Reviews

Basically, a teenage fanfiction

I usually love Japanese dramas, but this was just so ridiculous, that the longer I watched, the lower I kept rating it. My God.

The FL became a nurse for all the wrong reasons, and remained one for all the wrong reasons, too. I feel so bad for the ML, just imagine someone following you like a puppy at your workplace and proclaiming (unwanted) love for you every chance they get. And then on top of that, every single person you know trying to set you up with the girl you don't want to have anything to do with, including family, friends, colleagues and patients! I'd quit the job on the spot.

But what frustrated me the most was that the FL constantly kept acting like a 15 year old, in everything from the way she interacted with people to the way she acted at her workplace, and even worse, to her ideas of what a romantic relationship looked like; all of it felt so immature! It felt like watching a minor flirt with her boss. It felt like watching a saesang obsess over her idol. It felt like an adaptation of a teenage fanfiction. For 10 episodes straight. Ughhh.

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Not sure...

Immortal Samsara is the first Xianxia that I'm rating so low. I mean, I usually rate them a 9 or above because they are worth it. To be honest, Immortal Samsara was even one of my most anticipated dramas of 2022, mainly because of the cast. But, in this case, I'm not able to do so. There are many reasons for this, which I'll be explaining in the review.


THE STORY

This drama is adapted from a novel Chen Xiang Ru Xie (沉香如屑), which literally translates as Agarwood Like Crumbs, by Su Mo. The drama is a typical eternal love story portrayed in Xianxias. There is not much difference and it has great similarity to Ashes of Love (even the kisses are similar!). FL and ML are dieties in the heavenly realm who fall in love, where their love is forbidden and opposed. They'll be hurting as well as sacrificing for each other because of their love. They'll also have love rivals on both sides who constantly stir up trouble and try to make them fall apart. Then, for some reason (mostly because of those love rivals), they will go to the mortal realm, fall in love again, and one of them will realize that they fell in love for the second time with the same person who hurt them before. But, they can't hold off their love and realize how deeply the love has been rooted in their hearts, etc. etc.. This is the common story arc of Xianxias, which is again repeated here. The only difference is that they fall in love a little too early, i.e., the drama is fast paced. I'm honestly bored out of my skull by these kinds of stories! True, there were many new elements in the story which should have made the story much more interesting, but the love story of the main lead is a total let down. But, towards the end, it seems that their story is taking an interesting turn. Fingers crossed for an interesting part 2!

A good thing about the story is the side couples. Many may not give much attention to side couples but, here, they are very hard to ignore because, somehow, I've got a feeling that they have a better love story than that of the main couple!

Note: The story has a lot of time jumps and flashbacks, and therefore, it may seem a bit confusing.


THE CHARACTERS

The male lead, Lord Ying Yuan/Tang Zhou, is not so different either. The typical handsome and cold-and-aloof-on-the-outside-but-warm-inside type of high diety/cultivator whom everyone looks up to and fairies are head over heels for. The FL has the slightest difference: she is not the usual dump girl who doesn't know what love is or the clumsy, not-so-intelligent pretty face. Yan Dan here is much more mature, witty, and strong. She has great willpower and knows how to love. That was refreshing to watch.

All Xianxias come with at least a love triangle, or should I say, an obsession triangle lol. Anyway, it's a square in this case. But, the SML, Yu Mo, is not so obsessed with Yan Dan here (he truly loves her!). In turn, it was Fairy Ying Deng who was obsessed with Ying Yuan.

Another thing is that it is the ML who usually suffers the most in these kinds of dramas. But, it's not the case here. Both Ying Yuan/Tang Zhou and Yan Dan suffer endlessly. Sometimes, it's a bit hysterical to watch, but it's immensely satisfying to see that pain and misery are not biased towards one lead XD


ACTING AND CAST

I don't think I'll have to talk about the cast. This drama sure has a star-studded cast, which will compel you to watch the drama no matter what. They were the main reasons why I held on to this drama till the end. If you are a usual watcher of Xianxia/Wuxia dramas, you'd probably notice many familiar faces throughout the cast.

Cheng Yi, the God of Blood-spitting, finally has a lot less blood-spitting scenes in a drama. I'm happy but somehow sad too. He was so hot during those scenes with some red lipstick! Taking about his acting, I have nothing much to say. He is as awesome as ever! And so is Yang Zi. If you have watched at least one of their historical dramas, you'll understand their excellence and the quality of their acting.

Yang Zi and Cheng Yi can make chemistry with whomever they are paired with, but, in this case, it's even more so! They can't be more compatible as a bickering couple!


MUSIC

The music in Xianxia dramas is always so pleasing! They always give the right feeling in the right situation!

