PeachBlossomGoddess

The Strong Man of Asia

Huo Yuanjia is a true blue real life martial arts hero right up there with Wong Fei-Hung, Fong Sai-yuk, Ip Man, Bruce Lee... they would all be top picks for my fantasy Shaolin soccer team! It is impossible to grow up without watching boat loads of kungfu shows about them. Even before I started this, I knew I must have already seen some permutation of it at least a gazillion times. And yet I still ate it all up like it was the first time; hovering anxiously for it to air every night and thrilled to my toes at every hair rising fight.

Like most other accounts of this iconic and legendary figure's life, this drama clearly takes creative license with the truth in many places but overall, it still rhymes with the main figures and events that shaped Huo Yuanjia's life. Beyond all the typical martial world values and morality, this drama asks the question of whether standing up for one's beliefs and values is worth the heavy price and whether it is fair that family and friends become collateral damage. As a concession to the controversy surrounding his portrayal in Jet Li's Fearless, this drama emphasizes that Hua Yuanjia valued human life and did not kill indiscriminately which is more consistent with the philosophy underlying his famous Chin Woo Athletic Association that martial arts is practiced for keeping fit.

It goes without saying that this drama is extremely action intensive. And it is the kind of close up hand to hand combat that I really love with intense acrobatics and high impact flying kicks and punches aimed with devastating cruelty at internal organs. I don't have to sing praises for Zhao Wenxzhuo; nobody could better play this kind of intense action oriented martial arts role. I am a much bigger fan of his Wong Fei-hung than Jet Li's. There are lots of villains in this fast paced drama as Yuanjia's fame attracts as many enemies as friends. But the nasty Qing Mandarin Ying Si is just simply the most vile, fantastically dangerous villain I have seen in a long time and so convincingly acted that I loved to hate him.

As a life story, this is told chronologically and the action unavoidably climaxes in the middle and predictably builds to another peak at the end that underscores the message that Chinese can stand up against mismatched physical odds and show and the world not to underestimate the strong man of Asia. I have seen that David vs Goliath moment so many times and yet every time I am so satisfied I feel like belching loudly and thumping my chest.

What I love most about this drama is Huo Yuanjia's wife - Madam Wang whose given name is unknown (imagine they had five kids and no one even remembers her name!). She must be almost entirely fictionalized but nonetheless they made her completely awesome. She can't fight but she is so brave, loyal, gracious, forward looking and so clever she saves them multiple times. I also like that this Huo Yuanjia is far from perfect - he can be chauvinistic, patriotic, inflexible and overly conservative. How these flaws impact his relationship with his family, friends and disciples and how he experiences growth as he comes to understand and accept other points of views is very well articulated.

This is more than just another extremely well choreographed gratuitous martial arts action drama. It all gets wrapped into a story about an amazing life journey with many cherished companions, some who sadly are lost along the way. Even though it definitely feels very familiar and is at times even predictable, it is only in the best of ways. So if you are in the mood for some intense action and a trip down memory lane, this is a good choice, I give it a solid 8.0

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Ghosted.

Breaking the Shadows (乌云之上) follows rookie cop Lin Jiajia (Ding Guansen) as he teams up with the hardened Han Qing (Sun Li) to solve a grisly dismemberment case. Their partnership starts icy——Han Qing remains haunted by the disappearance of her former partner Zhong Wei during a narcotics investigation, and she bristles at Jiajia’s presence as an unwelcome replacement. When clues emerge that Zhong Wei is still alive but has deliberately ghosted them, Han Qing starts to connect his disappearance with their current case. They discover potential links between the dismemberment case and Zhong Wei's drug case. She slowly warms to Jiajia after noticing his similarities with Zhong Wei in both methodology and temperament and she comes to respect his insights.

Where the series succeeds is in its performances, particularly Sun Li’s nuanced portrayal of Han Qing. She deftly captures the detective’s steely professionalism and the quiet desperation beneath it, making her eventual emotional unraveling one of the narrative’s few genuine highlights. The strong supporting cast, including Ding Guansen, Li Xiaoran and Luo Jin in a frustratingly limited role, also elevates the material with multi-faceted portrayals.

