Period_addict

Beautiful first love sweet story... Like a fairytale everyone wished to have

Hold on to your seats because I've got to tell you about this drama that blew my mind! I mean, Rosy Zhao's performance was out of this world, and her physical transformations were so on point that I had to do a double-take. From a teenager to a young adult, she crushed every single aspect of her character's portrayal.

And let's not forget about the electrifying chemistry between the two leads - it was absolutely off the charts! Their on-screen relationship was so genuine that I felt like I was watching real life unfold right before my very eyes. I can confidently say that this drama has earned a spot in my top three list of must-watch dramas, and I'm sure it will have the same effect on you too, regardless of your age.

The entire cast was spot on, and each member brought their A-game to the table. The actress who played the protagonist's mother was particularly impressive, and I was blown away by her talent.

In conclusion, I urge you to watch this drama if you're looking for a heartwarming, feel-good story that will leave you with a smile on your face and a sense of nostalgia. Trust me when I say that you won't regret giving this drama a chance - it's a must-watch that will keep you on the edge of your seat from start to finish!

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Some parts were good, some were great; others were just average, and a few were bad.

**Pros:** The fight choreography is outstanding, and the original soundtrack is impressive. The acting is excellent, and the casting choices are generally strong, with one exception— a particular female character that stands out. The wire work is well executed, and most key events are respected. The emotions portrayed by the actors feel realistic, and casting older actors is a plus. The makeup is good; however, many aspects, like skin color and face shape, were altered digitally to achieve a younger appearance.

**Cons:** The CGI is severely lacking, appearing outdated and cartoonish, while the transitions are jarring, making the story feel disjointed. The “romance” tag leads to major misunderstandings among viewers. There are far too many aerial shots of hills, rocks, and deserts—I got tired of seeing her cultivating on her rock! Additionally, the sects seem sparse, with only a few disciples present, which gives a cheap impression regarding the extras. Han Li's transition from being ineffective to becoming a top martial artist is poorly explained. The storyline involving Iron Man is overlooked in favor of redundant scenes with Miss Mo (she is mortal, while he is immortal). Too many scenes are cut, causing abrupt jumps from one event to the next. Some actresses receive more screen time at the expense of the storyline. The costumes are generally average, and the hairstyles all seem similar, making them a bit boring.

Currently, my rating is an 8.5.

In summary, the issues primarily arise from the CGI, excessive cuts, repetitive imagery of hills, rocks, and deserts, as well as the aerial views. However, the strong casting, fight choreography, and soundtrack make the experience worthwhile.

I read the novel a while ago and am currently re-reading it. I'm a big fan of the ongoing donghua, both of which I would rate 10/10.

I make a distinction between the three formats; the audience and material are completely different. This drama started off extremely well, and I enjoyed the first four episodes a lot. I approached it with an open mind because I am not a fan of Yang Yang. However, he redeemed himself with this character. On the other hand, I did not like Gina Jin. I wasn't fond of her in "Joy of Life" and still feel the same here. In my opinion, she was poorly cast. Additionally, why hire a popular actress for a role with so few lines? Labeling the drama as "romance" is misleading for the audience who has not read the novel or watched the donghua, which is the majority.

I came across some gossip online suggesting that two out of the three main actresses may not be recast. Rumors indicate that one of them had an argument with Yang Yang on set and is completely uninterested in promoting the drama. I can understand her dissatisfaction if they significantly reduced her screen timeHowever, if she had researched her role more thoroughly, she would know that her character in the novel has a minimal part, much like all the other female characters.

I was pleased to watch two actors, Edward Zhang and Chin Shih Chieh. I also discovered Zhao Ming, who is not entirely new to the industry, but she made a strong impression on viewers in this drama. . While she may not be classically beautiful and has more of a "girl-next-door" appeal, she has a memorable quality about her. She has the potential to become the next Zhao Lusi, especially with good support from her agency.

Originally planned for 40 episodes, it was reduced to 36 and then to 30. Furthermore, they cut each episode from one hour to 40 minutes, resulting in a total of 20 hours instead of 40. How can you deliver quality when the original script includes important scenes and dialogues? It's like giving someone bread without butter or a meal without salt—it feels bland. The drama has been cut twice.

It possessed the possibility to be a great drama if the special effects (CGI) had matched the quality of the donghua. Unfortunately, the creatures look like something from the '80s or '90s.

By episode 25, I have a feeling that the drama will end with an open ending, with Han Li using the transportation array to explore a new realm. Given that the title of the drama is “The Immortal Ascension,” it’s possible that we might only get one season. This corresponds to mid-volume 3, which leaves room for a potential season 2 or 3, and I believe Youku will pursue it since it was number one for a few days and is quite popular. It all comes down to money.

My recommendation is to give it a try. At best, you will enjoy it; at worst, you might decide to read the novel or watch the donghua.

**
Here are my thoughts since the last episodes aired. I fast-forwarded through the unnecessary reunion with Boom Boom Girl; it felt like they gave her screen time just to fulfill her contract, which was completely unnecessary. She appeared sporadically throughout the drama without any real purpose, mostly to be annoying. The only significant event involving her was when both characters took an aphrodisiac and lost their virginity. They met twice, she stole his life force Qi two times, and she showed no remorse. Instead, she lied and acted like a coward, only fearing that people might find out what she had done. I could have done without the final scene featuring her, as she was never a lovable character..

