K-Drama After a long tine, a viable 2nd ML, but still bad
Hello there. This kind of drama is the hardest to review for me, mostly because its value is just outside of being total sht. And while reviewing it, I often "feel the need" to add another bad thing about it, and another, and another. But this time I'll try to keep it together.Visuals. Meh. A couple of very decent shots, but mostly is just alright.
Audio. The sound design was ... maybe not bad, but barely missing it. And mostly because of the over usage of sound effects. for every fkin little thing. Plus, the usual "hear this track? this part is sad/quirky, you must feel sad/amused" assortment of trying to "tell" you how you're supposed to feel. Also, the group's songs, not the greatest either.
Editing. Meh, at best. A couple of bad stuff, also a couple of really horrendous parts. Like the ending for episode 10 (? maybe, I wont rewatch it). Its supposed to be a cliffhanger. 50 seconds of people looking at each other. I think in the moment I even thought that some of the shots were reused, to make it feel longer. And after all of that, after that "tense" and "oh, no" moment, 30 seconds later we get the preview for the next episode, which had scenes with spoilers of "all good now, don't worry". A couple more scenes the same, but this one in particular stood out. The world-building is a mess. The pacing was meh, as usual, apart from some specific moments when we are told, you have no idea if its the same scene of how much time it passed. Sometime in the last 4 episodes (like I said, I wont rewatch any of the scene from this drama, not even to check something), the FL is at her desk. Then we get a location shot (the shop's name), she's again at her desk, but some time had passed. One day, one week, no idea. Same for the last episode. She's working, or rather finished working (she had to end before 3 PM), the scene moves to 1st ML, then to her again, and apparently its another day. Every time I had to go back a couple of seconds, to check her clothes, to make sure if its the same of a different day. Also, I could nitpick something in regards of the same scene. It might be viewed as a spoiler (not really, you can see it a mile away, but I'll pretend it is). For those watching this k-drama after checking the reviews. Apparently its weekend. Her colleague just left, so maybe mid or later in the day. They have a video call. Both their rooms have direct sunlight... And thats all I will say.
So, high production value. Why? No idea.
Now the "good" parts. I guess its ok to say good casting. Rather than charisma, the thing between FL and 1st ML worked because of the actors, whereas the one with the 2nd one it felt more natural. Again, it might be because of the actor itself. Decent acting overall, more or less. It might also be a director's fault thing. Because I've seen the FL in other dramas and she wasn't this terrible. Not the greatest as people praise her, but also not bad. I think it all simmers down to the roles she's best suited for and this drama was not it. The FL played almost entirely like a teenage girl. Very forced "easy-going person and happiness all-around". Ofc, the script didn't helped either.
So, script. The writing was horrendous. starting with the dialogue, on to the story itself. This is not "just" a director problem but of the writer itself. While end credits, I saw that it is based on some webtoon. I have no idea if the adaptation follows it, but I'm sure thats also sht. Because the core progression is bad. Very bad. Its a story full of tropes and cliches (not the same thing). Every little thing is a plot device. It is full of plot devices at least, maybe even plot holes, but I stopped paying attention to that when I saw how bad this drama was. At key moments, you can take a guess on the usual way the same scenes unfold in other dramas and you'll guess whats going to happen next here. More or less. Terrible story and structure. Problems popping out just to have drama going. Characters reacting in very specific (non-logical, non realistic) ways, just to have drama going. *sigh*
I think this is also the place to mention it: I hated that "smart home" gadget thing. AI that was quirky and had human-like "feelings". Always having answers. Used for gags. And that was entirely forgotten sometime mid-season (again, I wont recheck). Or maybe it was a product placement thing, no idea.
Next. Character development. Whats that? No, thank you. From mid/bland characters, to horrendous ones. From a teenager-acting FL, to her terrible friends. I have a very specific example in mind (although there are a lot more to choose from). I have no idea how that went in the source, or how they thought to make it work here. Also, it happened right at the beginning, 20-ish minutes in of the 1st episode (I think). The scene: FL with her friends, drinking, getting wasted. She hears someone saying bad stuff about a person dear to her, so she gets up to give him a piece of her mind. Her friends say stuff about FL, what she usually does when she's drunk. Basely, "uh-oh, not again, she must be stopped at all cost". So, they don't get up in a hurry, when they do eventually, they stop 2 meters behind and get one in the arms of the another while bickering or something. All this "acting" to make sure that FL does what it is supposed to do, to ensure that the rest of the story can happen. I think this was the moment (in regards of writing, acting etc) when all my worries were dispelled and I knew for certain what it was going to be a bad drama.