Unfortunately, the storytelling never matches the cast’s efforts. The plot unfolds in a linear fashion, leaning heavily on foreshadowing that robs the reveal of any real tension. While the mystery behind Zhong Wei’s disappearance provides some early intrigue, the resolution lands with predictable thud rather than a satisfying payoff.

Overall this drama is a passable time-filler for genre enthusiasts. Sun Li’s performance and a handful of gripping sequences keep it watchable, but its hardly essential viewing. A very average 7/10—engaging enough in the moment, but unlikely to linger in memory.

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The plot was lost somewhere along the road to redemption.

Heaven Sword is one of my all time favorite Jin Yong stories. While this 2019 adaption is overall done well and quite watchable, I am still disappointed because the story is so gripping and epic that properly executed it could have and should have been a 10. I feel that way about most of Jin Yong's stories and I am time and again disappointed with C-drama's inability to turn the gift of a fantastic storyline into a kick-ass 10.

The first problem is that riding on the gift of a great storyline, the production team was very sloppy with the cast and the casting of the key roles. It was obvious from the start that many of the lead actors struggled to get into character: Zhang Cuisan and Zhao Min notably. And while I think Zeng Shunxi is a very promising young actor, at 21 he is too much of a boy still to fully pull off Wuji. He wasn't bad but his chemistry with both female leads was little more than warm and friendly. That's just not good enough as Wuji's two main love interests are bad-ass, devious and willful women; a handful for any man much less a boy. To make matters worse, they saddled him with the worst man bun that highlighted an unflattering roundness to his features - many times I thought the Pillsbury doughboy was going to burst right out of him! It wasn't till the much later episodes they fixed his look in a good way. In addition to the main leads, poor chemistry between the couples is a consistent theme throughout this show. Whoever paired up the actors must surely be the matchmaker from hell. The initial flat romance between Zhang Cuisan and Yin Susu almost made me give up on this early on but it somehow clicked once the fantastic child actor playing young Wuji was brought into the mix.

While it seems I will still have to wait for a version of this epic story with the A-list cast it deserves, some of the roles were played by quite strong performances (Yangsiu, Zhou Zhirou, Xie Xun, Song Qingsu) while the others were good enough (Wuji, Zhao Min) that the uninspired ones (Xiao Chao etc) were drowned out and it still came together well enough to be quite enjoyable. And the action was quite good although they went a little bit overboard with the slow motion that made the many good kung fu scenes a lot less exciting. While it is definitely technically much better polished than my best loved 1986 version, the A-list 1986 cast wins hands down when it comes to breathing life into the main characters.

While this version broadly sticks to the original storyline, it digresses meaningfully from it in a very subtle way. This is a more politically correct version that dials down the cruelty of many of the darker characters and deals with them compassionately, offering them a path to redemption. In the case of Song Qingsu, it was well done because he is just a weak character that strayed off the wrong path. But in the case of Zhou Zhirou, I really didn’t see the point – this is an ambitious, selfish and cruel character that is innately much more bad than good, it is fundamental to the plot. Zhu Xudan is an actress that is naturally blessed with a mal-contented expression – she would have been an even more brilliantly wicked Zhou Zhirou if they didn’t try to make her slightly nicer. But what was even more criminal was they kind of tuned down Zhao Min, one of my all time favorite Jin Yong heroines by making her less sassy towards the end to the point of being almost like the clingy and pathetically devoted Xiao Chao (yuck). It was as if they were flirting with the idea of a shock alternative ending where Wuji ends up with the Zhirou and then thankfully chickened out at the last minute. Two thumbs down is all that I can say. And they didn’t stop with Zhirou and Qingsu, they pretty much made excuses for and/or tried to make all the bad guys slightly less bad. Boring and tiresome after awhile and it had the overall impact of diluting the passion and vehemence of Jin Yong’s characters both good and evil.