Some of the notable OSTs in this drama are:
Agarwood (沉香) by Jane Zhang and Jackson Zhang
World Records (红尘录) by Jackson Zhang
Watch the Day (望辰) by Yang Zi
Forget the River (忘川) by Cheng Yi
Partial Star (偏星) by Jane Zhang
Never Forget (无忘) by Zhang Lei


OVERALL

If you ask me if this drama is worth watching, I'd probably reply no, because it's not. You'll know this is definitely not the best Xianxia, nor is it any different from other Xianxias. Actually, it's even worse. But, it's definitely worth a try at least for the cast. Anyhow, I doubt if this would be a good watch if you really did try.

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A lot of things were hidden, mainly the reason.

This was a sweet story at times, frustrating at other times.

My biggest gripe comes from the FL character early on.

It almost seemed as if the 14 year old version was more mature than the 18 year old.

I had a hard time at one point keeping track of her age due to her overly childish behavior and ridiculous baby voice.

No one I know has ever acted or talked like that.

From other reviews it seems she does this intentionally (?) which is even more bizarre for a character to do.

The ML was pure eye candy and he knows it.

This role was just another way for him to boost his fan count.

I disliked the way he dressed / styling of his character.

Some scenes his jeans seemed too high up and he'd have his shirt tucked in like someone's grandpa.

A 5 year age difference is not that much, especially not to dress him so much older.

I appreciated the few times they did things and it was a first for both.

Example: walking together on campus and then he plays basketball.

Even though he had already been to college, he didn't have the chance to do 'couple things'.

We saw very little development in his feelings for the FL though which was a let down.

It was very sudden and not very convincing.

The reason seems to be a complete mystery other than a few flashbacks of him looking at her (very short span of time).

He literally was calling her kid and treating her like a little sister one day and then BAM! all of a sudden he's head over heels in love with her.

How?

They could've spent more time developing that part of the story and less time on the fact that his dad killed someone while drunk driving.

I also didn't understand the constant emphasis on how wealthy the FL supposedly was.

They seemed to be middle class, maybe a little higher.

Not too impressive but somehow was a big point.

The leads are both good actors so they played their parts well, but their chemistry was very lacking.

Not a popular opinion, but given my seasoned experience, one I am sticking with.

I was not moved by it, but overall it was a good watch.

Just not worth all the 9s and 10s floating about.

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The almighty pen.

From a writing perspective, it’s closer to a 7.5, but I had so much fun, I cannot rate it lower than 8.5. It was quite an exciting watch, delivering all types of frustration and thrills, but ending on a rather mediocre note.

Honestly speaking, the first half of the show was a good 10/10. It had everything one might want from a show like this - cute fighter, psycho brain, cinnamon roll who just wants to help. We’ve also got all the blood, pain, violence and the main character - the pen! I was eating it all up, could not stop watching and barely stopped myself from screaming at my laptop.

So what happened in the 2nd half? The drama changed from more plot/action driven to character driven… and it focused on the character I honestly cared the least about. With each and every scene I just started to hate him more and more. For all the buildup, all the tension, all the accumulated frustration in me, I was not delivered a proper closure. I understand it will have a second season, but even with that, rather than being excited and hopeful the drama left me fearful if they will deliver a more proper ending this time. I don’t want to dive into it and get a half baked potato with the last scene.

That said, the show presented a glorious friendship/bromance between Shi Eun and Soo Ho and I could not ask for more on that part. Both characters perfectly played off of each other's traits and the dynamic was just fun to watch. They were perfect partners in crime.

Oh Beom Seok was a complicated character and I don’t think the director quite well delivered what they planned with him. I feel like there was something missing with the way his character was developed. For such complex internal and external struggles, I was completely indifferent to whatever was happening to him - which is ridiculous as he is the center of last 4 episodes.

Plot wise, saying this drama lacks realism would be a massive understatement. Some scenes were so ridiculous and over the top I was just laughing. At times it was even hard to feel bad for these kids, because the situations they were in just made little sense. And this is one of the reasons I enjoyed the show. I watched it for the over the top scenarios. I wanted excitement and hype, and not pain and anxiety. That said - fear not, Weak Hero Class 1 still manages to create decent stakes and make you care for the characters, even if your brain sees the nonsense happening on the screen.

I appreciate how the drama tried to showcase what happens when someone is in a circle of violence. What they missed is to show why some characters were able to get out of it, while others got swallowed deeper and deeper.

Production value was good. Loved the fighting scenes, and loved the different approach the characters had to them. They delivered realistic blood and realistic amounts of it - someone gets punched, they will bleed, but ain’t no bloody waterfalls going on. Some scenes were quite aesthetically pleasing, though I wished they included more visual symbolism here. This is something I felt like the drama lacked.

The acting was the one that surprised me the most, on the positive note. I knew Park Ji Hoon is good and that's why I am even more amazed he delivered even more than I expected. This type of character so so easy to mess up. To create the aura of intimidation, you need some skills. to make him look empathic on top of that, is even harder. And Ji Hoon managed to do it all.

Choi Hyun Wook was honestly adorable. That said, I kind of felt like this is more violet, better at fighting version of the character he played in 2521.

