REAL AND HEALING DRAMA
"More than the story, it's the characters that matter" : this sentence can summarize the essence of drama; The story is focused on the development of the situation and the feelings of the characters. It is more focused on love, but it also deals with taboo subjects in Korea (and throughout the world as well) such as single mother, the death of one's lover, sex, cheating, homosexuality... It's NOT BORING, even if it is simple, the story is really exciting.LOVE : the writers depicted love in a very fair way. It seems real.
FRIENDSHIP: the same sense of reality ! It's a healing drama for that.
The acting is amazing, perfect... all the actors of the drama have a real talent on screen. Usually, in k-drama, there is always at least one actor whose character is ridiculous, poorly played (most of the time a supposed-to be funny character). But it's not the case !! I was really impressed by the overall quality of acting;
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This review may contain spoilers
When I started this drama, I don’t have any expectation that this drama would be one of my favorite romcom kdrama. I just love everything, how the story goes, how all characters portray their characters and oh the OST.But I have to admit that Lee Eun Jung is my favorite character, I feel sympathized with her story, her love story is somewhat tragic. When she finally realized her bf is gone, the studio scene, I cried my eyes out. Though I was hoping to see more of her and the Director but I’m satisfied enough with her ending story. The main couple, they are hilarious, how they were bickering and then suddenly they turn to lovey-dovey couple, love ‘em.
I watched this drama twice and might watch it again when I’m bored and looking for something light and entertaining to watch.
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A Hilarious, Heartfelt Slice of Adulthood
What initially drew me to B-Melodramatic was its focus on three women in their 30s, past their 30s, around their 30s. That resonated deeply with me as I’m turning 30 this year. It’s rare to see a drama centered entirely on strong female leads, and that immediately caught my attention.Story & Themes
The best part about this drama is how all three protagonists share the spotlight at different times. None of them felt like a side character. Even supporting roles, like the actress, were given depth and growth, making me root for them. I love dramas with well-developed ensemble casts, and this one delivered exactly that.
In many ways, B-Melodramatic reminded me of Reply 1988, one of my all-time favorites, because of its deeply flawed yet incredibly human characters. It made me laugh and cry, but this time in a more metropolitan, women-centric setting. The drama beautifully explores themes of friendship, career struggles, grief, and the complexities of relationships, both romantic and platonic.
Characters & Performances
Jinju, the writer who drives the story forward, is the quintessential woman still waiting for her big break. I related to her deeply. At 30, I thought I’d have life figured out, but like her, I’m still finding my footing. Her family dynamic is fantastic. Her mother is hilarious, her father reassuring, and her sister seamlessly fits into the story without feeling forced. Her romance with the male lead is refreshingly adult, healthy, and filled with witty banter that makes their dynamic incredibly fun to watch.
Eun-jung’s storyline made me cry. The depiction of her grief is subtle yet powerful. She doesn’t openly express her sadness, but those around her can feel it. When she finally acknowledges her pain, it’s incredibly moving. Her journey, from documenting a woman’s story to forming an unexpected friendship and eventually meeting Director He, is heartwarming. I also appreciated how the drama left things open-ended, letting us engage in wishful thinking rather than providing fixed conclusions.
Han-joo, the single mother, is not the typical “strong single mom” stereotype. She’s kind, pretty, and innocent, yet not weak. Her work relationship with her younger colleague is one of my favorite dynamics. While I felt a tinge of sadness that they didn’t end up together, I appreciated the realistic approach the drama took. It’s rare to see a mature, platonic relationship between a man and a woman portrayed so naturally.
Even the side characters were outstanding. The chief manager, a strong yet kind boss (rare in K-dramas), the senior writer, the chief producer—every single one of them made an impact. Usually, you root for the leads or the second leads, but here, I found myself invested in even the seventh or tenth lead.
Comedy & Emotional Depth
The humor in B-Melodramatic is unique. The drama often sets up punchlines only to walk away from them in the most unexpected ways, making for some genuinely funny moments. At the same time, it doesn’t shy away from heavier emotions, striking a perfect balance between comedy and realism.
