Yesterday

I’m sorry to the fans, but I’m passing on this one. Truly disappointing, seriously.

Initial Considerations

When I finished the second episode, I could not stop thinking about those who, in one way or another, criticized *To My Shore*.

My apologies in advance. There is no ill intent here—only an uncontrollable reaction to the contrast between what we are witnessing now and what *To My Shore* once delivered.

Let me be clear: I loved *To My Shore*. Perhaps that is precisely why I have never written about it. I intend to rewatch it calmly and only then share my thoughts on MDL.

That said, even having seen only two episodes, *Yesterday* cannot be postponed.

The narrative duality presented in the first two episodes borders on the absurd. The discrepancy between timelines is striking, and the excessive, poorly positioned time jumps do not enrich the plot; instead, they disorient the viewer, leaving us suspended in a constant state of bewilderment—confused, adrift, and repeatedly asking ourselves: *what exactly is happening here?*

In the first arc, set one year earlier, we are introduced to Veir: a wealthy, handsome, intelligent young man, apparently well established within his family’s business empire. As the only son, he is portrayed as the natural heir, fully supported by his father, a powerful and successful businessman.

Veir presents himself as polite, refined, and ostensibly principled, openly claiming to despise lies and injustice. Yet this moral posture proves to be conditional. His “good man” façade lasts only as long as it serves his interests. Kelvin is one such interest. Once the conquest is achieved, Veir wastes no time in clarifying his emotional detachment: no commitment, no emotional ties, only casual sex. For him, intimacy is transactional, stripped of affection or consequence.

Parallel to Veir, we meet Kelvin—the marginalized, humiliated, submissive, and undeniably gentle figure of the story. The second son of another magnate, Kelvin exists in a paradoxical position: despite his status, he functions almost as a servant within the household. His suffering becomes a silent catalyst for Veir’s attention. Veir, perhaps unconsciously, begins to offer subtle support, while simultaneously orchestrating a seduction devoid of responsibility or emotional accountability.

The first episode also introduces two other key characters. Ken, the eldest son of the Kim family, is portrayed as morally bankrupt and utterly incompetent—a character defined by cruelty. He persistently humiliates Kelvin, his younger brother, and aspires to an arranged marriage with Lalin, another central figure. Lalin remains largely unreadable at this stage, but one thing is clear: she despises Ken and resents the obligation imposed by her father, yet another powerful patriarch in this narrative of wealth and control.

Then comes the second episode, where the story takes a far more disturbing turn.

One year later—an interval that feels narratively insufficient—we encounter a Veir who is almost unrecognizable. The confident, arrogant heir has been reduced to a fearful, emotionally needy man on the run, fleeing desperately, “like the devil fleeing the cross,” now inexplicably trapped under Kelvin’s control. He becomes the victim of kidnapping not once, but twice, and yet responds with a disturbing passivity. Even more troubling is his submission to sex as a means of securing financial leverage for his father—a choice presented without sufficient psychological grounding, rendering it unsettling rather than tragic.

Kelvin, in turn, undergoes an equally radical—and far more alarming—transformation. The once gentle, oppressed figure emerges as an executioner: obsessive, sexually coercive, and deeply toxic. Now armed with power, he intimidates and dominates the very man who once held emotional and social advantage over him. What was previously subtextual suffering becomes overt cruelty, and the dynamic shifts from imbalance to outright abuse.

And that is where we stand. Two episodes that are undeniably intense, yet frustratingly opaque, offering little indication of whether redemption—moral, emotional, or narrative—is even possible for either protagonist.

I confess my curiosity remains intact. Had this drama been produced in China, it would almost certainly have been halted by censorship.

And here we are—whether admirers or critics of *To My Shore*—watching all of this with dropped jaws and incredulous laughter.

Sorry, everyone.

Enjoy the ride. Watch it.

29/03/26

Unfortunately, the drama has taken a very disappointing turn. On top of that, the storyline diverges significantly from the original novel it was adapted from. Both the book and the drama have lost the appeal they once held for me. I found myself so disheartened that I simply can’t continue watching. Not to mention the mediocre performances delivered by some of the actors.