Hong Kyung did a great job with the character he was given. Even if the writing for him felt rushed, he did great at portraying the change and desperation.

Overall, fun, violent and exciting. The characters were interesting, some more and some less likable. The conclusions for specific plots and situations could have been better. Perfect binge watch material.

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Strategic Revenge

A revenge series, and also a strategy series. There's action too. I really liked it. However, we should also mention its shortcomings. First of all, it's a revenge series, but it's portrayed as if there's a kind of conversation between the avenger and the victim.That is, the avenger and the victim make contact, chat, meet, explain their intentions, then make a plan, and the avenger kills that person.But that person could also kill the avenger. But they don't. The screenwriter has employed an interesting strategy. It's as if the avenger and the victim are playing their cards openly. Everything is out in the open. It's a meticulously crafted script where everyone seems to know each other's plans and strategies. Although it's so obvious, it's beautifully portrayed, I really liked it. I wish the avenger hadn't died in the end and their success had continued. However, while taking revenge, they risk being killed at least a hundred times, and in the end, as a result of their own plan, they also plan their own death. An interesting scenario. That's why I gave it 8.5 points. Cheng Yi's role was also in my rating. Perhaps if someone else had played the role, or if it had been a less important, unknown actor, it wouldn't have received the same attention. At least, I wouldn't have found it so compelling, I wouldn't have given it this rating. So, the actor's performance is also important. Cheng Yi carried the series from beginning to end. He was successful. He could have been even better. Maybe that's just how the role was meant for him. Liu Yi Jun, Wang Jin Song, Zhou Qi, Tong Meng Shi, Ye Zu Xin, Cheng Tai Shen, Sun Zu Jun, Guo Cheng, Wang Zu Yi, Song Jia Lun, Zhang Han Yu, Ni Da Hong were some of the actors I liked. All the actors were very good. These names stuck in my mind. I really enjoyed it. It's a great series for those who like revenge, action, and strategy. I recommend it.

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Watch go ahead instead.

Our secret had so much potential to become a touching and emotional story that would have always remained in my heart (something like 'go ahead') but it really MAJORLY lacks in almost all aspects.
The first few episodes had me addicted! It was so beautiful and ugh the charecters were adorable.
But um i have alot of problems in the fundamental thoughts they tried to convey in this show:
- the portrayal of the arts stream is SO BAD. They treat it as though arts is something that people who want it easy take, conforming to the social norms. They state multiple times that "only few students take arts" " girls should only take arts" "science is too difficult for woman". This is in 2021, not 1800s.
- the female leads reason for choosing her stream is her ego. She wants to prove to everyone that she can do science. Even though it sounds so inspiring,it really isn't because shes literally not passionate about any science, nor does she have dreams to do science, she's not even good at science. She's literally an artist !!! Her other reason is all her friends took science.
- Male lead does everything in his power to "protect" the female lead even though she can literally do things herself. He puts his career at risk to do this too. The norms of men proposing, men buying the ring, men always paying, men not feeling cold at alllll is further amplified not in a subtle way.
- the female lead does CRAZY things for love. She literally does not care about her career for around 15 episodes and tries to do everything the male lead does(as he's the genius) by taking a break year to study in the same University and even join his research team???? When she finally realises her importance suddenly she's getting all these arts offers after doing a degree in computing. SO UNREALISTIC. Yll really think getting a job in an area that's not your major is easy? No matter how talented nobody hands out contracts to a fresh graduate from ANOTHER major. This is setting such crazy expectations that happens irl only in RARE cases.
- many scenes make no logical sense. He's poor but lives in such a huge apartment in the middle of the city? All three leads be crashing random meetings? A Start up working in so many industries? I could name so many things!
-the mom's charecter has SO MUCH EGO. Even though she's the adult, the female lead is expected to "not get mad at her" or be respectful because she "doesn't mean it". That's such a sick mindset because adults are the ones that need to be mature and not treat thier children like shit.
The leads were cute in the first few episodes but their chemistry gradually deteriorated. The show dragged the high school part quite alot. I skipped way too much even in the end of the show.
Another thing I thought could have been done better is at how they started the show with the fact that "shit happened", that made me wait for shit to happen because i knew it would and made me enjoy the show less.
The acting is pretty good, i don't have any complains in any other aspect except for the writing and the ideas presented in the drama which would leave the watchers with unrealistic expectations about life and career. Even thier relationship is low-key super unrealistic. I finished this show learning absolute nothing and gaining no insights on anything in life.
Highly not recommended.