Pacing & Writing
Towards the later episodes, the pacing slows down, but that’s understandable. It’s a healing drama, a work-life slice-of-life rather than a plot-driven one. It doesn’t rely on dramatic conflicts but instead focuses on character growth and everyday struggles. The behind-the-scenes look at how dramas are made was another standout aspect, showing the stressful, nail-biting, and often painful process of production.
The writing is sharp, the dialogues well-crafted, and every plotline gets proper closure. There are no loose ends, which is always a plus.
Music & OST
This might be my favorite OST of all time. Every song fits the drama’s mood perfectly, but the standout is definitely the "Shampoo" song. At first, it seems silly, but eventually, it becomes an iconic theme that blends seamlessly with the show’s vibe. The soundtrack doesn’t just accompany the story; it elevates it.
Overall Impact
B-Melodramatic leaves you with a sense of warmth and reflection. It makes you think about your relationships with yourself and the people around you. It’s a slow burn, but it lingers in your heart long after it’s over. I hope that years from now, in a different phase of life, I return to this drama and relive these emotions all over again.
Would I recommend it? Absolutely, especially to those who appreciate character-driven stories, witty humor, and heartfelt emotions.
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✒ Things Will Be Fine Once You Turn 30 ~2️⃣9️⃣~ So We’re Told °8.7° °just excellent°
This show is a jalapeno margarita truffle: It's sweet, down-to-earth, tart, salty and a touch spicy. It hits a variety of primary taste buds and provides healing antioxidants as well. It's decadent, and I savored it.BMD follows 3 women. These college friends are fast approaching 30 but going nowhere as the show opens. All connected to the entertainment industry, 2 never got their careers fully off the ground. One had a hit documentary, but then her bf died and she fell apart. It happened organically. Eun's friends got into the habit of spending time with her as she navigated the walk of the living dead - grief. This eventually led to them moving in with Eun, who had bought a fabulous home with the haul she made: There's plenty of room. These friends are the epitome of lowkey and behave much like siblings. Even the purest among them, Joo, might cheat at cards. For anyone that's caught,~} it's HAMMER TIME. ( Joo’s kid is the only adult in the room, at times,). BMD is a 2019 release that is rated 88 on AWiki. It is 1 season consisting of 16 60ish-minute episodes.
It's a big cast, and the acting is fabulous. The 3 leads are not only good, they are /funny/. Chun Woo-Hee (The Wailing-8.8, Mother, The Beauty Inside), as Lim Jin-Joo (Jin), is aimlessly acerbic, which is just buried rage seeping to the surface. At the same time, she's an adorably silly mess. Her pixie face heightens that effect. Lee Eun-Jung (“Eun”, the intelligent & capable documentarian who lives as though her dead boyfriend is still alive), is played by Jeon Yeo-Bin from Vincenzo-7.9 and the underrated Glitch-8. She talks to her now-passed love as if he's still there. She SEES him, too. This is her way of coping with grief. As long as she doesn't get too lost in it she'll be fine… but she's lost in it. Han Ji-Eun (Bad and Crazy, Lovestruck in the City-7.3) is Hwang Han-”Joo”. She gets the most male attention, but that hasn't netted her much. She seems the most feminine and the most fragile of the three. “Seems” is the operative word. Underneath the chiffon exterior, she's Kevlar. While the other two are confrontational, she catches prey with honey.