Of course all of this greater focus on character development and whitewashing comes at the cost of extra time focus on unnecessary characters. But again, another travesty – there are so many C-dramas with shallow plots that are dragged out over 60 episodes but this really engrossing story was all squeezed into 50? The natural consequence of this was they just threw the whole plot under the bus. They cheated by counting on the fact this is a well known story - after all it is one of Jin Yong’s most popular works. So it rushes through many cursory character introductions and transitions that didn’t make the most sense that I would feel much sympathy for anyone who didn’t already know the story in advance. This entire epic tale that tragically spans so many lives and events over such a long time is brilliantly tied together by a grand conspiracy. The complicated plot unfolds around the unraveling of this conspiracy that among other things led to the misunderstanding between the sects and Wuji’s parents tragic deaths. All of that was pretty much lost because the production team deemed it more important to help us empathize with Zhou Zhirou? Really? It came at the cost of rushing through many key parts of uncovering the intrigue. At the end I happened to blink and almost even missed the entire denouement it was dealt with so almost dismissively. The scriptwriters did Jin Yong and us a grave injustice in this matter. Shame on the production team. Really.

Overall this was still a very polished effort but it didn’t really live up to the heart of Jin Yong’s epic story. While the plot was lost along the path to redemption, it is still very watchable and one of the better efforts out there. And it is still Jin Yong and that beats a lot of the no substantive storyline 2019 new dramas I have skimmed through so far (as of June 2019).

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How to suffer successfully.

This is a truly epic fantasy xianxia romance spanning three realms that is heavily imbued with characters, cosmic rules and hierarchies, black and white magic and other elements from Chinese mythology and legend. Even though many of the themes are familiar, they are brilliantly woven into a riveting and memorable fantasy fairy-tale of how all beings - deities, demons and humans are capable of good and evil; no one is immune from love and hate and all the emotions in between. We are all different and yet still the same.

After an devastating war, both the demon lord and god of war disappear and peace returns to the realms. A thousand years later, Chu Xuanji is born into the Chaoyang Sect; one of the righteous cultivating sects. At an elite martial arts tournament, she meets Yu Sifeng, the rising star and heir apparent of the mysterious Lize Palace. A strong bond of friendship is formed between the younger generation that leads them on many adventures as they pledge to help Xuanji recover shards of a magical artifact that can restore her six senses. In doing so, they set in motion a chain of events that can lead to the return of both the god of war and the demon lord and once again bring chaos to the realms. They also uncover secrets of their past incarnations and conspiracies that follow them to the present.

Where this xianxia stands out from the other huge xianxia hits of past years is that there is a very well written external plot that is not just there to facilitate the love story. Both the internal and external plot are very well woven together and are mostly evenly paced so that both plot lines converge into a very satisfying and climatic ending. In fact, the external plot is much more intriguing and balanced than the love story so I urge you to resist spoilers and just enjoy the gradual reveal of the backstory and the way it impacts many of the main characters. Although this director still cannot seem to restrain his excessive love of angst, at least in this drama the internal plot did not manage to destroy the external plot as it did in Under the Power. Indeed I personally enjoyed the external plot and colorful surrounding characters much more than the love story notwithstanding the sparkle between the leads.

As for the love story, well it has all the hallmarks of a xianxia hit - it is an extreme and obsessive love story that transcends many lifetimes and thousands of years and is undaunted in the face of challenges by more powerful beings from the three realms. Phew! Exhausting! The chemistry between the OTP is undeniably both sizzling and moving. It does not hurt at all that both actors smooch with an enthusiasm rarely seen in these kinds of shows. But the way the relationship is written is too unbalanced with Sifeng taking way too many hits for Xuanji. Most of the angst takes place in episodes ~40s+ which is late in the game and after the couple already goes through many experiences that should cement their mutual trust. So for Xuanji to be so easily swayed and manipulated makes her character regress and seem just not smart (as opposed to heartless). To deal with her so shabbily just so that Sifeng (who had already gone through so much), can spit blood a few more times is unnecessary and excessive. Within the most angsty arc, the drama indulges in flashbacks and digresses into boring one dimensional characters (e.g. Yanran) with little plot advancement. Everything comes together again in the final 6 episodes that culminates in one of the most engaging and strongest finishes I have seen in a long time. It would have been much better had they explored some of the threads in the last 6 episodes earlier and in greater depth.

