Meari21

You Do Live Long Enough to See Yourself Become the Villain

I first saw this series about two years ago, and to be perfectly honest, I didn't quite know how to feel about it. I was, in fact, very reluctant to rewatch the season because I didn't want to relive it. But I felt compelled to do so as I intended to watch the second season and I could barely remember the first, probably due to selective memory.

The first half of the series was engaging and the action thrilling. I was specifically impressed by the creative ways Si Eun fought, it was visceral and almost feral yet always strategic and well-thought out. But just when I thought I had the whole plot figured out, it turned every trope I could think of on its head, and delivered a twist so disturbing, resonating with me so deeply that it upset me. I'm not going into all the details as plenty of people have already written reviews that are similar to mine. So I'm going to just talk about the emotional scar that this series has left me, my gripes, and how they affected my rating.

Anyone who has ever been bullied physically or psychologically can relate to this story and I am one of those people. I saw myself in Beom Seok's shoes, the socially awkward and tormented teen who always felt inferior and a total outsider even amongst those closest to him. So for him to turn against his friends and do a complete 180 was distressing to me to say the least because I knew deep down that could've been me, I could've done that if I had chosen to go down that path. Many of this drama's viewers hate on Beom Seok, but he's as real as it gets. He is what happens when a tortured and lonely soul, who was raised to believe that power and acknowledgement can make people love him and see him as an equal, is pushed to the limit.

Even though this part of the story made me disconnect myself and tune out from what I was watching, I realized that his character and betrayal is what truly makes this drama so powerful. This is not just a drama about bullying, it's about the tragedy of what comes after. It's about the psychologically troubled teens who finally snap after all the torture, humiliation, and demoralization by their abusers and decide to bring guns to school to shoot every last one of their classmates in absolute rage. I believe Beom Seok zeroed in on Suho because he was disappointed in him. He placed Suho on a pedestal because he was the complete opposite of his father. He lashed out when the idol he worshipped turned out to be someone whom he thought was no better than his abusive father. I do not condone his actions but he had his reasons no matter how selfish or twisted they were.

But as much as I was moved and emotionally tortured by this drama because of the painful realism they portrayed these characters, I couldn't and still can't give it a much higher rating. The reason is the violence in the last episode that left a bitter taste in my mouth. I expected Si Eun to avenge Suho by using his usual tactics and being smart about it, but he didn't. He went full Rambo with guns blazing and the bloody war he waged against his enemies took me out of it because it was so unrealistic and just plain ridiculous. No school would allow such a thing! And for the things he did, he would've been sent to juvenile hall and even forced to leave the country because no school would ever take him in no matter the circumstances. As an educator, I cannot begin to fathom why the teachers can be so unbelievably useless and ignorant! Dude, the police or even school security would've been called the moment Si Eun walked in with murder in his eyes. But there was practically no intervention. I mean, the fights inside the classroom were already wildly unrealistic, but that last fight was times ten! The only thing that made that scene less cheesy was Jihoon's acting. He sold it, I'm not gonna lie. But I still would've preferred that they had dialed it down and made it more grounded. There are other ways to exact revenge other than going full berserker mode, which I felt was uncharacteristic of Si Eun at that point in his life. Sure, old Si Eun would've taken the pen and stabbed someone with it with no remorse. But the Si Eun who found friendship in Suho would've stopped and thought about how Suho would've reacted if he had gone back to his old violent self. I guess the reason why I was slightly disappointed by how things turned out is I expected a lot more from this drama considering the strong start. Maybe I'm a bit harsh, but I can only give this an 8.5 and no higher than that. This drama could've been truly brilliant if they had managed to maintain the quality of the storytelling and fight scenes until the end. I expected a clever solution, but I got bloody violence in the end.

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"Many Are More Talented Than I Am, But They Can't Create What I Can."

I haven't seen the anime so I had no preconceived notions of what this movie should be or shouldn't be. I just knew that art is a central theme, so I basically went into this blind. I suppose it was a good thing I didn't watch the anime or read the manga because I actually really enjoyed this. I might have judged it in comparison to the anime/manga if I had been a fan of the source material.

