This review may contain spoilers
Lovesick Puppy Boy and Delulu Lunatic, Here We Go Again
"Love beyond the Grave" is one of my long-awaited C-drama and previously, I only endured the first 20 pages of its OG source 'cause the mortal world arc was too boring to my liking (I also have its hardcopy, but due to the difficulty of historical term, I'm discouraged to continue reading). After recovering from "Pursuit of Jade", I immediately enter the world of this drama. From my perspective, I can't say it's an excellent masterpiece, but it's not a catastrophe as well (err, it's going to one in the finale). I'm also aware that xuanhuan genre isn't everyone's cup of tea, hence the increasing amount of low rating. As a xuanhuan's fanatic, I'm used to seeing this phenomenon and just masticate every material given to me. Let's see my take on "Love beyond the Grave".
"Love beyond the Grave" revolves around a 400-year-old ghost who is the sovereign of the spirit world, He Simu and a mortal general who is chosen by the Deliverance Sword as its master, Duan Xu/Duan Shunxi. On one of Simu's travel to the mortal world, she happens to pass by the lifeless Liangzhou City, adopts Xue Chenying after his father makes a deal with her, and finally encounters Duan Xu, discovering that he's wielding the Deliverance Sword (forged by her aunt). Simu deliberately gets close to him to dig information out of him, including his original background and the reason why he can wield that mystical sword. At first, the two play a cat-and-mouse game covered with multiple layers of deception they only know of. Over time, they share weal and woes together, open up each other's emotional wound, and learn of the predicament of life.
To put it frankly, "Love beyond the Grave" is actually plotless too. After Simu comes to the mortal world and strikes a deal with Duan Xu to exchange five senses every 10 days, everything should've come to an end. There's nothing special about it. However, the scene where Simu looks like a happy little puppy experiencing five senses makes me feel for her. A lot of people are criticizing about this part, but I guess it's normal for someone who can't feel five senses in themselves. Another issue which plagues this drama is the simp ML again. After a traumatizing experience of "Eat Run Love", I have been dreading simp ML and I guess we get another one in here. This occurs when Simu needs to leave the mortal world and returns to the spirit world to govern those rebellious ghosts and wandering spirits who can't let go of their obsessions. Duan Xu is supposed to travel to Nandu to catch up with his army, but he decides to abandon his life in the mortal world, recklessly entering the spirit world just to accompany Simu every day. Nevertheless, the amount of simping is much more tolerable compared to "Eat Run Love" where the FL repeatedly dumps the ML every time they meet (excuse me, but the simping is getting more obnoxious as the story goes - as you see, Duan Xu is always in need of last-minute rescuing, especially from Simu herself - other than her, all the characters also seem to be feeling sorry for this little general, including the spirit girl, Jiang Ai, Fengyi, and who knows). Simu loves Duan Xu himself, but she's bound by her duty and responsibility as the leader of the spirit world, so it's quite reasonable for her to push him away. Simu originally wants to take Chenying with her too if it hadn't been for her identity in the spirit world. One more, I hate the fussy Meng Wan (Duan Xu's subordinate) with her over-the-top histrionics and Xia Qingsheng isn't helping much either. Another aspect I have yet to mention is how Wei Zheming pulls off a delulu role so spectacularly that I start to loath Yan Ke. His unrequited love has driven him to an unhinged state with Simu always defying him, so it's no wonder that he will turn into an entirely different person. Moreover, he also craves for power and throne, which is why he has the motive to kill Simu's father.
Note: I shouldn't have expected much from the screenwriter of "The Journey of Chong Zi". I don't have any idea what the former had faced in the past, but 7.2 is a total cataclysm.