These women have a variety of men in their lives. They all live with Lee Hyo-Bong, Eun's brother. The cherub-faced Gong Myung (The Bride of Habaek-7) is Choo Jae-Hoon, Joo's coworker. He's in a dead relationship. His gf will not let go: Controlling him has become part of her identity. HE can't tear away: Being controlled by her has become part of HIS identity. It's not healthy. Ahn Jae-Hong (Reply 1988-8.6, Fight for My Way) is director Son Beom-Soo. They make a couple of cute Reply jokes in a callout to the hit series. Beom-Soo wants to film Jin's script, ‘Things Will Be Fine Once You Turn 30’. Nam Young-Joo is adorable as cafeteria worker Sol-Bi who has a crush on him. She drops that on him, in understated deadpan, as she drops a scoop of rice onto his tray. Kim Hwan-Dong, Jin's ex and Son Beom-Soo's assistant director, is played by Lee You-Jin (Be with You, Do You Like Brahms?). Lee Hak-Joo (My Dearest, Oh My Ghost-10) plays No Seung-Hyo, Joo’s baby-daddy. Seol Woo-Hyung is said “baby" and another example of Korea's amazing portfolio of amazing child actors.
Lee Joo-Bin (She Would Never Know-7.3, Queen Of Tears) is petulant actress Lee So-Min. She's a former college mate of Eun's. They had a falling out and now alternately behave passive-aggressive | aggressively competitive towards e/o. Ms Lee is not stupid, but her looks and success allowed her to skate without learning much, so she's ignorant. As soon as one thinks that means she's got a low IQ, she will surprise. I love Son Suk-Ku from My Liberation Diary-8.9 making an appearance. Such a 🙀bad boy😻. Lee Byeong-Hun (Way Back Love) and Kim Hye-Young (Lovers of the Red Sky) are the director/writer team.
In BMD, Mr. Director - Beom-Soo & Ms Writer - Jin, find themselves adrift without the A-team. Jin's ex-boss (played by Baek Ji Won from Kick Kick Kick Kick & Awaken-8.7), a veteran writer, also has a new drama being released, and the studio fears her. She is less than pleased at having to compete with her assistant! She's no NOOB! While she may not have her first choice of director (he wants to work with Jin 😤) she has the best of everyone else for her new drama.
It was Jin's scripts that first caught Beom-Soo's attention and soon it was Jin herself that drew him in. They quickly start dating, and their reparte is highly entertaining. Jin's take on relationships: “What you find before you fall in love with that person is the love that you possess but after you start your relationship, all there is left to find is hatred. Don't you agree?” Her new boyfriend of 2 days is speechless. Next we'll hear: “When he holds my hand, I somehow feel comfortable. I feel like I can hug him and I won't regret anything. I mean, dating is all about the process of breaking such trust.” - Now that's good writing😂. The way Jin talks makes it sound like it's only /cynicism/ that's going to be fine once a person reaches 30; not anything else.
The beauty of the show is in the writing and the dialogue. Not much happens, yet I could have watched 16 more episodes of their interactions, easily. They nicely cover communication mishaps; the gap between what the speaker intends and what the hearer infers. Human relationships, in general, are dissected. Do people live so that they can fight? “You fight with your shoulders in the subway. You fight with your words at work. You fight with your comments on the internet. The Earth is one big battlefield,” we hear.
Managing grief is a theme. Eun has become lost in her protective bubble of delusion. She says she's forgotten who she used to be - and I know exactly how that feels. As a widow, I have trouble thinking about my spouse. I believe I would enjoy an imaginary conversation much more. I haven't noticed that being /aware/ of being depressed actually helps with /ridding/ oneself of depression. Grief must be endured and will heal on its own schedule. Only time and boosting one's physical health will promote healing. Eun's friends allow her to breathe as she finishes up her walk through the valley of death.
While BMD contemplates grief, it's much more about surviving, thriving, and the sheer joy of life. The writing, directing, acting and overall timing are nippy and there's a lilt to the atmosphere. It's a completely unique vibe and I love it. Quirky. Offbeat. Witty. Lowkey. Very funny. It's all of that. There's an absurd love confession in ep2. They appear perfect for e/o. “Put yourself in my shoes.” Jin is genuinely astounded. “Why would I? I like my shoes better. I think that's just hilarious.” These girls won't see 29 again. After pondering on whether their prettiest days are behind them they decide to go clubbing to prove it ain't so. The scene is 😂😬😝.
