Excuse me?? pls the novel never addressed him as a "bad boy" He has always been traumatic and had so much…
you are taking this way too personal I am talking about the character not the actor different story...of course which is a good thing because of what he went tru as a character, all i am pointing out is how the "bad boy scenarios as a formula is working now ... nothing wrong chill seriously. He is a good actor, so dont twist a sentence it is annoying that lately you have to justify what you think with everyone. and dont call me rude because you dont know me > great actor, great show and this formula is truly working and love it.. I respect your POV ... it is all good
Excuse me?? pls the novel never addressed him as a "bad boy" He has always been traumatic and had so much…
it is just a comment no need to react like this !!!! did not read the novel I like him as an actor and I like the show the vibe in C-dramas lately is that dark male lead that passes as bad guys with green flags and it is a formula that is working... he is super cute so please chill
The new formula in C-dramas—the "bad boy with green flags" male lead—is definitely what's working right now. We've seen it in dramas like Lighter & Princess, Speed and Love, and now Never-Ending Summer, and audiences clearly love it.
That said, while I'm really enjoying this drama, I don't think the male lead gives off the same "bad boy" vibe as Li Xun or the leads from the other shows. He has the troubled past and the emotional baggage, but he doesn't have that intimidating, rebellious aura that made those other characters so unforgettable.
To me, he feels more like a wounded guy than a true bad boy. He's emotionally troubled with a reason, but he lacks the confidence, edge, and unpredictability that made Li Xun such an iconic character. I'm still enjoying the story, but the male lead doesn't quite have that same magnetic presence which works for this drama. It is also nice see how many actor are changing their presence in dramas. Not pertaining the same stereotypical characters, so good for him
This "bad boy with green flags" trend is really working for C-dramas. I'm enjoying this drama and would love to see more of their adult story. Can anyone spoil the novel a little? What do they do for work?
I was initially skeptical about this drama—something didn’t quite click at first. It wasn’t until I asked whether it was worth watching and received a strong “yes” that I decided to continue. I’m glad I did.
In many ways, this story explores how political and social changes shape everyday life—especially when people find themselves in the middle of a revolution. No matter which side you lean toward, it is often the people who pay the highest price.
As a Colombian, I found myself relating deeply. While this story takes place in 1970s China, it reminded me of Colombia in the 1990s—a time marked by violence, transformation, and shifting mentalities that ultimately helped shape the nation.
The narrative is simple, yet layered with complexity. It highlights two types of individuals: those who were marginalized or punished because of their beliefs, and those who were overlooked due to a lack of resources and opportunity. At its core, it is a love story—one that captures determination, resilience, and the reality of surviving with very little.
Fei Ni stands out as an idealistic young woman fighting for a simple dream: to attend university. Despite having the qualifications, she is constantly pushed aside, showing how power and connections often determine opportunity.
Fang Mu Yang represents another reality—someone forced to live a life shaped by circumstances beyond his control, banned by association, yet still holding onto hope and optimism.
Then there is Fang Mu Jing, whose only “mistake” was existing in the middle of a political shift—reminding us how innocent lives are often caught in forces much larger than themselves.
One of the aspects I appreciated most about this drama was its historical backdrop. Whether entirely accurate or not, it sparked my curiosity. Every time a concept or event was mentioned, I found myself wanting to research it further. In that sense, the story does something powerful—it encourages viewers to learn, to question, and to understand history beyond what is shown on screen.
It’s a simple story built on everyday experiences, yet it leaves a lasting impact. It makes you pause, reflect, and want to learn more about the world behind it. And at its heart, it reminds me why I’m such a sucker for love—because even now, I still believe in finding something real and genuine.
That said, while I'm really enjoying this drama, I don't think the male lead gives off the same "bad boy" vibe as Li Xun or the leads from the other shows. He has the troubled past and the emotional baggage, but he doesn't have that intimidating, rebellious aura that made those other characters so unforgettable.
To me, he feels more like a wounded guy than a true bad boy. He's emotionally troubled with a reason, but he lacks the confidence, edge, and unpredictability that made Li Xun such an iconic character. I'm still enjoying the story, but the male lead doesn't quite have that same magnetic presence which works for this drama. It is also nice see how many actor are changing their presence in dramas. Not pertaining the same stereotypical characters, so good for him
Any misunderstanding or parents preventing the relationship
I was initially skeptical about this drama—something didn’t quite click at first. It wasn’t until I asked whether it was worth watching and received a strong “yes” that I decided to continue. I’m glad I did.
In many ways, this story explores how political and social changes shape everyday life—especially when people find themselves in the middle of a revolution. No matter which side you lean toward, it is often the people who pay the highest price.
As a Colombian, I found myself relating deeply. While this story takes place in 1970s China, it reminded me of Colombia in the 1990s—a time marked by violence, transformation, and shifting mentalities that ultimately helped shape the nation.
The narrative is simple, yet layered with complexity. It highlights two types of individuals: those who were marginalized or punished because of their beliefs, and those who were overlooked due to a lack of resources and opportunity. At its core, it is a love story—one that captures determination, resilience, and the reality of surviving with very little.
Fei Ni stands out as an idealistic young woman fighting for a simple dream: to attend university. Despite having the qualifications, she is constantly pushed aside, showing how power and connections often determine opportunity.
Fang Mu Yang represents another reality—someone forced to live a life shaped by circumstances beyond his control, banned by association, yet still holding onto hope and optimism.
Then there is Fang Mu Jing, whose only “mistake” was existing in the middle of a political shift—reminding us how innocent lives are often caught in forces much larger than themselves.
One of the aspects I appreciated most about this drama was its historical backdrop. Whether entirely accurate or not, it sparked my curiosity. Every time a concept or event was mentioned, I found myself wanting to research it further. In that sense, the story does something powerful—it encourages viewers to learn, to question, and to understand history beyond what is shown on screen.
It’s a simple story built on everyday experiences, yet it leaves a lasting impact. It makes you pause, reflect, and want to learn more about the world behind it. And at its heart, it reminds me why I’m such a sucker for love—because even now, I still believe in finding something real and genuine.