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shut up, dont think about it and GO WATCH

it has been a hot minute since im done with the drama
THIS. THIS IS BETTER THAN AT LEAST 40% OF K DRAMAS AND THE BEST C DRAMA IVE EVER WATCHED
1. GET YOU ON THE EDGE OF YOUR SEAT
2. THERES ROMANCE
3. ITS JUST SO GOOD

the synopsis helps explain everything without much spoilers and i tell you, no synopsis will do true justice to the drama. its just 15 episodes, 45 minutes each, even if you dont think its good at the end which i dont know why you would think that way, at least not much of your time is 'wasted'

OST not my type
chemistry is RIGHT THERE
super heartwarming. every character in the bus has a story behind, except for the internet celeb and the macho guy who was honestly useless :/

i just wish wang meng meng was able to tell her parents a thing or two in a way or another. i wished that her truth would have come out earlier so all these ordeal wouldnt happen. but legit a 100/10 drama, i will surely rewatch it. this drama is the first drama to make me scream and shout out of thrill and suspense. real good. im buying the novel like RIGHT NOW

fyi i watched without eng subs because chinese is my mother tongue, i dont think english subs would do that much of justice to the show as well. BTW there are like SHIT SHIT ton of easter eggs in the show! leave a comment on this review and i will perhaps share more that i know.

one that everyone should know is that wang meng meng and the FL are almost identical
1. they are wearing blue tops/outfits
2. have almost identical if not the same bag with the same keychains and pins
3. they both go to the same school
4. wang meng meng's mother taught at FL's high school
there are more similarities i just cant remember!

please go watch the show, it made me cried out of suspense and relief, no show has ever done that!
<3

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more melodramatic series that didn't stick the landing

Overall: this first episode really hooked me, but similar to most of GMMTV's series, the existing plot would have paced better at fewer episodes and I was especially disappointed at the last 2 episodes. 12 episodes about 45 minutes each. Aired on GMMTV's YouTube channel.

Content Warnings: violence/beaten up, see my spoiler comment for another one, fights/punches

What I Liked
- how the intro notice was blurry to make the viewers feel how Day felt
- the premise was explained/shown well
- sweet moments
- laughed a few times
- enjoyed several of the supportive side characters

Room For Improvement
- pacing was too slow for me, I watched most at 2x speed
- I couldn't get into some of the conflicts because I saw easy(ish) work arounds for most of them
- ep 11 curse/cliche plot point, time jump and a rushed ending
- it felt like Mhok was doing more of the heavy lifting in their relationship and Day's fast change of mind felt unrealistic

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Could It be Any Worst

I found it to be not worth it. I wanted the story to be good but the first thing that bother me was the lead female character. Like always they make this girls stupid, weak with no ideology or logic yet she had all this power. They also give her a naïve, stupid maid. Everyone can push the lead character around even other maids. She so kind that she does not hurt anyone even those who are trying to kill her. She so loyal to her sister and father even when they are mean to her. It just disgusted me. All thru the drama until the 20th episode it was the same, it did not change. The romance to me was not there. I could not see any real chemistry. The male lead is a strong brother to the royal prince but has so many secrets that he shares only with a few. The rest of the characters just turn me off. Many of the scenes was so predictable and some of the characters had terrible acting skills. The ending made it even worst. Very disappointing.

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I rarely ever write reviews of shows but I gotta write for this one.
Why? Because I saw a lot of poor reviews and it made me postpone watching this.

Let's get down to business now shall we?
This is a show for the patient ones. Those that are not seeking steamy fast paced romance. Those that want all the healing they could get. This show is the definition of forgiveness and healing. It balances out every emotion you could think of. Anger, sadness, pain, happiness, loneliness and just gives you general warmth.

Is this Romance?: Hell Yes. There's tons of romance in this. Beware though, it is not a romantic drama. This is a slice of life.

Why should I watch this?: The scenery, the ost's, the production, the actors, the story, EVERYTHING.

To All those that said this show is slow, I won't say it's not, but what I will say is, the pacing is perfect for the gem it is.

SPOILERS:
While watching this show, when Hae Won found out about the truth behind her fathers death, I discovered a lot of people called her selfish for leaving and going back to Seoul and for disregarding her family's feelings.

I saw it as the opposite. I saw a woman who was hurt by her family. A woman who went through so much hurt that could have been avoided if only her family communicated. A woman who needed time to accept that her family was messed up. To me Hae Won's reaction was spot on. I would leave too. I would be mad at everyone including myself. I would need space to reevaluate everything just as she did. Remember she had a hard childhood because her mum was a "criminal." Something she didn't have to go through. That being said, I commend her for leaving to sort out her feelings.

As for Eun Seob....I've never been a Seo Kang Joon fan, until now. I fell in love with Eun Seob as a character and Seo Kang Joon depicted the character so beautifully. A hurt child who never expresses himself but always wants too.

As for the supporting characters, I ABSOLUTELY ADORED IM HUI AND JANG WU. They were real comic relief.

THE OSTS: Beautiful

OVERALL? Watch this and decide by yourself. Don't follow any one's review. I personally will be re-watching this sometime later.