The show is a funny contrast of characters. Joo sees her coworker going into a motel w/ his “ex”. She is interested in him, so she asks the cerebral Eun if she should say something to him about it: “All right. Let's approach the matter from the humanistic view. I believe history & art are part of the humanities. For example, women were always treated like trophies in the history of war. But, paradoxically… I'm not talking about whether @$$h0les & sluts are worthy of existence. I think what matters most is the ratio by which they exist. In order to understand that we need to think about…” We never get the rest of the lecture b/c Joo cuts her off.
“Why would he date you?” Jin's mother queries.
“I think he's dating me for my looks,” Jin responds.
“Is that even possible?” Mom's confused.
“I think it is,” Jin assures her.
“I feel bad for him. I should cook him a meal,” mom realizes.
The nature (and fallacy) of control is examined. “When I was young, I thought that everyone had a personality disorder. But if that is the case with everyone, it means that it's not a disorder. It just means that everyone is different. If problems arise from people's differences, it means that I'm half the problem. I tried not to do it, but before I realized it, I was imposing my ideas on people… I alter and distort what people say however I please, everything's either imposing or coercing. You see the higher I climb the ladder, coercion keeps winning. But I know that's not really winning. I try to keep my mouth shut not to pressure people, but I end up revealing my idea through my facial expressions or my vibe. I'm becoming very uncool as I get older.” Whoa. TRUTH💣❗ “Let's put our heads on the floor and reflect on it,” as Beom-Soo would say. People desire control of everything at every moment. Yet, we control very little, and controlling others brings paltry satisfaction. It's almost like humans are aware of what's right but are hopelessly unable to do it. Theologians might say it's exactly like that.
“No one can fully understand themselves. People who believe that they fully understand themselves will get hurt even more in the end.” That's said during a role play in which a relationship is dissected in the rearview mirror. “You loved me, and you used your love to try and force me into your idea of love. When I didn't behave as you expected, you criticized me. You abandoned me to tame me. You weren't trying to love me. You tried to possess me. You didn't want to accommodate me. To fit me into your idea of love you used my foolishness against me, You controlled my feelings however you wanted, and made endless demands. When I didn't meet your demands, you criticized me. You abandoned me. Did you love me?” Whoa, indeed.
There's too many shows that are great for 1/3 or 2/3 and then they pack it with a bunch of filler for the remainder. They don't have enough good content to fill the required episodes. I've taken to calling it MALcontent. In BMD, the opposite is true. It's not that a lot happens, it's just that the writing is so good and the characters are so much fun that I was upset when ep16 came around. They could have made this three seasons- easily. Btw, Beom-Soo has a solution to avoid /their/ show from suffering MALcontent. Jin is all ears. His idea: Reduce the quality from the beginning! 😏… ⌚… We wait for Jin to respond, expecting her to be outraged. After a couple moments of quiet contemplation, her face brightens and she declares the solution brilliant 😝.
A woman in a new relationship thinks she's alone but gets caught f@rting in front of her new bf. She later talks it out with the roomies. The whole sequence is 😂. It ends with a songwriter composing the tune: “The smell will eventually go away.”
So, hang in there!
Things really will get better, as long as you work hard and don't f@rt around too much.
QUOTES📢
A flowery path is actually an unpaved road.
Tears in your heart will become an illness. Tears that are let go will evaporate and will not exist in this world.
He's just a man. He approaches the situation rationally.
True rest is not at home.
It's okay to be a bit crazy. And yet the Earth still moves.
The pride of the successful divides into 2 categories: Flexibility and obsession.
〰🖍 IMHO
📣8.7 📝8.8 🎭8.5 💓8 🦋6.5 🎨7 🎵/🔊7.6 🔚8 ♦ 🌞7.8 ⚡2 😅6 😭3 😱1 😯2 😖0 🤔7.4 💤0
Age 15+ some R-rated Language
Re-📺? 🔛 I probably won't wait long.
