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It's solid, but it's a run of the mill business drama.
Let’s get the negatives out of the way. Firstly, this show is a business drama through and through. The title of the show is meaningless. The premise of him winning the lottery is borderline meaningless and doesn’t change the core focus of what this show is… a bunch of adults discussing business and workplace drama. Everyone yap yap yaps about numbers, Excel sheets, and what not.In a sense, based on the title and the expectations it sets, I expected a bit more… lets say… drastic changes in the main character after winning a modest amount of money. Nope, the money doesn’t change him for better or worse, it simply provides a nice cushion to fall back on in case he gets fired. Everything he does throughout the show could have been done without winning the lottery. He never really uses it! Sure, that might be the message of the show, but honestly, I think most viewers expected something more than a straightforward business drama given the premise.
Lastly, he wants to "change" the company for the better, addressing all the mistreatment and other issues he experiences. Excuse me? By the end of the show, he honestly hasn’t made any progress toward that goal at all. He’s literally in the same den as the top brass who encourage and tolerate everything he’s trying to change.
Rant over. It’s a business drama, but it’s absolutely solid. The pacing is great, the writing is excellent, and the coworkers are well-developed. I like ML’s acting and the projects he has worked on before. I enjoyed the backstory of each coworker and appreciated how each of them gets an episode or two focused on their character. The business discussions are engaging, and the twists and turns in the business dealings are great and easy to follow.
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finally getting to see Emi join the series
Loving the cast, and finally getting to see Emi join the series! I was hoping she would be in Me and Thee, so I was really excited to see her joining the cast of Peach and Me.Some scenes felt a little confusing and awkward, and I wasn’t always sure what they were trying to convey. But overall, it’s a short and easy watch!
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This review may contain spoilers
disappointed?
Started brilliant, ended as something else entirely (spoilers)This started out so well. Episode 1 had me crying, and I was hooked.
Then around episode 37 or 38, things went downhill.
For the first stretch, you could see the FL grow and build her confidence. That development is the reason I loved those episodes. Yes, they overdid it with her being the person who solves every problem (she’s the wisest person in the room, and she’ll find a way to get you a divorce), but it was still somewhat enjoyable.
Then the tone changed completely. Do you remember those old-school “she-tragedy” dramas, where a woman suffers across the years of her life? She marries, does her duty, smiles, and isn’t happy, and there’s an air of quiet despair over everything. Toward the end, this drama felt just like those. The FL still solves every problem, but it didn’t lift the mood. Instead, it got more morose, with someone dying every other episode. That shift made everything before it feel like a lie. If I’d known this was what I was signing up for, I would have stopped at episode 37, and I definitely wouldn’t have recommended it.
There’s no romance. You never see one develop. The wedding scene was wild, so I expected a redemption arc. I wanted to watch him go from hated, to indifferent, to considerate, to loved. We never got that. Instead, there’s a time skip, and they consummate after 6 years (?). The time skips feel lazy. Another skip and the daughter is suddenly 16. Shrug. Another skip, and then he’s killed off. Really? So much wasted potential.
The hidden identity was wasted. Her identity is the core of the story. It’s why she suffered, why her whole world ended, and why her rebirth was so impactful. I expected a real conversation about it, and it was glossed over. The reveal made all of that weight feel watered down. The deposed crown prince reveal was decent, though I expected more discussion of his role in it.
I hate it when a drama promises one thing and delivers another.
Lame.
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Audit Terminator or Mary Poppins?
Pursuing corruption with deft and relentless fervour, it is easy to misjudge Cha-Il as a Terminator in Sherlock Holmes' clothing using a veneer of spreadsheets. But scratch the surface of The Auditors and the opaque outsider with questions of “Wolf or Bloodhound?” looks more like Mary Poppins. Well-developed characters and the question of whether innate trust in humanity is compatible with auditing occupy this well-constructed, straightforward tale.Was this review helpful to you?
Is the time travel element too complicated?
The only thing that really stood out was Rowoon's appearance. The acting was suddenly on another level, both he and Ahn Hyo Seop were very very good. But where did he come from?Also, who was the music shop adjussi, he seemed to know more than the others.
There was so much I couldn't bother to follow.
Others seem to have liked this drama more, for me the details like the time-traveling murderer (was he the older or the younger sibling?) weren't interesting enough to decipher.
