My Dearest Part 2

Maybe the best Kdrama of all times.

Ok, I have watched many K-dramas so far—many stories, many romances, many dramas.
I have to say that this might be the best K-drama ever. Everything is in the title: "My Dearest"… The romance is "romancing" and It is not the childish romance you often encounter; it is a mature, healthy romance— it is ride or die.
You get attached to all the characters, even those you’re supposed to hate. You feel the pain, the struggle, the love, the hate… Everything is so well written that it’s scary. One episode, I’m laughing; the next minute, I’m crying.

I don’t know why, but this K-drama reminds me so much of Alchemy of Souls. The same loneliness after finishing it… It was hard to go through all the episodes because I knew I would suffer.

If you’re hesitating, don’t. It is worth watching.

One thing I learned is that true love can never fade, even in the face of all the hardships in the world.

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my dearest vs. the red sleeve

i have two words only: absolutely mindblowing!

much has been analyzed about my dearest solely itself, but i wanted to use this review to stir conversation and draw some comparisons to another fantastic (and may i dare add, even more intriguing) sageuk-- the red sleeve-- in order to encapsulate my frustrations with the storyline of my dearest's main couple and where i see room for improvement.

(warning: some major spoilers ahead for the red sleeve).

1) equality of contributions in their relationship.

what the red sleeve does so well, even amidst a severe power imbalance between a crown prince and his court maid, is demonstrate that the ML and FL view each other as equals. despite the FL's lowly status of a court maid, she saves the ML on multiple occasions that made my heart SWOON, which ultimately restores balance to their power dynamic and also, reaffirms their mutual love for each other. that is what makes the love between them so discernible to the audience. i could FEEL it in my toes.

on the other hand, what was so frustrating in my dearest is jang-hyun's constant unreciprocated affection toward gil-chae. though both shows have this period of "unrequited love" from the MLs to the FLs, although refusing to become the crown prince's concubine, the red sleeve's FL constantly contributed to their relationship and protected the prince as much as the prince is protecting her, which made their affection for each other palpable. although the FL denies her feelings for him, you can see through her facade and really feel her love for him even with their massive gap in social status (which i'll delve into later). as for my dearest, although jang-hyun's love for gil-chae was so painstakingly obvious, i never felt as if gil-chae reciprocated it. the discrepancy between number of times he has protected her vs. the number of times she has protected him is just too large to imagine gil-chae loving jang-hyun with the same intensity and depth in which he loves her. honestly, as part 2 progressed, i started to pity jang-hyun immensely for his all-consuming passion for someone who seemed like she was indebted to him rather than her being in love. i also think this inequality in their respective contributions to their relationship is made worse with the durations of both shows. TRS is 17 episodes in compared to MD's 21, which may have helped me overcome the excruciating unrequited love phase and hang on to TRS's story much more than MD's.

2) the driving obstacle toward their relationships

in the red sleeve, we've always understood why the main couple could not be together; as a concubine, the FL would lose her freedom and be entirely devoted to a man who simply cannot be entirely devoted to her. what made their story so tragic is that their circumstances are entirely out of their control; it was fate that made the FL a court lady and the ML a prince. in addition, the pay-off of the couple finally getting together was truly rewarding in that the audience finally witnesses how becoming a concubine heartbreakingly stripped the FL of her personality and charm. the regret that she feels for giving in to the prince is tangible. the warning that she has been alerting both the prince and the audience over the entire course of the drama has finally (and tragically) come to fruition.

however, for my dearest, the obstacles that inhibited their relationship was the intervention of other characters as well as a simple lack of communication. to me, rather than tragic, these roadblocks were frustrating. to prove to gil-chae that he truly truly was committed to her, jang-hyun should've told her about the dozens of pairs of floral shoes he purchased during his agonizing time in simyang. to show jang-hyun that she was in love with him, gil-chae should've cleared up that his "younger brother" literally told her that he was dead, and also that she was staying with officer gu because she had a duty to her family, not because she didn't love him. their poor communication eventually lead to misunderstandings and it was KILLING me. furthermore, i never felt as if the pay-off of jang-hyun and gil-chae getting back together was as satisfying because their entire story was soon marred with hardship that seemed if it had no end.