In order of ~lite&trite~ to ~heavy&serious~ you may also like:
Modern Day:
Mad For Each Other 7.8 ~silly fun;
My Secret Romance 7 (if you ff thru overdone flashbacks);
A Witch's Love 7.8;
Love to Hate You 8.9;
Her Private Life 8;
Touch your heart 8.2;
Romance is a bonus book 7.9;
Boys Over Flowers 8 ~ melodrama to the max;
Crash Landing On You 9.1;
Oh My Ghost 10;
It's Okay Not To Be Okay 9;
Love Struck in the City 7.3;
Hospital Playlist 9;
My Mister 9.5;
More Than Friends 8;
I'll See You When the Weather is Fine 9;
Something in the Rain 9
Historical/Period:
My Only Love Song 8.7 ~ excellent comedy;
Live Up To Your Name 7.6;
Mr. Queen 8.5;
My Sassy Girl / Yeopgijeogin Geunyeo 8.5;
Saimdang 8.5;
The King's Affection 8.3;
Mr. Sunshine 9
Try a Chinese historical fantasy romcom: The Romance of Tiger and Rose 9.8
Japanese lite romcoms: Maid Sama (10), Mischievous Kiss Love in Tokyo (7.8), Love, Chunibyo And Other Delusions (8.4), Toradora (8.5)
Action/Sci-fi/fantasy:
K2 8;
Private Lives 8.1;
Sisyphus 8;
Tunnel 8.1;
Signal 8.6;
Black 9;
Squid Game 8.4;
Kingdom 8.3;
Sweet Home 8.4
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This review may contain spoilers
Beautiful Story About Love, Loss and Friendship
I have been struggling to find the words to accurately describe how much I loved and appreciated this drama. The writing made me laugh, cry and think about the ways I could relate to the lessons being shared in each episode. All the characters were beautifully written, especially our three leading ladies, and I found myself being instantly attached to them since the first episode. I was blown away by how well the writers were able to flesh out almost all the characters(especially considering how large the cast was)without it becoming too overwhelming, and the plot was never convoluted, messy, or predictable. The lack of predictability was something that really shocked me since this tends to be a huge issue in kdramas, specifically melodramas. Towards the end of the episode, I had no idea what was going to happen next and the realization soon hit that going with the flow and letting the story do its thing was the best way to enjoy this drama.The friendship between Jin Joo, Eun Jung, and Han Joo felt so incredibly realistic and it made me yearn for a friendship as beautiful and lovely as theirs. Eun Jung's brother, Hyo Bong, was also a part of this tight-knit group of friends, and his presence was natural and never felt out of place. These 4 individuals had so much love and respect for one another and you can see that in the way they spoke to one another and supported one another. There was a deep sense of trust amongst the group, and apart from little spats, we never actually see them fight. It felt warm and cozy watching the scenes where they all sat on the sofa at the end of the day watching TV, eating snacks, and just talking about their day or how they're feeling. It felt so natural and I would always get a warm fuzzy feeling. What sealed the deal for me is the way they handled Eun Jung's grief, which was a major theme in the show. The 3 of them never pressured her, never forced her to speak about how she was feeling, and graciously accepted her with open arms once she was ready.
On that note, the way Be Melodramatic handled the topic of grief and mental health was so well done. Oftentimes, kdrama's tend to fail horribly when it comes to addressing those themes, but BM was certainly not one of them. Despite the fact that 2 years have passed, Eun Jung has yet to address the pain from losing her boyfriend, Joon Woo. Because of that, she's found a way of coping by tricking her brain into thinking that he is there with her and even carrying full-on conversations with him. She pretends that she is fine but once she realizes what she has been doing, she is hit with the harsh reality that Joon Woo is gone and that he isn't coming back. It's a poignant scene that reminds the viewers that Eun Jung is still in a great deal of pain but hasn't learned to deal with it. What was great is seeing how Eun Jung willingly sought therapy after her brother urged her to and how these scenes were taken seriously. The therapist genuinely cared about her wellbeing and what it is she had to say, and Eun Jung genuinely made an effort to answer the therapist's questions to the best of her abilities. It was nice to see her go back to the same therapist a few episodes later to show that she was still actively receiving help. Mental health and grief are usually not taken seriously in dramas and tend to be solved easily, but BM handles these topics with care and presents Eun Jung's journey of healing as realistically as possible. By the last episode, she still sees and speaks to him, but it is clear that she's in a much better place and is beginning to learn how to live her life without him. There is no clean-cut conclusion because grief and healing are not easy and it was such a beautiful open ending to her story.