However, the second part of the last episode was well done, except for Iron Man, who seemed to appear and disappear without explanation. The generic announcement states that this is the end of Season 1, so I expect that Seasons 2 and 3 will follow. In the meantime, I'm rereading the novel and continuing to watch the donghua.

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I just wanna cry. So disappointed

(If interested in what happened in the novel, I wrote a lengthy recap about the divine temple and his mother, Wu Zhu, Chen PingPing, the emperor and his death, and the ending (last chapter 7). Check the separate comments tagged spoiler under this review)

**
After finishing the last episode of Season 2, I can't help but feel a mix of surprise and disappointment. While I did enjoy some moments, overall, I found myself questioning some of the creative choices and missing the magic of the first season.

Season 1 holds a special place in my heart. It's at the top of my list. I was so invested in it that I ended up reading the novel, which spans 746 chapters and over 5501 pages. To my delight, I discovered that Season 1 stayed true to the novel, accurately portraying the characters and the story. The martial arts scenes were executed well, although not as detailed as the novel, and every character was perfectly cast. Season 1 truly stands out as a masterpiece.

Season 2 sadly did not reach my expectations. Everything was rushed. The arcs completely changed. They were mixed. I did not recognize the main characters like a second prince or the crown prince. The villainess character of the story, the eldest princess, appears only in the last part of the season when she is THE main villain of the story. I am trying to think of one character who did not change, and I found one: Fan Jian, his father. Okay, let's make two, his father-in-law, the prime minister. And three with Da Bao (Kudos for this incredible performance! It's Not easy to play with realism and a simple mind).

Fan Xian character went from being an arrogant mastermind to a submissive, almost tearful figure in the first part of the season. His actions, such as begging and kneeling in front of the emperor, were a far cry from the Fan Xian in the novel. I missed the strategic genius who could outmaneuver his opponents and exploit their weaknesses. Despite the change, he remained lovable, thanks to the acting skills of the ML (Zhang Ruo Yun). I felt relieved that his true personality returned in the last part of Season 2. But it was a little too late; I lost the excitement of watching the drama. Plus, the unnecessary comedic elements introduced by the screenwriter detracted from the season's enjoyment. Even if some, I admit, were funny, it was too much. But too much change, too much difference in personalities. The magic of season 1 was not there.

The last 2 episodes were rushed. And where was the grand apotheosis expected in the last minutes of season 2? Those special moments that ended and left us all on our toes, just like season 1? He got back his zhenqi. So what?

I am SO SO disappointed.

I understand the reasons. The TV producers wanted to create a period romance (A) even though the novel is a period thriller drama (B), so the focus is completely different. The TV producers started with B in season 1 and then switched to A in season 2 with no transition or logic. It was as if season 1 was following the novel, and in season 2, they got inspired but created a brand new storyline. It was brutal.

It was all talk, unnecessary talk, but no action. Where was the tyrannical zhenqi that took a considerable place in the novel? Yes, he touched here and there with his fist to show that his meridians were messing with his body, but no cultivation, practice, or fight except for the big one in the season, which was very well choreographed. But only one? Did the production cut the budget in half? Because that's precisely what I'm thinking after the end of season 2. The teasers/previews were so good, though… *sigh*

Yes, the story is extensive, spanning 746 chapters filled with numerous events, making it challenging to condense into just 3 seasons. I'm perplexed why the first season was a success, but the second season fell short. What could have gone wrong? Did the screenwriter lose his touch or encounter some personal issues? Was it a lack of budget? Was it a change of executive producer? Was it production executives' pressure that led to the decision to rewrite the arcs completely? I ensured that it was the same screenwriter for both seasons, but I'm uncertain about the involvement of the art producer and other staff members. Don't get me wrong, the actors and actresses were equally good in both seasons. It's the material they were given that made season 2 chaotic. Yes, reducing the number of episodes was an issue 46 vers 36. But then why not negotiating a S3 S4 and even S5? S1 was a mega-hit, I cannot believe budget was the issue, was it?

The screenwriter made too many changes to the stories and arcs, which was the main problem. It was like stuffing an elephant into a mouse pit. It just did not work. Events that were supposed to happen at the end of the novel were added in the middle of season 2, such as revealing that the emperor was a grandmaster. I understand that a TV drama differs from a novel and that not everything can be included. I also understand that some characters may be missing, such as Sisi the concubine. However, it felt like the show was all over the place.

I'm grateful I only had to wait 3 months, not 5 years, to watch season 2. I also found a fantastic novel and discovered several talented Chinese actors I now follow. However, I'm disappointed that season 2 didn't have the same "wow" factor for me as season 1.

I didn't notice much effort put into the soundtrack, either. There wasn't much difference in the original soundtrack (OST) except for the generic and epilogue. I even recognized some of the music from season 1. However, one piece of music that I hope never to hear again is the Swiss yodelling. It was used, reused, and overused. One or two good jokes are funny, but several become clownish. I can't forget how the screenwriter mocked Jing Ge, the general of the black guards.