Yaguchi Yatora is the central figure in this story, a relatively ordinary teenager just trying to conform to society's expectations, to be a good student and make his parents proud but careful not to stand out or seem too geeky that he'd be ostracized by his peers. In other words, his life revolves around fitting in and pleasing other people save for himself. Because of this, he has never once felt like his own person or discovered what he really wants to do with his life until he stumbles upon Mori Maru's art and ignites something deeply provocative in him, compelling him to reflect on his own existentialism. And so he embarks upon the challenging journey of seriously pursuing art despite the fact that he has little to no talent and has to start from scratch, competing against far more skilled and gifted artists than he is. The movie follows him as he struggles with his own perfectionism and suffers blow after blow to his self-esteem, and yet continues to be determined to try again until he reaches the pinnacle.

Yes, the plot is simple and fairly predictable. It doesn't attempt to do the unexpected and you know where the protagonist's journey ends. But it's not the destination that matters here, it's the many obstacles and moments of self-doubt along the way that the plot focuses on. It's a moving character-driven story that explores the complexities of human desires and the lengths one is willing to go through to achieve them despite the hardships, pain, and humiliation. Every time Yaguchi fails and ponders upon giving up his dream, I feel it, I can relate to it. Gordon subtlely but expertly portrays Yaguchi's sadness and frustration, so kudos to him. But I must admit, he was overshadowed by Fumiya's portrayal of Ryuji. I never thought a complex cross-dressing character could be so beautifully and poignantly portrayed by anyone, let alone Fumiya. I wasn't a fan of his before this, but I've been completely converted. He should be given meatier roles like this. He is perfect for Ryuji! I found their beyond-friendship dynamic profoundly compelling. The movie actually reminds me of The Lines That Define Me but with a better ending, better visuals, a more inspiring story, and more complex characters.

The production value in this is also highly commendable. The special effects are way cooler than I thought they would be. I imagine that in the anime/manga, Yaguchi's imagination and creative reveries are depicted in fantastical visuals that transport the viewer/reader to an alternate world that exists inside his mind, and the movie does well in adapting that into live action. And damn, the cinematography is chef's kiss! The color grading and filters, especially the bluish hues they chose to depict Shibuya's early morning cityscapes, really bring out the somber beauty of Tokyo. I felt like I wanted to be there, I was there, and should be there. Even the subtle details of trash littering the streets and drunk teens smoking on sidewalks give authenticity to the place, something that is rarely shown in dramas or movies that aim to only present the pleasing aspects of a place.

I have to talk about the music because I seriously think it's the best part of the movie. The soundtrack/musical score is a cultural experience by itself! The music is practically the gravitational force that brings it all together. The funky and jazzy song that plays in the first few minutes of the movie immediately sets the artsy tone. The music remains consistent throughout the film, announcing its presence when you're supposed to notice it and toning things down when it's supposed to stay in the background like inconspicuous white noise. It's certainly one of the best soundtracks in any Japanese drama or movie I've seen thus far. Very well done indeed!

My only complaint is that it's too short and left me wanting more. I felt that this could've worked better as a short drama instead of a two-hour movie. The characters could've used more fleshing out. I found myself getting attached to the main characters but the side characters felt like fodder. I wanted to get to know them more. I bet the anime does better at this.

Thanks to this movie, I no longer have any reason to sleep on the anime. I will definitely check it out! I give Blue Period a solid 9 out of 10.

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The Most Seemingly Insignificant Things Turn Out To Be The Most Important Ones

I have to admit, I only watched this for Woo Do Hwan. I came into this blind so I didn't know what to expect. This is probably one of the weirdest Korean rom-coms I've ever seen! But that's not to say that I didn't like it because I did to some extent. I didn't drop or watch it in installments so that counts for something. When I get bored with a drama, I would usually take a break from it and pick it up again days or even months later, or just drop it completely. That didn't happen with this.

The story follows Hae Jo, a runaway whose father practically discards him when he discovers Hae Jo isn't his biological son. He comes to believe that his life is an accident and that whatever happiness he might find is borrowed and temporary. Hence, he has issues with commitment and permanence. Woo Do Hwan plays this role to a tee. Very few actors can pull off an anti-hero type of character and remain sympathetic. His Hae Jo is a selfish jerk and yet you find redeeming qualities in him. You wanna punch him one minute but hug him the next. Do Hwan carries this show, imho. But that's not to discount the rest of the cast. I think they're great too. It's just that this is a Woo Do Hwan drama through and through. And if the lead role had been played by a lesser actor, it wouldn't have worked as well, I believe.