despite these frustrations, my dearest has been an absolute roller-coaster exploring love in its most pure, raw, and honest shapes and sizes. jang-hyun's love and devotion toward gil-chae was so admirable. and alas, despite both being sageuks, the red sleeve and my dearest are two completely separate shows with separate romances featuring separate issues of the time period. either way, i highly highly recommend my dearest to those looking for a truly epic, slow-burn love story!

(on a final note, i wish men like jang-hyun were real.)

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My Dearest Part 2 picks up where the intense first part left off—and then takes its characters through deeper sorrow, higher stakes, and sublime hope. The backdrop of the Qing invasion of Joseon becomes more than history; it becomes the arena where hearts are tested and fates are forged.

Nam Goong‑min delivers a staggering performance as Lee Jang-hyun, the man of hidden pain and silent resolve. His transformation—from the enigma of Part 1 to the hero who fights not just for his country but for the woman he cannot forget—is executed with nuance and power. Opposite him, Ahn Eun‑jin as Yoo Gil-chae shines with strength and vulnerability, embodying a woman caught in war, politics, love and loss, yet refusing to yield. Their chemistry is magnetic, built on scars and longing, and every reunion or separation hits like a thunderbolt.

Visually and technically, Part 2 reaches new heights: the battle-scenes are epic yet grounded; the quiet moments—glances in moonlight, old wounds resurfacing—lift the drama into something poetic. The pacing tightens when it needs to, and allows space for reflection when emotion demands it.

Some viewers have noted that the political threads feel slightly more complex and dense this round, but that depth is part of the show’s ambition. By the end, the merging of personal and national vendettas reaches a satisfying resolution—bloodshed gives way to sacrifice, and despair gives way to hope. The finale manages to honour both the epic and the intimate.

My Dearest Part 2 is not just the continuation of a love story—it’s the fulfilment of one. It’s bold, sweeping and deeply human. A worthy sequel that honours its characters and ups the emotional ante in every way.

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Both the parts' review

After watching both parts, I realized that it’s actually a well-written story. In the first part, I was irritated by Kil Chae’s character until the very end. She refused to accept that Yeon Joon loved someone else and kept interfering in his matters while disregarding Lee Jang Hyun’s emotions and sacrifices. In the end, she married another man, which frustrated me a lot.

The second part continued in flashback, just like the first. An old man in jail agreed to tell Jang Hyun’s story but wanted to know what had happened to him first. This led to another series of flashbacks, forming the core of the second season. One thing that confused me was whether the old man was actually narrating the story to someone or just recalling it in his mind. Additionally, I wasn’t sure if the events we, as viewers, watched were his narration or simply the director’s way of showing us the past.

The story seemed to have a happy ending, but it still felt incomplete. I expected it to conclude with the old man, bringing full closure to the narrative.




At the end, I want to conclude by appreciating the outstanding performances of Namkoong Min, Ahn Eun Jin, Lee Hak Joo, Lee Da In, Kim Yoon Woo, Park Kang Sub, and Kim Seo An. While the entire cast did well, they were the best. I also want to mention the actor who played the role of the Crown Prince—his performance was remarkable.

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Not as good as part 1

While I absolutely loved part 1, part 2 felt disjointed. ML and FL had a lot more interactions, but the story had way too many useless characters and frustrating plotlines.

