Ophanin

still on cloud nine

As I always say, you shouldn't mess with a female butcher. I always say that. Always.

Warning : I've got nothing constructive to say. (as usual) I finished this series a few days ago, and I'm still on cloud nine.

How BEAUTIFUL ! The production is simply epic. Everything is so magnificent, the costumes, the sets, the direction, the lighting, the fight scenes, the music, the wig budget... hmm. A success across the board. A wonderful world where it snows all the time and no one ever feels cold. It's just too beautiful. The homes (even the most modest ones) are adorned with sumptuous wooden furniture and delicate fabrics fluttering everywhere. Teapots and incense blend their delicate scents with the wax of the carved woodwork. I can smell it.

Fan is incredible. Truly phenomenal ! Both the character and the actress, Tian Xiwei. Protect this woman at all costs. That charisma, that presence, that otherworldly beauty when she makes those tender expressions. She masterfully plays on the cliché of the seemingly fragile woman who becomes menacing and a deadly enemy in the blink of an eye. Her character is meant to be a tribute to a real-life female general, as in about half of all Chinese series. (Legend of a Female General, a very good C-drama)
You can feel all the despair that overtakes her midway through the series, during the turning point, when her village is ravaged and all her loved ones are massacred... those scenes… such sadness. We've been made to love these characters. We enjoyed life in that village, but now we must bury them and abandon it. And then we move on to war. Then to palace intrigues. What a journey.

As a result, the Marquis of Wu'an, the male lead, becomes first and foremost a supporting character ; he's the knight in shining armour. He's supposed to be the hero, but the story constantly reminds us that he takes a back seat. I love it.
They're so lovely, the two of them. They're completely devoted to one another. Their love is pure. I feel silly writing such nonsense ! I want them to be happy together. True love is killing your enemies together with the same weapon and checking if your wife's wrists are sore. And taking a bath… my goodness, the bath scene. It was daring. I didn't see anything, I swear I looked away.

They love each other so much that they get married twice, under two different identities. [stands up, banging both hands on the table] Now that's what I call Love ! He knows her secret, he supports her, and he doesn't tell her until she's ready to reveal it to him. [points at an imaginary listener] And he takes a hundred lashes rather than betray her !

Pardon. Je me suis emporté.

The attention to detail, my goodness ! There's so much going on, all the time. Like the characters who've been struck by an arrow and who, at last ! don't pull the arrow out. A whole gallery of characters unfolds before us, and they're all believable and interesting.
There are so many endearing ones. The little sister, the villagers, the Pig Butcher Squad, the old man carrying stones, Marquis Wu'an's generals, the Emperor's sister and her maid. We care about every single one of them. That's rare in productions like this.

The only downside : why this "what if" ending ?!? What if nothing at all. It's over. We can't imagine things from 17 years ago now.
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Episode 17, TW : forced kissing.
It's portrayed for what it is, without any romanticisation. The woman cuts ties with the man. But to be perfectly honest, she, in turn, drugs him without his knowledge to take his place on the battlefield. It's all square, back to square one. (No idea what that means. I'm learning new expressions : to be on cloud nine, success across the board and this square thing)

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One of the female characters becomes pregnant unintentionally, but abortion isn't mentioned or even considered. How odd. I was actually wondering if this was an American series. And then I realized that abortion wasn't decriminalized in Korea until 2021, and since then, there hasn't really been any way to actually get one. That explains it all.
It's a bit of a shame to see this kind of reactionary plot device in a series entirely centered on three women in their thirties and their professional struggles. It could have served to make a point about this particularly important issue, but it seems that's not part of the Hallyu agenda.

They all come across as endearing and funny, surrounded by very ordinary jerks. They have to put up with all these hurtful remarks on a daily basis. It's the same everywhere... the working world, really.

We also have to put up with scenes where a character talks to someone as if they were there, when they're not. It stresses me out. He's dead. You know it. We know it. Everyone knows it. Stop writing sick stuff like that ; and always for women, too. Always. It drives me crazy ! It drags the show down ; it's not interesting. Please. Stop.