As the backstory is revealed, it is evident that Xuanji is an old soul that experienced a lot of trauma that still echoes from her past incarnations and restrains her emotional development. This doesn't really come out until the end because while the main cast is really quite exceptional, Yuan Bingyan is the weak link. She did an amazing job as the young and artless Xuanji and as Xuanji in love with Sifeng but was not able to mature the character or convey some of the rage, torment from her past incarnations that haunts her character nor can she fully convey the inner conflict Xuanji experiences when forced into heart wrenching choices. This becomes most apparent at the end when stacked up against the more nuanced and compelling portrayals by Cheng Yi, Li Xinze and of course Liu Xueyi as the drama draws to an emotionally epic climax at the end.

I know Cheng Yi is by far the fan favorite and is in a completely different league in terms of his acting skills and his unforgettable portrayal of Sifeng's indomitable love and the unthinkable suffering he goes through for Xuanji. This character and this actor is a true example of how to suffer successfully, spitting blood so painfully beautifully time after time that it never fails to fan the flames of rabid fandom to new heights. While he is a truly amazing actor, I think it is actually Liu Xueyi's Haochen that is the anchor of the entire production. I know this is an unpopular and uncommon view but the truth is this drama begins and ends with this character. He must be one of the most manipulative, duplicitous, hypocritical and universally hated villains out there that I still can't help feeling pity for. Liu Xueyi's acting is truly phenomenal from his portrayal of an arrogant high deity who can't even see that he has fallen in love to his conscious acknowledgement that he has strayed from the right path but keeps on going nonetheless. The complexity of his emotions, the suppressed fury when he is thwarted and the inner conflicts he experiences is effortlessly and subtly conveyed with the twitch of a facial muscle, a flicker of an eyelid or a tiny tightening of the lips. In his own way, he suffers as much as Sifeng but obviously not as successfully - probably because he swallows and bottles up all that venom and suffering instead of spitting it right out like our Sifeng. I will leave you with one final thought - love him or hate him, we must thank Haochen. Because if he did the right thing to begin with, there would be no love story.

While for me this falls short of a masterpiece, there is so much more to it than a smoking hot love story and it is so rare to get such a good villain that is complemented by such an outstanding cast. The production value is very high and they did a fabulous job with the CGI. When I finished watching it, I felt like it was a 9.0 but unfortunately a year later, I was never even tempted to re-watch any part of it so I downgraded this to an 8.5/10.0.

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Sweet with a bitter aftertaste.

Love of Nirvana or The Flowing Water 流水迢迢 is a deep, dark, intricate and impactful drama about politics, revenge, love and freedom. The plot and characters are three dimensional and the love story unfolds within the complex dynamics of multiple conspiracies and an uneven battle for justice and freedom. Jiang Ci is a free spirited country girl seeking adventure in the Liang capital Qingkang for the first time. She climbs the wrong tree at the wrong time to watch peace talks between the Liang and Wei states and inadvertently foils a dangerous, high stakes mission. Stabbed and then hunted down by a masked intruder who believes she may be able to identify him, she is rescued by the ambitious Marquis Pei Yan. He uses her as bait to lure and capture the masked prowler. Thus a clever and free spirited country girl becomes the pawn of two ruthless men and becomes embroiled in a diabolical conspiracy that oppressed and enslaved the Yueluo people. All of the characters in this story, including the almighty emperor, get to choose their own destiny but not their fate. Like the flowing water that may be momentarily grasped or diverted, fate is ultimately elusive and flows where it will.

This is one of the those dramas where the storytelling respects audience intelligence and perceptiveness. There is very little spoon-feeding or over explanation; we are expected to read the subtext and form our own impressions of what the characters are going through. At the start, I was rooting for Jiang Ci to skin Wei Zhao alive and flaunt his fur like a trophy for the way he treated her. And then with a growing sense of unease that turned into horror, I started to observe the plight of the Yueluo people and the scale of the collective punishment that was being visited upon them. At that point, the narrative angle shifts from Jiang Ci to Wei Zhao and like Jiang Ci, we see his devastating sense of isolation and helplessness; that he alone bears burden of his father's villainy.Jiang Ci's inadvertent and continued meddling had life and death consequences for his men and his cause. Of course he had to deal harshly with her. Jiang Ci doesn't just fall in love with a man, she falls in love with a place and a people who are slowly but surely being erased by Liang's genocidal policies. Their evolution from enemies to lovers is gradual, natural and convincing.

