You have to say why. You can call it stupid, but to stop there is crass.
Ok, I think it's totally possible - it looks fascinating. Are you a parent, are any of your children autistic or psychopathic, and do you prefer dramas where the parents not only cover their kids' crimes but pass the guilt and shame to others, such as Han Gong Ju? Not all parents are like that.
Thanks. My go to site for unavailable drama and film has recently been shut down. Wouldn't be surprised if Discharge+ is behind it. It was a treasure trove of long lost movies.
Well, I disagree, some of the recent Netflix original dramas were great.
The classic Korean drama format is the best, in terms of episodes, episode length, producers, directors etc.
For Netflix productions, Mask Girl was quite good, The Frog too, both from the psychological thriller genre.
To be fair, there are a lot of mediocre TV network shows that we simply forget about... when Netflix makes something mediocre we scream at them more since they're the pretenders. For some reason all the US companies like 50 minute episodes and 6 to 9 episodes per series. Maybe the attention span is shorter there, or the Americans underestimate their audiences.
Thank you for introducing me to this drama, it seems really interesting😘😘 Although it may not be completely…
I agree, I must admit that I loved that the fortune teller had to be naked to tune into the sky god, nice touch - I watched the R21 version and it's not over the top - fwiw, they get all the saucy stuff done in the first episode, it's an old trick to show some tits at the start.
This show is totally American, Jeon Bae Soo and Jo Han Chul have got ZZ Top beards! But seriously, it's good, really exciting, great acting and some fantastic action.
This isn't even close to anything resembling journalism-- the article is sloppy and full of repetition, generalizations…
Strange reaction to an article, shooting the messenger? The sources are up there if you want to have a look for yourself. The drama's out there if you want to have a look. If you want someone to describe it to you in detail... you're a pervert!
Do you have any specific examples of any of those shows? (Not asking in a negative way)
You might be on your own there, at least a lot of commenters don't like mixed genres, i.e. is it a thriller or a rom-com?
From a writer's perspective, when you're struggling to make your screenplay engaging it's very tempting to throw in a punch-up, an explosion, a car crash etc. however, the best writers can evoke better action with just an exchange between two characters, no need for cheap thrills.
Edit. I'll give an example, last week Romance In The House ended with 4 characters bumping into each other at an elevator, two being carried by their companions, it was a delight.
Nobody was assaulted. His security team restricted some areas in the airport. He has nothing to do with it and…
Thanks, that's a beautifully written explanation, I enjoyed reading it. If I had any doubt about his wonderful character, you've expelled it.
I started off just saying that after a bit of bad press, a cameo can help. And, although it's clear he knew nothing, he was present and bears responsibility for his teams - they wouldn't have been there if not for him... I've learnt from your explanation that he's taken responsibility, I couldn't ask for more. 🫰
Correction, no it isn't, why did I think that?
For Netflix productions, Mask Girl was quite good,
The Frog too, both from the psychological thriller genre.
To be fair, there are a lot of mediocre TV network shows that we simply forget about... when Netflix makes something mediocre we scream at them more since they're the pretenders. For some reason all the US companies like 50 minute episodes and 6 to 9 episodes per series. Maybe the attention span is shorter there, or the Americans underestimate their audiences.
But seriously, it's good, really exciting, great acting and some fantastic action.
From a writer's perspective, when you're struggling to make your screenplay engaging it's very tempting to throw in a punch-up, an explosion, a car crash etc. however, the best writers can evoke better action with just an exchange between two characters, no need for cheap thrills.
Edit. I'll give an example, last week Romance In The House ended with 4 characters bumping into each other at an elevator, two being carried by their companions, it was a delight.
I started off just saying that after a bit of bad press, a cameo can help. And, although it's clear he knew nothing, he was present and bears responsibility for his teams - they wouldn't have been there if not for him... I've learnt from your explanation that he's taken responsibility, I couldn't ask for more.
🫰