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not as good as its predecessor
I really, really wanted to like this series. I loved the first one and I thought sure, surely, the writing for this one will be just as good.Sadly, I was wrong.
And it was the writing that let it down. All the acting was on point. The entire cast knocked it out of the park, so to speak, even if the script they had to work with was dodgy. The music was beautiful, the editing good and the story itself, if it had been translated into the script better, would've worked.
The plot involved Shi De and Shu Yi meeting again after five years. After unexpectedly having to stay in the U.S. for two years, rather than two months, Shi De comes back and runs into Yi's father, who has confiscated Yi's phone. He tells De, in less subtle terms, that he's not good enough for Yi, which brings back a whole lot of insecurities that De already had about their relationship and he agrees to stay away from Yi for five years.
Three years after that, De is running the successful Hua Cing Technology company on behalf of this mother, when who should walk in the door to oversee the company's merger with Cheng Yi Group?
What follows is the rekindling of Shu Yi and Shi De's relationship along with some incidental corporate espionage thrown in to make it all more dramatic.
My main problem with this series is the writing. I don't know what Lin Pei Yu was thinking with this. I was confused so many times about when scenes took place in the timeline. Non-linear storytelling is fine, but it needs to be clear and concise and this was neither. Scenes were just thrown in and we were just supposed to, what? Intuit that they were set in the past?
Also, whilst in a visual medium you always want to try and show rather than tell, you have to actually show things so people understand them. I don't want to just make assumptions - I want it to be clear that I'm making the *right* assumptions. And I shouldn't have to go on social media to find out what the writer is trying to show. I shouldn't have to reference other media to understand the one I'm watching.
Why did Shu Yi suddenly forgive Shi De between one episode and the next? Why did Pei Shou Yi go from (apparently??) rejecting to accepting Yu Zhen Xuan in the space of about five minutes? Come to that, why is Pei Shou Yi running a bar instead of being a Doctor? Did I miss the explanation for that?
Was that blonde woman actually Ashley? I assume so. Is Ashley Shi De's stepsister? Is she the nanny? My assumption is stepsister. Why throw in that special episode and answer no questions about it? Because Shu Yi has decided that he trusts Shi De (apparently out of nowhere) that means we, the audience, don't get to know?
Tell me how I did with my assumptions, show. Tell me!
A smaller, yet as important problem, is also the casual ableism that runs through this series. Yu Zhen Yuan has real feelings for Pei Shou Yi, but they are dismissed as him being "crazy" because Shou Yi thinks Zhen Yuan suffers from filial imprinting, paranoia (which we see no signs of) , Aspergers, mild depression and prone to autotomy (which apparently means Zhen Yuan is prone to cutting his own limbs off.)
Pei Shou Yi makes all these diagnoses despite the fact that he wasn't a psychologist and hasn't been an actual medical doctor in years.
It's like the writer just went for an out-of-date DSM and randomly picked things she thought would make the character as woobie as possible.
And, even assuming that all these diagnoses are correct, that still wouldn't mean Zhen Yuan's feelings for Shou Yi aren't real. To claim so is ableist and wrong.
Pei Shou Yi himself says he suffers from an affective disorder (but never specifies which one) but if he suddenly declared he had feelings for Zhen Yuan, nobody would call him crazy.
A third series was teased, and I'd like to see Bing Wei and Zhe Yu's wedding, because that proposal scene was lovely and they're the most sensible couple on this show.
I can't give this as high a rating as 'No. 1 For You', but I still rate this highly and I did enjoy most of it. It is fairly re-watchable and I give this my sincere recommendation.
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The grandmas character doesn't change but shes more tolerable and funny how shes so mad and how she makes faces and sounds.
The little girl seul gi is the center of the show coz everything revolves around her. She did an awesome job being in all 40 episodes and maintaining her character.
The mom eun soo is stubborn but her conviction and strong morals are impressive.
The other sister hyeon soo is just complicated and no one can change her.
Ahjumma turned out to be my favorite to watch coz the things she says under her breath are hilarious I dont know how she survived living with grandma and the aunt.
The rest of the cast did good and in the end it doesnt turn out how we first expected but its satisfactory. I couldnt stop watching coz the previews would be juicy.
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I would say that it's not an overly original drama but that it doesn't feel cliched in a bad way.