In the drama, there were many inconsistencies and changes in the characters' personalities. For example, Wan’er, who wanted to kill Wu Zhu, the most powerful character, and Cheng Ping Ping, a strong supporter of Fan Xian, became a suspicious foe, even though they are two genius soul mates in the story. Additionally, the second prince turned evil without really taking any action. Many characters needed more screen time for proper understanding. Sweet relationships never developed, such as the first prince (not that I read many in the novel, but after the naive bland outburst at the meal 3+3, I expected to see her again!), the alcoholic empress (invented), and the undeveloped boring and useless Ming episodes(few dozen chapters in the novel). Wu Zhu acted like a crazy robot and demanded assistance from his sister, which was also confusing. Every single scene was full of confusing moments for me. I wanted to recognize the big moments in the novel, not a poorly executed remake with no depth and no logic. Production should have spent less on the flower's eldest princess and more on martial arts choreography! Where was the magic of the 300 poems? Where was the tension and puzzle of who was a friend and who was a foe? Gone. All gone.

The drama made quite a few changes to the original events. I constantly compared the show to the novel, trying to understand why the screenwriter made such extensive alterations. Some plotlines were easy to follow, while others left me very perplexed. I'm thinking about re-watching this season soon, hoping to gain a new perspective. I'm not entirely convinced, but I'm open to seeing it in a different light.

After reading various reviews and comments, I realized that this season does not seem universally liked. However, there are also many outstanding reviews. I will check the reviews when the dust has settled in a few months. That will give me a better idea of whether this drama is a success or a failure. Considering there is a season 3 (confirmed during the press conference for season 2), I hope they will make the necessary adjustments!

Until season 3... FL said during her farewell interview that it would be Chapter 7.

S1: chapters 1-2-3-4
S2: inspired by chapters 5-6 (no events or scenes or dialogues seen in drama can be found in the novel)
S3: chapter 7 (lots of martial fights, 2 mega battlefields… hope they'll get the budget!)

Again, if you want to read the spoiler about Fan Xian's mother and the Divine Temple. Check my comments :)

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Great drama. Don't miss it! Beware! Wrong title!

24 episodes 15 minutes each.

I always steer clear of short episodes as I find them too shallow and unfulfilling. However, I recently stumbled upon a teaser of this intriguing drama on YouTube. I watched the first episode and was immediately hooked. Despite the fact that episodes 15 and beyond were not available anywhere else, I subscribed to Youku because I knew I had to watch the full drama - that's how good it is.

Of course, there were some inconsistencies in the story, such as the title of the drama itself. The main character is an eunuch, not a governor, but my guess is that Chinese censorship had a say in it. Even though it's a possible Chinese taboo to imagine an eunuch in love, this drama managed to execute the plot without making it feel cheap or tacky. The actors were brilliant and the storyline was captivating - I couldn't ask for more from a drama.

In conclusion, I highly recommend this drama to anyone who wants to watch something that is well-produced and engaging.

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Perfection, even if season 1 ends dramatically.

Yeah, yeah, another fan is writing a review and rambling about it. lol

ETA: this review was written before season 2 was aired.

*Story*

I was thoroughly engrossed in this drama. The storyline was captivating, and its ability to hold my attention was unparalleled. Each episode was masterfully crafted to add mystery and intensity to the plot, leaving me on the edge of my seat, eagerly anticipating what would happen next. I was so invested in the characters and the story that I binge-watched all 46 episodes in one go, completely glued to my screen.

This drama is a true masterpiece, encompassing all the necessary elements to make it a thrilling experience. From the complex and intriguing plot to the romantic subplots that will leave you breathless, from the gripping drama that will keep you on the edge of your seat to the humorous moments that will lighten up the atmosphere - this drama has it all. It is a perfect blend of various emotions and genres that will keep you hooked and entertained from start to finish.

*memorable scene*

- 100 Poems Night ep 27

*Casting*

ML was fantastic! His acting skills were undeniably remarkable, and he portrayed his character with wit, humour, intelligence, and an overall lovable personality. All the other actors and actresses were equally impressive, but I must give a special mention to the Emperor, who was simply outstanding. From the beginning, I knew that he was undoubtedly the protagonist's father, and his objectives were to test him to be his successor. That's my take on Season 2 anyway, and I can't wait to see how the story unfolds. I must also highlight the exceptional performance of the child who played the lead role. Wow. Just wow.

Season 1 of "Joy of Life" was broadcast in 2019, the same year as "The Untamed," which starred Xiao Zhan. Although I adored him in "The Untamed," I must say that I wasn't as impressed with his character in "Joy of Life." Perhaps it's because his role didn't allow him to shine as much, and his supporting role as a villain didn't help matters either. His character never allowed him to smile, and we know his smile is his trademark. Rumours are he has been replaced for Season 2, but we'll have to wait and see.

*Director, production*

An exceptional drama encompasses a variety of important factors. First and foremost, a great script is essential to hook the audience and keep them engaged throughout the storyline. The right actors and actresses are also crucial, as they bring the characters to life and add depth to the drama. A budget that allows for wow factors such as stunning costumes, an impressive movie set, special effects, lot of extras and martial arts choreography can also elevate the drama to the next level.