Well. The production assistant is so nice. Her relationship with her coworker makes me a little sad. They're making a big deal out of nothing when they could just be friends, and that would be nice. But a man and a woman are bound to see each other through a romantic lens or something more. Exhausting.
Still, it's great that she dumped her son's father. He's a loser from start to finish, no redemption. And the whole "pretending to be sick" thing to get back into her life : well played. We dodged a bullet. I was so scared.

Finally. That screenwriter. She cracks me up. Her calm but snarky responses. And when she magically pulls out her guitar... so funny. Best character. She's the reason I was watching, after all. She waits until the guy finishes cooking his dish to say she doesn't like it and won't eat it. Nice move.

All three are adorable, with their flaws and their strengths, they are authentic. Everyone's character development is satisfying, more or less. But as is so often the case, 16 episodes is at least four too many. I skipped quite a few scenes because they dragged on for no reason, but seriously, you could see the filler coming a mile away. I often find 16-episode K-dramas too long for what they offer, while 30-episode C-dramas just aren't enough.

Humor works really well. The series deals with sad topics (from the perspective of privileged women, don't forget that), but it remains genuinely funny. The romance doesn't work as well. The tragedy works even less, just a miss. The "social" commentary, which is very superficial, works mainly through the humor and never goes very deep.

It smells like an autofiction screenplay. A screenwriter told us about her life and that of her friends.

"The tears in your heart will turn into an illness. But once you cry them out, they evaporate and disappear."

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Moon Geun Young's career came to a tragic halt due to compartment syndrome. Her agency dropped her after that K-drama. She turned to directing and makes guest appearances from time to time, but never in a leading role. It makes me sad for this person I don't know personally ; she's not to blame for this situation. Anyway. Here, she plays the role of a downtrodden character all the time, except sometimes when she has to burst into tears... Yet the series starts out as a comedy and romance disguised as a police investigation. But these people never actually investigate the serial killer they're supposed to find within two months. (A deadline we don't really care about.)

This series ages like good milk. Believe a vegan. In recent years, production standards in K-dramas have skyrocketed so much that just watching something from 2019 feels really weird. However, the characters are funny (at first), and nothing problematic happens... Wait, actually, yes. This series has a problem with sanism. This portrayal of autism really annoys me. Same old, same old. People in a perpetual state of crisis. That's not what we're like in everyday life. It's just carnival-style autism. Rain Man is over.
And strangely enough, there are a lot of mentally ill people in this series. Captain Ko's mother, the homeless man, two people with autism. I hope you're being entertained ? I'm glad to hear that we're right to be afraid of people who don't fit the norm. Great message.

16 episodes were too many. I skipped a lot of pointless scenes. So many slow parts... And the solution to the mystery, in a word : notgreat.

(I watched this because, with these heat waves, there's just nothing I can do. I have way too much time on my hands)

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(TW: incest, grooming, gaslighting)
It goes so deep in what it exposes. And it does it so well. The manipulator manages to be both charming and insidious. He seems so sincere. His emotions are genuine. We find ourselves wanting to believe in him. Even though we understand right away what's going on, the series makes absolutely no secret of it, and yet… we doubt for a moment.

The real issue is this : anyone can be manipulated. We think we're too smart for that, or that it only happens to other people, but the reality is that we already accept a lot of unacceptable things by convincing ourselves they're no big deal. We're easily gaslighted, and also quick to judge the victims...

The fact that this guy, Dr Luo, is a psychiatrist seems spot on to me. The thought and behaviour police. The worst scum I've come up against from childhood to adulthood ; they turn what we tell them against us and pathologise us, not to help us but to serve the capital and the State.
This man meddles in the life of this single mother without being invited. And what's brilliantly written here is how he's not the central character ; after all, the story is primarily about a system. He's just there, this snake slithering in on the coattails of his well-educated status, playing out his little drama in the lives of Yan Ling and her son.