Dilraba Dilmurat once again rocks as a badass lady - Simu is my favorite character of hers so far, including Nie Jiuluo in "Love in the Turquoise Land". She also showcases her versatile acting skills by transitioning from a naive mortal girl experiencing the five senses to a domineering sovereign of all spirits. Her age gap with Chen Feiyu is definitely not a big problem here as they can create a sizzling chemistry hot enough to make you swoon over their couple scenes. Chen Feiyu himself also rises to another level of acting. After "Love Story in the 1970s", he continues to deliver hit after hit and is able to generate chemistry with every co-star he is paired with. However, he isn't without flaws, of course. Firstly, his simping level. Secondly, his smile is eerie enough to make you feel that he's kind of a stalker (in the early arc when he is a confident general). Thirdly, he loves to gamble with his life, which can be a bad lesson for little kids if they don't understand the underlying meaning of it. Fourthly, I totally dislike his hairstyle as the general, with those over-the-top long bangs - they don't suit him at all. Surprisingly, I love Wei Zheming as a villainous antagonist Yan Ke - he also has palpable chemistry with Dilraba when he cares for her. Meanwhile, Zhang Li hitches off as the avaricious yet kind-hearted spirit Jiang Ai and she captures the soul of Jiang Ai pretty well. This is my second time of watching her - the first being "Love on the Turquoise Land" too, but unfortunately, I don't like her character there. The rest of the casts are decent as well. Special shout out to little boy portraying Chenying, Fu Bohan. I truly feel for Chenying's loss of his father and his unwavering determination to protect his "sister", He Xiaoxiao (the identity Simu uses to deceive Chenying).
Edit: As Zogitt had previously mentioned, Simu is indeed a femme fatale type of FL, obviously seen from her code of conduct and how she keeps seducing Duan Xu. To put it simply, she's the one gravitating towards him and naturally the plot will be pushed forward.
I have mixed opinions for the OSTs though. Some of the OSTs are tolerable, but some are kind of jarring or perhaps not my cup of tea. CGI is outstanding as well, with the resplendent sets and backgrounds in the spirit world (can't imagine how they make those flying towers). Costumes are a bit of questionable (especially ML's clothes in the mortal world), but Dilraba's are beautiful though.
Edit: I've noticed that the production team has a distinctive favoritism for Huang Xiaoyun as her song is always played in almost every episode, alongside Zhou Hui and Liu Yuning's. Meanwhile, Zhou Shen's is sidelined as the ending credit and we only get to hear it several times. As for Lumi and Jin Wenqi, their songs are totally forgotten and only played twice or thrice nearing the end of the drama. Even Jin Wenqi's is dedicated for Jiang Ai - Bai Sanxing, not the main leads. This is just my personal view, but it's quite unbearable to me.
I'm not sure if I'll be rewatching it in the future as I tend to continue to other dramas soon after, but "Love beyond the Grave" takes a complete nosedive to the point that it can't be saved anymore, even after the review section is inundated by barrages of criticism, yapping, rants, and more. That's all I've got to say, good luck and happy watching!!!
"Love beyond the Grave" revolves around a 400-year-old ghost who is the sovereign of the spirit world, He Simu and a mortal general who is chosen by the Deliverance Sword as its master, Duan Xu/Duan Shunxi. On one of Simu's travel to the mortal world, she happens to pass by the lifeless Liangzhou City, adopts Xue Chenying after his father makes a deal with her, and finally encounters Duan Xu, discovering that he's wielding the Deliverance Sword (forged by her aunt). Simu deliberately gets close to him to dig information out of him, including his original background and the reason why he can wield that mystical sword. At first, the two play a cat-and-mouse game covered with multiple layers of deception they only know of. Over time, they share weal and woes together, open up each other's emotional wound, and learn of the predicament of life.