However, even with all of these elements in place, the drama can still fall flat without a clear vision from the director. The director's vision must be cohesive and consistent throughout the drama to ensure that everything comes together seamlessly. Additionally, edits must be done with precision and skill to avoid any jarring or disjointed transitions. With all of these factors working in harmony, an exceptional drama can be created that captivates and enthralls its audience.

*Love story*

The drama's plot does not revolve around romance, but the main lead (ML) falls in love with a beautiful young girl at first sight. After a few misunderstandings, they get engaged. Amidst political challenges, the girl becomes part of a small circle of people that ML trusts. However, hints dropped in season 1 suggest that the story will not have a happy ending and that the martial artist QI girl (Haintang) will play a significant role in the romantic aspect of the drama. This is my interpretation, but nothing is confirmed. It is obvious to me that the emperor of Qi is a woman. I am wondering the story behind this. Rumors say there is more to her and ML.

This drama is not centred around love. Love is only a political accessory. So, it will be interesting to see this part unfold in the next three seasons, which is a trilogy.

*music*

Once in a while, a drama produces music that I become obsessed with. It happened with “Eternal Love”, “Faith”, “Love like the Galaxy”… and “Timeless” sung by Xiao Zhan. I had no idea the images were from Joy of Life. This clip video is a masterpiece, plain and simple.

*cons, inconsistencies*

In my opinion, the modern-day part where the guy explains his story and the last part when we are back to the modern days were completely unnecessary and added nothing to the storyline. His character is already established as an anomaly due to his mother coming from an advanced technology society. Therefore, his genius intelligence, his knowledge to be out of time and place and photographic memory can be easily explained.

*special effects, martial arts choreography*

The drama was aesthetically pleasing and visually engaging. However, I noticed that there were instances where the edits were not perfectly synchronized, and it seemed like multiple takes were needed to achieve the desired outcome. Despite this, I still believe the overall production was very well executed and enjoyable to watch.

The sheer magnitude of the budget allocated to this drama is evident in every frame. The attention to detail is impeccable, and nothing seems to be done in a rushed or haphazard manner. The presence of numerous extras in almost every scene adds to the authenticity of the drama and makes it feel more genuine and immersive. Overall, it is a testament to the high production values and the filmmakers' commitment to delivering a top-notch viewing experience.

*how I understand the story but primarily questions*

The clues are scattered and plentiful, enough to keep me on edge and make me wonder about what, when, how, and who.

**His mother: how and why did she leave her world? I assume she escaped something or somebody. She went with a destructive firearm of mass destruction. Why? Why did she leave to find the blind martial artist? She seems to know the past and future. Who killed her? Was she captured by her own world people?

**Blind martial artist: he lost his memory, but everything in him looks like a robot. Is he from his mother's world? Who is he?

**Clues: His mother's book allows people to become grandmasters, the highest level a martial practitioner can reach. Where is this book? His mother explained the Ice Age and the circle of life with the return of the feudal era. How did ML know all these poems? Where did he read them? How did he get all the past knowledge?

**Divine temple: how does the wheeling chair villain know this place? What was his relationship with his mother? Did he kill her and why?

**3 amigos: emperor, wheelchair villain and adopting father… they seemed very close friends in their youth, then his mother married the prince next to be emperor. They seemed to have made a pact of silence

*Conclusion*

I recently watched the trailer for the second season, and we are in for another great ride. However, I also anticipate another bittersweet ending that will lead to the third season (nothing confirmed yet, my own assumption ). Despite my preference for happy endings, I am willing to make an exception for this show, which I consider a true masterpiece.

As someone who recently watched the first season of this drama, I consider myself lucky that I did not have to wait for five long years for the second season. According to rumours, the second season is set to be aired in mid-2024, which is quite a long time from now. However, I can confidently say that this drama is one of the best out there and is worth the wait. The plot, the characters, and the overall production are all top-notch, making it memorable and highly recommended for anyone who loves dramas. In fact, I would even say it's a must-watch and rewatch for anyone who enjoys good storytelling and quality entertainment.

If you want to read my review about season 2: https://kisskh.at/54083-joy-of-life-season-2

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I am genuinely impressed by the quality in all areas.

I am genuinely impressed by this production. The lead actress, FL, with her remarkable talent, breathes life into her character, infusing her performance with a captivating authenticity that truly resonates with the audience. Unlike the often one-dimensional portrayals of maids in many dramas, her maid is not annoying.

One of the biggest revelations for me is Ao Rui Peng, who has showcased significant growth as an actor in this role. He brings depth and charisma to the male lead, convincingly carrying the emotional weight of the story and truly deserving his position at the forefront of the narrative.

I want to give a shout-out to Cheng Hong Xin. He truly deserves a leadership role. But every support role are spot on. I am unsure who kept their original voice but the final result is well done.

While some character personalities may feel reminiscent of archetypes from other dramas—such as the goofy young aide who provides comic relief, the mean mistress Qin who evokes frustration, and her imposing butler—I found the casting to be superb, with each actor bringing their unique flair to the roles.