Besides, those pickup artist courses are painful to sit through. And embarrassing. The way they reduce women to a single stereotype, a target to identified. Their dehumanizing logic is spine-chilling. "Broke her self-esteem"… The same tactics as managers,really. I don't want to live in that kind of world.

Yan Ling's mother, what a horrible person… Never a kind word for her daughter. Verbal and physical abuse. She idolizes her deceased husband and fully participates in upholding the patriarchal system that allows pedocriminality, incest and grooming. (All of which are interconnected) The series clearly shows how victims are ignored and how they have nothing to gain by speaking out, everything to lose.
Should we blame marginalized people who choose to step on others to keep their (precarious) place in this system ? I'm tempted to say yes, but there's no right answer. So it's good that the series shows both female and male examples : everyone participates in this system. The mother's redemption… why not ? It comes from the person most directly involved, so let's say it works. In any case, the series is smart enough not to limit itself to portraying men as bad and women as good by nature, because that kind of oversimplification would erase a great deal of power dynamics and reality. It takes an entire family to silence a victim of incest.

The way Yan Ling is manipulated just when she's at her lowest and most miserable is just sickening. It makes you furious to watch it happen, feeling powerless to do anything. And the parallel with the other women Luo Liang has destroyed before adds even more rage, if that were even possible. The "hot-and-cold" treatment, the love bombing, all these horrors work. As horrible as it is : it works. As long as we don't change the foundations of this society, it will continue. The predator isolates you, creates a comfortable cocoon that becomes a suffocating cage, then a source of comfort, then hell all over again ; you can't get out of there without losing absolutely everything, including a part of yourself. Confronting the perpetrator will inevitably lead to a tragedy. He says "If you want to leave, you can, at any time" knowing full well that it’s not possible. Power over others is all that interests this kind of person.

I don't like the term "narcissistic pervert". (which isn't used in the series) Firstly, because it comes from psychoanalysis, so it's off to a bad start. (Paul Racamier created the term in 1986. "Pervers narcissique" in french) Secondly, because it individualises the problem. These are traits inherent to the hetero-patriarchy that allow men to behave in this way, rather than an individual problem or a wholly personal choice. Though it is that too, a personnal choice... But that does not allow us to grasp the tangible reality of emotional and practical manipulation thanks to the whole system that supports it !

With someone like that, who says one thing and then another depending on what suits them and always has an answer for everything, there's no point trying to make them admit their lies. You need to cut all contact with them immediately ! They'll destroy you. And you won't be able to change them.

"Watching the women who love and trust you crumble in front of you, thinking you're clever and smart. You're wrong. You being able to hurt us doesn't mean you're smart. It's because you have no bottom line. You have no heart. [...] You're just a clown who bullies the weak and fears the strong."

Anyway. It's nice not to see the cops too often. But the way they uncover clues and their personalities make them likeable. (acab nonetheless) The investigation winds its way through its dark twists and turns, with a few surprises in store as it unfolds. In the end, it's not the right people who drive the story forward, and that's precisely what lends it a sense of realism. With the production quality on a usual C-drama level, it's all the more impactful because it's so well made and performed. The occasionally non-linear narrative helps us better understand the logic at play, rather than leaving us lost as is so often the case.
The series morbid atmosphere fits its theme perfectly. That scene with the bathtub frozen in blood…

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Some episodes show superb direction. A very gritty, hard-hitting thriller, ruthless, even. You can feel the Ringo Lam influence, with its raw, unflinching violence ; this isn't meant to be a feel-good watch. It's deliberately infuriating. It really gets under your skin. Everything is rotten to the core. A very good series, but one that leaves you seething with rage by the time it's over.

"You're just a thug with a badge." We call that a cop, yes.

The story of a sadistic serial killer, set toward the end of the military dictatorship in 1988. We see despicable cops and a prosecutor acting with complete impunity. (Those cowards) We see men behaving as a patriarchal society naturally encourages and rewards them to do. We see female victims who are considered guilty in the eyes of others. We see high-ranking officials who are full of themselves and never take responsibility for anything. We see police repression of pro-democracy demonstrations.