All of the main roles are well portrayed, with the actors conveying multiple layers to their characters via their facial expressions and gestures that goes beyond the dialogue. Ren Jialun is not that versatile an actor but Wei Zhao is the kind of complex, man of few words role that he excels at. With a flicker of an eye, a small frown or a dark glare, he can exude emotions from frustration and anger to sorrow and dismay. The way he regards Jiang Ci changes from rage and hatred to grudging respect and empathy to Ren Jialun's signature bottomless longing. Wei Zhao never dares speaks of the future, it is Jiang Ci who simply refuses to let him pull away. He understands she is a free spirit and his selfless instinct is to set her free in sharp contrast with Pei Yan's selfish obsessiveness and his repeated attempts to cage her. Li Landi's Jiang Ci steps up to the plate to more than meet Wei Zhao halfway. I love how she so unabashedly gushes over how handsome he is and freely expresses her affection for him. Even though the noble Pei Yan has arguably more to offer, she chooses Wei Zhao unconditionally each time. Their sweet loving lies, their body language and the dialogue within their dialogue made me tear up many times.

No one has an upper hand in this story because characters are too clever and adept at pre-empting one another. Xu Zhengxi delivers a evocative portrayal of the brilliant, ambitious, manipulative and controlling Pei Yan. If this role is to be his swan song, it is one that leaves an impression. His ambition and obsessiveness are amplified and exceeded by his mother, the domineering Madame Rongguo; another riveting depiction by the super talented Wen Zhengrong. Unfortunately all of these fantastic characters are dealt a huge disservice in the penultimate arc, where we meet shifu, the only truly stupid and pointless character in this story. All of hitherto smart characters are dumbed down by one or two notches for an unnecessary court power struggle arc and melodrama. Madame Rongguo's overreach was futile and unnecessary and Pei Yan's selfishness had irreversible consequences. Only the wise and constant Cui Liang's character survived that arc that was clearly written by an amateur.

The narrative comes together again for a triumphant, exciting and moving final arc. Fate is blind and the taste of freedom is sweet with a bitter aftertaste. Nobody gets everything that they want but the greater good is achieved at great cost. However, not all the individual outcomes were inevitable and the ending itself could have been more tightly written. It appeared as if they were on the verge of a different, more satisfying ending but didn't have the courage to go there. I will elaborate further on that in a spoiler below. All things considered, this is still one of the better, more memorable period costume dramas this year with a complex and moving plot and outstanding acting. Despite the flaws, it is a story that has enough depth that I am compelled to rate this generously at 8.5/10.0.








ENDING SPOILER


My biggest problem with the ending is that Wei Zhao chose to stay when he could have escaped and left the hairpin behind as evidence that Wei Zhao died and returned to Jiang Ci as Xiao Wuxia. It is clear from the ending footage that they toyed with a "traitorous official Wei Zhao is dead, long live Xiao Wuxia" ending but decided to stay true to the novel. I would have been fine with that if they just blew up the whole thing and didn't give him a choice. The fact that he had one broke me; it was out of character and a betrayal of Jiang Ci. It also made no sense since was never revealed that Wei Zhao is Xiao Wuxia and thus Wei Zhao's actions should not implicate the Yueluo people. It was just dumb and unnecessary noble idiocy. Even though it is a happy ending for Yueluo, it is simply too distressing an outcome for both Xiao Wuxia and Jiang Ci, who deserve better. It would have been just as fitting and much more satisfying for Wei Zhao's memory to live on in infamy while Xiao Wuxia and Jiangci live wild and free with their son even if they can never return to Yueluo. That is how I would have ended this story.

A smaller point, I also hated the maudlin farewell scene. Throughout the show Jiang Ci and Wei Zhao's feelings did not have to be put into words. I wish they kept it that way.











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Sha Shi 杀石 or Smirk and Soap?