I have a minor observation to share. The bodies used on the table were the same size for both male and female mannequins. This was quite noticeable, especially since the feet on the mannequins representing female bodies were disproportionately large. Most females are petite, so it was obvious that the same mannequin was being reused.

Costumes, makeup, structures (the underground water wheels were impressive), special effects, and martial choreography were all excellent.

Moreover, the creators have invested substantial effort and resources into the original soundtrack and visually striking opening sequence, which not only accompany the narrative beautifully but also elevate the overall atmosphere of the series. It delivers a complete and immersive viewing experience that is truly commendable.

After reflecting on the overall production and performance quality, I wrestled with the idea of assigning a rating but ultimately found nothing to criticize. This series deserves a solid and well-earned 10 out of 10 from me.

If you enjoy “coroner” dramas, I recommend “The Imperial Coroner” and “Miss Truth”.

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Finally a drama for adults.

I am utterly captivated by this drama; I can’t help but describe it as perfection in storytelling and execution.

The chemistry between the main leads is absolutely extraordinary, making their performances truly magnetic. From their first interaction, you can feel the tension radiating off the screen, drawing you into their complex relationship. The narrative kept me on the edge of my seat, with each twist and turn expertly crafted to sustain suspense. The love-hate dynamic between the characters unfolds beautifully, showcasing their struggles and emotional depth, which is further enhanced by the palpable sensuality in their interactions.

The production quality is impressive, and the attention to detail is evident, especially in how the wounds—both emotional and physical—are portrayed; they look strikingly real and add layers to the story.

The ending felt a bit rushed, and the final battle lacked the epic scale I was hoping for. I believe that with a larger budget and perhaps an additional episode, this drama could have concluded in a much more satisfying way. Despite these shortcomings, I still rate it a solid 10 because it was beautifully executed in terms of direction, cinematography, and character development. The emotional depth and storytelling were truly commendable, which is why I’m able to overlook the flaws in the finale.

It has been ages since I found myself so deeply engrossed in a drama that I couldn't stop thinking about it, replaying scenes in my mind.

This drama is not meant for everyone.

This drama explores the intricate dynamics of emotional cruelty, showcasing how the profound love between the two main characters becomes shattered. The story unfolds through a series of misunderstandings, (mostly because of villains) that emerge from both characters, creating a tension that feels relatable. As the narrative progresses, these miscommunications are thoughtfully resolved, leading to moments of significant revelation. At its core, this drama delves into the complexities of passion, depicting its intense highs and devastating lows, ultimately revealing the multifaceted nature of love, passion and sensuality. In the end, love triumphs.

Fortunately, I stumbled upon a condensed version on youtube that compiled the 15 min episodes to make 8 episodes, each 46 minutes long.

I am now very curious to watch other costume dramas from those leads.

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Outstanding performances and a remarkable production of a contemporary drama.

I came across a teaser on YouTube, then searched on MDL for where to watch it, and voila! I decided to give it a try mostly because I really like the lead actor. I discovered him in the story of MingLan and have never looked back since. He is a very talented actor.

I am generally not fond of modern dramas. First, many of them often start with a woman who is bullied by her family, colleagues, or peers at school. Typically, it takes more than half the series for the female lead to get her revenge, only to end up falling for another man while the initial cheater or villain regrets their actions eternally. It's the same old story.

However, because this particular actor was in it, I decided to give it a try, and it turned out to be a good choice.

The drama "Married" does have the classic elements of ‘mistress’ and ‘cheating,’ which are necessary to drive the plot. What makes this story stand out is that it portrays a believable narrative. The characters aren’t strictly good or bad; they are a mix of both.

The central theme is that many women will resonate with the female lead — an ambitious and talented woman who left everything behind when she married an equally ambitious and talented man who ultimately succeeded in his career. It touches on the stereotype of married women who are expected to stay home and raise children. Of course, there’s the typical wake-up call after five to ten years when the husband neglects his wife, leading to the discovery of the ambitious and beautiful mistress working alongside him.

This storyline corresponds with the experiences or feelings of many women, capturing their pride and struggles.

The story is well-constructed and well-acted from beginning to end. One memorable scene is when the husband is released from jail and spends time with his son, and they both cry in each other's arms. He realizes, too late, just how much he missed, and how much his ex-wife sacrificed and loved him and their son.

Again, it's a stereotypical narrative, but the ending was not the happy conclusion everyone might have expected.

(Spoilers)

The couple remained divorced but reached a compromise for the sake of their son. He gave all his shares to his ex-wife to support her in remaining the CEO. He broke up with his mistress for good, recognizing that the age gap and her ambitions did not align with what he wanted for his new life. He became a devoted father and returned to the company, but as a creator rather than the CEO. Meanwhile, his ex-wife managed to balance work and personal life and realized she was falling in love again with another man.

In the end, everyone found peace and moved on, which is often what happens after a divorce.

I definitely recommend this drama!

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Somehow better after a re-watch

I completely agree with most reviewers who have criticized the show's script. It was difficult to put the dots on i, lacking coherence and essential parts to make the story understandable.