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First half was all kind of awesome but it faltered a bit in the second half imo. As much as I love Danoh in the beginning, she started to grate on my nerves with her overly aegyo (it was cute at first but you get tired of it very quickly). Her world literally revolves around Haru and only Haru (that I almost felt sorry for her other loved ones) I loved her spunk and sass in the beginning but this girl totally disappeared in the second half to my dismay. I really liked Haru but I can't help but think that his characterization fell a little flat in the end. Did he have another meaning in life other than being Danoh's love interest? No. What a shame. Don't get me started with Baek Kyung...his only role was to be a cockblock to our lovebirds...he didn't stand a chance but was too stubborn to admit it *sigh* (they better thank Lee Jae Wook, his flawless portrayal made me care more than I should for an otherwise obnoxious character. Even though, his redemption arc came far too late, he still managed to move me and it brought me to tears when Dan Oh forgave him)
Do Hwa was another character I was really fond of but once again they didn't explore him much and has been relegated as a comic relief.

Self-aware Juda was badass but her decision was quite questionable. While I felt sorry for Nam Joo (and that's probably why she chose him in the end), Do Hwa was a better fit. But we have to remind ourselves that Nam Joo never gained his awareness and that's a bit unfair to solely judge him based on how he's written. Tbh, I wasn't even annoyed by his character, his characterization was so one dimensional that it made me laugh in the end (he was such a riot)
Sae Mi never gained hers or did she? She did bully Juda in the shadows or was it a mistake of the production? She was a lovely friend to Dan Oh but a bitch to Juda (pardon my french). I'm probably the only one that agreed with Baek Kyung's comment on her being a villain (I know that's the pot calling the kettle black but still it was so satisfying). She had to hear the truth somehow even if she forget it in the next scene.

They focused too much on the pointless love triangle that they lost sight of the main themes (and the most interesting ones imo): free will, changing your fate thus stopping the neverending cycle (I would have love for everyone to work together against the writer)
Resulting in underdeveloped characters, plot holes, no explanations whatsoever of crucial points and rushed ending. Still, I enjoyed that drama for the most part and will miss it nevertheless.

Acting-wise, everyone was brilliant.

Kim Hye Yoon was great and though her character lost its momentum in the second half, she managed to give Danoh enough gravitas to keep me invested in her character.

Rowoon/Kim Seok Woo surprised me the most, he nailed the emotional parts and held his own quite well. Kudos to him! Haru is not an easy character to play since his blandness and lack of development could bore the hell out of anyone but he shines and makes you care and root for his happiness (shame they didn't explore more his bad boy side, prefer his look when he returned and lost his memories *shallow me*) . As an idol turned actor, he has the potential to be in the top-tier imo (with Im Siwan, Lee Junho, Do Kyungsoo or even Park Hyung Sik).

Lee Jae Wook ah Lee Jae Wook, my main reason on why I watched this drama and stayed...he was just perfect as usual (give that guy the awards he deserves, he's the rookie of the year, hands down) despite a terrible and disadvantageous characterization. He managed to elevate the character and made it his own. You hate his character (or rather you want) but you can't ignore him and in the end you even pity him. Baek Kyung could have easily become one-dimensional character with no redeemable features but Lee Jae Wook's amazing acting saved his character's poor characterization (conveying loneliness, vulnerability, anger and plenty other emotions as if it was a piece of cake...I swear it seems effortless to him. To think he had to juggle between two complete opposite characters (BK and Seol Ji Hwan) during 1 month makes me respect him so much more. He's a keeper.

OST was beautiful, catchy and fitting.

Does it deserve a rewatch? I'm not one to rewatch series even my most favorite ones so no I won't rewatch it...some scenes, yes (mostly Baek Kyung?! Because...Lee Jae Wook<3)

Final rating: 7.5/10.

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‘Tomorrow’; Death Meets Satire In Rowoon’s Latest Fantasy Series…

Mortality is never an easy subject to tackle in dramas.  Based upon the eponymous webcomic (‘ 내일’) by Llama, fantasy series ‘Tomorrow’ decided to bring forth the topic of death in a powerful smorgasbord of social issues and topics. Instead of reimbursing the old cliché of grim reapers being harbingers of doom and death, ‘Tomorrow’ rebrands its morbid psychopomps as fashionably suave members of the Crisis Management Team, attempting to save certain unfortunate souls from suicide.

The series focuses upon an alumnus from a prestigious university, Choi Jun-Woong (SF9’s Rowoon-‘Extraordinary You’, ‘She Would Never Know’ and ‘ The King’s Affection’).  Struggling to land himself on the job market, Jun-Woong’s life is changed forever when he ends up encountering angels of death Goo-Ryeon (Kim Hee-sun-‘My Fair Lady’, ‘Angry Mom’ and ‘ Alice’) and Lim Rung-Gu (Yoon Ji-on-‘Dear My Room’, ‘Be Melodramatic’ and ‘Jirisan’ ). 
 
Waking up outside of his corporal body after an accident, Jun-Woong discovers that he has been physically rendered in a comatose state. He  is given the choice by Director, Jade Hwang (Kim Hae-sook- ‘Precious Family’, ‘My Father Is Strange’ and ‘Inspector Koo’): he can choose to be trapped in his unresponsive body for three years, or he can work with them in a ‘’half- dead’’ state, reducing his comatose state to six months and then landing any job he wants after he wakes up.

