the garbage script he was given, and judging by interviews, he had a much better grasp at what ZYZ should really be than the director ever did).
Wen Xiao - the first episode she's in portrays her as a quirky, charming, smart and brave, but starting with episode 2 she makes a 180 turn and becomes weak, useless, and turns into a damsel in perpetual distress, there only for the sake of others saving her. Which is such as SHAME, because her character had so much potential!!
Zhuo Yichen- perhaps, the most well-written and flashed out character in the whole story. The only one whose actions more or less make sense. Saving grace of the whole show. The only complaint I have is how fast he forgave ZYZ for what he did.
Li Lun - I can't even call him a villain, to be honest. The whole premise rests on him killing some humans in a situation where, truthfully, going berserk is totally justified. He gets chastised, mortally wounded by ZYZ, betrayed by him again, and abandoned. Then, the said friend spends most of the show antagonizing him and theatrically offering his new human friends more compassion than Li Lun has ever received from him. It gets so bad in the end that another character dies because of ZYZ's cowardice and inability to make amends. The whole story arch would've made more sense if Li Lun killed ZYZ's friend, but he did not, so ZYZ's antagonizing him comes off as ZYZ's own attempt at portraying himself as a hero at Li Lun's expense, which in turn cancels out any of his attempts at atoning for his sins. What's worse, in the end ZYZ again does NOTHING to make amends, and it is ZYC who gets through to Li Lun and stops his spiraling out.
Side note- Li Lun is the driving force behind the whole show. If he weren't scheming and planning his "revenge", the main lead would have nothing to do, which to me is another huge problem with the script.
What pissed me off the most- the sheer amount of unnecessary queerbaiting. GJM spent so much time putting queerbaiting and innuendos in the show while forgetting to actually write a decent script; it's unforgivable.
The "romance" between ZYZ and WX is not fleshed out; more time is spent on trying to hammer down the idea of ZYZ and ZYC being "soulmates".
Another pet peeve of mine is the amount of crying. I'm sorry, but if you have one or more characters shedding tears every episode, it completely negates the impact.
I need to commend the cast for doing a marvelous job with the trashy script they were given. Brilliant performances and commendable attempt at making the story palatable. I wish they had more input in the show, perhaps the storyline could've been salvaged.
Soundtrack is also very well done, beautiful songs by beautiful singers.
The visual line of the show is gorgeous, but too many plot holes and awful characterisation that don't make sense overshadow it.
P.S. There is no happy ending like others have claimed on this website- in the extra episode, there is a teaser that maybe... but in reality, it has been stated before in the show that in a situation like that, a demon cannot come back to life. The screenplay also says he does not. To be honest, the whole exposition of the last 2-3 episodes (including an extra one) seems to serve only one purpose- pain and suffering fetish, most of which is completely unnecessary.
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It was a crazy series that I watched????????
This is a crazy movie that I watched. It was insane, Dunk Natachai, thank you for killing all people watching you with your flirting and beauty🙏The plot, the production, the cast, the acting, the lighting, love scenes, crazy scenes, ost, it was all insane!❤️🔥❤️🔥Putting those scenes on this series is like pouring oil on an already blazing fire. After watching love scenes from here you realize how perfect two males together are, the chemistry and power dictated by the universe❤️🔥😍🔥🫶🌟🌹I will rewatch this hot series for many times and will come back hereWas this review helpful to you?
Sibtit (Push) trying to woo Prikkang (esther) with his possessive bad boy ways which I found very cute, the lead was always horny trying to steal kisses from the female lead which I liked. This drama was quite unsettling for me because from what I have read comments and watched lakorns, suppressing women sexually is portrayed as if it is a normal element. After a few episodes of him wooing her and finally winning her heart (after forcing himself upon her), the lakorn goes downhill with more "what the hell is happening" situation which questions us whether he is supposed to be the romantic male lead or the one who is evil and trying to break apart the couple. Push's snd esther's sanity in this lakorn is questionable, although the drama ends on a happy note.
