Mesutton

I absolutely loved this drama — it ticks all the boxes for me. The cinematography, especially the aerial views was stunning and consistently drew me deeper into the story. I was completely enamored with the costume designs, which beautifully reflected the distinctions between different classes and professions. I also appreciated how each character had real depth. It wasn’t easy to hate or dismiss the antagonists, and the protagonists never bored me by being overly self-righteous or domineering. The heroes were flawed but grounded when it truly mattered, while the villains felt like tortured reflections of what the heroes could have become, had they made different choices. And I lived for the romance between the leads. Contrary to some opinions, I found it to be richly woven into the main narrative. From the start, their bond was built through flirty gestures and meaningful actions that conveyed mutual interest, growing respect, emotional intimacy, deep friendship, equal partnership, and ultimately, a soulmate connection and lasting love. I’m the kind of viewer who prefers to see love rather than just hear about it, and I adored how their relationship was portrayed through action and emotion. It made every shared scene between them something to look forward to.

Beyond that, the drama offers thoughtful social commentary on class and gender bias, centering its narrative around the hardships faced by low-income individuals, while also juxtaposing these struggles with those of the nobility to explore the lives of women across all hierarchies. It’s a story of survival and resilience — of family, friendship, and community — and I loved watching each character grow as they laid down roots and created a support network they could rely on. Woven between all these thematic elements, there’s palace intrigue — and if you know me, you know I need my fair share of conspiracies and royals vying for power! Overall, this was a huge win for me, and I can absolutely see myself watching it again.