Jinxiu’s flamboyant red-clad commander Fu Yixiao, the most magnificent archer across two warring kingdoms, takes careful aim, her moon-shooting bow coiled tautly at full draw. Her arrow unerringly strikes her enemy Feng Suige, the first prince of Susha, in the heart, halting his charging battalion in their tracks. The Susha army has no choice but to beat a hasty retreat, only to find assassins hot on their heels. Then, because makjang never met a cliché it didn’t hug, Yixiao tumbles off a cliff and wakes up with amnesia. Fate, that tired scriptwriter, deposits her in the same neutral sanctuary as her enemy. Of course he captures her and is perfectly justified in smacking her around as payback. But our feisty lady warrior bites, scratches, and kicks back as good as she gets. Domestic violence rom-com? The show thinks so.

I found the initial violence between the leads distasteful, but the narrative does a good job developing their relationship organically after that. It starts with suspicion and reluctant collaboration, then evolves into shared understanding, respect, and unwavering trust. Yixiao is no love brain; she methodically pieces together and tests her scattered recollections from the day she was ambushed and betrayed. Feng Suige more or less figured out what happened but gives her space to investigate and reach her own damning conclusions while he hovers protectively in the background. This convincing progression from enemies to lovers is well portrayed by both Li Qin and Chen Zheyuan. They are charismatic, conversant actors, and I enjoyed the romance—but for some reason their screen chemistry didn’t rock my world. Maybe it was Chen Zheyuan smirking through Suige’s first confession, or maybe I was too distracted by how obviously their love scenes were reenacted from Yang Mi and Mark Chao’s iconic ones in Ten Miles of Peach Blossoms, down to costumes and sets.

Plot wise, the drama starts sharp and then free falls into increasingly sensational with over-the-top twists and high emotions centered on familiar tropes and unhinged character archetypes. Each subsequent arc is a triangle of lunatics, masked nobodies; a bunch of bat-shit-crazy mini-makjangs mashed together into an incoherent and ultimately unsatisfying story. Don’t get me wrong—there were many riveting confrontations where scathing truths were delivered in a dramatically satisfying manner. Sadly, the motivations and grievances underlying all the burning resentment are shallow, even petty. Ultimately there are no good villains—just a bunch of spoiled brats and their over-indulgent parents, all victims of their own deluded ambitions and warped sense of justice. Even Feng Suige lost me after he made an irrational case for his love-brained sister, then a hostage princess no less, to ascend the Susha throne.

It is clear the writers have lost the plot when the most rational and understandable character ends up being Xia Jingyan—the unhinged Jinxiu emperor. I enjoyed his arc with Feng Xiyang a lot more than even Suige and Yixiao’s story. Acting-wise, Qin Tianyu steals every scene, cycling tyrannical, humorous, forlorn, and almost empathetic. His formidable aura made Chen Zheyuan’s "menace" conveyed by a lopsided sneer look like a toddler practicing scary faces. Even though he tones it down to a bearable level here, this actor’s tendency to overact loses me time and again. It is only after he abandons the sneer in the ending arcs that his acting seems more authentic and less performative. The supporting cast is strong all-around and ham it up for all their worth through all the emotional showdowns and exaggerated plot twists.

Li Qin remains the sole reason to finish - she is fantastic in this role of a commander of men who can hold her own against the best and the worst of them. As story progresses Yixiao becomes relegated to playing bodyguard while Suige’s agenda plays out. Meanwhile, Jingshi remains a rational and somewhat empathetic antagonist until the final arc where he becomes completely irredeemable. It was anti-climactic to watch this cunning and calculating antagonist seal his own fate by making an out-of-character and delusional love-brained decision. But what really ticked me off was I stuck around for the lovers-to-enemies arc. I wanted to see Yixiao's revenge, her arrow, his heart. I was seated for Sha Shi 杀石, an ancient Chinese makjang take on Kill Bill. What I got instead was a man stepping in to get the job done right. Tarantino would never have robbed the Bride of her agency like that. The ending was exhausting and I have no words to waste on Suige’s harebrained ideas about succession and governance. On the bright side, there are too many people with mental health issues running amok in both Susha and Jinxiu that they are certainly doomed kingdoms not worthy of memory or survival.