Woong is assigned to the Crisis Management Team alongside Goo-Ryeon and(, by default of being her protégé,) Rung-Gu. As the unlikely trio attempt to work together as a team, Jun-woong soon discovers that his new position is far from being a walk in the park.

Adapted to the small screen by novice screenwriters Park Ran, Park Ja Kyung and Kim Yu Jin, ‘Tomorrow’ places heavy emphasis upon prominent social messages and themes.( Including sensitive issues such as suicide, the trauma of war, inequality,  bullying, the  generational trauma of South-Korean comfort women, depression, peer pressure and eating disorders.)

Without a doubt, ‘Tomorrow’ is a varied accumulation of satire, provocative angst and mirthful wit. Although the series was often tactful within its approach to various subject areas and themes (in particular helping to offer light-hearted respite in-between heavy-hearted points of the narrative), the screenplay could admittedly feel somewhat out of place at times with its attempts to balance between hard-hitting messages and comic relief.
 
Of course this is not necessarily to say that the comedy shouldn’t have existed at times. Certain issues tackled in ‘Tomorrow’ were certainly supposed to be heavy-hitting and the requirement for an interim of  slapstick  comedy or comical exchanges was certainly necessary. (In particular, this was shown at times by Park Ran, Park Ja-Kyung and Kim Yu Jin being  able to strike a surprisingly harmonious balance for most of the series through the kaleidoscopic array of themes and contrasting tones for their audience.)

However despite certain commendation certainly having to be given to the trio of screenwriters for their consistently provocative themes and tones, ‘Tomorrow’ could sometimes feel as though it disengaged between its plot and themes. To explain this further it is important to reiterate that comic relief was often quintessential within the screenplay in order to offer respite from darker themes and subject areas.

On the other hand, it did become noticeable at times that the series would often fall victim to divulging deeply into comic exchanges. This would often divert attention away from building-up the narrative events and characters, or alternatively struggling with the opposite problem by failing to allow a necessary brake or moment of light-hearted respite for audiences to grapple with events or characters. ( This seemed to flare at times later in the show in episodes such as ‘’Someday, Because Of You’’. Although the episode tackled a heartfelt subject area and was surprisingly bittersweet , it often felt as though the prominent meanings behind the messages in the episodes weren’t as reinforced as they could’ve been.)

Of course, this is not to make out that the entirety of the writing for ‘Tomorrow’ was inadequate or unwatchable in any way. Although perhaps certain issues ( in particular mental health and eating disorders) were perhaps
not fully explored by the screenplay or given speedy outcomes , ‘ Tomorrow’ often placed a certain level of open finesse with addressing issues and helping the audience and the characters coming to terms with them.( In one of the later episodes of the series entitled ‘’Spring’’,  the audience were supposed to be particularly hit home with an onslaught of emotions with the controversial and historical subject area of Comfort Women, focusing on a dark chapter in South-Korean history.)

Naturally this brings up the discussion surrounding character-writing within the adapted screenplay for ‘Tomorrow’, as well as the performances by the main cast.  Perhaps one of the most notable roles in the drama  is given to main male lead Choi Jun-Woong, played by idol-actor Rowoon.

Rowoon has often been the subject of intrigue and debate with his previous career trajectory as the ‘’ leading man’’. Nevertheless, Rowoon offered a fairly consistent onscreen performance as the main male lead and it is fair to say that for many viewers, this could easily be seen as one of Rowoon’s best performances yet. As the main character of the narrative and storyline, Jun-Woong embodies what many would probably classify as the ‘’everyman’’ trope.Of course, this wasn’t a bad approach per say. It is sometimes common in fiction to see a main character become a medium for the audience, especially with a character being uprooted from their mundane, everyday life and being placed in an unfamiliar world or setup.

For main lead Jun-Woong, this was evident through being caught between two worlds: the afterlife and then the everyday mortal world. ( This was also shown arguably through Woong being conflicted in initial problems with common problems of interview and job struggles and then again with attempting to navigate his new role as a member of the Crisis Management Team .)

However, this also brings up an intriguing debate with regards to Jun-Woong’s character-arc. It shouldn’t come as a surprise that Jun-Woong is purposefully supposed to be flawed at times. Naturally this did not always enforce Woong to be placed as ’ heroic’’  figure at all times within the series.

He had his evident flaws and ‘ Tomorrow’ placed heavy emphasis upon some of Woong’s values feeding into an evident critique of social conformity by South-Korean society vs developing subjective morality and beliefs. ( In particular the screenplay would sometimes bring this idea up in early episodes with Woong’s shared social views on issues such as bullying, before contrasting this in later episodes with the main lead developing his own values and standpoints.)

