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I am genuinely impressed by the quality in all areas.
I am genuinely impressed by this production. The lead actress, FL, with her remarkable talent, breathes life into her character, infusing her performance with a captivating authenticity that truly resonates with the audience. Unlike the often one-dimensional portrayals of maids in many dramas, her maid is not annoying.
One of the biggest revelations for me is Ao Rui Peng, who has showcased significant growth as an actor in this role. He brings depth and charisma to the male lead, convincingly carrying the emotional weight of the story and truly deserving his position at the forefront of the narrative.
I want to give a shout-out to Cheng Hong Xin. He truly deserves a leadership role. But every support role are spot on. I am unsure who kept their original voice but the final result is well done.
While some character personalities may feel reminiscent of archetypes from other dramas—such as the goofy young aide who provides comic relief, the mean mistress Qin who evokes frustration, and her imposing butler—I found the casting to be superb, with each actor bringing their unique flair to the roles.
I have a minor observation to share. The bodies used on the table were the same size for both male and female mannequins. This was quite noticeable, especially since the feet on the mannequins representing female bodies were disproportionately large. Most females are petite, so it was obvious that the same mannequin was being reused.
Costumes, makeup, structures (the underground water wheels were impressive), special effects, and martial choreography were all excellent.
Moreover, the creators have invested substantial effort and resources into the original soundtrack and visually striking opening sequence, which not only accompany the narrative beautifully but also elevate the overall atmosphere of the series. It delivers a complete and immersive viewing experience that is truly commendable.
After reflecting on the overall production and performance quality, I wrestled with the idea of assigning a rating but ultimately found nothing much to criticize.
If you enjoy “coroner” dramas, I recommend “The Imperial Coroner” and “Miss Truth”.
One of the biggest revelations for me is Ao Rui Peng, who has showcased significant growth as an actor in this role. He brings depth and charisma to the male lead, convincingly carrying the emotional weight of the story and truly deserving his position at the forefront of the narrative.
I want to give a shout-out to Cheng Hong Xin. He truly deserves a leadership role. But every support role are spot on. I am unsure who kept their original voice but the final result is well done.
While some character personalities may feel reminiscent of archetypes from other dramas—such as the goofy young aide who provides comic relief, the mean mistress Qin who evokes frustration, and her imposing butler—I found the casting to be superb, with each actor bringing their unique flair to the roles.
I have a minor observation to share. The bodies used on the table were the same size for both male and female mannequins. This was quite noticeable, especially since the feet on the mannequins representing female bodies were disproportionately large. Most females are petite, so it was obvious that the same mannequin was being reused.
Costumes, makeup, structures (the underground water wheels were impressive), special effects, and martial choreography were all excellent.
Moreover, the creators have invested substantial effort and resources into the original soundtrack and visually striking opening sequence, which not only accompany the narrative beautifully but also elevate the overall atmosphere of the series. It delivers a complete and immersive viewing experience that is truly commendable.
After reflecting on the overall production and performance quality, I wrestled with the idea of assigning a rating but ultimately found nothing much to criticize.
If you enjoy “coroner” dramas, I recommend “The Imperial Coroner” and “Miss Truth”.
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