To put it frankly, "Love beyond the Grave" is actually plotless too. After Simu comes to the mortal world and strikes a deal with Duan Xu to exchange five senses every 10 days, everything should've come to an end. There's nothing special about it. However, the scene where Simu looks like a happy little puppy experiencing five senses makes me feel for her. A lot of people are criticizing about this part, but I guess it's normal for someone who can't feel five senses in themselves. Another issue which plagues this drama is the simp ML again. After a traumatizing experience of "Eat Run Love", I have been dreading simp ML and I guess we get another one in here. This occurs when Simu needs to leave the mortal world and returns to the spirit world to govern those rebellious ghosts and wandering spirits who can't let go of their obsessions. Duan Xu is supposed to travel to Nandu to catch up with his army, but he decides to abandon his life in the mortal world, recklessly entering the spirit world just to accompany Simu every day. Nevertheless, the amount of simping is much more tolerable compared to "Eat Run Love" where the FL repeatedly dumps the ML every time they meet (excuse me, but the simping is getting more obnoxious as the story goes - as you see, Duan Xu is always in need of last-minute rescuing, especially from Simu herself - other than her, all the characters also seem to be feeling sorry for this little general, including the spirit girl, Jiang Ai, Fengyi, and who knows). Simu loves Duan Xu himself, but she's bound by her duty and responsibility as the leader of the spirit world, so it's quite reasonable for her to push him away. Simu originally wants to take Chenying with her too if it hadn't been for her identity in the spirit world. One more, I hate the fussy Meng Wan (Duan Xu's subordinate) with her over-the-top histrionics and Xia Qingsheng isn't helping much either. Another aspect I have yet to mention is how Wei Zheming pulls off a delulu role so spectacularly that I start to loath Yan Ke. His unrequited love has driven him to an unhinged state with Simu always defying him, so it's no wonder that he will turn into an entirely different person. Moreover, he also craves for power and throne, which is why he has the motive to kill Simu's father.
Note: I shouldn't have expected much from the screenwriter of "The Journey of Chong Zi". I don't have any idea what the former had faced in the past, but 7.2 is a total cataclysm.
Dilraba Dilmurat once again rocks as a badass lady - Simu is my favorite character of hers so far, including Nie Jiuluo in "Love in the Turquoise Land". She also showcases her versatile acting skills by transitioning from a naive mortal girl experiencing the five senses to a domineering sovereign of all spirits. Her age gap with Chen Feiyu is definitely not a big problem here as they can create a sizzling chemistry hot enough to make you swoon over their couple scenes. Chen Feiyu himself also rises to another level of acting. After "Love Story in the 1970s", he continues to deliver hit after hit and is able to generate chemistry with every co-star he is paired with. However, he isn't without flaws, of course. Firstly, his simping level. Secondly, his smile is eerie enough to make you feel that he's kind of a stalker (in the early arc when he is a confident general). Thirdly, he loves to gamble with his life, which can be a bad lesson for little kids if they don't understand the underlying meaning of it. Fourthly, I totally dislike his hairstyle as the general, with those over-the-top long bangs - they don't suit him at all. Surprisingly, I love Wei Zheming as a villainous antagonist Yan Ke - he also has palpable chemistry with Dilraba when he cares for her. Meanwhile, Zhang Li hitches off as the avaricious yet kind-hearted spirit Jiang Ai and she captures the soul of Jiang Ai pretty well. This is my second time of watching her - the first being "Love on the Turquoise Land" too, but unfortunately, I don't like her character there. The rest of the casts are decent as well. Special shout out to little boy portraying Chenying, Fu Bohan. I truly feel for Chenying's loss of his father and his unwavering determination to protect his "sister", He Xiaoxiao (the identity Simu uses to deceive Chenying).
Edit: As Zogitt had previously mentioned, Simu is indeed a femme fatale type of FL, obviously seen from her code of conduct and how she keeps seducing Duan Xu. To put it simply, she's the one gravitating towards him and naturally the plot will be pushed forward.
I have mixed opinions for the OSTs though. Some of the OSTs are tolerable, but some are kind of jarring or perhaps not my cup of tea. CGI is outstanding as well, with the resplendent sets and backgrounds in the spirit world (can't imagine how they make those flying towers). Costumes are a bit of questionable (especially ML's clothes in the mortal world), but Dilraba's are beautiful though.
Edit: I've noticed that the production team has a distinctive favoritism for Huang Xiaoyun as her song is always played in almost every episode, alongside Zhou Hui and Liu Yuning's. Meanwhile, Zhou Shen's is sidelined as the ending credit and we only get to hear it several times. As for Lumi and Jin Wenqi, their songs are totally forgotten and only played twice or thrice nearing the end of the drama. Even Jin Wenqi's is dedicated for Jiang Ai - Bai Sanxing, not the main leads. This is just my personal view, but it's quite unbearable to me.
I'm not sure if I'll be rewatching it in the future as I tend to continue to other dramas soon after, but "Love beyond the Grave" takes a complete nosedive to the point that it can't be saved anymore, even after the review section is inundated by barrages of criticism, yapping, rants, and more. That's all I've got to say, good luck and happy watching!!!
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