I’m sorry to the fans, but I’m passing on this one. Truly disappointing, seriously.

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UNFORTUNATELY A Hopeful Start for “Yesterday” gone WRONG !

I started this series with so much excitement, and after the first episode, I genuinely believed it had the potential to be something special. Back then, I even rated it a solid 9/10. Unfortunately, now that it has finished, I have to bring that down to a 6.5/10.

As the story progressed and time went on, the quality noticeably dropped. What initially felt intense and promising slowly turned into something frustrating and underwhelming. It was honestly very disappointing to watch.

The biggest issue lies in the story—it just falls apart. The plot becomes weak and inconsistent, making it hard to stay emotionally invested. On top of that, while the leads still have their charm, there was definitely room for improvement in their acting, especially in the more critical moments.

I really wanted to love this series, but in the end, I can’t ignore its flaws. Being completely honest, it just wasn’t worth the time.

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Toxic but too much.. Unbelievable

I ubderstand that we eatch series to live in a fantasy world, and I was very excited for FortPeat to try something new, and I am hapoy for them. They did try something new and this script was good.

However, Peat's acting was wanting. Fort did a good job. Ken, the antagonist, made us hate and question him, so he did a good job too, ig.
Peat was chasing, for a change, and that premise was good.

The problem was: TOO MUCH DRAMA, TOO MANY TWISTS, LOTS OF NEGATIVITY AND IRREVERSIBLE DAMAGE. Peat's character was actually borderline psychopathic, it seemed.
And the script just keep on flowing uncontrollably, mindlessly like a river. Kelvin (Peat's character) just kept on going.
The problem was that the writers made him do every toxic thing that audience falls for... And they made him do all those actions.

They tried to recreate the Wicked Game but this show jusy turned out to be even more wretched than the Wicked Game, which was good and enjoyable till at least 8 episodes.

This one I could only continue watching because of my guilty pleasure: FortPeat. The NC scenes were good, a notch higher than Love Sea. The wine scene, especially, took my breath away and I had to pause a few times. Similarly, another scene where Vier gifts pyjama set to Kelvin.. My my!!

Overall, one can watch this if they have nothing else to watch and admire FortPeat's chemistry.

Sidenote: TOO MUCH MAKEUP. FORT LITERALLY LOOKED LIKE A DOLL. Dumb it down makeup team.

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Trigger warning for self-harm and non-consensual sex

This series can be very frustrating for the first 5 episodes because we go from the past to the future a LOT. A ridiculous amount, really. None of it is in chronological order, which makes the story more confusing than it needed to be. It's enough to make someone want to drop the series after an episode or two, but besides this, I felt like it was a solid series. The jumping from past to present pretty much stops by episode 6.

The only other thing I didn't really like was the characters Ken and Lavid (Rawit) being so stupid. The dads are just as bad. I'm not a fan of stupid characters or ones that lack common sense. I deal with that enough in my day-to-day life. It doesn't bother me to the point of mentioning it often, but Ken is literally out here helping run to companies (into the ground but still) and trying to outmaneuver Kelvin & Vier. It just didn't seem believable that either of the fathers would have given him any power to make company decisions. Lavid just doesn't have common sense.

The GL couple was really good, but it did feel like their scenes were filled with literal filler sometimes. Nana kicks ass! I love seeing a female character who can fight.

The OST was great, but for the main couple's NC scenes, it was a bit wild. In a good way. I was not expecting them to use those songs. Also, the kissing noises? I felt like I was intruding.

I loved the acting all around. Peat didn't have many facial expressions, but I don't think the role gave him much room to give that many. I could tell Fort was really enjoying this role, and his crying was captivating.

Non-consensual sex in episode 5? Not sure. The scene cuts off, but it hints at it, so right now I'm going with yes.

There are several scenes where Kelvin hurts himself and has a panic attack. I'm assuming it was a panic attack since I don't know what else it could have been, but it was very tame in comparison to the ones I've had. As for hurting himself, Kelvin cuts himself a lot in the months after he and Vier go their separate ways, and Peat's response, the relief he gets from doing it, is accurate to how it actually feels when you cut yourself. How do I know? I've done it before when I was feeling very stressed and was in an environment that I had no control over, and it was a way of getting things to slow down so I could breathe. Don't worry I haven't done it in years, and I'm mentally in a much better place. The point is, it was realistic.