"The public no longer trusts the police." I think that's a sign of good health.

The acting is incredibly intense. Serious stuff. A cop protagonist who's been through the worst and is forced to work against his will with one of his former tormentors. He thinks the police protect people, he believes they bring the guilty to justice… A constant in this kind of crime series : the cops are terrible at their investigations and ruin people's lives by wrongly accusing innocent people left and right. I don't know to what extent this is intentional. It comes up so often !

Not to brag, but I figured out who the killer was right from the start. My only flaw : too good. It's a fact. (Everything screams him, right there !) The solution doesn't come at the end but along the way, so it doesn't matter and doesn't ruin anything. It's the kind of series you can still enjoy even if someone with bad intentions spoiled it for you beforehand.
The culprit is every bit as cunning as those who claimed to be hunting him down. The theme is the rot at the heart of the social order. The back-and-forth between 1988 and 2019 confirms that nothing ever changes. The killer bears as much blame as the police and the justice system.

"Admitting your mistakes and asking for forgiveness takes even more courage." And that's how we move forward. That's why people in positions of power never admit their mistakes. They don't want things to get better for others.

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16 episodes was clearly too many. The last two episodes serve no purpose. The overarching theme that appears at the beginning and returns toward the end could have been left out, because the heart of this series is the touching and funny relationship between the two main characters. It's Studio Dragon doing what it does best, blending humor, social tragedy, and over-the-top plot twists. You have to like it. As for me, I love it.

Lim Ji-yeon plays her role so convincingly, completely transforming from one character to the next. Here, she's clumsy, uncomfortable in her own skin, yet unstoppable,a fighter for justice. And Lee Jung-jae is hilarious as an actor who can’t handle his fame, which he feels he never deserved. He's the kind of guy who’s nice to everyone but doesn't want anyone to know it.

Their romance works surprisingly well. People who hate each other in real life but adore each other online. The rice cooker idea... incredible, so good. Even if it leads to a situation we'd call somewhat questionable. They make it into something funny, but it’s really a bit of emotional manipulation…

Anyway, we can't say it enough : there are two things that are essential in this world. Rice cookers and umbrellas.

On the other hand, an 18-year age gap… and diametrically opposed levels of income and fame. Just pretend I didn't say anything.

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I want to live long enough to see the end of the world, too.

"Zero skills. Maximum chaos." Talking about me?

The heroine steals a child’s ice cream ; Shadow the Hedgehog would be so proud. I became a fan from the very first episode. We share the same references. (That said, I do hope Park Eun-bin can move on from the quirky, sassy roles she always seems to play)
The bloke whose daughter is both ashamed of him and feels sorry for him at the same time, I love him. He's always hanging out with his mates. The ultimate unfit dad.
They're all really touching and funny. Their powers turn out to be really well used, and we all love Katamari Damacy. All the Korean shows about superpowers are a massive hit these days. (Episode 6 !)
This antagonist is truly the worst of all the manipulators.

Nothing interesting to add : it's just excellent. Despite such a serious subject. And they've done the whole thing about conflicts being passed down from one generation to the next. To think that everything could be sorted out simply by talking. It's always the rich people's fault.

A sequel ! Now !

The opening credits are brilliant, aren't they ?
The only downside : I hate Radiohead, I cannot stand them, I don't want to hear them. Go away.

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Seo Ji-hye and Go Soo shine in their roles as the seemingly clueless and the quiet force, like a rising tide you don’t see coming. However, him, he’s always dressed terribly ; unbelievable.

A gripping psychological thriller, albeit a bit slow. The scenes with the Sino-Korean thugs were unnecessary. But the way everything is resolved works well. The clash between two worlds. The reputation of some means more than the lives of others. And once again, we see how a manipulative partner becomes dangerous when confronted with their lies.

Hwang Se-in (with her resemblance to Kim Da-mi) really stands out.

