You can watch Homeland—the female lead, played by Claire Danes, was bipolar, and after spending decades in war-torn countries, she developed severe anxiety. While the series didn't focus primarily on her treatment, it handled her condition exceptionally well. The acting, especially by Claire Danes, was phenomenal—one of the best performances in TV history.
When it comes to PTSD, most portrayals are found in films rather than TV series. However, if you're looking for emotionally heavy depictions, I highly recommend Aftersun and Normal People. Both are deeply infused with PTSD-related themes, and the overwhelming sense of gloom they create is remarkable—it completely pulls you in. Interestingly, both projects star Paul Mescal, who has recently gained significant fame.
For war-specific PTSD, Jacob’s Ladder is an incredible psychological horror film that showcases the haunting effects of the Vietnam War on soldiers. Waltz with Bashir, an Israeli animated film, delivers a chilling portrayal of the trauma caused by the Palestinian and Lebanese massacres—told through the perspective of a soldier struggling to remember his role in it.
And my all-time favorite—the saddest, most gut-wrenching war film ever—is the Japanese animated masterpiece Grave of the Fireflies (1988) by Studio Ghibli. I was in tears within the first 10 minutes, and by the end, completely devastated. It’s one of the greatest war films ever made, period. There was also a live-action series adaptation in 2005, but I haven’t seen that version. If you haven't watched the original, prepare yourself—it’s a soul-crushing experience that stays with you forever.
The thing is, unlike Chinese dramas, other countries don’t create fake nations with a mix of people and label them as “Dongguo” or "East Country," only to depict China playing a pivotal role in saving them from the depths of terror.
Other countries have the freedom to depict such elements within their own borders, showcasing real-life struggles and the horrors of war, either within their own context or by filming abroad. This approach feels authentic, powerful, emotional, and impactful.
This series, however, tries to make me feel sympathy and learn important lessons from a place that doesn’t even exist, with people who aren’t Chinese, but rather a mix of actors from the South, West, North, and Central Asia, along with some from impoverished South American countries.
It fabricates an entire world that looks unconvincing, poorly executed, and ultimately fake. It just feels bad—nothing more.
If you want to show the horror of war and its ultimate impact, go to actual countries where wars happened. Show their local culture and your ability to help them. That would be far more powerful for China, as well as provide a more original and meaningful story, rather than creating an entirely fake country that doesn’t align with anything real.
How ridiculously, bookishly, and fictionally correct is this! This is exactly why even serious concepts in Chinese dramas often feel unbearably cringe. I don’t know about others, but when a series presents a concept like this, it feels incredibly superficial and hollow—there’s no real warmth, nuance, or depth in what’s being depicted. It’s just actors going through the motions, reciting lines from a script without any genuine emotional weight or connection to the audience.
In contrast, series from other countries that explore similar themes manage to convey raw, human emotions that truly resonate. They don’t treat viewers like passive recipients of a rehearsed message but instead let the story breathe and unfold naturally. Here, it’s just empty storytelling with no impact, lacking any real immersion or authenticity.
On top of that, the way the show depicts the effects of war—how people are depressed and struggling—feels incredibly bookish, predictable, and emotionally manipulative. The suffering is shown in an obvious, exaggerated way rather than being subtly woven into the narrative. There’s no raw, organic emotion; it’s all staged and desperately trying to elicit sympathy rather than earning it naturally. Instead of allowing viewers to form their own emotional connection, the show dictates how we should feel, making it feel forced and insincere.
I know I’ll be lectured for saying this—I’m well aware. People will tell me to “just leave if you don’t like it,” or worse, try to dehumanize me for not connecting with it. And of course, the most devoted fans will rush to defend it and lobby against any form of criticism. But let’s be real—this comment section is open to everyone. Constructive criticism, when done respectfully, should be welcomed. And this is exactly how I feel about this series.
very subtler romance between Benjamin adn Saxin, you can call it bromance...but they have no relationship as such of brothers...but love the way they bicker, fight and Benjamin low key duck for him, never get back at him...lol by 10 episode they are more exciting than a ML-FL couple.