Now, there are characters you don't even need to watch. I fully admit that once I got to episode 6 or so, I just started fast forwarding straight past the rich mother/father pair (who were meant to be humorous but all of their scenes were either the father cheating on his wife, or the wife screeching about something), the douchebag and mistress pair, and even sometimes the evil witch and his cronies. It's the kind of drama where seeing those scenes at triple speed and not reading every single subtitle is fine because there's nothing you can't figure out when Ton and Vana are next on screen anyway.
The special effects were about what you'd expect. I've definitely seen worse.
I would rewatch this but just Ton and Vana's scenes, just to watch them stare into each others eyes and look beautiful. Those actors had chemistry, I hope I can see both of them in more dramas to come. It helps that they're both very attractive.
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Over the top camp (cheese, what ever you want to call it) story involving love for your crappy home town even though everyone else thinks that place is the pits. Great Cast, great shout out to huge names in Japanese entertainment From Chiba and Saitama. I love a movie that doesn't take itself seriously and is made out of love and fun.
Make sure to watch then end credits and song lyrics.
This review will self destruct in 5 seconds. ; )
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A Heartfelt Ode to Macau
Begin Again is a charming drama aired during the celebration of the 25th anniversary of Macau's return to China after over 400 years of Portuguese rule. Beyond being a simple drama, it serves as a love letter to Macau, showcasing the city’s idyllic lifestyle, unique culinary heritage, and cultural blend of East and West. Macau is also a unique confluence of Mandarin and Cantonese, and the drama beautifully highlights this linguistic duality, adding depth and authenticity to its portrayal of the city.Set against Macau’s slower-paced lifestyle—a stark contrast to the hustle of nearby metropolises like Hong Kong and Shenzhen—the series weaves its story through vibrant visuals of local delicacies, historic landmarks, and contemporary attractions. Its promotional intent is clear, and it delivers beautifully on this front.
Storyline
The narrative takes its time to introduce the four main characters, whose chance meetings evolve into meaningful connections. While the overarching plot takes a backseat to Macau’s scenic and cultural showcase, the character interactions provide a gentle framework for the drama’s progression.
֍ Mai You Ge (Amy Chen): An advertising executive in Macau to oversee a promotional video project for an international hotel. Lost in a foreign city where she doesn’t speak the language, she meets Xu Jun Le (Sunny Sun), a charismatic local who doubles as her informal guide and companion.
֍ Chen Jia Hui (Zhong Chu Xi): An art director and artist representing Macau’s glamorous and artistic side. She crosses paths with Han Jun Hao (Elvis Han), a professional race car driver in town for the thrilling Macau Grand Prix. Their first encounter—a spontaneous and adrenaline-fueled motorcycle race—sets the stage for a story brimming with speed and passion.
֍ The third and quirkier subplot involves a hotel manager who finds herself babysitting an 8-year-old Eurasian boy—a piano prodigy preparing for a recital.
Each storyline feels secondary to Macau itself, which remains the true star of the show.
What Worked
The drama shines in its portrayal of Macau as a city of contrasts—new and old, glamorous and traditional, East and West. The slow-paced, idyllic lifestyle is a refreshing escape, and the sumptuous local cuisine is almost a character of its own.
֍ Cultural Representation: Through Mai You Ge’s wide-eyed exploration, viewers are treated to a culinary and cultural feast. Her onscreen enthusiasm for food is contagious.
֍ Character Diversity: Each character offers a different lens on Macau. Chen Jia Hui embodies sophistication and high society, Han Jun Hao captures the adrenaline-pumping excitement of the Macau Grand Prix and the city’s thrill-seeking side, and Mai You Ge represents those yearning to escape the chaos of modern life. However, the standout is Xu Jun Le (Sunny Sun), whose carefree, carpe diem attitude is infectious. His simple yet rich life philosophy resonates deeply.
֍ Language Differences: Though both Mandarin and Cantonese are considered Chinese, their spoken forms are vastly different—almost like separate languages. The drama cleverly highlights the nuances of these differences, often using them as a source of humor. Misunderstandings due to language barriers and differing terminology provide moments of levity and authenticity, giving viewers insight into the cultural and linguistic richness of Macau.