Plotwise, it's pretty angsty. Not that I avoid that sort of thing or have problems with sad endings. In fact, I rather liked how it ends. He came from thinking his life meant nothing to wanting to live because he realized his life is worth living. That to me is a powerful message. It's a story about life, love, regrets, second chances, and endings.

The production is more than decent with the music particularly standing out to me. I would've given this drama a higher rating if it had been shorter. They could've chopped it down to just 8 episodes and it wouldn't have affected the story at all. Too many unnecessary scenes that don't contribute much to the overall plot. My biggest beef with this drama though, is the toxic nature of the main couple's relationship and the constant ridiculousness and nonsensical behaviors of the characters. It drove me nuts! And that's why I only gave this an 8 out of 10.

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There's A New Dragon In Town

I went into this blind. I had no clue about the plot and I'm not a fan of the games from which this was supposedly based on, so I can confidently say that I had no expectations or biases coming into this. I just got curious because they actually had a panel in San Diego Comic Con and it stars one of my favorite Japanese actors, Kaku Kento. Not to mention I have a sort of fascination for yakuza culture and history. The drama starts off promising enough but then it goes astray in the next three episodes. The constant going back and forth between timelines became taxing. I understand that it's a stylistic choice but still, they could've just done some flasback episodes and be done with it. Non-linear storytelling only works if there are some major revelations that need to be to reserved until the end and the twists and turns in the plot are actually shocking. But none of them were mindblowing at all. If anything, I found most of the so-called twists predictable. So I thought the non-linear narrative only did the drama a disservice. But having said that, the last two episodes are the saving grace of this lackluster series. It actually gets better before it ends!

The cast, for the most part, are exceptionally good. Kaku Kento seamlessly transitions from being one of the protagonists to the biggest baddie in the drama and you can't help but sympathize with him. Very few can pull off that kind of role and he did it with ease. Takeuchi Ryoma as Kiryu was a good choice, imho. I know some fans disliked this casting but I thought he successfully stepped into this role. You see a clear distinction between his young Kiryu, who aspired to become the legendary Dragon and the seasoned Kiryu who has seen and experienced the worst. The rest of the cast did their jobs. The only one I didn't like was Morita Misato as Aiko. I thought she overacted, like a lot! I can't say she's a bad actress, though. She did remarkably well in the Naked Director so I don't know what possessed her to act like a total lunatic in this. Yes, she plays a drug addict, but addicts don't generally act like they're always stoned. I thought her acting was unnatural and completely unrealistic.

The production value is a lot better than the local network TV dramas in Japan, something I wish they would adapt locally so their dramas won't look like cheaply produced reality TV shows. I did like the cinematography in this. The darker tones in the color grading give it a grittier and more sinister look, which suits the general vibe and themes of the drama. The musical score is also well done. The fight scenes are well-choreographed and executed. But I'm a little disappointed that it doesn't have as many action sequences as I had hoped.

As a whole, this is an entertaining drama that I didn't regret watching. The last two episodes alone convinced me that it needs a second season and I will definitely check it out when it's released.

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A Lovely Remake

You Are The Apple of My Eye is a Japanese remake of a Taiwanese movie and it is a wonderful coming of age/slice of life type of story of high school life, close-knit group of friends, and first loves. Yamada Yuki plays Kosuke, the martial arts enthusiast who finds studying and going to school mundane and useless, until he meets and falls in love with model student Mana, played by Saito Asuka. Their relationship is complex as they are the exact opposites of each other and so their romance has always been rocky from the start. This line hit me hard, though. “Thank you for falling in love with me.” How many times have I heard that in my lifetime?! Too many! Hahahahaha.... Our teen years really are the best days of our lives but the growing pains, heartaches, and lost chances also suck big time! I love Kosuke's interaction with his friends the most. The four of them are probably the best characters in the whole film. I'm glad I decided to watch this despite my initial misgivings. I might watch the Taiwanese version next.