This show would be interesting to rewatch now that I have all the pieces to the story.

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Well...It was confusing.........................AND 100% NOT WHAT I EXPECTED!

Okay, so I watched this drama because of FortPeat and I think I was expecting something else. There were many things I didn't like:
The timeline was very messy and did NOT make sense at all.
Kelvin's idea of revenge and betraying Vier made me throw my ipad across the room.
Kelvin being the cause of Lalit's death made me hate Kelvin even more.
And the fact that Kelvin never loved Vier led me onto the verge of tears.
And was there the need for a GL couple? No.
And that therapist doctor guy who was Lalyn's brother, uh YES 100% a jerk for helping Ken.
So overall, the whole drama 100% did NOT make me impressed and was a big flop. Completely didn't expect this from FortPeat and let me be the first to say that it was the worst FortPeat drama I've watched.

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This is Soooo Yesterday

This series is so appropriately named as the whole series is ‘so yesterday’. I know that may be parochial, as it denotes something ‘extremely outdated, unfashionable or irrelevant’. The thesis of this series has honestly run its course. Its story is banal, passe, and completely dysfunctional. In addition, it is further encumbered by suspect editing. It tried to encompass yesterday’s actions into current scenes; it did not work. That has to be done with flawless integrity to make the story flow with integrity. When one has a hard time figuring out what time frame one is in, that is a serious deficiency. When you do not have a smooth transition to a story, you literally have no story. The interest wanes and it begins to look like a manipulative tool rather than an explanative function of the happenings. I frankly got lost because I became disinterested. The jumping of the story is erratic and very confusing.
You can read my full review at BLBliss.com.

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There are bad series and then there's Yesterday

It's like a car crash... you just can't look away. I'm surprised I managed to finish it. Even as a FortPeat fan, this was nothing but painfully bad. There's just so much wrong with it: bad writing, thin plot, huge plot holes, bad acting, a bunch of unrealistic stuff and things like twitching face filters (wtf).

Regarding the plot, this show could also be called "Stockholm Syndrome The series". I don't mind toxic ahh characters and a dark romance, but Yesterday stays very superficial. Fort and Peat are great but they don't seem suitable for playing complex characters like these. Or maybe it was just the writing that was so stiff. Even FortPeat's steamy scenes, that are usually ultra hot somehow felt lame and awkward. The characters stay one-dimensional and there isn't any real progress... Vier's life was basically ruined by a one-night stand and I knew they were gonna pull that Jekyll and Hyde shit for Kelvin. And then there's Ken, who's portrayed as simply vicious, without any real motivation except he doesn't like to be called stupid. He's literally just there for plot. And don't even get me started on how fucking problematic the portrayal of the romantic relationship and abuse is....

Yesterday is one of these shows that pulls you in with a confusing plot, dramatic cliffhangers and a lot of sexiness.. and before you know it, you almost watched all of it, but in this case, it's very disappointing. Some of the most dramatic scenes made me laugh because the execution was so bad. They tried very hard to elevate this mess with dramatic classical music, which didn't work. I noticed there's unusually little product placement - no Lactasoy and no Ichitan! - so maybe it's a budget issue?

The only good things about Yesterday are great female characters and Fort's sexiness (which had to work overtime, unless nobody would watch it).

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Ambitious, messy, and darker than expected

It genuinely tries to do something different from the usual BL formula. From the beginning, the story feels heavier, more emotionally unstable, almost uncomfortable at times, and that darker tone is probably what kept me invested even when the execution started falling apart.
The dynamic between Veir and Kelvin carries the entire drama, their chemistry is intense in a way that constantly keeps you on edge, especially because their relationship often feels more rooted in obsession, dependency, and emotional damage than actual romance. Kelvin in particular stands out because there’s something deeply unsettling about him, but also strangely compelling. At the same time, the series struggles a lot with its structure.
The constant jumps between timelines make the emotional progression feel fragmented, and there were moments where I understood what the story wanted me to feel without actually feeling it myself. As the plot expands into family conflicts and power struggles, it sometimes loses focus on the emotional core, and some developments feel rushed or underexplained. There’s clearly a strong idea underneath everything, especially in how it approaches trauma and dysfunctional relationships, but I couldn’t stop thinking about how much better it could have been with tighter writing and more consistent pacing.
Even with all its flaws, though, it’s still the kind of drama that leaves an impression because of how bold and emotionally chaotic it chooses to be

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I just had to write a review for this series!