There were a lot of scenes where ML and FL almost met but missed each other by a hair. At first, it was ok, but later became very frustrating because the writers overdid it. Some characters and storylines were pointless. What was the deal with the Chinese princess and her unrequited love for Jang Hyun? It didn't move the plot forward, but created unnecessary conflict that was more frustrating than meaningful. The princess got no character development and her arc ended in a very underwhelming way. She was cruel and selfish, and I expected Jang Hyun to deal with her in a smart way. But he told her he was leaving and she accepted it, the end. Gil Chae getting abducted to Qing also felt off. It was a tool for her to meet Jan Hyun, but the plotline felt like a forced cop out, rather than a natural story progression.

It also felt like the writers changed their mind with the direction of the story. They made a big deal about women being abused in one household because of a jealous wife. But Gil Chae spent very little time there, then left, and that was it. The arc with Gil Chae marrying the sergeant was also completely pointless. It was another tool to keep ML and FL apart for a bit longer without serving any other purpose.

The entire part 2 felt like a forced attempt to continue with the story post war, except there was not as much conflict and action. A lot of story arcs felt uninspired and forced. I wish the war plotline wouldn't have ended in part 1. This was when the story was at its best.

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Lacking compared to part1

My review is for the second half of the drama rather than the entire drama. I quite loved the first half (part 1) but this second half (part 2) was so much more weaker.

The first 3 episodes are decent, there are light moments (when you compare to the tragedies of the first part) and hope. But episodes 4 - 9 were such a drag to watch. You get brief moments of happiness and then problems. To the point that it seemed like a never-ending mess. I was prepared for a tragic ending. Apart from that, the story was really moving slowly with not much happening. You can easily watch these episodes on 2x because everyone talks so slowly.

Some of the characters really annoyed me. One being the king. He was so hell bent on retaining power and his position that he lost trust in everyone including his ministers, his son, and his people. To target his own people who already faced so much was simply unforgiveable according to me. What does loyalty mean if the other party unreasonably wants to sentence you to death in order to feel "peace"?

The other character was the scholar who acted all noble and could see that the king's fears are driving him to cruelty and he made the same exact choices by giving into his unreasonable fears. Though it just proved that he was always a cruel man and he never regretted his part mistakes. He would repeat them again without much hesitation.

Finally, it was Officer Gu, who we all knew was not worthy of marrying Gil Chae.

It's easy to blame the "barbarians" for the sufferings of the people of Joseon but this part highlighted that the people of Joseon were far more cruel to their own. They abandoned their own family and wives and sisters and daughters if they deemed them to be "tainted" and were obsessed with keeping Joseon "clean". They were willing to kill their own by labelling them as traitors without proof. They forced women to kill themselves. They humiliated anyone who survived. They truly disgusted me because instead of easing each others suffering and giving each other comfort after all the hardships and sorrows, they rejected and ridiculed them instead. They didn't allow their own people to heal. So the real traitors were the ones who escaped "unscathed". Problem is, I don't know if majority of the audience will understand this because of the way it was presented. Unless you can relate to being "othered" in your own country, it's unlikely that most of the audience will understand this aspect of the story because of the way it is presented. It will probably get sidelined as an aspect of war.

The last two episodes were the best compared to the rest of this part. Though there are again unnecessary hurdles and part of me wanted to know what happened to all the politics that we were forced to suffer through, I am glad we were not forced to suffer more on the leads' story front. If not for the last 2 episodes, I would have certainly scored this part lower just for those middle episodes. The male lead also said and did all the right things and he truly was a blessing for everyone. The growth of the female lead was also nice to see and a good contrast between part 1 and 2.

One aspect they glossed over is what exactly happened to Ryang Eum.

The OST of this show continues to be enjoyable.

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a review for both part's 1 and 2

"Do you hear that? The sound of flowers blooming"
I was sold. I was seated.
——
I devoured this drama in 2 days and lost my sleep for the beautiful narration it truly was. Mind you i have 3 pending kdramas as of 12/29 but i mindlessly put it on hold just to reserve myself to see this drama through...