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A Waste of a Good Concept and a Great Cast of Actors

I had such high expectations for this drama and had hoped that it would be better than Liu Xueyi's previous project, In Blossom. But sadly, it's subjectively much worse. Even though he is paired with a more capable leading lady in this and has better chemistry with her, the writing just isn't up to snuff. The drama crashes and burns pretty much from the get-go. The first few episodes are kinda interesting. A romance between a domineering and borderline psychotic leading man and a badass female lead determined to end him is something I haven't quite seen in a C-drama before. Alas, the drama only plays with the concept but never fully realizes it as if afraid to explore a truly toxic romance.

The story is a jumbled mess. I didn't know how to make of it and I got the feeling the writers didn't know what they wanted it to be either. It's like a patchwork of different subplots that don't seamlessly fit together. The transitions from one story arc to another are badly executed and the writing is filled with overused and melodramatic tropes that I wish would disappear from dramas altogether. The drama also runs a little too long. It should've ended by the 25th episode. But instead, they let it drag on even though there's practically nothing else to tell. I blame the writing for this, they should've gotten better writers to adapt the novel. The cast, in general, did what they could with the material given to them. Although I wish they had chosen other actors to play certain roles, I was satisfied with the cast for the most part. It's a shame because they could've made something far more engaging with this plot. The only thing that made this drama watchable for me is Liu Xueyi's acting that is always on point.

The production is pretty decent. Kudos to the costume and makeup department for the styling of the actors. The music is alright. The soundtrack and musical score don't really stand out to me but serviceable. But that's about it. I don't know what else to say about this drama. I had it to put it on hold after I finished watching the 23rd episode because I completely lost interest. It dragged so heavily by the last few episodes that completing it was agonizing. This is simply not my cup of tea. They wasted a good concept and a great cast of actors.

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Of Modern-Day Ninjas and Their Possible Existence

I finally finished House of Ninjas after a lot of cursing and chants of "Kill Kill Kill". As a whole, it is a great series that showcases the shadowy world of the enigmatic shinobi, revolving around the fictional descendants of Hattori Hanzo, the famed shinobi who was a loyal retainer of Tokugawa Ieyasu. The series captured my attention because there have been very few movies or shows that elaborately depict modern-day ninjas and do it in a more believable or conceivable fashion. I give credit to the writers of the show for creating such a rich world of ninjas filled with colorful and relatable characters (except one). Kaku Kento is an absolute badass as Haru, the skilled but reluctant shinobi who refuses to kill and rebels at the idea of complete subjugation from the government that employs them. Kora Kengo is equally brilliant as his conflicted older brother. And of course, there's their beastly dad played by Eguchi Yosuke who is known for playing Saito Hajime in the Rurouni Kenshin movies and Ichigo's dad, Kurosaki Isshin, in the Bleach live action. But I think my favorite is definitely the grandma even though I found Riku adorable. In fact, I loved most of the characters, including the villains like Yamada Takayuki, because they are so good in this. I loved everyone except Ito Karen (I don't want to search for the actress' name) whose damsel-in-distress and nosy reporter character just bugged me from the get-go. My god, I have never wanted a character to die so bad! 🤣 All she ever does is get herself into trouble and have Haru rescue her. Her pursuit of the truth gets her in deep shit and all because she wants to know everything. Not everything that is kept in the shadows should be brought to light. There's a reason why it is being kept secret and most of the time it's because it will only cause more harm than good to reveal it. She is basically like a cat whose curiosity almost gets her killed. She is such a waste of space. I am hoping they will leave her out in the succeeding seasons and introduce a different love interest for Haru. As for the fight scenes, they are well choreographed and executed, especially the boss fight between the brothers. That was so cool! Kudos to the stunt team and action choreographers for crafting some of the coolest ninja action I've seen in years. Looking forward to the next season, but please, no more Karens.

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Yin Yang Master It Is Not

Onmyouji or The Yin Yang Master: Zero is the latest Japanese live action adaptation of the popular game, Onmyouji. This IP has had many movie and anime adaptations over the years, three of which are Japanese films, including this one, an anime series, and three Chinese movies. As a non-fan of this franchise, I would say that this standalone film is watchable only to a certain extent. It is weird and draggy as hell! I had to watch this in installments because I kept dozing off and I always kept trying to remember what the plot was about.

