The movie was doomed from the start, as Higurashi's story can't be effectively told in this format, losing much of its charm. Poor creative decisions in casting, wardrobe, and characterisations, along with subpar acting, further hinder the adaptation. Though some outdoor cinematography evokes Studio Deen’s anime, the lack of suspense suggests the director is inexperienced with horror and thrillers. Seemingly filmed in Shirakawa-go, the inspiration for Hinamizawa village, adds authenticity to the setting. Ultimately, those unfamiliar with Higurashi are likely to find this movie both boring and baffling, which culminates in an inevitable anticlimactic ending.
Mildly more entertaining than the first due to faster pacing. It’s now clear that merely seeing the open locker triggers the curse, though something more substantial would've been better, as this is too bare-bones; think “Ringu,” “Ju-On,” or “Chakushin Ari.” Despite many returning characters for a sense of continuity, the movie could've featured an entirely new cast without any difference. Beyond the police confirming that a baby they named Sat-chan died in the locker, there are insufficient details to further unravel the mystery, leaving it unclear if it’s the rumored lucky locker or just the cursed one. Unlike the first movie’s adequate conclusion, the forced ending here is unsatisfying.
The film's title undermines what could've been an effective misdirect. It attempts to capitalise on the popularity of J-horror but falls short, lacking both scares and fun. There are only a few decent moments. The curse's trigger and the ghost's motivations remain unclear, even with her backstory, possibly linked to the group photograph or the open locker.
The strategic combat is thrilling, heightened by political obstacles and the enigmatic nature of the enemies. However, it would've been better if their agenda was revealed by the end.
For a horror movie, truly scary moments are infrequent. The story is good but could've been better executed. At times, it felt reminiscent of “Ringu”, what with Miyuki’s powers, build, and long hair. Not to mention, the movie is directed by Hideo Nakata.
Shinobu Yaguchi delivers an early masterpiece in this edge-of-your-seat comedy thriller, skillfully combining suspense, tender scenes, and the allure of escapism.
The movie had me at first. I hoped the daughter would find her father alive so they could work through their struggles together and move forward. Though limited, they had excellent on-screen chemistry. Alas, it all went south when the father was manipulated into becoming an accessory to multiple murders while profiting from them, leading to a loss of sympathy for his character, despite understanding his initial sentiment. I suspect the daughter was bluffing when she said, “They’re coming for you”, meaning he won’t be held accountable for his actions.
Is the silver lining supposed to be that he slew the mastermind?
The beginning felt as though it was missing the narration of David Attenborough, while the middle showed promise by evolving into an intriguing contention between small-town locals and a large corporation. The ending, however, left me scratching my head.
This film will undoubtedly resonate with those who have faced similar challenges. It doesn’t downplay the gravity of how the closure of an essential business affects its employees and the local area. As emotions run high, most struggle or resist taking appropriate action. Fortunately, a composed few earnestly venture down a new path for the community’s future, equally seeking to reinvigorate everyone's sense of purpose and belonging. Whether cheerful or blue, the film masterfully chronicles their inspiring journey, balancing comedy and drama. Also, the outsider arc was a welcome accompaniment. All that said, infuriatingly, Sanae’s unjustly thwarted ambition remains unrectified, ergo minus one point. 9/10
Granted, it's not a seminal film; nevertheless, it offers an enjoyable glimpse into the intricacies involved in a successful flight while adeptly developing its appealing characters, whether seasoned professionals or rookies. As a fan of the 2006 J-drama "Attention Please", it was a delight revisiting this familiar setting with its similar tone and themes.
https://www.opensubtitles.org/en/subtitles/12595545/the-forbidden-play-en
Is the silver lining supposed to be that he slew the mastermind?
9/10