֍ Cinematography: The city is beautifully shot, with an emphasis on its blend of historic charm and modern vibrancy. The Grand Prix scenes, in particular, are brimming with energy, capturing the electrifying rush of high-speed racing and the iconic atmosphere of the event.
What Could Be Improved
While the child actor playing the young Eurasian boy performs admirably, his babysitter Casey suffers from awkward and stilted dialogue. Additionally, Isabella (Lisa-Marie Tse) feels overly exaggerated, making her scenes slightly uncomfortable to watch.
Final Thoughts
Don’t expect a gripping or intricate plot from Begin Again—its primary goal is to promote Macau, and it excels in this role. The lighthearted stories of the characters serve as a vehicle to explore the city, its cuisine, and its culture. The Grand Prix scenes add a much-needed dose of adrenaline, and the language differences inject humor and authenticity.
More than just a drama, Begin Again serves as an invitation to visitors and expatriates alike to take a break from their exhausting "996" work lifestyle. It even subtly encourages the idea of moving to Macau for a life inspired by carpe diem—a slower pace filled with rich experiences and simple joys.
At its heart, Begin Again delivers a powerful reminder: the most important part of life is not about results, and it’s not just about the journey—it’s about the company we keep. The last two episodes are especially moving, as they highlight the importance of stepping out of one’s comfort zone and making changes when life isn’t fulfilling. As Einstein put it, “If you keep doing the same thing over and over again, it will not give you a different outcome.”
For anyone curious about Macau or simply looking for a cozy, picturesque watch with a touch of high-speed excitement, Begin Again is worth your time.
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The plot might seem silly but its actually really good and heart warming. Its about teaching someone how to love. Even though the plot is a bit far fetched its still believable and thats one of the main things I love.
The acting is good, however I've never been a huge fan of Hayami Mokomichi and find his acting a bit lacking. I will admit I was biased and mostly watched this for Mizushima Hiro.
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This was an amazing movie but must be watched with the happiest, fluffiest, brightest movie you can possible find right after! *you will understand when you watch it* The main actress does this amazing job of protraying a blind person. And for some reason its very entertaining to watch Yoo Seung Ho PLAY HIS AGE! (lol!)
A great thriller, not really horror but its graphic (not in the sexual sense). But I WARN you its not for anyone that A) is very sensitive when it comes to death and rape and B) cries whenever the animal adoption harmed puppy dog picture commercial...thing comes on T.V.
Another Great MOVIE that is NOT ROMANTIC!!! (said from a die-hard romance buff...ME)!!!!
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Girl with nerdy appearance falls into water and goes to another universe (in ancient fantasy China) where she is the beautiful queen of 30 husbands. She tries to fulfill her role but can't really get into the reverse harem-life and starts to persue one of the guys. Her main friends at first are a doctor and her personal assistant. She slowely gets to know 4 of her husbands, mostly through getting drunk. Her job is to basically sleep with all of them in order to get them pregnant and they are very persistent about that sometimes. However, there is an evil plot waged against her to steal her husband(s) and drama occurs.
I don't know more than this since the subs cut off fairly early. The ending is not really an ending since there were supposed to be more episodes but it's still 20 episodes of content.
Acting
All the husbands are handsome and the acting is fairly ok for a drama like this. You'll find yourself mostly liking the male actors. The guy crying while eating a hamburger with musicians in the background is 10/10, that was some deep relatable stuff. Some of the temporary hairstyles in this drama are pretty wacky though.
Music
Chinese music, not much to say about it, its ok.
Rewatch
Episodes are short and it's easy to rewatch for certain fun scenes. For the BL/BR crowd, there are 2 scenes between husbands which are played for jokes but still pretty brave for China. They definitely still need to fix the subs though.
Overall
Liked the show, would recommend it if you want to see a different scenario for a period drama. I think most people will just watch it because they read ''she has to impregnate the husbands'' in the synopsis and get curious.
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This review may contain spoilers
Old Boy is the first slice-of-life drama that I've seen come from China. This genre is done well in Japan and Korea, but for it to really work for Chinese dramas, they are going to have to cut the episode count. There is a lot to enjoy about Old Boy but the episode #, as well as a late (last 10 or so episodes) move toward the normal cliches/tropes seen in Asian dramas soured my enjoyment of this series. Honestly, before the last episodes this would have been an 8 but that is what happens when filler and cliches take over a script.What I liked:
Actors: All solid and really written well though I think the female lead was a bit of a princess but I love the actress so much, it was easy to overlook.