The story? I don't know. Is there one? It just follows a gifted apprentice who is incredibly rude and full of himself. His parents were killed and he's looking to avenge their deaths. He meets a nobleman who befriends him and together they solve supernatural cases. The world is explained in a long narration in the beginning and their skills and techniques are conveniently explained through lectures given by teachers of these apprentices. And yet, they start showing off seemingly magical powers that come out of nowhere, so you begin to doubt whether you actually understood the explanation on how things work in this world. It has this dreamlike quality to it that makes you think that maybe you're hallucinating from an acid trip. But you're so confused that you just don't care anymore and fall asleep. That's what this is. Seriously, this is better off as a drama instead of a movie. Then maybe they could've done a more decent job at the world building aspect.

The acting is theatrical. In other words, it's bad. Yamazaki Kento is miscast once again. His portrayal of the lead role is exactly the same as his L in the live action drama adaptation of Death Note. At this point, I think he's just phoning in his performances. Oh well, at least he's only half bad here, not as horrible as his version of L. The rest of the cast all act as if they're in a stage play. Cheesy AF! The music? Pretty much non-existent because I didn't notice it at all. The visuals are decent but that's the only saving grace of this movie. I can tell they shot the vast majority of scenes in front of green screens, though.

All in all, this is not a good movie. If I were a fan of the games, then maybe I could've appreciated it more. But it's just badly written, acted, and produced. It's definitely one of those live action adaptations that should never have been made.

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A Worthy Remake

I have slept on Taiwanese dramas and movies for far too long! This movie is a remake of the 2010 Korean film, which I didn't see, so I have no basis of comparison. I'm glad I didn't watch that movie, though otherwise I would've been spoiled by the ending. Hello Ghost is basically Robert Downey Jr.'s 1993 film, Heart and Souls, but with a lot more heart and soul. Yes, the original is made in Korea but the Korean version is no doubt heavily inspired by Heart and Souls.

It's a story about family, companionship, and the need for human connection. Anyone who has ever suffered from depression, contemplated suicide, and lived through the loss of a loved one could very much relate to this story. It follows a lonely young man, Chen Wei, who tries to end his miserable life countless times, but fails each time. One day, he finally succeeds in dying but is saved by a do-gooder paramedic. He comes back from the dead with the ability to see ghosts. Four ghosts start to accompany him, asking for favors and surprisingly, giving him good advice. As he spends more time with them, he starts to see them more as family instead of a nuissance. He receives guidance from them and he starts to feel a lot less lonely than before.

This is a very wholesome family-oriented film with so much heart, life lessons, and quotable quotes. It has laugh-out-loud moments as well as dramatic scenes that would have you reach out for tissues. His relationships with the ghosts and the paramedic who saves him from dying are the focal points of this story. And the twist at the end had me crying my eyes out. If you love movies like How To Make Millions Before Grandma Dies, then this is for you.

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A Love Story For The Ages

Your Name Engraved Herein is a poignant love story about two teenage boys set in Taiwan just right after the martial law is lifted. It is also a coming of age story that delves deep into teenage homosexuality and the struggles that come with having to deal with societal expectations and public judgement.

Birdy and Chang Jia Han are high school best friends who fall deeply in love with each other but have to keep their love hidden because homosexuality is not socially accepted and is even, in fact, seen as a sin. Both boys go to a Catholic school, so homophobia is rampant.

I'm not gonna lie, this movie made me cry. I shed tears for both boys because I knew they truly loved each other, and in a perfect world, they could've been happy. But since it was 1987 and Taiwan was a military-run state then, their homosexuality was considered a disease that must be cured or corrected. Their love was over before it could even start. They are forced to go on their separate ways and even try to fit into the social norms.

Tseng Jing Hua and Edward Chen both give powerful performances in this movie. They did remarkably well in portraying two troubled young boys who long to be together but can't because it just isn't possible, the political climate and society just won't allow them.

Fortunately, they reunite many years later and they are given another shot at happiness, and that's where the movie ends. I firmly believe that they would've rekindled their relationship and start anew. I so badly want them to finally be together, they certainly deserve it.