Ep04: was that homophobic bit meant to be funny ? I didn’t get it...

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She's right, Stoics are lame. Get lost, Zeno of Citium !

I've always seen this actress in supporting roles ; I don't mean to be mean, but it's easy to see why. (who am I to say this ?) With her porcelain skin and her mother-of-pearl face perched atop a mantis's neck, she's the only one we see on the screen, but she doesn't have a particularly wide range as an actress. In this case, we're not asking for much either. It's a light-hearted, lovely and cute romance. Ok, it touches on subjects like suicide, domestic violence and child abandonment... but at the end of the day, it's a feel-good, funny series. Yes...
A super-basic story and unbearable music. No real stakes : everything was fine, actually. Ideal for times of intense anxiety.

_The two teenagers competing for their grades are just too cute. They show more maturity than the adults.
_That little dog !

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How awesome when the hero says : "This is where the law stops... And I start... Sucker."
Or maybe it was just some cheesy American guy wearing sunglasses in the middle of the night, I can't remember.

The premise of the series is good, but there are a lot of slow bits, far too many ! and a lot of repetition. I skipped loads of pointless scenes. As for the first two seasons, I don't think they're very well made or well-paced overall. And to be perfectly honest, Lee Je Hoon really isn't a very good actor. He has a likeable quality about him, yes, and I enjoy seeing him on screen, of course, but he acts poorly ; always overdoing it or not doing enough at all. And that's the case in his other roles that I've seen him in before.

The thing about this series and its seasons is that you can pause it at the end of each segment. Watch something else, then come back to it. That’s what it's designed for. So that's what I did. The overarching storylines add absolutely nothing. And it's a pleasure to catch up with this fine team of avengers. Always ready to take down the scum.

But at times, I could no longer indulge my lowest instincts for revenge. You have to know when to take a break. Especially since we always assume that criminals are driven by pure malice. They choose these cases for that reason, of course, but what about all those who are criminalised simply because they're trying to survive ? We don't see them and no one takes revenge on them ; that wouldn't fit with the spirit of the series.
We remain on the side of the victims, whose tormentors are set to get a taste of their own medicine.
The team is always one step ahead. Just when you think the protagonists are cornered, it turns out everything was planned from the start. At times, this is reassuring and comforting. Given my anxiety, I'll take it.

I get the feeling that every case is based on real events... People settle their scores here.

S01
_The part about videos uploaded to an adult website (filmed without the victim's knowledge) is discussed by Stephanie Soo in her podcast. The series even includes the boss who wants to kill chickens with a sword. (Yes, really) A boss who, in real life, apologised on camera by reciting a text he'd learnt by heart. Why ? Who helped catch him ? We'll never know. (Probably an employee...)
_Maria, the first victim the heroes come to the rescue of (and who returns in season 3), has her employers using her identity to take out insurance policies and launder money. It reminded me of that Chinese talent agency that used to do that. Their clients obviously have no idea. It happened to the sadly departed Yu Menglong (may he rest in peace); he was starving to death whilst his identity was being used to move colossal sums of money. (When Chinese celebrities are convicted of tax fraud, one can't help but wonder whether they themselves knew about it before the police arrested them and the courts convicted them...)
_The episodes about bullying at school, the same thing happened to me. Two bullies were waiting in my living room ; they were chatting to my mum as if they were my friends. Seeing them when I got home was really hard. You don't feel safe anywhere. I still tremble when I think back on it. I can easily imagine that these episodes are based on a real-life incident.

S02
_The bit about phone scams and people being held captive abroad: there’s also a Korean film on that subject. Citizen of a Kind (2024). A decent little film.
_The section on the cult, how can you not think of the JMS Church ? Not treated at all here as it has in Save Me. An extraordinarily intelligent series that perfectly captures the grip of religion. Watch Save Me !
_BlackSun, I don't think I need to go into detail. When the team started taking an interest in the club, I was pleased, even though they were throwing humour at such a serious matter. But actually, it's a good thing the sense of comedy is there, as it makes it bearable. With the courts unwilling to do anything, and the police equally unwilling as they're completely involved, the K-dramas are taking it upon themselves to punish them… a very small consolation for the many victims whose lives have been destroyed.