God, I have so much more to say about this show. The way the comedy fit so well with the quirky atmosphere, the way both romantic and platonic relationships were written so nicely, the way the plot was clever and nicely paced, the way every single character, pairing, and group had immense chemistry, and especially the way the actors did an incredible job portraying their characters. My one and only complaint is the way the plot twist is thrown in the last episode where it is revealed that Han Joo was actually dating someone the entire time. We were never given any indication that she was in a relationship and it felt like a cheap way to let the viewers know that Han Joo and Jae Hoon were strictly platonic. It was genuinely frustrating considering the fact that the show had led us to believe that there were romantic feelings present, but since they wanted to show that they were just friends, I wish they had done a better job at revealing this fact. Because it is such a small issue within a sea of perfection, that one flaw isn't enough to bump down my 10-star rating and I highly, highly, HIGHLY, recommend this to anyone looking for a cozy and heartwarming drama to binge.
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Melo definitely suits them, and its ok to be melo, isn't life always a bit melo anyways?
This drama definitely felt like Age of Youth, but in their 30s. Instead of school life, it focus on women and them juggling their careers and personal life. Perhaps because I really enjoyed Age of Youth, I also really enjoyed Be Melodramatic.It is more of a slice-of-life drama, journeying with the characters through their personal highs and lows and the in-between (there is a lot of in-between moments). There is no sweeping romances, but slightly heart-fluttering and fuzzy romances. No crazy plot twists or twisted villains, just life getting in the way (e.g: death of a loved one, being a single mother, getting stuck in an unfulfilling job). I do think that there are more funnier scenes than melodramatic scenes, such that I find the drama title ironic. I also like how the drama incorporates meta.
Some of the characters might not be the most likeable at the start, but they definitely become endearing at the end of the dramas. Especially the male characters, some of them seem too aloof or arrogant, but gradually and somehow, the story reveals more to their initial impression and ended up liking their characters at the end of the drama. I am realllly liking Jeon Yeo Bin's acting, especially now watching Vincenzo too. I think because the actors/actresses are not the most well-known, I got to really immersed myself with the characters of the drama (lol sounds weird but idk how else to phrase), not comparing with their other works. (excluding ahn jae hong in reply 1988 and lee yoo jin in age of youth)
Sadly, maybe the drama's production is smaller or for other reasons, the OST is lackluster-ish. Different covers of the same song is repeated in the drama. Initially, it was played for gags, but it kinda overtook as the main theme as the song is still about romance which fits the drama. It is nice that one of the cover is sang by the main leads (I am not too sure tbh but it sounded like their voices). And now this song is stuck in my head :') (Song: Your Shampoo Scent in the Flowers - jang beom june)
I have to end this review with my favourite quote/dialogue from this drama, maybe even the best quote ever (paraphrased): "You'll always be moneyless, you don't have money now because you're studying, then after getting a job, you'll get married and need a house, but it belongs to the bank, so you still don't have money. Then you'll pay back the mortgage but when you have children, then you'll send them to college to provide them good education, then when its retirement, you'll not have any money. And that is just the successful cases, there are worse ones yet."
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The cast is just great and I think the characters were portrayed well. The character development was well paced and made sense with the overall story. I would say that some moments were predictable,not too much, but with a hint of twists. It's just enough to keep the viewer's attention. You come to love some characters and others maybe not so much, but they all have a purpose and make the story feel more complete. You will definitely feel a mix of emotions where one moment you'll be laughing and the next thing you know a tear might be forming ( unless that's just me being a snowflake hahaha). I think the main deciding factor whether or not you watch this drama is whether you care that the story goes back and forth a lot( past to present). I would recommend to at least give it a try.