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A Poignant and Relatable Family Drama

I can only describe this movie in one word - tearjerker. I cried buckets watching this darn movie! I knew this movie garnered several awards and was hailed as one of the best movies of the year. But even so, I was still taken aback by how good it actually is. It is one of those movies that catches you off-guard because you'd think it's tragic and depressing, but it's actually a very wholesome and feel-good family film. Yes, it's heartwrenching and it'll make you weep, but it'll also stir up fond memories of your childhood and the precious time you shared with your familial relations - especially those who have passed away - whether you liked them or not.

It reminded me so much of my own grandmother and her last days. She, too, had cancer and passed away in our home under our care. Like the grandma in this movie, she left us a legacy that we cannot quite live up to, and to this day, I ask myself if we're even worthy of what she left us.

I started out disliking the main character M because he appeared to be the typical overprivileged Gen Z bum who expects everything to be handed to him on a silver platter. But as the story progresses, you see this significant change in his attitude towards life and his own family. Talk about great character development! By the end of the film, I empathized with him and I was totally on his corner.

What really made me cry was the angle about favoritism among children because I could definitely relate to that. The caretakers are often the ones taken for granted and least appreciated. I felt that because I was that caretaker and I have always felt that I was my mother's least favorite child. It is also a deeply provocative film that made me think about growing older and where I will end up. It reminded me a bit of that Japanese film I saw last year, Plan 75. It made me feel depressed. But it also made me want to prepare for my future and retirement because being old and alone is scary.

This is such an amazing film that pays tribute to the very idea of family. There are no perfect families, no perfect parents, and no perfect children. But we all do our best to love and care for each other the only way we know how.

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The Best and Most Grounded Rurouni Kenshin Film

Among all the Rurouni Kenshin live action movies, The Beginning is hands down my favorite. Unlike its predecessors that are pretty much just live action depictions of the anime and manga, this one is dark, bloody, brutal, mature, and a lot closer to the samurai movies of old than its anime/manga counterpart.

The movie opens in a bloodbath, with an almost unrecognizable Himura Kenshin slashing through his victims like a rabid animal and leaving pools of blood in his wake, much like Ryunosuke leaving piles of corpses behind in The Sword of Doom. Anime-watchers only may be shocked to see this side of their beloved wanderer, but the events that transpire in this film would help them understand the man behind the monicker Hitokiri Battousai and his motivations. This movie is basically a deeper look into the character that is Himura Kenshin, his violent past, his first love, and the ideals that shaped the man that he would become at the start of the Rurouni Kenshin series. But this is also Tomoe's story, the woman who changed the life of a young and impressionable samurai, and turned him from a killer into a protector.

Yukishiro Tomoe is probably one of the most complex characters in Watsuki's manga series but she has been misunderstood, criticized, and even vilified by Kenshin-Kaoru shippers. The manga doesn't delve deep into her psyche and the OVA Trust and Betrayal only managed to scratch the surface, so I'm glad that this live action version somehow shows her true intentions and feelings. I had my doubts with Arimura Kasumi's casting as I used to think that she has the emotional range of a cardboard. But she actually surprised me by her on-point portrayal of Tomoe, from the subtle facial expressions to her deadpan delivery of her dialogues. Tomoe is an introvert who has trouble expressing her emotions. She can be painfully blunt without sounding antagonistic or argumentative. Kasumi got those down to a tee. In fact, it's not her that I have a problem with surprisingly, but I'll get to that later.

The dialogues are so well-written and it's no wonder because some of them were taken straight from the manga. As for the fight scenes, they do not disappoint albeit they aren't as flashy as the ones from the previous films. The fight choreography in this movie is much more grounded and realistic, reminiscent of old samurai movies, which is more to my liking, really. My favorite is definitely the battle between Kenshin and Okita, I actually watched it twice because I thought it was so darn cool. The real-life Okita Soji was said to have been one of the finest swordsmen of the Shinsengumi, and in the manga, he would've been a great match for Battousai if only he had not been dying from tuberculosis. Nonetheless, their fight shows how big of a threat he is to Kenshin despite his debilitating disease, and I gotta give it to the fight choreographers and the actors for that well-crafted sequence. I just wish Murakami Nijiro had more screen time as I really liked him as cocky Okita.