I would have watched it, if it had a solid ending for Fl and SFL. FL will marry and will have kid, but she wil be divorced and come back, and then she and SFL will have open ending....this is what in novel...and they are following the same...
Actually I loved the reveal and how casually they revealed without beating any drums of suspense!!!
I mean, Cir saw a guy who, despite having nothing, was so lovable, adorable, and hopeful that he transferred that joy to Cir back in their school days. But since Cir lived a life of abuse and trauma at the hands of his family, he created a world of happiness with Phu by his side. Together, they lived happily every day, waking up next to each other and enjoying ordinary days.
However, the fear of reality breaking his bubble loomed over him. So, he decided to create a lie to make things work with Phu. I completely understand why he lied to Phu—why he felt the need to pretend they knew each other or that he was from a parallel world.
I just wish he had told Phu the truth sooner because Phu would love him no matter what. I just want to see Cir happy and free from his crazy mother!
Yes. If one has that much money. My first thought was something similar when I got to know it just take the least…
Williams and Wilmore are scheduled to be back by end of March as NASA said they will be ready with their rescue cargo ship built by Spce X.
That being said they are not the only ones in space, as of now there are 19 astronauts from the ISS countries in space. As Sunita and Wilmore face no apparant threat of life they are there and waiting for their home country to take them instead of asking other countries.
I agree the production values for the series are very high but just that the technical aspects (science) of the series are wrong but that’s ok as it is just a drama and drama has to be dramatic otherwise it is boring you can familiarize with the space but do not take it as authentic source. As it is a drama nothing else.
why do i feel like Ml wears a smile on his face and not actually smile...I don't know who directs him to act like that, CZY is decent actor but he is having this happy face, looks abnormal actually.
Yes. If one has that much money. My first thought was something similar when I got to know it just take the least…
yes that’s why they don’t go to space like this l…You know 2 astronauts as of now are stuck in ISS as they went in Boeing starliner test flight crewed mission to test the capsule and flight but the capsules faced issue and was studied for its problem 3 months in space and it had to be sent back with out them to avoid any human loss…its been 9 months and none of the space shuttle is ready to take them back…NASA is working with Space X tirelessly since then on Dragons Cargo 2 to finish the test and safety protocols before launching the cargo ship this March middle or at the end. So yeah no matter how rich you are or eyes on that you just have to wait…there is no other way…
Yes. If one has that much money. My first thought was something similar when I got to know it just take the least…
No you can't. It’s not just about money. Even the richest person in the world can’t launch a spaceship whenever they want. Space missions require government approval, international agreements, and months of preparation. South Korea, for example, has limitations on its space capabilities and can’t launch missions to the ISS without international cooperation—especially with Russia and other ISS partners.
The actual flight to the ISS might only take a few hours or days, but launch vehicle certification, orbital mechanics, and life support systems must be meticulously planned and tested. Even in an emergency, no one can just send a rocket instantly. It takes weeks for mission prep, orbital alignment, and safety checks. That’s why companies like SpaceX and Boeing still operate under strict government regulations, and no one can just pay for a launch and go. Space operations are highly regulated and require thorough coordination.
In this series, their docked spacecraft’s engine was destroyed, creating an absolute emergency. So the fastest a rescue mission could be prepared is a few weeks, but realistically, it would take 1–6 months due to mission planning, safety checks, and orbital mechanics.
I didn't wanted to explain, as I will be scolded that this isn't documentary and all...but one should know what is possible and what is not!!!
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When it comes to PTSD, most portrayals are found in films rather than TV series. However, if you're looking for emotionally heavy depictions, I highly recommend Aftersun and Normal People. Both are deeply infused with PTSD-related themes, and the overwhelming sense of gloom they create is remarkable—it completely pulls you in. Interestingly, both projects star Paul Mescal, who has recently gained significant fame.