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Good writing is what it's all about
This may not have had the version of romance I enjoy watching, but Jinqi and Lanxiang certainly made for a power couple and they had a loving relationship in their own way.The plot, story, messaging, and acting was all top quality and I cannot disparage the drama for not meeting my own personal preference in one small regard, so this is a solid 9 stars for me.
I wasn't expecting this to be a female-centric story, but that's what I took away most from this. Finding happiness in the path you choose for yourself, not being greedy for things outside of your concern, building healthy relationships and supporting your loved ones with taking charge of their own lives. So many good themes. The overarching plot was also great, villains were written very well with none of the usual over the top annoying fanfare we're typically used to with cdramas, so I didn't have as many frustrating moments watching the villains. Every character had a role to play and their own story to tell which was great to see.
Overall, it's a remarkable show with great storytelling and great performances from the entire cast!
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more like a group of strangers going on vacation together
This season feels more like a group of strangers going on vacation together than an actual dating show. I honestly didn’t feel any sparks or genuine romantic chemistry between any of the cast members. Compared to Season 1, the cast seems to have more dating experience than they let on, and it feels like the producers are trying to cover it up to maintain the show’s concept. The interactions also feel less natural and exciting, making it harder to get invested in the couples. Overall, the season lacks the romantic tension and genuine connections that made Season 1 so much more interesting to watch.Was this review helpful to you?
it's okay
the actors are doing a great job acting in their characters on this series. and a couple partnerships on here is okay the storyline is okay I could care less about the cut scenes that's the biggest no for me I give it 4 out of 10. I like the first episode so far that's the only episode I had before episodes I watched something's missing. and it's not the characters chemistry because they have great chemistry I need to see more chemistry within the characters. I don't care for the kissing scene I don't find that romantic that's just a tease. they can move on to the next scene it was cut anyway. the supernatural part is the part I like in this series. in my opinionWas this review helpful to you?
IN A LEAGUE OF ITS OWN
In a word, It is beauty.GMMTV could be a network of hundreds and hundreds of productions, but there are only a few shows like "Me and Thee" that deserve to be called unmatched. This show warmed my heart to its core, made me fall in love with love, if that makes sense.
While this particular pair never ceases to amaze me, I think Pond Naravit successfully delivered his best performance yet. Watching Thee was an absolute treat to the eye, and I can never be over him.
While many would say it was a fun watch, for me it was a story that told more than that. Peach reflected shades of warmth, while Thee reflected shades of comfort. At the beginning, you should notice how he approached Peach not because he interrupted something, but because he saw Peach was hurt and alone. This alone set the course towards a story that makes you smile, shed tears, and think about how unpredictable life can be when it comes to finding your one.
The development of the story was at the perfect pace, in my opinion. It does not rush; rather, it helps you read between the lines as it goes. You get to understand Peach, Thee, and, in fact, the characters around them. They start to become people that you're gonna feel for, and that is exactly why it could be a show that will set a standard.
I can't wait for more of PondPhuwin, and I just realised I used the name Thee - it should be Theerakit Kian Lee. I'm dead if Khun Thee somehow ends up reading this!
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A Brilliant Premise That Deserved a Much Better Story
Boyfriend on Demand had a genuinely interesting premise that made me wonder what the future of AI and VR dating might look like. Would you rather spend time with a perfect fictional partner or a real, flawed human being? It's a fascinating question, and unfortunately, I don't think the drama did enough with it.I was initially much more invested in the virtual reality storyline than the actual romance. The VR world was flashy, colourful, extravagant, and completely over the top. The app itself was fascinating, and I loved the different dating scenarios inspired by familiar romance tropes. But as the episodes went on, I started questioning why this technology was designed exclusively around women dating virtual men. Wouldn't a service like this eventually cater to everyone? I genuinely tried to imagine how such a world would work in real life, and the more I thought about it, the more interesting the concept became compared to what the drama actually showed us.
And can we talk about the casting? Lee Soo Hyuk, Seo Kang Joon, Lee Jae Wook, and Kim Young Dae? Seriously, how was I supposed to focus on the plot? The virtual boyfriend cameos were easily one of the biggest highlights for me, especially Seo Kang Joon. Even the supporting cast was impressive. It was my first time connecting Jisoo's name with her face, and while I thought her acting was decent, nothing particularly stood out to me. She wasn't bad, but surrounded by such a strong cast, the difference was noticeable at times.