Story: You get it all: romance, bromance, father/son, girl friendship, student/teacher etc. With 45 episodes (not 47 listed on MDL), there is bound to be a storyline here and there that doesn't totally work or one finds boring and this did happen but the main friendships and such worked for me enough to overlook or judiciously fast forward.
Music: Love it.
Production Value: The best I've seen in a contemporary Chinese drama. Money was spent on this and I wanted to get on a plane and go to Shanghai.
What I liked the best: The relateability. For slice-of-life to work for an international viewer like myself, I have to be able to relate to it on some level and the drama does this well with relationship and job woes. Did they all work that way, no, but enough did and generally didn't go so over-the-top as to be silly. Also, none of the characters are perfect, they all have their flaws and we get frustrated with them but that's reality so it works here.
Special Shoutout: The father/son relationship was handled in a non-makjang (to borrow the Korean word) way. The young man who played the son was great, and I think it is my favorite relationship story out of all of them.
What didn't work:
As mentioned before, with so many stories going on, there were a few that didn't do much for me.
Job Scenarios: We see career woes that the main characters have happen, which is fair as they tend to happen to us all. I thought some of them, especially regarding the pilot were on the contrived side. Also the job situations that popped up with the lead female character could have been handled better as well as she sometimes seemed to not know her own mind on what she wanted to do which wasn't believable to how her character had been written in the beginning.
Last 10 episodes: So while the writer did a nice job on many relationshps like the bromance etc, after the romance gets going it goes into the normal cliches that one sees in so many Asian dramas. I was so disappointed. The writer also throws in a bunch of drama where there needn't have been any in this genre especially when there are real issues that any modern couple would face. I don't want to do spoilers but it shows how in a rut the writers are when it comes to romance storylines. I freely admit, I had to fast forward through a lot of the last 10 episodes because of my frustration.
What else you need to know:
Romance: it doesn't get started until halfway through so if you have to have that genre right away, this isn't for you.
Full Disclosure: Pacing: It is not a fast paced drama. I'm moody about this and sometimes it works and sometimes it doesn't. At around episode 15, I turned this into a background drama and watched while doing other things and actually saved this drama for an evening of laundry or some organizational chore and still found it easy to keep up on the events of the drama. This works for me but might not be how others want to view dramas.
So overall this was a solid, but overlong, drama. It's relateable and I enjoyed getting to know all the characters. The modern vibe and flawed but likeable characters made it easy to get into but it easily could have dumped a few storylines, done a better job when the romance actually got going instead of relying on tired tropes and cut the episode count. Nonetheless, it's beautifully filmed, no dubbing, solid acting and if anyone ever told me I'd see Irish clogging in a Chinese drama, I would never have believed them but here we are. Hope this gives the reader some insight as to whether this is their cup of tea. I don't regret watching it but wish they could have stuck with the same tone of the first 35 episodes in the last 10 episodes.
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The acting is amazing. Lee Byeong Hun is a spectacular actor and I love him in pretty much every project he does. If you only watch for one reason, watch it because of him. Song Hye Kyo is beautiful. Ji Sung was kind of in the background a lot of the time, but he is very solid, as usual. Park Sol Mi was the second female lead, but pretty forgettable when the main couple were so powerful already. I'm glad to see the younger actors, Jin Goo and Han Ji Min in dramas as adults.
I love the music, along with everything else about this drama.
I've watched it maybe 3 or 4 times and I'd watch it again.
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A total mess but I kind of liked it
I know i am one of the few people that actually enjoyed watching this drama.It frustrated me a lot but i couldn't drop it because I like the leads, especially the female lead.
The story had a nice message but the execution was so wrong and so boring. It should have been 12 episodes, that way, a lot of things wouldn't have been dragged out but it had some nice moments.
The FL's parents were the main attraction of the show, they were very funny and they made the show a little bit bearable.
The friend that was dating two guys also made for some special moments but they didn't really give them much screen time.
All in all, i think the show was just trying to pass a message of live and let live. They just want people to know that marriage isn't always the ultimate and to let people live their lives however they see fit.