Although it certainly allowed Woong to act as an embodiment of social views, it is noticeable that this often forced Woong into playing “ certain roles” in order to propel the storyline. Again, this isn’t always a bad writing decision but it did often feel as though there were some poorly tied loose ends such as Woong’s own personal struggles with his situation, his backstory and personal goals were often disregarded until the ending of the series.
 
In addition to the casting choice of Rowoon, it is hard to ignore Kim Hee Sun’s performance as grim reaper Goo-Ryeon. Hee Sun’s acting career has been eclectic and while respectfully her acting performances have varied, the actress’ pink dye job certainly helped Kim Hee Sun to embrace her suavely mysterious onscreen persona as the female lead. Alongside fellow costar Yoon Ji-On who played her laidback mentee Rung-Gu, audiences will likely find themselves tearing up and laughing at the antics of the two characters’ interactions and appearances onscreen.

As an onscreen character, Goo-Ryeon is arguably one of the most enigmatic and intriguing characters in the series. She is often fairly detached from overtly emotional displays like Woong but she is impassioned by her cause to help others. Initially viewers are supposed to remain uncertain of Ryeon’s onscreen presence. In particular, her unconventional acts of tough love towards the main lead and those she is seemingly supposed to save will bring about topics of intriguing debate for viewers.

However as the series soon reveals, Ryeon’s root cause for her actions are sourced from genuine sincerity for her position as a member of the Crisis Management Team, especially as a result of her complicated backstory. Naturally as a consequence of this writing point, ‘ Tomorrow’ placed heavy emphasis upon her mysterious backstory in the latter half of the series, similarly echoed to a lesser extent with side character Rung-Gu also.

Despite both characters having their fair share of traumatic and difficult backstories, it often felt as though Ryeon’s character arc felt a little rushed in particular. . Of course while audiences certainly did see a few hints of foreshadowing at times earlier on in the series ( in particular with Ji-On’s trauma), it certainly felt as though some of these backstory revelations and plot twists could’ve been developed or built up. There was a lot for viewers to digest with regards to Ryeon’s past and her important connections to other characters but due to an anticlimactic buildup, the momentum of these events rarely felt as though that they had reached their entirety even by the finale.

Aside from the main characters, it is also important to mention about some of the reoccurring characters of ‘Tomorrow’ also. Model-actor Lee Soo-hyuk ( ‘ Vampire Idol’, ‘The Scholar Who Walks The Night’ and ‘ Doom At Your Service’) starred as Park Joong-Gil, the straight-laced head of the Humanitarian Management Team who shares a complicated past with Ji-On, as well as  Kim Hae-Sook playing the role of the Jade Hwang, the head director of the afterlife and the bureau of  grim reapers. The supporting characters certainly had their necessary roles to play in the events of the narrative. In particular during the later events of the series, viewers are given several surprising backstory revelations but admittedly these side characters felt as though they deserved more screen time or interactions with the main cast in order to build up their character arcs slightly more.

Then of course there is the discussion surrounding the execution of the series. Perhaps it is important that ‘Tomorrow’  decided to offer viewers with a fairly systematic approach; introducing viewers to main lead Woong’s predicament and his unlikely alliance with the main leads, the new dilemma or issued faced in the episode, the reactions and causes of debate for the characters and viewers, the dilemma reaching its climax and then helping to resolve or bring a conclusion to the events of the episode.

This approach by the trio of screenwriters certainly allowed the screenplay to tackle a wide array of issues and problems. However, it certainly did not come without its problems either. A lot of the storyline’s early plot objectives were rarely sketched out aside from the “ mission of the team”, leading seemingly important events or obstacles for the main leads being disregarded at times and then being given half-baked conclusions by the ending of the series. As a consequence, the ending of ‘ Tomorrow’ will likely leave viewers with mixed-feelings; bittersweet and certainly offering a denouement to the events of the storyline but rarely tying off all loose ends or bringing a complete feeling of satisfaction for viewers also.

 Stylistically under the leadership of directors Kim Tae Yoon (‘Another Family’, ‘New Trial’) and Sung Chi Wook ( ‘Special Labor Inspector Jo’,‘ Kairos’), ‘Tomorrow’ was often caught up in an impressive onslaught of aesthetic shots and glossy gradients, with mood lighting and tones helping to add emotional turbulence and significance for characters and viewers in certain scenes. Perhaps one slight nag with the cinematography came through a lack of consistency. Rather than attempting to stick to a particular consistent form of filming or shots and tying these scenes and moments with the worldbuilding and lore of ‘Tomorrow’, the extravaganza of surrealist scenes and panned shots heavily influenced by big-budget movies felt somewhat disengaging from the screenwriting and world building at times. Nevertheless it is fair to say that ‘ Tomorrow’ did boast an impressively stunning array of imagery and scenes.
 