I was very disappointed with Push's role in this lakorn (which is very much likely the same role as roy leh sane rai) but because I like him and also because of his cute possessive nature as well, I completed the drama. This drama isn't for everyone because it can get WTFable later on, but for PUSHSTANS you can watch it easily.
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unique premise with convenient writing (watch suggestions)
Overall: although I enjoyed the premise, the multitude of "because the writer said so" stuff is took me out of the fantasy. 10 episodes about 45 minutes each. Aired on iQIYI. Later re-aired on Kongthup's YouTube channel https://youtu.be/yu0c3Kg2HoI?si=Hp6hpsto4VXeMiuU and Viki https://www.viki.com/tv/41076c-two-worlds-the-seriesContent Warnings: murders, attempted murder, suicide, child abuse, drugging, blood, violence, torture, manipulation, manhandling, kidnapping
Watch Suggestions (this avoids some nonsense stuff and a love triangle)
episode 4 watch 9:50-11:20 for fun side couple bickering
episode 6 watch the whole episode
episode 7 watch beginning to 16:30 and 44 to the end
episode 8 watch 8:30-23:30 and then 32:30 to the end
episode 9 watch 24:20-37:20
episode 10 watch 44 minutes to the end
What I Liked
- unique premise
- mystery element
- Khram's female friend
- the side m/m couple
- intimacy/NSFW
- sweet moments
Room For Improvement
- my main struggle was that the characters keep acting completely unrealistically and it pulled me out of the story, a few examples included
* in episode 1 the whole "he won't do it again", the later not having a weapon or not having a bodyguard when a character knew he is in danger and then meeting in a sketchy location
* the medical scenario in episode 2 (should have gone with AB negative or rhnull but wouldn't the universal donor still work?)
* a character tortured another character, then one "I was a little harsh" and all was forgiven, similar thing happened in episode 10
* why didn't a character just tell another character the truth, there wasn't any world building that there would be consequences for this
* people on the run got out of a car in broad daylight
* not contacting police
* not immediately killing characters
* the dad received confirmation that what he wanted would never happen so doing what he did/said at the end of episode 5 made zero sense
* nonsense weapons being used including a butter knife and a sword
* nonsense doing that when extremely injured also his friend didn't seem to care that he left him there/didn't send help
- there were several times where the time jumps/flashbacks felt sudden or were confusing with which characters were in the scene, choppy editing
- the first few episodes had a lot of telling/montages instead of showing, I'd say they didn't have enough screen time but then some scenes could have been cut shorter
- in episode 5 they should have established that a character was evil because just being someone's son doesn't mean you deserve that
- a very cliche plot element in episode 9
- I saw 1 character as 2 different people so most of episode 10 felt like cheating
- unsatisfactory open ending
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Entertaining but Predictable, A Solid Yet Unoriginal Revenge Thriller
This series is undeniably entertaining, offering all the key ingredients that keep an audience engaged, friendships, romance, suspense, mystery, and a touch of violence and action. It’s a formula that works, but it's not groundbreaking.At its core, it follows a familiar narrative: a protagonist seeking revenge or trying to uncover the murderer of a loved one. In this case, the setting is a school, which isn’t particularly original either. The “high school murder mystery” trope has become a trend, where students must uncover the killer among their classmates, each hiding dark secrets.
However, some aspects felt underdeveloped. Certain characters lacked presence, compelling secrets, or even a true sense of revenge. Despite the title, Revenge of Others focuses on just one primary revenge arc. The series does, however, emphasize violence more than similar shows, with students resorting to torture and brutality, treating death as less of a taboo.
The female lead, Ok Chan Mi, often came across as overly naive and impulsive. She frequently jumped to conclusions based on speculation rather than evidence, acting as if her assumptions were facts. One interesting element was the portrayal of her twin brother, not as an innocent victim, but as someone with his own flaws.
The final two episodes felt somewhat unsatisfying, which is often the case with series like this.
Overall, Revenge of Others is an engaging watch with solid production, acting, and a dark tone. However, it doesn’t bring anything particularly new to the genre. It’s enjoyable but predictable.
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