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On the stage, our souls face each other, and I'm a little bit ashamed.
Because even if I don't say anything, you always understand everything."
(–My translation of some lyrics from the ending theme)
TL;DR: if you're put off by the "Beijing Opera" theme of this drama, that may look old-fashioned and boring at first (it was for me), don't be. Watch it. You'll end up wanting to learn more about Beijing Opera and falling in love with the characters and their relationships. And crying too.
Winter Begonia is, in my opinion, the best long-format Chinese drama of 2020. This series does something that was never attempted before in any drama, and it does it beautifully: it takes us behind the scenes of the Opera world of Republican-era Beijing and lets us look closely at every exquisite detail that made up that world, from the precious costumes, to the colorful makeup powders, down to the clinking of the porcelains and the fuming cups of tea. And it takes us into the lives of people who lived in that world letting us taste their joys and their sorrows, always in such a vivid and evocative way that I've rarely seen in other dramas.
This drama has no filler scenes, no overused tropes; every character and every detail has a purpose and is treated with love and care. This level of care also applies to the technical aspects such as photography, editing, color grading and music. The music is especially beautiful, and the opera melodies are perfectly blended into the score. The costumes and makeup are gorgeous, and the Dan (female role) costumes and makeup look sooooo good on Yin Zheng. He's like a doll. And watching this drama is like looking at a series of paintings.
Shang Xi Rui, played by Yin Zheng, is undoubtedly the star of this drama. A genius performer who's only known a life on the stage, he's stubborn, hot-headed and has got the heart of a child– qualities that cause him to be unfit for a society made of rules and courtesies. When we meet him and for most of the story, he's like a cute puppy that turns feral when he's angry. But he also grows a lot and has great character progression, which is beautiful to watch.
At one point, Cheng Feng Tai says of him, "The other performers look like the characters they play. Mr. Shang IS the characters themselves." I think this quote also applies to Yin Zheng in his phenomenal portrayal of Shang Xi Rui. After watching him you won't easily forget the way Rui-ge runs, eats, laughs, cries, pouts or smiles. Or the way he speaks, with that unique, cute way of speaking and soft Beijing accent. It's a fantastic performance that will live on for the ages. A comparison with Leslie Cheung's Die Yi from "Farewell My Concubine" can't be avoided because of the similar roles, and Yin Zheng passes with full marks in my opinion. He's honestly just as good.
Dashing businessman Cheng Feng Tai (Huang Xiao Ming) is Shang Xi Rui's "god of wealth", patron, pillar of strength and his perfect counterpart. Where Xi Rui has his head in the clouds, Feng Tai has his feet on the ground; where XR is the reckless and pure-hearted child who always wears his heart on his sleeve, FT is the one who knows better how to navigate the nastiness of the world and keeps all the pain inside him. They also come from opposite social backgrounds as XR is basically illiterate and belongs to a profession that is treated as pariah, while FT is the richest guy in town who's studied abroad.
Cheng Feng Tai is not a really complicated role to play, but it would have been easy to slip and make this character too dull or too cheesy, or without chemistry with SXR. Huang Xiao Ming instead plays him as a well rounded character that balances the worldly, dashing hero part of FT with the conflicted, often flawed one. And the chemistry is there. He IS Shang Xi Rui's own beloved Er Ye.
The ensemble cast is excellent, and all the subplots and the background elements stand on their own and are never just filler in between the main leads' story, or wallpaper. But the dynamic between the two leads is of course the highlight of Winter Begonia.
知音 zhiyin is the word used to describe what they are to each other: closest friend, confidant, soulmate. Someone who can understand the other with no need for words. When others doubt Feng Tai's alliances, including FT's own wife, Xi Rui trusts him completely; when XR is hungry or hurt, FT is there to feed him or take care of him; when XR is lonely, the only thing he wants is having FT next to him. They're fully devoted to each other and would die for each other (this is not an exaggeration, it's what they really try to do). One of my favorite lines by Feng Tai to Xi Rui is "You think I won't be there to care about you [when everyone else abandons you]? Only when I'm dead!"
For them, the unspoken is heavier than the spoken. They never outright say what they feel about each other (of course, due to drama censorship too) but they still say it with their actions and expressions. XR says it singing on the stage, FT says it with THOSE LOOKS when he's looking at XR sing.