I wont even start with the whole idol industry and the fans.... Yes, it was an important backstory element, while also only taking the parts they wanted to and completely dismissing the other ones. So, no.
I've told you I will feel the urge to keep talking about its bad points.. So I'll stop. It gets a rating of.... 5? Barely, barely (if pen on paper, check marking stuff, crossing stuff, it might be a 4 or even lower, but I'm a nice person like that). Too much meh. A couple of decent things in regards of visuals, some nice acting from MLs. It was the first drama (in a looong while), that had a decent 2nd ML, one that felt like his backstory made him into a viable option (even if we already knew that it wont happens, ofc). No re-watching value. If you like any of the cast, check their other works. At best, this is just a waste of time.
Have a lovely day.
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I really like both leads, but they never got a real chance to shine. Even with 12 episodes, this should have been a movie — the plot isn't strong enough to fill the runtime.
The core idea is good. As a K-pop fan, I loved that the drama showed a fangirl's feelings as admiration, not romantic love. But the writers played it safe with every cliché — the idol who noticed her for years, the ex returning, the spy subplot, going abroad and coming back. It's 2026. Where's the creativity?
I had high hopes for Kang Hoon after Dear Hyeri, but the script doesn't give him enough to work with. The FL is a pleasant surprise — she gives off a Park Bo Young vibe. I hope they both get better rom-com scripts next time.
The chemistry works, especially from episode 5 onward, and both actors carry the show. But the back half wastes its best idea — the idol-fan connection — and reduces Lee Chan to a love-triangle tool. The conflicts are predictable, and the warmth of the finale comes from the actors, not the writing.
Verdict: Fine for a brain-off watch if you're here for the leads. But don't expect anything fresh or original.
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A Fast Food-like Drama
As usual, I am sharing what someone my age and experience would want to know before watching a rom-com with a happy ending as a dopamine source. Using food as a metaphor, I'd say, “This is a fast-food drama.”Explaining myself: with fast food, after a repetitive process, anyone with the proper training and sourcing the right ingredients gets food very fast with known quality, an expected, not complex flavor, and immediate satisfaction. The joy is brief; it doesn't do much for your health, and the aftertaste doesn’t last long.
This drama follows the same principle: a safe rom-com that relies on a mechanical, well-performed process, uses proven formulas, and offers little to project onto; you know what you will consume, what you'll receive, it is fast with no complex development, and, in the end, only temporary satisfaction, bringing little to your mental health beyond immediate distraction.
We found the usual self-improvement rom-com, featuring two almost 30-year-old virgins: the dominant CEO with personal traumas, and the nice, innocent, and kind FL, trying to improve herself after living through tons of unfair situations where people took advantage of her kindness, improving thanks to the CEO’s support and transformation.
As expected in the fast food process, here the production selected from the typical scenes to receive good reviews in the make-it-fast rom-com: the “accidental kiss”, the CEO with traumas to be rescued by the FL's kindness, the hardworking FL that overpasses all her coworkers with her smartness, the coworkers insanely supporting the FL, confessions while drunk, the ML appearing out of nowhere to save the FL, the first kiss and first time intimacy for both leads, bad guys being punished, people with wrong behaviors turning friend due to the good dees of the main leads, frequent repetition as memories, the unnecessary breakup and the reconciliation after the life risk of some of the main leads, the temporary split in search of self-improvement of one of the leads, (in this case with difficult-to-understand trip to France after stabilizing their relationship, without thinking about the message to your partner when you want to leave for few months?), the transformations and self-reflection of the other lead to support the dreams, and of course, the last episode’s proposal. I expected the rom-com scenes, but when they are too superficial, it made me feel like something was missing.
Even with the predictable plot, the leads' acting met expectations: the leads had good chemistry, the FL's expressions conveyed the irresistible charm that made the CEO fall in love with her instead of more beautiful and successful women, and the ML showed convincing expressions in his evolution and in how he managed his troubles and setbacks, and in how he slowly fell in love with the FL. Like many Korean dramas, the production was polished with few noticeable flaws. As for the antagonists-turned-friends, they were too stereotyped; at least they weren't portrayed as villains, but as “nice people understanding they had no chance.” The leads’ overly exaggerated friends came across as a cheap attempt at humor rather than genuinely funny. Nothing good to say about the FL’s mother, whose character could be deleted without any impact. The lighting, photography, and direction were good, and the OST supported the scenes as an integral part of them, with a good rhythm and no boring episodes.