I initially came across this drama when MBC released its trailer. it caught my attention but i guess it wasn't enough to get me out of the kdrama slump i was at the time😂 THANKS TO TIKTOK it resurfaced on my fyp and gave this a shot!!

Many say it starts off slow and picks up at 3rd-4th episode however i do not feel the same. From the first episode till the last few minutes of episode 21–i loved every bits of it.

I seldom writing reviews and reserve writing allat for dramas deserving. I can confidently say its well within my #10 all time best kdrama and #1 sageuk drama. Easily Nam Goong Min's and Ahn Eun Jin's best roles portrayals out of their filmographies.

Do i recommend?
Yes. Yes. Yes. Though be prepared for the rollercoaster and tearjerker it will be. If you suvived scarlet heart/moon lovers, then you wont have much trouble going through all the episodes. It is depressing. Sad. Dark.
I came for the romance but also stayed for the history of Joseon. I found myself sympathizing for the plight and the women of Joseon endured. This drama portrays all of the character's story so well—so much depth and well thought and written characters.

I miss my JangChae already☹️❤️
I'm in "i wish i could watch it like the first time" moment🥲

WELL my yapping ends now.
It has been awhile since i felt this empty after watching a kdrama. The void left in me will be hard to fill in.🥴

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My Dearest – A Tale of Love, War, Identity, and Survival

Set during the Qing invasion of Joseon in the 1600s, My Dearest is more than a historical romance. It’s a harrowing, poetic exploration of what it means to be human when the world is stripped of dignity, hope, and control. Through intimate character arcs and sweeping historical tragedy, it weaves love, loss, betrayal, and resilience into something hauntingly unforgettable.

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War as the Great Equalizer and Destroyer

The backdrop of the Qing invasion is not just a setting — it’s a living force that crashes into the characters’ lives and obliterates every illusion of safety, class, and control. Nobles become slaves. Soldiers become traitors. Citizens become survivors. The war strips everyone bare, revealing the raw truth of who they are when everything else is taken.

“The world has changed. And so have we. But I don’t know if we changed because of the world… or because we had to survive.”

The war exposes the fragility of national pride, the corrupt nature of political loyalty, and the sheer helplessness of the common people caught in the games of kings and emperors. Joseon’s leadership is portrayed as weak and divided, failing to protect its people — a bitter commentary on the cost of blind patriotism and power struggles.

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Love as Resistance, but Not Salvation

Yes, the central love story between Lee Jang-hyun and Yoo Gil-chae is moving — but it’s not romanticized. It’s full of missed chances, trauma, and choices that hurt both of them. What makes their love story so compelling is that it mirrors the chaos of the era: unpredictable, painful, yet rooted in something deeply human.

But love does not save them. And that’s the point.
Instead, love becomes a quiet rebellion — a way to cling to identity, hope, and humanity when everything else is collapsing. It is both a burden and a blessing. The tragedy is not that they fall apart, but that they love so fiercely in a world that doesn’t allow them to be together.

“You became the only thing I wanted in a world that gave me nothing.” – Jang-hyun
“Even when I hated you, I prayed you were alive.” – Gil-chae

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Identity and Transformation

Every character undergoes transformation — not a glow-up, but a breaking-down and rebuilding of the self.
• Gil-chae evolves from a vain, naive noblewoman into a hardened survivor. Her journey is about losing her identity as a “lady” and redefining strength not in status, but in compassion and endurance.
• Jang-hyun, once a man who lived only for himself and “didn’t believe in love,” becomes someone who sacrifices everything, again and again, for a woman and a people who may never understand him.
• Kyung Eun-ae, Gil-chae’s best friend, also goes through profound change — from a timid woman into one who takes painful decisions, shows moral courage, and chooses survival over dignity.

The show constantly asks:

Who are we when no one sees us? Who are we when survival demands we become someone we hate?

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The Burden of Memory and the Cruelty of Hope

As the war ends and the dust settles, what remains is not relief — but trauma. The characters carry the weight of what they saw, what they lost, and what they did to survive.