Finally, I won't say this drama has no flaws (that's why I couldn't give the story a 10/10). I think it has flaws in the stereotypical portrayal of most of the Japanese characters, in how some secondary characters could have been written better, in the not-very-clear passing of the time (it's always winter, the babies are always infants, the women are always pregnant). The execution of the story is also not flawless in terms of how the story beats connect to each other. But honestly, these things don't really matter when you look at the bigger picture. Which is an incredibly beautiful one.
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This is a rather serious drama, with animal surgery and a lot of animal topics that I didnt even know exsisted. Not much comedy, and a slight ( and I mean slight) bit of unrequited romance/ longing. Some of the major themes were: the little man fighting the big company, taking responsibility for your own life, compassion, and fighting your fears. I didnt like the ending because I wanted some people to get together (but oh well).
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This drama has a series of action, thriller, mystery, suspense, crime and even a hint of romance. God’s Quiz is a type of dramas that you need to watch all the episodes and part in order to understand the scenario. For every investigation they have, you need to be able to understand what they are referring and what they are talking about. After for each episode, they will come up with a solid conclusion in which you will find understand once the case is case. In regards with the plot and storyline, it is quite clever, yet complicated. This is because for every crime they investigate, the solutions are very clever while the procedures they have to undergo are very complicated. Also, the story shows the difficulty of criminology and how they tackle difficult situation, especially while working and risking their life.
In addition, the story is a complete package of suspense, drama and crime which is often a bad combination. However, these genre fits to the storyline of the drama and it was well executed. This suggests that with this combination, you are assuring that you want to continue watching it. Their curiosity for each case is astonishing. There is always a malevolent antagonist who is conducting series of crime which they need to identify who. Therefore, this is a drama that has a very good and solid plot and story. I can assure you that for each case they do, you would ask yourself “who did it?” “Why they did it?” and “what is the cause of it?”
Casting/Acting:
I am not very familiar with the cast for this drama; however, their acting skills are very good. In my point of view, they often improvised during some of the scene which makes them very professional with their field. I am very pleased on how they act on drama. I am looking forward on how they act for the next seasons. I hope they will not disappoint me like some drama that have next season that does not have a very good cast. Even though they are a lot of rookies in acting, they need to be confident on whatever their character is. For example, the main actor is effectively acting a childish, genius, comedic and mysterious doctor. What I see is that he carefully evaluated on how he is going to portray his character. Therefore, I would complement the director for choosing a very good casting list.
Music:
There is no much to say in the music. The reason behind this is because they mostly use suspense and thrilling sound effect to make the scene more dramatic and exciting. The viewers can actually feel the suspense and thrilling effect due to the effective use of the sound effect. Furthermore, the sound effects and music used in this drama fits to the genre itself. The music changes the mood of the scene from melodrama, to comedic, to suspense and to even romantic.
Conclusion:
For me, there is a high possibility to re-watch this drama. The reason for this is because of the suspense, action thrilling and hint of romance for each. With that malevolent, psychotic and cunning antagonist, you could miss a lot. I am looking forward on seeing him in the next season which I think he is. Either way, I conclude that this drama is a very astonishing due to its features. This involves plot twisting theories, unpredictable outcome, mind twisting problems and even fighting a vindictive phantom. Therefore, the chance to re-watch this drama is very high due to that fact that you will get curious as they go deep down with their investigations. Also, I am looking forward on watching the next season.
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This review may contain spoilers
a cliche story but alright until the finale
I started monthly magazine home on a whim and i'll tell you i had no big regrets at first but didn't enjoy how the story progressed and definitely hated the last two episodesAs a big fan of Jung so min she was my reason for clicking on that first episode, MMH focuses on
the lives of people who work in a real estate magazine and it shows how they go about in a workplace,
I learned a bit about real-state and some life tips for saving money xd The side characters did come off annoying at first but i still managed to like all of them, ok now the bad part...
I was enjoying this drama somewhat id say even though there were some obvious clichés I could get past that but the final two episodes ruined the whole flow of things, from unnecessary breakup to the very unwanted separation plot in the final episode i literally skipped through the last episode, I was going to give the rest of the drama an 8 but then I barely watched the last episode and hated the ending so I don't think that's fair so 7.5 it is.
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