In summary, the drama was enjoyable to watch and worked well as light entertainment, as long as you aren't looking for deeper emotions or dramatic situations, you can live with the plot holes, or you need something to connect with personally. It is a standard Korean product from the light rom-com drama factory: a happy ending, proven scenes, little artistry, nothing new to expect, and designed to deliver exactly what viewers want to satisfy the domestic market and foreign fans of Asian dramas. Like fast food, it offers immediate satisfaction through a known flavor and convenience, where you can’t expect a dopamine-lasting sensation that you would get at a good restaurant.
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A fan finds herself working with her idol from a now-disbanded group. Unfortunately, she got off on the wrong foot at work, and her boss is keeping a close eye on her, suspecting she is a spy for the competition. She tries to win him over, knowing he is the one who will decide which employee gets to go on a business trip with the group. Along the way, she comes to believe that her boss has a crush on the idol, while that idol has a girlfriend. Once the misunderstandings are cleared up, she must choose which of the two she wants to be with. Meanwhile, her boss discovers the identity of the real spy.Was this review helpful to you?
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meh
this was cutie; BIGGG hagi fan (feeling comfortable around someone is important!!) he loveeed her for her, i feel like chan just loved her cuz she loved him (not for who she acc was). this was lowk kinda boring but very cutesy vibes; wish the love line was more developed lowk not liking these office romancesWas this review helpful to you?
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Esperaba mas
Esperaba más sobre el tema de la historia, metieron muchas subtramas en una sola que era difícil engancharse, no me gustó el final que le dieron a la trama de la exnovia de CHAN, la introducción del primer amor de los personajes secundarios y principal. Menos cómo fue manejada el tema del infiltrado, y tampoco me gustó la química porque no había entre los personajes principales.Lo único que salvo en mi opinión la historia, fue como Roy se encontró con su fan que lo estaba buscando siendo repartidora, como la amiga de la protagonista y el amigo del protagonista tiene una historia de amor propia bonita, el reencuentro de la banda y la mini subtrama del hackeo.
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was hoping for maybe something more mature?
This wasn't bad at all. Nam Da Reum is so silly for a grown up like she took her fan love to another level. I understand why she got delulu and thought she and Lee Chan could have been something.After she and Kang Ha Gi got together, it got a little boring for me. Maybe I was expecting more, like those office romance and maybe something more mature?
Forward to the end, I am glad she has changed and put herself out there to grow.
Again, just a proposal, no wedding.
Writers, we miss the happily ever after......
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Like someone got a checklist of the successful elements but was unable to assemble it
My Rating is 7/10My daughter liked this less than I did and gave it a 6.5/10. While I liked it slightly more, I can understand exactly why she felt it was not very good.
I think My Bias, My Boss is one of those dramas where your expectations going in make a huge difference. If you do not mind cookie-cutter stories that lean heavily on familiar tropes, characters without much depth, and cheesy romance moments, you could be okay with this. For me, though, I would not recommend it to most Asian drama fans and I would not watch it again.
It has so many of the ingredients that made viewers fall in love with Asian dramas: the fangirl and idol, workplace romance, CEO, love triangle, accidental kiss, staring, umbrella, separation, reunion and ring. But for me, it was like being handed a LEGO kit without the instructions. You have all the bricks and accessories you need to build something really cool, say Snoopy. You have the black bricks, the white bricks and everything else you need. But without the picture or instructions, you don't realize that those pieces are supposed to become Snoopy. So you put them together and end up with a black-and-white dog. It has all the elements, but it isn't Snoopy.
That is what this drama felt like to me. It had all the right pieces, but they did not quite come together into the thing they were supposed to be.
And I don't think I would put this entirely on streaming platforms like Netflix, Hulu or Disney+. I think there is a broader Western influence creeping into Asian dramas in general. Even dramas on Viki and iQIYI, which I still think of as quintessential Asian-drama platforms, are sometimes adopting some of the same changes: shorter series, shorter episodes, shallower character development and side romances that do not get enough time to become meaningful.
I have actually had a pretty big discussion with other Asian-drama fans on TikTok about this, and I know I am not the only one noticing the change. There is a feeling among many fans that some newer dramas are taking the things that made Asian dramas special and changing them without really understanding why those things worked in the first place.
That is exactly how I felt here.
There was nothing fundamentally wrong with My Bias, My Boss. There was enough here that I enjoyed portions of it, which is why I landed at a 7 rather than lower. But it often felt like a drama that assembled all the right ingredients without understanding how they were supposed to fit together.
