Ayah

Lol, I haven't finished reading her Fanfic yet.

I just want another drama with TJR and JJY, without GJM and toxic fans.

Actually, fans of all four leads are mad, not just JJY fans. Lmao 😭

Don’t get discouraged by the ratings, they don’t reflect the quality of the drama. VOS is clearly a hit. It reached 10k heat index in just 64 hrs, making it one of the fastest dramas to achieve that milestone, especially impressive considering it aired with little to no promotion. It’s also consistently ranking #1 across multiple platforms, showing strong popularity and viewer engagement.

Ratings can easily be influenced by fan wars, mass scoring and bias, so they’re not always a reliable measure of a drama’s success. What really matters is the actual performance, viewership, buzz, and how much people are talking about it and VOS is doing very well in all those aspects.

I hope those who are smearing kiku get their bad karma. The more you hate her and try to drag her down, the more we’ll continue to support and love her.

This drama is just a threat to them. People who see its potential and praise it may likely a threat to haters and feel angry because their fave is not getting praise...lol

Lol, there are honestly too many to even mention. These haters clearly don’t know who's Ju Jingyi is or how strong her track record is. While she’s out here consistently leading dramas that rack up billions of views and strong platform performance, their fave relies heavily on collaborations with more established actors just to gain attention and stay relevant. There’s a clear difference between someone who can carry a project on their own and someone who depends on others to boost their visibility.

Speaking of drama achievements, Ju Jingyi has already accumulated over 11 billion views across her dramas as a first-billed actress, which clearly reflects her strong pull and consistency as a lead. Her drama Rebirth For You alone reached 1 billion views on Tencent in just two weeks of airing—and that was during a time when Tencent still measured success primarily by view counts rather than heat index, making it an even more solid indicator of real audience engagement.
On top of that, her other dramas have consistently performed well in terms of platform heat index. Beauty of Resilience reached around 9,500 in 2023, In a Class of Her Own hit about 8,500 in 2021, and The Blooms at Ruyi Pavilion achieved roughly 8,800 in 2020 during their respective airing periods. These are not small numbers—reaching above 8,000 already indicates strong popularity and stable viewership. For context, hitting 10,000 heat index is extremely rare, and in 2023 it was Destined (Bai Jingting & Song Yi) that first crossed that mark.
So while breaking 10k is exceptional, maintaining consistently high 8k–9k range across multiple dramas is also a sign of a reliable and bankable lead actress. Ju Jingyi has proven that she can carry dramas and deliver results repeatedly, which is why she continues to secure leading roles.

Billing means payment or how actors are credited, not screen time.

The scene where LJ pushes LWY happens because he doesn’t trust her. He’s trying to protect JL and ofcourse it passed censorship because there’s nothing to censor. Their relationship is written as brotherly, not romantic. If you watch the rest, it’s clear they’re portrayed as brothers .

It’s funny how you think Li Jie and JL are gay. Yanan as YWH character sees Ji Ling as his BROTHER, he took care of him because that’s exactly how he views him, as family. JL even said it himself. When his body transformed into YWH’s face, he told YWH, “I can be your brother" They’re brothers. You gay fans, If you keep insisting they’re gay, it comes off as taboo. Y’all are wild. This isn’t a bromance or a BL drama. You guys are way too obsessed🙄

LMAOO

Complaining data?😭

As I’ve said, it’s not entirely fair to put all the blame on JJY. She can act. An amazing actress. However, her career has clearly been shaped by the limitations because of SIBA. For years, she seemed stuck in a system that prioritized profit over quality. She was often given repetitive roles, weak scripts and relatively low budget productions. SIBA didn't helped her evolve as an actress, these choices boxed her into a very specific image.
What’s frustrating is that despite being active for nearly a decade, she hasn’t had many opportunities in high-budget or top-tier productions that could truly showcase her range. And yet, her dramas still manage to pull in strong viewership, which says a lot about her popularity and draw as an actress, she just treated as a commercial asset. someone who could reliably generate traffic and revenue, and more focused on promoting SNH48 and siba artists.

Because of this pattern, some viewers have developed a bias against her dramas, associating them with low production quality or predictable storytelling. And that reaction is understandable to a certain extent. Still, if given the right script, a strong director and better production support, she could likely surprise a lot of people and finally break out of that image.

The irony with some fans is wild, they have all the time to calculate total screen time, but they can’t come up with their fave’s contributions ))

Are you really JJY fan?JJY doesn't like to drag any artist. Stfu

Tell that to GJM. JZ and CDL have worked with him before,they already know how his productions run. He’s done this in dramas like MJTY and FOF, prioritizing his own artists, so it’s nothing new. So why accept the roles if they knew? Experienced actors don’t go in blind, they know what to expect. If anything, your faves probably understood the situation better than anyone else.

There would be even more backlash if GJM gave CDL and JZ second billing.

There are a few key reasons why Ju Jingyi’s dramas often get downvoted or criticized by some viewers.

1ST, her acting is heavily influenced by the director she works with. Acting isn’t just about the performer—it’s also about how much the director challenges, guides, and refines that performance. JJY hasn’t consistently worked with top-tier or highly demanding directors who are known for pushing actors to dig deeper into their roles. Some directors are easily satisfied with a basic delivery, so there’s less room for growth or standout moments. As a result, her performances can come across as restrained or repetitive, even if she has the potential to do more.

2ND..her styling...especially makeup—has been a constant point of criticism. Instead of focusing on her expressions or emotional delivery, many viewers get distracted by the heavy or overly stylized makeup choices she’s often given. In some cases, the look doesn’t match the character or setting, which breaks immersion and shifts attention away from her acting. This creates a situation where visual presentation overshadows performance.

3RD—the scripts of many of her dramas haven’t been particularly strong. Weak storytelling, underdeveloped characters, and repetitive tropes make it harder for any actor to shine. When the plot lacks depth or emotional weight, even a decent performance can feel flat. Poor writing also limits character growth, so audiences may feel like they’re watching the same type of role over and over again.
When you put all these factors together—limited directorial guidance, distracting styling, and weak scripts—it creates an environment where criticism is almost inevitable, even if not all of it is entirely fair to her as an actress.

I have msg for you lil girl.