Kitamura Kazuki as the head of the Shadow Warriors doesn't have much screen time either but he certainly makes the most out of what he was given. He manages to be menacing, despicable, but also sympathetic in the little time he was on screen. He's a great actor so I don't wonder how he does it. Takahashi Issey as Katsura exudes gravitas that you can't help but believe in his cause despite the brutality of his measures. The rest of the cast are great in their respective roles, I don't really have much to say except that I wish some of them had gotten more screen time. But then again, I also understand the need for the movie to focus on Kenshin and Tomoe as underneath all the politics, the fights, and the socially relevant themes, this is a love story. I'm glad that the filmmakers didn't hesitate to show the romance between the two characters like they did with Kenshin and Kaoru's relationship. And the fact that the chemistry between Kasumi and Takeru is palpable definitely adds to the believability of the romance.

But I'm a little disappointed with Takeru's acting in that pivotal scene. I was expecting to cry ugly tears like I did when I first read the manga, but I just ended up being stunned that he didn't openly weep and scream like Kenshin did in the manga. Oh, Takeru, you may be great at doing the stunts and action sequences, but your acting still needs a whole lot of work. I know I sound like I'm nit-picking but that's supposed to be an emotional scene, I expected to see shock, devastation, grief, and guilt! Kasumi shows more acting range than he does and that's saying something! This movie would've been perfect if not for that bit. I'm willing to forgive it because the film, as a whole, is just so beautifully made so I can't really hold one actor's lack of acting skills against the whole production. This is still the best Rurouni Kenshin movie ever made, in my opinion, though.

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The Second Best Movie In The Whole Franchise

Rurouni Kenshin: The Final is the fourth and second to the last installment in this saga. It is based on the Jinchu arc of the Rurouni Kenshin manga, better known to manga fans as the "revenge arc" for it explores Himura Kenshin's past and Yukishiro Enishi's attempts to avenge his sister's demise. Plot-wise, it pretty much remains faithful to the manga although there are parts that were taken out and parts that were added for fanservice and theatrical purposes. I could be wrong but I don't recall one particular fan-favorite character being part of this story. But what the hell, I don't mind.

There are stuff that I wish they had put in but the exclusion doesn't take away anything from the movie. I do have some minor gripes, though. There are some iffy CGI in some of the action sequences, particularly in the boss fight at the end. But I suppose they felt they needed to establish Enishi as someone with superhuman strength and abilities that can exceed Kenshin's since among all of Kenshin's adversaries in the manga (not including the recent arc), it's Enishi who almost killed him, and is, by far, the strongest of all his opponents. In the manga, Enishi specifically developed his fighting style to counter Kenshin's hiten mitsurugi, so yeah, the guy was practically created to end the Hitokiri Battousai. If not for his worsening mental state and obsession with his sister, he would've beaten Kenshin without a doubt. And I still don't like their treatment of Sano. They practically nerfed the guy and just turned him into the comic relief. Sano can be an idiot but he's no fool, and he's certainly not someone you can easily push aside.

Other than that, I don't have much to complain about this film. Although I wish they had followed the manga's narrative style starting with Kenshin's friends getting hurt by a series of attacks orchestrated by Enishi, then Kenshin telling the story behind his relationship with Enishi in a series of flashbacks, and ending with the final confrontation between the two, I know that this is probably the most effective way they could bring the Jinchu arc to life, considering the time constraints and that they have to divide it into two films. While following the manga would have helped non-manga readers or those who haven't seen the OVA's or anime series better understand the events that lead to Enishi's revenge, it's also not practical. So, I can't really oppose their decision to divide the story into two films with the last one being a prequel.

