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Pavel and Pooh absolutely nailed their performances. They went way beyond what I expected, if that’s even possible. The forensic side of the plot could’ve been developed a bit better, but honestly, it didn’t take away from the overall impact. I’d highly recommend it.
Now that it’s finally available on Netflix here, I’m enjoying rewatching it all over again 😉
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What first drew me in was its unique and fascinating concept: a love that lasts through time, even as one of the characters reincarnates in a completely different gender. The show has this fairytale vibe, a mystical touch that grabs you from the start and doesn’t let go. It balances humor and romance beautifully, with a story that’s simple, easy to follow, and an absolute joy to watch.
But what really makes this series shine is the phenomenal acting from the entire cast, especially Daou, Offroad, Pond, and Xiang Pornsroung. Special mention goes to the young actor Udon Chayanon (Thong from Khemjira). Honestly, I can’t imagine anyone else playing San besides P’Daou. He was the perfect choice. He has the charm and elegance to embody a character who’s over a hundred years old, with old-fashioned values, and he managed to convey the doubts and struggles of someone who’s lived through so many changes. Watching San’s Journey, from his initial homophobia to finally accepting his love for Vee, was deeply rewarding. P’Daou is truly an incredible actor.
Vee isn’t a flawless character, but I love that he’s openly gay and unafraid to show what he wants. Offroad, with that radiant smile that could light up the whole universe, brings so much warmth. And the chemistry between Daou and Offroad is pure magic. Every scene they share is unforgettable. Pond, meanwhile, gave me a serious case of “second lead syndrome,” making me root for his character Third to find happiness too.
On top of all that, the production is solid and the soundtrack is wonderful. Highly recommended.
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It’s a beautifully written, brilliantly directed slice-of-life story that stands out for its gentle, honest conversations and everyday gestures that carry symbolic weight, showing that home is built through small choices and for the courage to portray mature characters in a BL romance, something you rarely see in the genre.
The characters are layered and well-developed. Each one adds a thread to weave a beautiful, rich, intricate tapestry, with their stories intertwining in a way that powerfully explores the idea of family, not just the one you’re born into, but the one you build day by day, through conscious choices to stay together, through bonds of care, trust, and affinity.
The series also dives into themes like growing up, finding where you belong, late-in-life love, generational differences, challenging social conventions, and representation. The whole cast delivers genuine, charismatic performances, but special mention goes to Shiratori Tamaki as Kusunoki Hotaru and Hiiragi Hinata as Kishibe Kazuki, the grandson of the guitar factory owner. Kazuki gave me the most bittersweet moment of the series and honestly, if there were a spin-off about his story, I’d watch it in a heartbeat.
Through love and revolution, Hatano and Sakuta manage to find their own version of happiness, not the one society dictates. Hotaru realizes she can be whoever she wants to be and starts carving out her own path.
Chosen Home is a heartfelt, moving, inspiring, and fun story that’s going to stay with me for a long time. Highly recommended.
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It was my first time seeing Nani act, and I was genuinely impressed. Comedy is tough, but he nailed it! Wutkrai was hilarious , a total mess, ridiculously lucky, and sweet in the most innocent way.
And my baby Prem? Just wow. He completely blew me away in this role. He started off as someone trying to investigate and expose the cult led by “Father,” but as the series went on, you could see those subtle flashes of madness in his eyes. That final episode was chef’s kiss , absolutely perfect.
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That’s what makes this series so powerful and unique. And that’s why it surprised and won me over with its very creative plot. It’s not just an apocalyptic love story set at the end of the world, it’s a deep dive into mental health, in which the characters seek to resurrect hope by reconciling with their past traumas and regrets so that they can find hope to live again Each character has their own personal “meteor” symbolizing self-destruction, and they have to “destroy” it if they want to build a hopeful future worth living for.
A hidden gem. Beautifully written, with deeply moving and emotionally powerful performances that lead us to deep reflections on the meaning of life, on ourselves, on our relationships, on the world we live in and the way we carry our pain. Give it a try, you won’t regret it.
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I absolutely loved the use of cosmic metaphors. They beautifully reflect the vast, unpredictable nature of human emotions. The cast delivers such nuanced performances, really nailing the complicated feelings of youth and bringing raw, youthful confusion to life with incredible authenticity. The magnetic chemistry between Ahn Ji Ho and Lee Sang Jun is spot-on, making every scene between them feel intimate and emotionally resonant.
One standout aspect is how Heesu’s Sisters shape his view of love. The scene where he comes out to his sister is not only tender, but one of my all-time favorites. Just like the moment under the stars when when he realizes his feelings for Seung Won.
It’s the kind of story that stays with you and one I know I’ll revisit in the future.
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She and Kim Jung-hyun have such sweet and effortless chemistry. It was impossible not to love Kim Jung-hyun’s character. I laughed and had so much fun watching this duo.
Huge applause to the entire cast and everyone involved in the production. They truly delivered it!
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The brilliance of this film lies in how its characters lead us to reflect on different facets of love and loss. It transcends its initial premise around LGBTQ rights, pushing us to think about what truly matters in life. It’s intense, with a heavy storyline, yet at the same time, it’s captivating and moving, leaving you with a persistent feeling of unease.
The performances are nothing short of incredible. The actors embodied their characters with such precision that I genuinely felt their emotions as my own. I have to say I consider Jeff Satur the most complete artist of today. He sings, he dances and he acts. And does it all with remarkable perfection. His portrayal of Thongkam was outstanding, perfectly capturing the vulnerability of his character.
Engfa delivered an acting masterclass, and I honestly can’t imagine anyone else playing Mo as brilliantly as she did.
The final scene was executed with such skill that I needed a moment to compose myself afterward. The cinematography is stunning, and the soundtrack is absolutely beautiful. After watching the movie, Jeff Satur’s song “Rain Wedding” took on an entirely new meaning for me.
This is undoubtedly one of the best films I’ve seen in years. Thai cinema continues to win me over with its masterful storytelling.
The Paradise of Thorns is a film that will stay with me for a long time. I highly recommend it!
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The show also didn’t bother investing in a truly convincing aging process; instead, it chose to hide who the character was and just expected us to buy that he’d aged 30 years. I spent the first few episodes trying to figure out what on earth I was watching and who all these “new” characters were. Gelboys has always had a really strong visual identity, and it could have used that to highlight the generational gap and the consequences of the characters’ choices. Instead of wondering what happened to everyone, I was stuck playing a guessing game of “who is this character, and whose dad is whose.” It was genuinely exhausting, and at certain points, it completely derailed the story just so we could play that guessing game.
The only reason I didn’t drop the show entirely was because of the performances by PJ, Pide, Leon, and New. Just like in the first season, they’re the absolute highlight. The last two episodes were the best part for me. On the flip side, the adult versions just couldn’t match the same level of intimacy as the younger ones. Their acting felt stiff, and the few moments of affection between them came across as forced and inauthentic.
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It’s a parody, with a good dose of satire aimed at traditional dramas, and I laughed a lot. The show is cute and funny, with some hilarious twists that actually start to make sense as the story moves toward the end.
The dubbed dialogue and the narration of the characters’ inner thoughts gave the series its personality, even if sometimes they overlapped. The actors really gave it their all, and they’re a big reason I liked it, especially Kokliang Parinya as Mamuang and Ellfa Weeravich as Inn.
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