Verdict: Visually stunning, addictively theatrical, narratively bankrupt. Li Qin earns every point; the rest is smirk and soap. 8/10—for the first ten episodes and one flawless archer.



Best lines:
I can change him - Feng Xiyang
My condolences - Feng Pingcheng

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Three birds with one stone.

I am a huge fan of black comedy and throw in some gangsters and I am hooked. Chen Kuilin is an infamous hitman on the run. Diagnosed with terminal illness, he tries to turn himself in only to discover he is merely the third most wanted criminal in Taiwan. Quivering with outrage, he sets out to secure his street creed as the biggest, baddest, bad guy of them all by taking out his competitors.

Ethan Juan floored me with his complex portrayal of this brazen, brutal, narcissistic gangster with crazy but understandable motives and an odd instinct to protect the weak. His close shave with Hongkie had me on the edge of my seat and their killer vs killer fight scenes were raw and savage. His desire for redemption and salvation at the commune surprised me until it didn't. A terrible betrayal culminates in a shocking bloodbath that masterfully builds and releases tension.

This is a well paced, intense and violent action thriller with a number of unanticipated twists. The dialogue is superb and dark humor is deftly used to release tension and infuse a sense of lingering irony. It has all the elements of the good old Hong Kong gangster movies from its distinct cinematic style to the emotional depth of the characters that belies the casual onscreen violence.

I thoroughly enjoyed this movie but I must admit that the final ten minutes left a feeling of nagging disappointment. The perfect place to wrap this up would have been at the reveal of the hitman that takes out three birds with one stone. The last ten minutes embraces maudlin tropes that are characteristic of Taiwanese productions. In this case, it completely ruins the no regrets nature of the beast. I have no choice but to knock 0.5 off my rating so this is overall an 8.0/10.0 for me. I strongly recommend skipping the last ten minutes.

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The hunt for a serial killer.

Who is He is an intensely gripping police procedural that narrates the hunt for a serial killer that evaded justice for decades. It draws inspiration from two well known, real life cases - the 1988 Gansu serial killer case and the 1996 Nanjing University dismemberment case. These investigations were hampered by a lack of access to modern forensic technology, especially DNA evidence. The brutality and horror of these cases instilled national shock and outrage. For those following the heinous Abby Choi case in Hong Kong, the dismemberment case invokes chilling parallels.

During the hunt for a serial killer in 1988, Wei Guoping comes within a hairsbreadth of capturing him. In a close encounter, Guoping saves the intended victim Nie Xiaoyi but loses his partner. He has survivor's remorse and the case continues to cast a shadow over his existence long after it goes cold. Eight years later, he is convinced that the 1988 killer has resurfaced in the shocking Nanjing University dismemberment case.. His peers and superiors however are concerned that his rushed conclusion could steer the investigation down the wrong path. The drama dives into the inner workings of the department and how they collaborate and resolve internal conflict. It shows us that there are many ways to skin a cat and internal debate is healthy and produces a more rigorous process with defensible chain of evidence, and effective witness and suspect testimony.

This drama does a fantastic job zooming in on the procedural aspects of an investigation from the thankless, painstaking and smelly task of collecting and analyzing evidence to effective (and not so effective) methods of interviewing persons of interest. Without modern forensic technology, it is like looking for a needle in a haystack and can span decades. The show's meticulous attention to detail and commitment to vivid realism makes it stand out in the genre. The uncanny simillarity in the dumpster dive scenes to real footage from the recent Abby Choi case adds another layer of intrigue and sense of real life horror. There is an everpresent sense of urgency and suspense that is captured by highlighting the terror of the witnesses, survivors and the afflicted communities. The audience is also kept invested by dramatising the character aspects of the investigative teams and how unsolved cases can haunt key members of the investigative team.

The character writing and portrayals are among the drama's strongest aspects. Zhang Yi delivers yet another exceptional performance as a hard core detective single-mindedly focused on hunting down the 1988 killer. His Wei Guoping is a much less perfect character than An Xin (from The Knockout), which makes him more interesting and relatable. I loved how Gu Kaiyan calmly puts him in his place, asserts her authority and earns his grudging respect. The rapier-like way she breaks down and corners a suspect in interrogation is insanely awesome. Xu Fangyi steals the show with this riveting portrayal of a cooly logical and formidable female cop. The unique mixture of camaraderie, conflict and attraction between Wei Guoping, Song Zhe and Gu Kaiyan really made the team dynamics fun to watch.