Honestly, this series was amazing. The acting, the soundtrack, and the cinematography were all so amazing. With each episode, I was on the edge of my seat, and my jaw kept dropping lower and lower. To me, I felt that it was kinda hard to really fully predict how it would end, and I love that as I was in suspense all the way. I was hooked from the beginning, and there were times when I didn't feel like continuing, but somehow it kept me interested till the finale.

With FortPeat as the MLs, I was already instantly drawn to this show since they are such an explosive pairing. Their acting was phenomenal; they really carried the series. Their chemistry is undeniable, unmatched, unbeatable. The raw feel of everything they portrayed was so fucking good. They've improved so much since their LITA days, especially Peat.

Peat should really get an award for his acting in this series since he played his role so damn well. The way he went from innocent and naive to a crazy, obsessed psycho was terrifying. The naunce of his expressions throughout the series was remarkable. He acted so well that in some scenes, you really can't tell what he's thinking/feeling, which makes his psycho role even more convincing.

I personally think Fort already performed quite well in LITA, but he has shown nothing but improvement since those days, and his acting in this series was just chef's kiss. He played his role so well in terms of the emotions he evoked in the audience. His acting throughout the series just felt very real, very natural, and it really tugs at your heartstrings.

This show was really different to what FortPeat have done before, and it highlighted just how versatile they are as actors. In LITA and Love Sea, there was definitely a lot of trauma and toxicity, but they were much milder compared to this series. This series was just so intense in the best way, and I was on a roller coaster of emotions every few scenes. It's dark, twisted, and angsty, which is a nice contrast to the childish/cute tropes in other BLs over the years. I hope they get more different and crazier roles in the future, as they're just overflowing with talent.

There were a shit ton of red flags in this show. The lying, the betrayal, the manipulation, the kidnapping, the assaults and torture. In reality, if anyone went through what Veir did, there's no way in hell they would be able to forgive Kelvin. Especially the part where Kelvin indirectly caused Lalit's (Veir's best friend) death.

Kelvin crossed the boundaries way too many times, and the stuff he did was honestly unforgivable. Yes, he eventually realised he did wrong, and he reflected on his actions, but it doesn't justify a damn thing. Later on in the series, he was diagnosed with bipolar disorder and depression, so maybe he kept flicking back and forth from being "normal" to psycho because of his condition(?). With that said, it still doesn't justify his actions as he really crossed the line.

At one point, he was just obsessed with Veir; it wasn't love anymore. He "branded" Veir's forehead to claim him as his, so nobody else would want him. He held him captive and chained him up like a fucking pet. He controlled everything Veir did and followed him everywhere. But, somehow, Veir was able to forgive this motherfucker at the end. He confessed that he still loves him and has never stopped loving him. What the actual fuck? Both of them are legit insane, so they're perfect for each other, I guess.

I appreciate the fact that there was a GL side couple that was actually well-written this time, and they added depth and harmony to the series, unlike in Love Sea, where it was absolutely unnecessary and annoying. I like that the writer didn't make the females out to be villains or love rivals, as in every other BL.

Lalin is an independent and smart woman who was eventually rewarded due to her hard work and perseverance. Nana is a badass who knows how to kick ass and protect those she loves. I felt their pairing was really nice, and they had great chemistry. Both of them also acted well.

The rest of the cast also acted pretty damn well. There were little to no scenes where I felt that it was too cringey or fake, maybe except for the over-the-top shouting or laughing like a maniac sometimes.