I had my doubts about Mackenyu's casting before, but he quickly wins me over as Enishi. I no longer doubt he is the right actor for the role. Tsuchiya Tao as Misao, like in the previous films, brings a smile to my face. I still hate that they make her less attractive in these films but I'm also glad that they make her so freakin' badass! I'm glad they brought back Iseya Yusuke as Aoshi as Aoshi and Misao really are supposed to be in this part of Kenshin's story. I still don't like Kaoru *shrugs* but it is what it is. lol No offense to Takei Emi, as I don't have anything against her, just her character. I don't even mind Sato Takeru in the role of Kenshin anymore, maybe I've gotten used to him or maybe because of his scenes with Arimura Kasumi as Tomoe that just felt right to me. I must say, I do notice a strong onscreen chemistry between them. I'm beginning to think that that's precisely the reason why Kasumi was cast as Tomoe. So despite my initial misgivings about her casting, I'm starting to actually like the idea of her as Kenshin's beloved first wife. I never thought I'd say that! lol

As for the technical aspects of the film, it's just beautifully shot, the cinematography is even more dramatic than in the previous films, the action scenes are better choreographed, and I love the emotional beats and dramatic scenes. I am still not a fan of Takeru's acting style but he pulls it off here. Final thoughts? I like this movie overall, it's very well done, and it's definitely one of the best installments in the series.

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A Hot Take

This movie may have received excellent reviews from movie critics and a standing ovation at the Cannes Film Festival, but it left me feeling disappointed and a little pissed. I am a Bong Joon Ho fan and I liked pretty much all of his movies that I've seen so far, except this one. The first half of the film is well-written and directed, it draws you in with its smart grifter-type plot about a family of charlatans. It establishes the characters quite well that you feel invested in them almost immediately.

The second half, however, is a different matter. It's like the filmmakers suddenly didn't know what to do next and resorted to doing something completely off the rails and just went crazy with it to push their social and political agendas. It felt like two different movies to me. I was expecting them to do something smart with it, but in the end, it just came out stupid. I'm sure a lot of people would disagree with me, but I just felt that they could have ended the movie in a much better fashion. Yes, it's a satire, I know, but just because it is, it doesn't mean you have to ignore logic and realism. In my opinion, this is a waste of a very promising plot.

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A Live Action Adaptation That Should Be Forgotten

Some manga/anime series should never be adapted to live action and Fullmetal Alchemist is one of them. While Japanese-speaking European characters are not uncommon in anime, this poses a big problem when done in live action. Asian actors wearing blond wigs and pretending to be Caucasians are not the least bit believable. They look like a bunch of cosplayers wearing badly styled cheap wigs. Hiromu Arakawa created a complex world where alchemy is used as if it were magic but treated as a science. She meticulously explains her concept in the manga and it was translated faithfully to its anime version. However, the film fails in this when it uses merely one scene in which Al awkwardly explains the process of alchemy to a bunch of townspeople. If you're a fan of the series, then you wouldn't have any problems getting into the story. If not, then you'd have difficulty understanding equivalent exchange, the gate of truth, and such.

Even though the costumes, sets, and visual effects aren't terrible, the majority of the casting is. Ryosuke Yamada, for all his good looks, simply does not embody what Edward Elric is all about. I just couldn't see the loudmouthed midget with an attitude in him. His acting is tolerable at best. Winry has always been a bit annoying but she is an automail genius and certainly no damsel in distress. She actually plays a vital role in the brothers' lives, something the film fails to show. Also, the actress they've chosen to play her cannot act to save her life, let alone build an automail arm. Al may look exactly as he does in the anime, thanks mainly to the special effects team, but he sounds more like an effeminate male teen than a child who never really got to grow up. Dean Fujioka makes a handsome Roy Mustang, but he plays him too seriously that he ends up looking woody and awkward most of the time. The Flame Alchemist is humorless at times, yes, but he is also one of the most complex characters in the series who pretends to be a self-absorbed womanizer to hide his vulnerabilities. Perhaps with better writing, Dean could have done the character justice.

The homunculi are passable with Yasuko Matsuyuki's Lust standing out of the three that are included in the film. But it is Sato Ryuta's portrayal of Maes Hughes that is most memorable for me. Hughes is a fan favorite and I've always hated the idea of him being killed off. Ryuta made me care as much about the character as I did in the manga/anime that his death bothered me all over again. All in all, the movie is entertaining but not nearly as good as the original series. It got some things right, but it got a lot of it wrong that it just doesn't do the original manga/anime justice. Fullmetal Alchemist is one of my all-time favorite series and as a fan, I am disappointed with this live action version. Like most live action films of Japanese manga series, this one fails in most aspects.

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