S03
_The Japan storyline isn't exactly gripping. I'd already watched season 1 of Tokyo Vice, and it wasn't great, so I'm not particularly excited about this "crossover".
_Ep.04, music from Paprika, correct ? That bit about the submerged cars wasn't very interesting.
_The section on the idol agency is by far the best. Sadly, all too many real-life stories fit the bill. They recruit very young women (or men), control every aspect of their lives, separates them from the world outside, shape their minds and bodies ; how on earth could that possibly go well ? Exploitation in its most basic form : making people believe that working hard to line the pockets of the rich is a privilege. "She's an idol, she can't say anything to anyone"
(Kang Na Eon is excellent as the tyrannical, manipulative manager. She reminds me of the one in the documentary about Katseye)
Go, Elements ! or not. Whatever.
_The episodes about fake adverts that turn into harassment, there's a Korean film on the same theme : Don't Buy the Seller. What a living hell. Absolute nightmare.
_On the island, I thought it was going to be about AHAE, but actually it wasn't. The whole phase of exploring the place works well ; you wonder what mystery awaits them. And the Rainbow taxis that waste the scammers' time were both funny and satisfying.
_The latest investigation involving the army… I hate the army. A profoundly disgusting institution that destroys even its most ardent defenders. Here's the proof. What's more, South Korea has a very dark history of people being killed on charges of communism, whether true or false. To justify its existence, the authorities see threats everywhere, and if they can't find any, they make them up.
"Unity !" behind the guys with guns, I guess.

_No ! I'll NEVER buy your "Kopiko" ! If I want coffee, I'll make it my-self.
_Why is the OST synthpop ?

Ready for a season 4, comrades.

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There will be neither forgiveness nor glory.

"There will be neither forgiveness nor glory."

Forgiveness can mean many things. And it is telling that the Pie Jesu Domine from Fauré's Requiem is the last thing we hear in the final episode, as the two protagonists enter the prison. From a Christian perspective, it means entrusting oneself to God and choosing to accept things as they are. "Lord, forgive those who have offended us." Mortal justice would serve no purpose. That kind of forgiveness does not grant absolution. A loophole that can sometimes save lives… Or impose silence and impunity, depending on who offers it. The heroine chooses neither option. She will take her revenge. They will pay for it, just like in that first scene at the motorway checkpoint.

It's exhausting to stay angry. A destructive emotion. It feeds on itself and needs to be fed. You mustn't lose focus and must keep in mind the source of that inner rage. But at times we allow ourselves joy because we're entitled to it ; those moments prove that we're alive... How many days does that add up to in total ? Not many, no doubt. Revenge doesn't change the past and we have a lot to lose, of course, but what about someone who has already lost everything ? The truth is that harassment seeps into the flesh and revenge destroys everything. The two are completely unrelated.
Not understanding it means you're in luck.

An ideal role for Song Hye-kyo, who had just learnt of her divorce from the press whilst she was in China. Her cowardly husband is forcing her to make this choice in public. A rather disgraceful attitude.

"I am not looking for a prince, but for an executioner who will join me in my dance of sacrifice"

I've read that the bullying aspect was exaggerated and too violent. But the (talented) screenwriter drew on a true story. Those wealthy young people who brutalised, confined, burned and SAed a disadvantaged pupil at their school : it really did happen, as the first episode shows. The school, the doctors and the police failed to defend the victim and instead protected the perpetrators.
(Seeing Shin Ye-eun as a sadistic villain wasn't something I expected at all, and her cruel smile is truly cold-blooded)

"Why do poor people believe that good always triumphs ?"

The mere mention of Kim Eun-Sook's name in the credits usually suffices to make you want to watch it. The story unfolds brilliantly, with each element falling into place according to its own logic. And the plot builds tension skillfully, knowing exactly how to show rather than tell, and then confirm without imposing. Exceptional.