For me, Kang Ha-gi was okay as a male lead. He was smart, handsome, mature and competent, so he checked all the boxes. Kang Hoon made him likable, but I never became particularly attached to him.
I did like his connection with the cats, though. I thought that was going to become part of the romantic payoff, perhaps with the cats eventually being reunited once Ha-gi and Nam Da-reum got together. Instead, Da-reum simply gave them away, including the cat Ha-gi had been caring for and seemed attached to. That felt like another little element the drama introduced without really knowing what to do with it.
I also thought Lee Chan and Nam Da-reum actually matched each other better in personality. Maybe dating her longtime bias turned out differently than she imagined because she was not the center of his world, but the two of them seemed to naturally understand each other. I never really loved Da-reum and Ha-gi as a couple.
The 12-episode format also worked against the story for me. I went in thinking I would miss the traditional 16-episode Korean drama structure. Instead, by the end I thought 12 episodes almost felt like too much. I did not need more episodes. I needed more character development.
I would not watch this again. I would not recommend it to most Asian drama fans, and if it happened to be on somewhere, I would probably change the channel or leave the room. Once was more than enough.
Spoilers
The biggest problem for me was Nam Da-reum.
I found her completely unlikeable through a large portion of the drama. I understand that she was an intense fan and wanted to be near Lee Chan, but she deliberately joined his company hoping to run into him. Fine. You got the job. Act like a professional.
She was not exactly a sasaeng in the extreme sense of stalking him or invading his privacy, but her motivation was still fandom first and career second. I even wondered what Kang Ha-gi would have thought if he had seen all of the Lee Chan merchandise in her apartment before making some of his decisions about her.
The early fangirl scenes with Da-reum and Park Mi-mi were the height of cringe for me. I had so much secondhand embarrassment that I almost quit watching. My daughter practically tuned in and out during those episodes and thought they were nearly unwatchable.
Then Da-reum gets accused of being a sasaeng. I understood why that upset her, but I also thought the drama was being a little generous in separating her behavior from the motivation that put her there in the first place.
And then she actually dated Lee Chan.
I thought that was a mistake.
Even if Lee Chan wanted the relationship, Da-reum clearly was not feeling it in the same way. I think dating her bias while she was still sorting out what she actually wanted only hurt him more.
And honestly, I thought Lee Chan was a better fit for her in personality. He understood the fangirl side of her, and they seemed to naturally click. Maybe the reality of dating her bias was disappointing because he had a career, responsibilities and a life that did not revolve around her.
That seems to be something Da-reum struggled with. She needed to feel important to the person she loved. When Kang Ha-gi was busy trying to uncover the mole and was not spending as much time with her, she became upset too. I found some of her reactions selfish because he had a legitimate responsibility to deal with.
He supported her career, and I thought she should have been willing to support his career in the same way.
That insecurity made the romance harder for me to buy. Ha-gi was willing to give her room to pursue her ambitions, but she sometimes seemed more concerned with how much attention he was giving her than with understanding what he was dealing with.
I also had trouble with the star necklace and bracelet situation. Once Da-reum and Lee Chan decided not to be a couple, those items still felt like an intimate connection between them. In other dramas, a necklace or bracelet from a man to the female lead is practically a romantic symbol. Here it was treated almost like a fan connection, but it felt much more personal and secret than that.
And I kept thinking about Ha-gi. I would have been hurt by it if I were in his position. Da-reum never really telling him about that connection made it feel even stranger. You could argue it was simply a fan thing, but the way the drama presented it made it feel like an inside secret between two people who had decided not to be romantically involved.
The cats were another little thing that bothered me. I thought their connection through the cats was cute and expected some kind of payoff. Instead, Da-reum simply gave them away, even giving away the cat Ha-gi had been caring for and appeared attached to. It was such an odd choice that I kept wondering what the point of establishing that whole connection had been.
The whole thing with Park Mi-mi getting time with her own idol was ridiculous to me too. The odds of Da-reum working closely with her bias were already pretty slim. Then her friend conveniently gets regular access to her own idol after discovering Roy was working as a deliveryman. That was just too much coincidence.
The romance tropes were everywhere, but often felt awkward. We got the catch-and-fall with the long staring session, "sleeping" together, accidental kiss, umbrella, separation, reunion and ring. I could almost check them off as they appeared.
I don't mind these tropes when they are done well. The problem was that here they often felt inserted because the writers knew fans expected them.