The whole plot was quite convoluted at times, especially with all the time skips and flashbacks/memories. There were also inconsistencies or times when it felt like something was missing. Like the scene when Nana was angry with Lalin in EP 7, and why Nana felt like she couldn't trust her. I felt the context could have been elaborated more to make the audience fully understand why Nana said what she said to Lalin. This may be due to footage being cut (?) since EP 7 was substantially shorter than the other EPs. It felt like there were missing pieces to the series, and I wish we could have been given an even clearer storyline so it was easier to keep up with.

The plot of corrupted father CEOs, the half-sibling rivalry, and the fight to become the heir of the company was all pretty cliché. It was done well enough to not make me feel sick of watching it, but it wasn't anything too special or different. It was definitely not as intense and cringey as in 'The Wicked Game' though (*No hate to DaouOffroad, love them down, but the script they got was genuinely pretty ass).

The final scene, when Rawit found Ken, then the screen just faded to black, pissed me the fuck off. Why did it end like that? It was so inconclusive and left the audience on a cliffhanger. I get that they ended it like that to keep us wanting more, but why!! Also, how and why is Ken not jailed? He literally committed so many crimes and murdered Likhit (evidence was found too), but he's just out and about, enjoying his freedom. He technically lost everything, since he has no power or money anymore, so how is he able to evade the police so damn well? I hope there's a season two or at least a special episode, or I'll feel so incomplete.

Overall, the series was different from what FortPeat have done, and I really enjoyed it. The acting from the MLs and the side couple were solid. The storyline was interesting and fresh to me, though confusing and cliché at times. I would definitely rewatch this series, and it's now my Top 3 BLs of 2026. So glad that FortPeat worked on this together, wouldn't want any other couple to play it because they just wouldn't match their level.

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I finished it. I wish I could say it was worth it.

I went into this as a FortPeat fan — genuinely invested in their dynamic, their chemistry, the particular way they work together. Yesterday was announced as darker, Peat's character described as a black flag. I was open to that. The first three episodes gave me reason to stay.
Then the kidnapping arc happened, and something shifted that I couldn't shift back.
There's a line for me between dark romance and something else. A toxic dynamic where both people have psychological agency, mutual pull, even obsession — I can engage with that. What I can't frame as romance is one character imprisoned, distressed, stripped of choice, while the other brings in a therapist not to get help but because surely something must be wrong with someone who stopped loving him. That's not darkness I find compelling. That's a portrait of abuse dressed in the language of devotion.
What makes it worse is the narrative decision to explain Kelvin's behaviour through mental illness. I want to be careful here because I think the intention may have been to add complexity — and Kelvin being the first toxic BL character to actually go to therapy is, on paper, interesting. But the execution does something I find genuinely harmful: it uses BPD and depression as a reason for his actions, which both stigmatises those diagnoses and quietly absolves him. The implication becomes he couldn't help it, and he can be fixed. Neither of those things is true to how these illnesses actually work, and neither should be used to explain away abuse. If you're going to bring mental illness into a story this seriously, you owe it the honesty of showing it as an ongoing process — not a plot device that gets resolved by a time jump.
The ending felt like a bad joke to me. Veir's forgiveness is framed as emotional maturity, as living in the present. Maybe there's something philosophically interesting in that framing. But the series didn't earn it — not with this story, not with what Kelvin actually did, and not with a resolution that skips the hard part entirely.
FortPeat still perform. That part I won't take away from them. But something recalibrated after this, and I'm still sitting with what that means.

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Powerplay and forgiveness

This was a great drama, it's nice for a change to have a drama that is not all fluffyness. And don't get me wrong, i love those, but something else once in a while is very welcome. The story was great, the only thing that bothered me a bit was the time shifts, they were a little bit confusing. That's why i gave it a 9/10.
The action scenes were very good. And it's very cool to see a girl wo can fight and good too!
The visuals were stunning and the music good.

Great acting by all the actors and amazing acting by Peat, he played all the moods perfectly, scared, lovesick, ruthless, devistated every single one was portrayed perfect.
Fort and Peat have amazing chemistry and their kiss/intimate scenes are perfect.
The girl couple had great chemistry too and the kissing scene in the pool was hot.

Definatly a must watch!

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