I absolutely love the way the protagonist doesn't even try to make these privileged pieces of [redacted] feel guilty. They don't understand what she wants. Simply unthinkable to these people that anyone wouldn't want to make them confess their crimes or squeeze money out of them. And they feel no guilt whatsoever, so it becomes unbearable in their minds. Their "enemy" doesn't think like them ; that is the worst torture they could face. "When one has the intelligence to understand, one has the sense not to ask", wrote Balzac. They will ask, take offence, drive themselves mad, turn on one another, but they will never have the intelligence to understand. Too used to seeing things work out for them. How could it be otherwise ?

These wealthy families inflict violence on others and on themselves. That is simply what Dong-eun, their victim, exploits. Their world is violent ; to survive, they must be violent, to stay at the top of the hill of wealth. People underestimate the violence of the rich. Consequently, revenge isn't even particularly satisfying ; it is simply a continuation of this oppressive logic. Dong-eun derives no satisfaction from it. A clever narrative choice. Very clever. No doubt the reason why some people find the series disappointing or boring ? I, for one, find it fascinating.

The music remains understated for the most part. Bowed strings, violin harmonics, a shift from one chord to another with a pad added. At times it becomes lyrical, with strings and a piano taking centre stage. Kim Joon-seok and Jeong Se-rin do a fine job.

_Sa-ra, the painter, her paintings are reminiscent of Olivier Debré’s. Clearly beautiful.
_The alcoholic mother sent to a psychiatric hospital... I’m not a fan.
_A fine performance by Lim Ji-Yeon ! you almost feel sorry for her character whilst hating her.
_Yum Hye-ran, always in roles as mothers having a rough time on this earth.

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"I don't believe in the law any more than you do.
And you're saying that to a prosecutor ?"

An illustration of how the law criminalizes the poor and does not punish the rich. The justice system protects those who created it by upholding the social order. You can't win a game when you didn't write the rules.

The story manages to stay interesting even though, at its core, they're really just a bunch of scoundrels playing the stock market... But what really caught my interest was its moral dimension, without being preachy.

They say people have to take responsibility for their choices, that's what the former prosecutor says. She has the luxury of being able to resign. When you don't face irreversible consequences, you can indeed allow yourself to take responsibility for your choices. But regarding Eun Yong's friend (who, for his part, remains in the service of loan sharks), it's made clear that if he'd had the chance to meet good people with the means to support him in life, he wouldn't be in this situation. It's refreshing to see this nuance. And to see that a person addicted to substances isn't held responsible for their misfortune. (No drug phobia, please.)

Overall, the series aims to portray the gray areas of the characters in a relatively neutral light. As a result, characters shift from enemies to allies without any lingering animosity, that's just how this society works. Our employers will never be our friends. The law will never be on our side.

I just think it's a shame that, in the end, it turns into a game of cat-and-mouse. The hero always manages to stay one step ahead. We know nothing can stop him, so it loses its impact. It pretty much undermines part of the amoral narrative that had been so compelling up to that point.

Strangely enough, the flashbacks add something and give the characters more depth. In the final third, they disappear, along with some of the characters, for that matter. The brother and sister share a beautiful, tender, and affectionate bond as they struggle through the vicissitudes of life. Sometimes you have to work in less-than-glorious places to support your loved ones. I like that it doesnt wallow in these people's misfortune. And I wish the series had focused more on that rather than revenge.

The power struggles among prosecutors are quite ruthless. It seems quite realistic in a world as corrupt as the justice system. The antagonist prosecutor, who brings down someone just as corrupt as himself, is also in an unbearable situation from which he tries to escape. The law serves the powerful, and those who are even more powerful.
Life in prison involves brutal, indiscriminate violence in stark contrast to the civilized, bourgeois violence of the corridors of power. The creators of this K-drama do a good job of portraying class struggles. It's right there in the title : money and power.

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