The OST for ‘Tomorrow’ was comprised mainly of a collection of modern pop tracks, varying somewhat dependent on personal tastes. Perhaps there may be certain songs such as the surprisingly upbeat rap song ‘’Red Light’’ by J.don and the morosely lovelorn ballad ‘’My Loneliness Calls You’’ (‘’나의 외로움이 널 부를 때’’) by Suran which will appeal across the board for viewers.
 
The sixteen-episode webcomic adaptation will offer viewers with a surprisingly heart-wrenching mixture of social commentaries, traumatic character backstories and comic relief. At times, ‘Tomorrow’ often struggled slightly with maintaining a harmonious balance between its writing and messaging. ( This often lead to parts of the storyline feeling rushed or lacking a sense of completion such as the ending or certain character arcs.) However for those looking to indulge in a fantasy series beyond the surface level with some prominently current social and critical commentaries with a touch of traditional Korean folklore and mythological beliefs in the modern world , then ‘Tomorrow’ will certainly offer viewers with a good watch. 

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A GOOD 1000 YEARS LOVE STORY

I have to admit I initially got discouraged from watching this drama just because of the low rating, but once i started it, i just binged all episodes non-stop in one night. IT IS THAT ENJOYABLE! If you liked "I will Knock You", chances are you will like this too. Pun may be the greenest flag character in almost all of BL.

BL genre has fast evolved in the last few years - and so are the viewers. Nowadays, a lot of series without real substance gets good and high ratings even when the show isnt really deserving of it just by putting cutie cutie famous couples/stars in it or by putting a lot of shocking NSFW scenes . I will not put this one as one of the the best BL ever, but it certainly doesnt deserve to be in the low 6.

Just a quick recap. Yo is a university student who is fascinated by the extraordinary - thats why he became part of a gang of friends who are devoted UFO seekers, but deep inside his heart he knows something un-normal is happening in the world and he will discover that its not extraterrestrial in nature but something mystical. He was instantly drawn to Pun when he met him at a local eatery - was it love at first sight? Was it his mysterious demeanor? Then he adorably stalked him until Pun revealed to him what he is - a vampire! And you guessed it- this is how their love story began, and together with their friends and family they will prove that their love will conquer all odds. This just sounds about right, the end.

Eventhough the title of the series is '1000 Years Old' which pretty obviously tells us that one of the chracters is indeed an almost immortal, still the series managed to keep us guessing for the first half of the show if Pun is really what he says he is or just a weirdo who thinks he is something that he's not - after all he is not the familiar vampire we see from the lores - First, he is a poor vampire who lives in an old building. Second, he keeps saying he is burned by sunlight (SPOILER ALERT HE DOESNT) and always covers himself up fully and uses an umbrella . He is also not afraid of crucifixes, and he doesnt get burned by Holy Water. He aslo sleeps at night( not before the sun rises and in a coffin-like bed in a messy living room because the bedroom is his cat's room) Lastly and most importantly, he is not afraid of garlic and he also doesnt eat anything besides cooked Pork Blood Soup. He is weird but you just cant hate this guy!

One of the funny highlights for me was when he was trying to prove to Yo that he is a vampire and jumped off the building's rooftop!

Also, even if early in the series they showed a few flashback scenes from Pun's past, and even with the presence of another mysterious and scary character SoomChai - just like Yo, we as viewers still end up questioning whether he is really a true blooded bloodsucking immortal or was he just delusional?

While trying to hide the reality of Pun's true identity, the first half of the show felt like we were watching a Thai version of the Korean series "Start-up" when Pun and Yo and their newly formed gang were so focused on trying to make their food business succeed. The antics are so corny but you also cant help root for them!

It was around the later episodes when the truth was confirmed - that Pun is an alien.

Ok, he isnt an alien, but a real Vampire. The limited screentime of SoomChai is both annoying and effective - I would have loved to be bitten by that actor just like Shin. And as much as i hate it and just like a lot of other BL shows that create an annoying female character to be a villain, Janja's (she does look like a vampire seductress even without the fangs) presence is important in establishing the connection between Pun and Yo and the truth about their long history and past lives to make their love story seem more epic in scale and not just spur of the moment.

Let me also say that despite the many things that I enjoyed about the series it is not without shortcomings. First, for almost the entirety of the series nothing physical happens between the Pun and Yo (only a mild hint of a kiss) which is almost unbelievable. Second, I hate that the YOU.F.O and the gang were sidelined as if they never existed entirely when they were the group that opened the show. Third, the cluelessness of Pun's character to the current technologies is just unbearable and incredibly stupid (even if it was intentional to misdirect us about his true identity) like walking to mall, no idea how to get to point 1 to point 2, really? Fourth, Yo's contninuous denial about his feelings and Pun's intention to him is eyerolling.

Id like to end by saying that the final scene of Pun and Yo is genius but also both tragic and conflicting. While it was implied that they had a happy ending and they get to at least spend a really long time together in this lifetime, Yo's passing under the sunset is just so heartbreaking and it made me cry.

Overall its a 8.5 for me. Great leads and support with good direction , very rewatchable too.

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