I thought at first it was the actor's, Zheng Ye Cheng's, fault but then I watched a couple of behind-the-scenes clips and concluded that Zhao Lu Si and Zheng Ye Cheng had incredible chemistry which doesn't surprise me because every male partner she worked with and loved her. She is funny and natural. It was clear as day they liked each other. This reminds me that I need to change my review of the drama “Under the Power”: the issue was never Zheng Ye Cheng, it was the actress and the script/director. Anyway, “Love in a Thousand Years” was good but it could have been THE drama of the year with better edits.

I had to wait for many episodes to understand he saw her die and be reborn 10 times within a thousand years. It took me many episodes to grasp that he loved her but didn't want to force her to reciprocate his feelings; hence, he became her protector. But even then, it was a struggle to understand. His constant smirking was bewildering until I realized it was an immortal's indulgence towards his beloved mortal.

I think the part that was terribly edited was the transition from new face up to immortal mountain. I needed more from the immortal who helped her, why did he changed his mind, how did she learn magic, etc. What happened during those 3 years was missing and this was important enough that I would have understood better the story.

The sudden shift in Lusi Zhao's character's love interest without any discernible transition only served to highlight the poor writing of the script. While the idea of true love spanning a thousand years and the protagonist waiting for his love interest to be reborn multiple times was intriguing, the sudden change of heart was utterly inexplicable.

On a positive note, the chemistry between the actors was very good. All the actors were good though. I like both main leaders. I follow their career close.

So yes, I recommend this drama but keep in mind that the script is unclear and it will take time to understand the full story.

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Childish, annoying, no chemistry, plot all over the place… complete disappointment!

I have to be honest, the show I watched was a complete disaster. The plot was unclear until mid-season, there was no chemistry between the lead characters, and the love story didn't even show up until episode 33. The flashbacks became nauseating, and the point of view was used to justify a love that had no foundation. The show had ghosts that were not even ghosts, and zombies that were not even zombies, making it a big mess TV drama created for teenagers. The main heroine's acting was annoying and childish, and her childhood friend was no better. The heroine was almost on the verge of death, and a sip of tea was enough to bring her back to normal within minutes.

The only saving grace of the show was HanDong. Allen's character was annoyingly poker-faced until mid-season, but he had depth, and the actress who played him did a great job. The show was also saved by a few secondary character performances, but HanDong was exceptional in his sadistic villain role.

The leads in that match were terrible. It's unacceptable to portray a 12-year-old love story with a 30-year-old man, and even if the character claims he is 22 and she is 17, it's clear that he looks way older while she looks like a spoiled brat teenager. Such teen romance dramas should be avoided by Allen. The casting was a complete miss, and individually, the actors were good (except Seven Tan in my opinion). However, it's evident that they had to work with a terrible script and directors. It's beyond me why this show is popular, and I have no clue about it.

I cannot help but think chemistry with the main characters would have been way different with Zhao Lusi… such “Love a Thousand Years”.

I really didn't think the casting was good. I also blame Allen for this. It seems like he really dislikes kissing his partners. His acting also seemed very forced and not convincing at all. It almost makes me wonder if his contract specified a minimum number of kisses and hugs. I felt the same way about the drama "One and Only."

The amateurish play from the female lead, abysmal editing, poor casting choices, substandard makeup, gratuitous close-ups to force-feed us the supposed romance, misplaced props, glaring plot holes, lack of on-screen chemistry... One measly kiss accompanied by a one-sided love confession, countless flashbacks, and hand-holding? Are you kidding me? And don't even get me started on the anachronistic music cues that make no sense. Oh, and let's not forget the characters wearing summer clothes during a snowstorm. This is unacceptable.

After reading some top reviews, I can't help but shake my head in disbelief. The childish play between the two main characters completely ruined any chance of enjoyment for me. If you're looking for a teenage drama, be my guest, but if you're an adult, save your time and move on to something better. I won't make the mistake of watching any dramas directed by Yin Tao and Liu Guo Tong again. Did they write the script based on fan feedback? The show was poorly executed, yet somehow it received praise from the public. It seems I must be living in a parallel C-drama world where quality and substance still matter.

The female lead did not make it any better. If the same actress is cast as a main character again, I will make it a priority to remove her from my list. It was an excruciating experience, and I only continued watching to see the Han Dong villain's final moment.

I hate childish play, voices and actresses. Watching her break up with just two sentences was painful and unconvincing. It was a juvenile play, lacking the depth and maturity required to evolve a character through dramatic events. In my opinion, there is a clear difference between youth and innocence and the kind of character development that genuinely captivates an audience.

The movie failed to deliver any romantic moments. Just one kiss on the lips amidst all the drama. It felt like watching a grown man holding a child in his arms, which was quite disturbing. The use of eye drops to show emotions on screen felt fake and forced. Overall, the drama was painful to watch.

Therefore, I cannot recommend this show to anyone looking for quality storytelling.

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A young adult series inspired by the story of a classical orchestra.

A young adult series inspired by the world of classical orchestras captivated my attention when I stumbled upon an episode on YouTube. While this isn't my usual go-to genre—typically favoring more historical or fantasy costume dramas—I occasionally indulge in modern romance narratives, and this one seemed intriguing.