My biggest issue, though, was the pacing and the uneven distribution of screen time. For the first five or six episodes, Mi Rae spends most of her time dating different virtual men, while we barely get to know our male lead, Kyeong Nam. Just when the virtual dating starts to feel repetitive, the drama finally shifts its attention towards the real-life romance. Unfortunately, by then, Mi Rae isn't interested in pursuing a relationship because she's afraid of getting hurt, and the main romance takes far too long to develop. I wanted more meaningful interactions between the leads and a stronger sense of chemistry before the story started asking me to invest in their relationship.
The biggest disappointment was how little the drama did with its sci-fi premise. A technology capable of creating seemingly perfect romantic experiences could have opened up so many interesting discussions about loneliness, emotional dependence, and the consequences of replacing human connection with artificial companionship. Instead, the story mostly treats the app as harmless escapism. The ending especially frustrated me because it felt like the drama avoided the very question it had spent so much time setting up. Kyeong Nam's willingness to work things out with Mi Rae comes from understanding that a real relationship involves genuine care, imperfections, and mutual effort. Yet the conclusion doesn't explore that contrast as deeply as I hoped. I also wanted more development for the supporting relationships, particularly Ji Yeon and Min.
Even the VR device itself felt underwhelming to me. Given how futuristic the technology was supposed to be, I expected something more convincing, perhaps closer to the VR devices we see in real life or in *Love Between Lines*. It was a small detail, but it made the supposedly advanced technology feel less believable.
Overall, Boyfriend on Demand is watchable, visually appealing, and occasionally fun, but it never quite lives up to its potential. It feels like a drama that had all the ingredients for something much more thought-provoking but settled for a light, easy-to-binge romance instead. The virtual dates were entertaining for a while, and the cast certainly made them worthwhile, but the repetitive early episodes and underdeveloped main romance left me wanting more.
I'd recommend it if you're in the mood for something light, cheesy, and easy to watch without expecting much depth. Just don't go in expecting a meaningful exploration of AI or a particularly well-developed romance. For me, the concept was far more interesting than the story built around it.
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LOVE, LIES AND CHANGING LIVES
This show was an absolute beauty, and you should dive deep if you're still wondering. I mean, it could easily define what well execution is, and it is one of those pieces that would hook you in right from the start and end leaving tears in your eyes.The story and the narration everything was in place. And oh, how smoothly it shaped the leads! This show beautifully includes chapters of memories, sorrow, lies, and love ; and most importantly, of reality.
I loved how they fit 2 different stories like puzzle pieces; it was like 2 shows in one while both were perfect. At the end of it, as much as you want the leads to find each other at the end, you want that for the characters they were playing too.
I can see myself coming back to it over and over again, and it is a piece I never want to forget.
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Buying back dignity: a smart, grounded, and entertaining corporate Slice-of-Life
If you are expecting the classic lottery fantasy filled with champagne showers and luxury revenge plots, The Ordinary Jackpot will pleasantly catch you off guard. What reads like a light, quirky premise on the surface turns out to be a dense, clever, and deeply honest critique of 2020s South Korean work culture. For me, this is definitely a must-watch.The KDrama captures the daily office grind with striking realism, but it never drags you down into pure misery. Instead, it uses the workplace as a microcosm to ask a fundamental question: Who are we actually without our jobs? In a society where identity is almost entirely defined by your profession, status, and business card, this question feels genuinely existential.
The story shows us the corporate world at its worst and its best—and, more importantly, how it could be. In real life, the gears rarely click together this smoothly. The show offers a refreshing glimpse into what a healthier workplace dynamic looks like, subtly dissecting the world of designer brands as modern status symbols along the way.
The plot's central narrative irony is brilliant: it is only after securing financial safety that the protagonist, Gong Eun-tae, finds the strength to unlock his full potential. It is a bitter but profound piece of social commentary. For years, his skills were stifled by a paralyzing blanket of anxiety—fear of reprimands, fear of missing out on promotions, or the looming dread of being fired. The drama highlights just how much human creativity and potential is suffocated daily in our modern world by pure survival anxiety. With the "mental insurance" of his lottery win, Eun-tae can finally breathe, set boundaries, and truly shine.