That is my bigger issue with some newer Asian dramas. It sometimes feels like the writers know the tropes, know that fans like those tropes, and then make sure every one of them appears without necessarily understanding the emotional details that made them work so well in the first place.
The fangirl moment with Yoon Choi was another example. Just a couple of scenes earlier, Yoon Choi was creating complications around Lee Chan, and then suddenly Da-reum was fangirling over her. I understood the joke, but it felt awkward and disconnected from what had just happened.
The idol group's reunion after nine years also pushed believability for me. With so many active K-pop groups, I had trouble believing a group that had been off the radar for that long would suddenly have such a major comeback. It felt more like another element the writers wanted to include than something the story really developed.
Then there was the Paris trip.
I understood what the writers wanted to do. Ha-gi is such a good guy that he supports Da-reum's career enough to let her go, and then we get the separation and reunion. I actually liked that part of his character. He was willing to support her career rather than make her choose between him and an important opportunity.
But the trip itself felt like it was there mainly to give us the separation trope.
Then came the reunion.
And then the ring.
I just did not feel like the relationship had earned that level of commitment. Da-reum spent a good portion of the series thirsting after her bias. Then there were late-night encounters, a relationship with Ha-gi, a six-month separation, a reunion and suddenly the ring.
It felt like too little actual relationship-building for such a huge romantic payoff.
And there was barely any family or friend involvement before that happened. The ring practically came before any meaningful "meet the family" stage. I miss that in some of these newer romances. Relationships do not exist in a vacuum, and seeing family and friends become part of the couple's lives is one of the things that can give an Asian drama more emotional richness.
I also had a hard time with the lack of depth in many of the characters. Ha-gi was fine, but he was mostly the smart, handsome, mature CEO who checked the boxes. Lee Chan had more potential for me because his personality seemed to fit Da-reum better, and I wish the drama had explored that dynamic more.
Too many of the other characters felt like they existed mainly to serve the plot or introduce another romantic complication. Neither of the side romances really engaged me, and whenever the drama switched to them, I found myself wanting to get back to the main story.
There are things I liked. Da-reum was genuinely good at her job. Ha-gi was likable enough. Lee Chan and Da-reum had a natural personality match. The cats were cute. There were funny moments, some cute moments and some genuinely sweet scenes.
But I kept wishing the drama would slow down and actually develop the people rather than move them through familiar romantic beats.
That is ultimately why I gave it a 7, and honestly, I feel a little generous.
I think there is a real difference between using the familiar elements of Asian dramas and understanding why those elements work.
Asian dramas at their best let relationships breathe. They let characters change slowly enough that you believe it. They give family, friends and side characters their own histories and relationships. They include little moments that may not advance the plot but make you understand why people love one another. That richness was what I felt was missing here. My daughter and I ended up watching the same drama and coming away with almost the same basic reaction, just with slightly different numbers. She gave it a 6.5. I gave it a 7. There was enough here to make me finish it, but not enough to make me want to watch it again. It had the bricks. It had the accessories. It just never quite became Snoopy.
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Nothing New
Giving this one a 6. I get why people rated it 8+ since watching it weekly probably kept the excitement going. But the people who will watch the entire drama in one go after it had already finished, it will made them feel nothing new. For me, it was just another typical office romance and there wasn’t really anything new or memorable about it. I never felt that attached to the characters or the story, so I didn’t enjoy it as much as I expected to. It wasn’t bad, but definitely just a 6 for me.Was this review helpful to you?
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Good buildup and then too formulaic
some pros: bubbly female x stoic male was done so well, Kim Hye-jun is a delight! the chemistry was great, light fluffy romance, side characters are so supportive, miscommunication that was resolved so quicklyas for the negatives: i hated the love triangle plot, but more so did not care for the SML here. villians felt too two-dimensional, and they suddenly turned good after failing?, little story other than the main romance
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started strong, lost its way
I was hooked from the beginning. I loved the FL's craziness and the office vibes. It was fun watching Nam Da-reum as a devoted fan of Lee Chan while slowly starting to fall for Kang Ha-gi. The fangirl-turned-employee premise was fresh, and the early episodes had a chaotic energy that kept me entertained. But suddenly, the story started to get messy. It became too cliché, and I had to start skipping scenes.In the end, I dropped the drama at episode 8. The show had a promising premise—a fangirl landing a job at her idol's company only to clash with his best-friend CEO—but it lost its charm along the way.
If you're looking for an idol drama, I'd recommend Idol I instead. It's a mature relationship drama without unnecessary dragging, and the conflicts are resolved within an episode.
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