The storyline revolves around a group of passionate young adults united by their love for music, each drawn to their respective instruments, such as the piano, violin, and cello. At the heart of the series is the prodigious young conductor and a classically trained singer, whose artistic journeys intertwine in a complex tapestry of ambition and desire. As the plot unfolds, we witness the characters navigating their struggles—whether overcoming personal obstacles, facing romantic entanglements, or dealing with unexpected rivalries.

Their experiences are rich with layers of emotion, showcasing love, betrayal, and ultimately resilience. Though the series might not be a groundbreaking gem, the performances were compelling enough to keep me invested. Most of the cast is refreshingly relatable, embodying an average look that contributes to a more authentic portrayal of these aspiring musicians. The exception was one actress, whose standout beauty stood out against the rest of the ensemble.

The narrative delves into the intricate lives of multiple couples, each facing their unique challenges in the tumultuous landscape of love. Set against the backdrop of a vibrant college town, the story explores the rollercoaster of emotions that young adults experience—falling deeply in love, grappling with jealousy that gnaws at their hearts, and the envy that arises when comparing their relationships to those of others. Deception weaves its way through their interactions, leading to a tangled web of misunderstandings and secrets.

Each character must navigate the complexities of sharing their lives, often leading to poignant moments of regret when they realize the cost of their choices. Yet, amidst the heartache, there are glimmers of hope—moments when forgiveness blossoms and the growth potential emerges. This tale captures the raw intensity of young love, highlighting the struggles of individuals who have yet to learn the art of compromise and the importance of communication in nurturing their relationships.

Although I noticed some stereotypical plot points, such as nodules on the singer's throat and the struggle to find inspiration as a pianist, as well as the family conflicts, I still found it to be an enjoyable watch that pleasantly surprised me.

Overall, I recommend this series for its engaging storytelling and relatable characters.

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87 episodes of pure delight

It is unfortunate to reflect on the decision made by the National Radio and Television Administration (NRTA) in February 2020 to limit Chinese television dramas to a maximum of 40 episodes. The NRTA even "encouraged" producers to aim for fewer than 30 episodes. As a result, many pending drama approvals had to be cut, reworked, or delayed indefinitely, affecting their potential airing. This restriction often compromised the depth of the scripts originally designed for longer formats, leaving viewers puzzled and dissatisfied with the outcomes.

That being said, this drama aired in 2018 is a gem with its 87 episodes. I could probably leave my review at that, but where's the fun in brevity?

This particular drama is a masterpiece across all facets of production. The casting is impeccable, the storyline is captivating, the costumes are beautifully crafted, the directing is top-notch, and the post-production quality is remarkable. Every element of drama creation seems to have been meticulously considered and executed.

I re-watched the ending multiple times, along with several other poignant scenes. Is it a sad ending? Absolutely. Given my usual aversion to bittersweet and sorrowful conclusions, I was initially put off. However, upon reflection, I believe that had it concluded differently, it would not have justified the complex narrative surrounding an emperor, his beloved empress, and a multitude of concubines.

I can watch teasers, videos, and clips thanks to the YouTube platform. Without this platform, I will and would have missed many great dramas. This includes this drama.

This drama is certainly not for everyone. If you strongly dislike themes of polygamy, a dominant and jealous emperor, or vengeful women caught in palace intrigues, this might not be the show for you, even if the villains get caught. It’s best for those who appreciate ancient Chinese historical dramas rich in emotion and woven with intricate love stories, even if they culminate in heartache.

As I delved into the narrative, I was thoroughly fascinated by the inner workings of palace life—the roles of eunuchs and maids and the often-strict imperial rules. Each detail contributed to creating a vivid tapestry of life in that era.

The drama explored every facets of love, lust, jealousy, insecurities, hate, indifference, forgiveness, revenge… you name it.

On a side note, I've observed a remarkable trend of extraordinary historical dramas released in 2017 and 2018. I can only attribute this surge to the incredible talent of the young actors and actresses who were beginning their careers back then, ranging from ages 22 to 25. Today, we consider them seasoned performers, but their body of work from that period speaks volumes about their potential and skill. Truly incredible.

Kudos to actress Zhou Xun, actor Wallace Huo, and actress Ning Chang (who often plays villainous roles). There are also many great actors like Lin Qin (from "Princess Agents" and "Joy of Life") and Xin Zhi Lei (from "Joy of Life"). Additionally, we can't forget the other villains, such as Li Chun and He Hong Shan, along with hundreds of other perfectly cast actors and actresses.

Kudos to the costume designers and the hundreds of 'hands' who created them. The same goes for hairdressers and makeup artists.

So, out of the hundreds of dramas available, don't miss this one if you like costume palace dramas.

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Pale copy of the story of Ming Lan…

I'm a bit disappointed. I expected more.

I love seasoned actors. Sadly I found another copy of the actor Allen—good actor who is unable to play romance and lack chemistry with his partner. They both had in common the same female lead. I am not sure if they are all unlucky to parter them, if it is the script or director or if they are unable to act romantic scenes. They are all good but not together.