Yet, the series never dips into cheap sentimentality. The crushing pressure of modern life is perfectly symbolized by the exact amount of his winnings. In today's Seoul, 1.3 billion won after taxes is simply not an utopian, happily-ever-after cure-all. The show doesn't even need to spell out that this money won't fund a permanent luxury retirement at age 30 – the audience already knows it. It is enough to sustain the life of an average office worker without a job (minus any future promotions or raises), but nothing more. The moral of the story lies entirely in the subtext: the sum doesn't break the system, but it is exactly enough to buy back his dignity at work. (Though, in the end, isn't that a systemic rebellion in itself?)
While the supporting characters are clearly written to serve the main plot, they are never neglected. Every character is given profile and purpose. It leaves you reflecting on how shockingly little we actually know about the colleagues we spend eight (or often far more) hours with every day. For a tight 10-episode run, the pacing is nicely balanced – zero filler, zero loss of depth.
The entire show is carried by a thoroughly convincing Lee Jun-hyuk. It is an absolute joy to watch his subtle yet deeply impactful transformation as he reclaims his sense of self-worth.
The Ordinary Jackpot is a hidden gem that flies under the radar. If you are looking for a smart, grounded, and immensely entertaining slice-of-office-life drama, do not miss these 10 episodes.
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Overhyped In My Opinion
If you're here, I want you to know opinions can differ, and yes, unlike many viewers, I couldn't like Duang With You. I honestly understand why this created so much hype; it was highly anticipated, and the leads' chemistry was indeed out of this world. But to me, that was it.I could not help noticing how out of place the story looked, how simple (and adorable, of course, not gonna argue with that) the plot was, and I did not understand the pace of it. I prefer shows that let you read the characters and do not rely on creating laughter alone.
When the story started with Duang's love at first sight, I expected a bit of his own story to match how he feels. I could not read Duang, apart from the fact that he is a warm sugarball who loves Qin. TeeTee's performance was something I looked forward to; he delivered, but in a very average plot.
To take a look at Qin, I think he was written better as the story reveals where he is from and how he has been. But in my opinion, he was not given a chance to open up, and in the end his parts looked a little stiff. I honestly understand he was written as an introvert with high walls, but I did not understand where he let Duang in. Was it the indirect permission slash challenge from the first episode ? Or was it the rehearsals that, for some unknown reason, required them to live together ? Or was it both ? If it were both, then I would come back to the pace of the story - that wasn't well executed.
I am not one of the ones who are done with university BLs; in fact, I have a soft spot for them, but not for stories that I can assume and wait for. It was a comfort watch, but the show was entirely average, again, in my very own opinion.
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WTF is this?
The story is super forced. Everyone is a dumb af so the FL can look cool and smart. An entire hospital that has been operating for years and the no one ever noticed that they fail at everything? Come onHer introduction at billiard place was the cringest thing I have seen in a while.
The acting is so bad on all fronts. Side characters are overacting and Kim Ji Won doesnt fit the role at all. She is awkward, cringe and feels completely out of place. Her outfit is also trying to force a certain vibe that she clearly doesnt have. I have never seen her fail before.
Like they really edited the first episode and thought "yeah this will be a hit"? This looks like it was made by film students....
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I enjoyed the ride
I didn't think season two could live up to the first season, but I was pleasantly surprised. I love the "case of the week" format, rather than a whole season of trying to catch one villain. The cases were all very interesting.Bringing Jung Eun Chae on as detective Hye Ra was an excellent choice. You have a new person coming in that doesn't understand how I Soo operates, but she quickly sees the results he is able to obtain. She was a lovely character - a strong female without being a shrew. The friendships between the team members was strong, but they made room for her and she fit right in.
No romance again - thank you very much. The mutual admiration/respect was strong, and that was enough.
Yoo Seung Ho did an excellent job with his part. Charming at times, unhinged at others, perfectly creepy.
I loved the guest appearances (especially the hotel guests!), and if the hint at the end comes true, we'll have a season 3 with a terrific baddie. I only hope, if it does happen, the whole show doesn't revolve around him trying to kill I Soo. I'd much prefer to watch I Soo solve crimes in his own quirky way, rather than spend the series trying to protect himself.
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