For war-specific PTSD, Jacob’s Ladder is an incredible psychological horror film that showcases the haunting effects of the Vietnam War on soldiers. Waltz with Bashir, an Israeli animated film, delivers a chilling portrayal of the trauma caused by the Palestinian and Lebanese massacres—told through the perspective of a soldier struggling to remember his role in it.
And my all-time favorite—the saddest, most gut-wrenching war film ever—is the Japanese animated masterpiece Grave of the Fireflies (1988) by Studio Ghibli. I was in tears within the first 10 minutes, and by the end, completely devastated. It’s one of the greatest war films ever made, period. There was also a live-action series adaptation in 2005, but I haven’t seen that version. If you haven't watched the original, prepare yourself—it’s a soul-crushing experience that stays with you forever.
Other countries have the freedom to depict such elements within their own borders, showcasing real-life struggles and the horrors of war, either within their own context or by filming abroad. This approach feels authentic, powerful, emotional, and impactful.
This series, however, tries to make me feel sympathy and learn important lessons from a place that doesn’t even exist, with people who aren’t Chinese, but rather a mix of actors from the South, West, North, and Central Asia, along with some from impoverished South American countries.
It fabricates an entire world that looks unconvincing, poorly executed, and ultimately fake. It just feels bad—nothing more.
If you want to show the horror of war and its ultimate impact, go to actual countries where wars happened. Show their local culture and your ability to help them. That would be far more powerful for China, as well as provide a more original and meaningful story, rather than creating an entirely fake country that doesn’t align with anything real.
In contrast, series from other countries that explore similar themes manage to convey raw, human emotions that truly resonate. They don’t treat viewers like passive recipients of a rehearsed message but instead let the story breathe and unfold naturally. Here, it’s just empty storytelling with no impact, lacking any real immersion or authenticity.
On top of that, the way the show depicts the effects of war—how people are depressed and struggling—feels incredibly bookish, predictable, and emotionally manipulative. The suffering is shown in an obvious, exaggerated way rather than being subtly woven into the narrative. There’s no raw, organic emotion; it’s all staged and desperately trying to elicit sympathy rather than earning it naturally. Instead of allowing viewers to form their own emotional connection, the show dictates how we should feel, making it feel forced and insincere.
I know I’ll be lectured for saying this—I’m well aware. People will tell me to “just leave if you don’t like it,” or worse, try to dehumanize me for not connecting with it. And of course, the most devoted fans will rush to defend it and lobby against any form of criticism. But let’s be real—this comment section is open to everyone. Constructive criticism, when done respectfully, should be welcomed. And this is exactly how I feel about this series.
However, the fear of reality breaking his bubble loomed over him. So, he decided to create a lie to make things work with Phu. I completely understand why he lied to Phu—why he felt the need to pretend they knew each other or that he was from a parallel world.
I just wish he had told Phu the truth sooner because Phu would love him no matter what. I just want to see Cir happy and free from his crazy mother!
That being said they are not the only ones in space, as of now there are 19 astronauts from the ISS countries in space. As Sunita and Wilmore face no apparant threat of life they are there and waiting for their home country to take them instead of asking other countries.
I agree the production values for the series are very high but just that the technical aspects (science) of the series are wrong but that’s ok as it is just a drama and drama has to be dramatic otherwise it is boring you can familiarize with the space but do not take it as authentic source. As it is a drama nothing else.
The actual flight to the ISS might only take a few hours or days, but launch vehicle certification, orbital mechanics, and life support systems must be meticulously planned and tested. Even in an emergency, no one can just send a rocket instantly. It takes weeks for mission prep, orbital alignment, and safety checks. That’s why companies like SpaceX and Boeing still operate under strict government regulations, and no one can just pay for a launch and go. Space operations are highly regulated and require thorough coordination.
In this series, their docked spacecraft’s engine was destroyed, creating an absolute emergency. So the fastest a rescue mission could be prepared is a few weeks, but realistically, it would take 1–6 months due to mission planning, safety checks, and orbital mechanics.
I didn't wanted to explain, as I will be scolded that this isn't documentary and all...but one should know what is possible and what is not!!!