atom951

What people watch, how they watch it, when they drop it, why they drop it... is up to them. They don't have to move on, use your logic or follow any of your suggestions. So emotional over a show where grown adults pretend to fly and whatnot. I'll be direct, the first 2 episodes disgusted me so much I didn't stick around to watch Hyo-joo or wait for Jo In-sung to show up - I knew I'd be disappointed in them if I did.

This award show is only ott, and it's a reward for their investments. Totally incestuous. I have no interest in this new vein of K-drama and haven't completed or started any of them - I find them too shallow for my taste.

Oh, p s. I forgot something, The Glory raised a few eyebrows at Baeksang this year. It was questioned whether it was really worthy... or it was just that the ceremony coincided with Netflix's announcement of new investments in SK content, worth $2bn.

P.p.s... Crash Course in Romance was a network (tvN?) drama, distributed by Netflix, not an ott production.

She's a great actress and has a beautiful smile. She glows in the movie The Beauty Inside, my favourite of her works so far.

It looked just like an American superhero show. I only watched the first 2 deaths, didn't see any reason to stay for #3.

Of course it is. If would be a bit rude not to award a prize to the most expensive drama ever from a foreign investor.

Yes, I agree completely.

Agree, I reached ep.2 and dropped. No way I could stick with it for 7 eviscerations (I mean 'episodes') like @Wind mentioned.

Are you two enjoying yourselves?

I think gangsters of this magnitude have connections that make it possible. The heroine got one from somewhere.

She got help, but like you said, way too easily - like the girl she met who opened the door in the love hotel. A random girl she'd never met.

That scene at the factory was weak. The gangsters were like non-player-characters in video games.

Yes, the problem is that this/these characters could be anyone, nobody will remember them next week.
Regarding time, I mentioned earlier a film of similar length (1h33) that shows how it's possible to tell a compelling story... and it makes the action even more exciting: A Company Man is on Viki (USA) at the moment.

I'm not drawn to Namsoon, maybe because Park Bo-young left big boots to fill... or maybe once is enough.

This goes to show how far OTT platforms have still to go - if they need their own 'awards' and if this is the best they can do, well, it comes across a bit pathetic and sad.

They don't call you badass bunny for no reason, so scary 😆

Touch some grass. Weak minds make things personal in an argument, but since you've started: That's ironic coming from a person that laps up rank average movie fodder.

Fair enough, I hear you

She looks sublime in that photo, truly elegant. She's a goddess.

She was styled a little like Park So-dam in Special Delivery, but with less character - not her fault, she did what was asked of her, it's just the production seemed to be deliberately shallow - even the best swimmers can't do anything in shallow water... so if I saw a great swimmer thrashing in a puddle and someone said "great swimmer" it would make me wonder how that opinion was formed.

Name a scene where the music changed the mood or made an impact. Can't say I noticed the music once. Do you also work for Netflix? I understand they're trying to improve their music, but they have to understand what's wrong before they can fix anything.