After Under the Power, I gave her another chance. Indeed, it was much better. I was spared with another childish female lead… Instead, we got a femalee victim bullied by everyone for over 11 episodes. Glad it said it was a work of fiction each intro of each episode because it was completely irrealistic.

Post edits production is poorly executed. Missing major scenes that explained behavior and actions. Terrible.

In Episode 12, the main character insists she knows what to do but is constantly bullied. No backbone. It takes too long to to see her defended by her husband. They cut few important scenes, yet kept redundantones. The drama revolves around villains. Each 3 concubines, the old matriarch, the sister in law, the sisters. Except 1 maid, all women are villains. The only trustedperson is of course her maid telling her that being passive is worse., but she prefers to be a victim and claims she doesn't care. I really dislike her attitude, so I skipped many useless conversations.

To summarize, the male lead slept with two concubines and his ex-wife. He has two kids, and one concubine lost a child during childbirth. Then he lost physical interest to all because he could not stand women in general and their pettiness. He always feels guilty for mistreating the heroine, yet never asserts himself. I understand the matriarch is the queen of any Chinese family, but the romance was still not visible before episode 35.

It got better when he realized he fell for her around episode 15. But because she is a prude virgin, he never crossed the line… with his wife. Typically, the Chinese were seeing the collar skin is considered erotic. (rolling eyes) As if a married man did not sleep with his wife for years.

In Episode 21, the matriarch said she was upset with the concubine, Qiao, but the scene was cut in production, so it's unclear what she was referring to. Then the male lead spent an hour in the favorite concubine's bedroom as per the servant. This raises the question of whether he had sex with her as a birthday present. Additionally, the female lead said that the male lead gave his heart and she will give hers, but it's unclear when this happened. Furthermore, he slept with the concubine despite this. It all seems very inconsistent. The cuts in scenes seem unprofessional. They wanted to reduce the number of episodes, but at times, it made no sense.

Another thing that deserves its own paragraph… when FL married ML, his sister in law was pregnant. It is said numerous times that FL spent 2 years since her arrival. Ahem. 2 years pregnancy? The scriptwriter is plain stupid. That's the only explanation.

Compared to the story of Ming Lan, this drama is average. The storyline focuses on how to bully as much as possible and how the villains are rewarded. Like a few others here, I also do not see the chemistry between the main couple. He reminds me of Allen. He's a good actor, but he should never be cast in a romance drama.

The romance between the main couple is based on trust and honesty. I'm not sure if bumping into someone or falling physically due to bumpy roads or missed steps can be the big love revelation, but it seems to be in this drama. "I touched you by accident, and then I must be falling in love" - it's all quite ridiculous.

The drama is watchable, but annoying. I am not impressed with the direction/post production in general. It was poorly executed. Amateurs.

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Nope. Don't waste your time

I mistakenly believed that the drama was an Academy Martial Arts drama, but it turned out to be far from it. The plot is needlessly ridiculous, the cast is below average, and the conclusion is utterly disappointing.

The storyline about a girl searching for her origins is overshadowed by a ridiculous love triangle between two guys and herself, where none of them seem to be genuinely in love with each other. The way I interpreted it was one guy had a crush on both male and female but because of the Chinese censor it is just blurred. However, many jealous scenes suggest he wanted the other guy's attention. The girl went back and forth but kept them both in the friend zone. No happy ending, no love story. A possible threesome or just friendship.

But that's not the worst part. The master is a joke, and the villains are laughable. And don't even get me started on the annoying sound effects that include stomach growling, footsteps, and eating noises. I mean, seriously, who wants to listen to that?

Trust me, don't waste your time watching this mess. It's a bad idea, and you'll regret it.

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Beautiful love story with a man not a boy!

I found this drama to be relatively short compared to others, which is just right. I cannot stand it when scriptwriters add redundant episodes just to drag out the storyline without bringing anything new to the plot. Thankfully, this drama had only 22 episodes.

The love story in this drama started early on, which I absolutely loved. However, I must say that the male lead's charming looks and masculine personality were the main reasons that kept me interested. If it weren't for him, I'm not sure I would have continued watching.

The chemistry between the main leads was good but not awe-inspiring. The female lead, although a decent actress in this drama, was forgettable in my opinion. However, I could feel the passion between the two characters, which is what I really enjoyed about this love story.

There were times when the plot felt rushed and lacked dialogue or explanation. I found myself wondering if I had missed an episode because of the sudden changes in storylines. For example, why did the female lead lie to the male lead and reject him about her forced marriage? Why did she suddenly refuse to give him her forever because of her mother when she was ready to do so in the first five episodes? How did she learn that he was in jail? Why did she visit her father and let him talk? The inconsistencies in the script made it seem like a teen had written it, which was a pity because it had the potential to be a fantastic drama.

The music was not memorable but suited the drama well. I'm glad that the scriptwriters did not add any unnecessary sound effects, except for the sound of crickets chirping to indicate nighttime.

As for the epilogue, I found it ridiculous. The kid is about 5-6 years old, and the female lead is joking that he had no interest in her since his birth? Seriously? Overall, despite the flaws, I think I will add this drama to my rewatch list just for the pleasure of seeing the male lead, Zheng Ye Cheng.

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