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Unexpectedly good and heartbreaking
First, amazing cast, the actresses are all so good in their roles and the way they’re portraying their characters is chef kiss. I wasn’t expecting this show to give me so many loud laughs and so many tears, it’s written beautifully, with sass and brains, it’s a smart comedy that reflects reality at the same time that honors its name. Life is melodramatic, but also so normal, it’s perfect in that sense. I didn’t want the ending it had but absolutely agree with it and think it fit the characters perfectly. Highly recommended.Was this review helpful to you?
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Start Strong, Finish...?
From the get-go, "Be Melodramatic" bursts onto the scene with a bang, introducing us to a colorful cast of characters who are as eccentric as they come. Think drama writers talking to their handbags and documentary directors with a penchant for unexpected fame – it's a recipe for hilarity!But hold onto your hats, because as much as I'd love to tell you that the excitement never wanes, let's keep it real – there are a few bumps along the way. While the early episodes promise an exhilarating journey ahead, the thrill ride starts to lose momentum, leaving us longing for the excitement of those first few episodes.
Despite the occasional lull, "Be Melodramatic" still manages to keep us entertained with its witty banter, laugh-out-loud moments, and heartfelt insights into the trials and tribulations of adulthood. Sure, there may be moments where you find yourself checking your watch, but stick it out for the sake of those golden nuggets of comedy gold.
And let's not forget the stellar performances from the cast – they're the glue that holds this melodramatic train together. From the hilarious antics of Im Jin Joo to the endearing charm of Lee Eun Jung, each actor brings their A-game to the table, elevating the drama with their impeccable chemistry and comedic timing.
So, while "Be Melodramatic" may not be the heart-pounding thrill ride we were hoping for, it still delivers enough laughs and heartwarming moments to make it a worthwhile watch. So grab your popcorn, settle in, and prepare to be swept away on this eccentric rollercoaster of a drama!
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What kept me to still watching until the end was just to know the endgame of the other two female leads. They have better storylines and developing characters than the main story. What should be the main story isn't even interesting :) idk but this drama is overrated. sorry. Keep it up, everyone involved! I hope your next project will be better. I love the main OST btw.
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Pretending to be strong, and failing brilliantly
I laughed so hard in the first half, and cried mostly for the second. Three times. Four.There are few dramas in which multiple to all of the characters are likeable. This is that one. This is for you, if you’re weird and like weird people.
And It is genuinely funny too, at least to me, makes me laugh for real. The comedic moments don’t feel forced, like they aren’t trying to make you laugh, but the things the characters do and say feel true to them as people. Love the overall vibe and the plot, soundtrack, the character dynamics.
I mean.. how are they able to make so many main
characters, even the supporting characters so real? Without too much information about someone I don’t really care about. Like; just enough. So that I actually kind of begin to care instead.
Maybe it is seeing them at home—even if just for a moment, when they’re alone, when they are with those they feel safe around, and those they don’t. The contrasts and different dynamics in which they are written true to their characters.
So simple, yet so impactful. While it is funny and quirky, there are moments that can feel excruciatingly real and relatable, like a punch to the gut when you least expect it.
It is far from the “best” drama I have watched, but it kind of sneaks up on you.
Favourite quotes:
Do you know why the city is lonely? Because the lights of the buildings take the place of the stars. And because the people of that galaxy don’t know I exist.
So what? Just hang on there. Whatever you do, just hang on and survive. Look at me, look at how amazing and wonderful I am at surviving all these years.
Well, I guess we don’t have much to say, but how about being curious about me from time to time?
You can still fix all the problems you are experiencing as you love someone. However, you cannot fix the other person, you must fix yourself. That is the only way it is possible. If it’s too late, you are only left with regret and the opportunity never returns. Learning this lesson as soon as possible is key.
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