The original writer has other works, all highly rated in SK… adaptations to make books and comics work on screen…
Oh, yes, I am aware of that! I just think that the screenwriter did a very good job with adapting the novel. Adaptation can be a hit or miss so I think she handled the material pretty well
It's kinda sad that the drama overlooked Tae Poong's relationship with flowers. During the first episodes, I expected them to be used better, either as a catalyst force for Typhoon Trading's development or in a more symbolic way. After the first half, Tae Poong's relationship with flowers was neglected, which is kinda weird considering they could have been used as an aspect to showcase more of his relationship with his father, since it's what brought them close to each other.
I am not saying that Tae Poong should have given up on his position in favor to picking up his hobby again. He has matured and he's no longer the youthful boy who wanted to share his love for flowers with his father. But they still could have found a better way to incorporate them into the story.
I cannot believe that this series was written by a rookie writer. I just refuse to believe it. How did she manage to deliver such a complex story while making each episode better than the previous one? Needless to say I'll be looking forward to her next projects.
Finished watching it. The final episode was a decent finale and provided us with closure. It's good that the writer didn't leave any lose ties and the ending managed to deliver the core message of the series: even among crisis, we should never give up. Life will be difficult and although it's not going to be easy to get through it, what matters is to surround ourselves with the right people and keep our heads up.
With all things considered, I really wish I could say that I loved this drama as other people did. The first episodes had me so hooked but the more they went on, the more I started to lose my interest. I respect the writer's attempt and the topics the drama tackled but the script should have been more tight. I do not regret watching Typhoon Family for the IMF crisis is a very important topic and I'm glad I got introduced to it through this drama. But they wanted to do so many things at all to the point the plot kinda lost its point at some times.
That dialogue between Nak Su and himself was one of the most poignant and beautiful scenes not only in this series but in all kdramas I've watched so far. Ryu Seung Ryong better win some awards for this role.
Episode 15 had some nice moments but still it felt repetitive as a whole. Once again, it's proven that the Pyos are one of the worst aspects, I am so fed up with Hyun Jun and it's such a pity that he was written so poorly.
With one episode left, I doubt my overall impression of this drama will change. It is by no means bad but the writing could have been more tight for this type of story.
Tae Poong's mom saying all men are good-for-nothing except her son and Mi Seon nodding in agreement, that was such a funny scene, not gonna lie. The look Tae Poong's mom gave at her was hilarious 🤣
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I am not saying that Tae Poong should have given up on his position in favor to picking up his hobby again. He has matured and he's no longer the youthful boy who wanted to share his love for flowers with his father. But they still could have found a better way to incorporate them into the story.
With all things considered, I really wish I could say that I loved this drama as other people did. The first episodes had me so hooked but the more they went on, the more I started to lose my interest. I respect the writer's attempt and the topics the drama tackled but the script should have been more tight. I do not regret watching Typhoon Family for the IMF crisis is a very important topic and I'm glad I got introduced to it through this drama. But they wanted to do so many things at all to the point the plot kinda lost its point at some times.
With one episode left, I doubt my overall impression of this drama will change. It is by no means bad but the writing could have been more tight for this type of story.