Jang-hyun’s eventual decision to leave Gil-chae for good, even when she’s finally ready to be with him, is devastating. He’s dying — and he chooses to spare her the burden of watching him fade away. It’s a final act of love, but also an indictment of how tragedy has robbed them of even the right to grieve together.

“I wanted to die in her arms. But that would have made her die with me.” – Jang-hyun’s final words

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Cinematography, Symbolism, and Score

Everything about the production elevates the storytelling:
• Muted tones and natural light reflect the fading innocence and raw reality of war.
• Symbolism is everywhere: water represents both rebirth and distance, letters become vessels of love and regret, and silence often speaks louder than dialogue.
• The soundtrack — particularly “Road to You”, “One and Only”, and “Always Be There” — amplifies the longing and heartbreak without ever overwhelming the scene.

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Final Reflections

My Dearest doesn’t offer a happy ending. It offers something harder: truth. The truth that sometimes, love comes at the wrong time. That war doesn’t end just because the fighting stops. That we may survive, but not whole.

It’s a show about what we hold onto when we have nothing left — and what it costs to keep holding on.

It’s not for the faint-hearted. But for those who watch it, it leaves a quiet ache — the kind that lingers like the memory of someone you once loved in another lifetime.

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All pain, no purpose

Don't get me wrong, I love stories that hurt. The kind of pain that moves you, that pulls something raw and human from inside your chest. The kind that lingers because it means something. But My Dearest isn’t that kind of suffering. It doesn’t ache, it exhausts. It mistakes constant heartbreak for depth, and pain for meaning. The result is not catharsis, but fatigue.

My Dearest presents itself as an epic love story, but fails to deliver even the foundation of genuine emotion. The romance, supposedly the heart of the series, is built not on fate or impossibility, but on endless misunderstandings and self-inflicted wounds. There is nothing truly keeping these characters apart except pride, miscommunication, and poor writing. The series confuses chaos with complexity, turning what should have been a grand passion into a frustrating cycle of stubbornness.

The main couple’s relationship lacks depth because the show never explores what they actually mean to each other. His love for her seems obsessive but hollow; her rejection of him feels more like ego than conviction. After so many cycles of rejection and emotional distance, even their final moments of surrender lose credibility. I expected to feel intensity, but by that point, there’s only exhaustion. There is no forbidden love here, only two people trapped in an emotional loop created by their own choices and by the script’s inability to move forward.

Beyond the romance, My Dearest collapses under the weight of its own ambition. It floods every episode with wars, separations, political conflicts, deaths, and even two cases of amnesia, but rarely develops any of them with coherence or consequence. It mistakes the quantity of events for narrative depth. The double amnesia arcs are the perfect example: two identical shortcuts that erase everything the characters supposedly learned, just to start over again. Instead of evolution, we get erasure. Instead of consequence, we get convenient reset buttons.

The story is full of unresolved arcs and gaps. Subplots begin with intensity only to vanish without explanation: the father’s violence, the trauma of captivity, the political backdrop that starts strong and then dissolves into nothing. Time passes inconsistently; years of war look like days. Characters don’t age, emotions appear and disappear without trace, and the editing makes it feel like scenes are stitched together without the connective tissue that gives them meaning. Everything happens, but nothing truly matters.

Visually, My Dearest is magnificent. Every frame looks like a painting, every performance is delivered with sincerity. But that beauty only makes its flaws harder to ignore. It’s the illusion of grandeur, a work that believes pain equals depth, that noise equals feeling. Beneath all that splendor lies a hollow core, a drama that keeps reaching for greatness but never finds its soul.

In the end, My Dearest is not the story of a love destroyed by fate, but of a script destroyed by its own excess. It’s not emotionally tragic, it’s narratively tragic. A series that had everything it needed to be art, but chose spectacle over substance.

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