Where the drama falters is in plot. This is somewhat unavoidable as the underlying cases are true crimes where major breakthroughs were only achieved with the help of DNA, which is ultimately anti-climatic. Maybe it would have been better if they went with something similar to Netflix's wildly successful serial killer docu-drama format rather than to try to dramatise it. The less interesting crime syndicate arc with the overused "forbidden" romance with a gangster's sister trope grew bigger than itself in the final third of the drama. Logic holes emerged and there were simply too many coincidences to force disparate cases to converge. The antagonists' motives in particular were contrived and in the Gansu case, deviates too markedly from the profile of the real serial killer. This may have been one of the reasons it was so harshly criticised by Chinese audiences. Because of well written protagonists and all around strong acting, I don't think this was that bad of a drama although it did not live up to its early promise. As a fan of the genre, I still enjoyed this well enough and rate it 7.5/10.0

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A River Runs Through It

The illusory peace of a sleepy riverside town is shattered by a murder that recalls a twenty year old cold case. Shan Feng, who was just a boy then, partially witnessed the murder of his crush Xiao Baige (little white dove) returns to his hometown to investigate these possibly connected cases. His inquiries reopens old wounds and reveals the festering impact the lack of closure Xiao Baige's senseless murder has on her friends, family and the town.

The premise and darkly intriguing ambience and suspenseful tension of this drama really drew me in at the beginning. And I can't fault the execution from the pacing; to the top notch acting; to how the disparate threads gradually converge into the river that runs through these quietly spooky remote towns. Where the drama falls down is the story is excessively melodramatic and the motivators of many of the key protagonists and antagonists rings hollow. Many characters in this drama are driven towards doing terrible, terrible things but their actions and trauma they suffer seems out of proportion to the events that catalize these extreme reactions. Too many of the characters are deeply dysfunctional and are driven towards tragic outcomes simply for the sake of inflicting pain on the surrounding characters.

The strongest point of the story is how the main villain hides in plain sight and is revealed gradually as everything comes together and how the story illustrates that in these small rural towns there are really only two degrees of separation between people. But just like I felt the first victim was just not interesting enough to have inspired such profound reactions from so many people, the triggers for the villain's derangement are unconvincing. The role however, is brilliantly acted and the character comes across as both lugubrious and menacing.

Bottom line this looks like a crime thriller, it tries very hard to be one and it almost feels like one but at its core, something rings hollow. It is not terrible, a lot of effort obviously went into it and it is a decent quick watch for some cheap thrills. I give it a 6.5.

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Wuxia at its best!!!

This is one I had heard about years ago but somehow never got around to. So thrilled to have changed that. This is what a good, old fashioned Wuxia movie is all about in terms of honest to goodness kick ass action. None of that flying on roof top, slow motion improbable and technology assisted acrobatics that we are routinely served up with these days. Nothing but extremely well choreographed, intensive, nail bitingly lethal swordplay up close and personal. Wow - they really don't make it like this anymore.

The plot isn't complicated - it is about how three highly skilled Imperial Assassins get caught up in a gripping yet relatively straightforward political conspiracy that puts them in mortal danger. They are a bit of a Chinese Three Musketeers with a dark side as they risk their lives for a pittance and are unable to fulfill their deepest personal desires. They are not your traditional virtuous wuxia heroes but they live by their own moral code. Shen Lian (Chang Chen) is the most deadly and most morally ambiguous of the three. Chang Chen pulls off this complex role exceptionally well, subtly conveying deep and varied emotions underneath an intense, brooding and taciturn demeanour. Zhou Yi Wei also brilliantly pulls off another grey character. In fact, many of the cast have delivered wonderful performances in key roles in many recent hit dramas. The only exception is Ethan Li's rather unmemorable performance as the more care free youngest brother Jin Yi Chuan. This actor has since regressed and gone on to weigh down a few otherwise very strong dramas for me. (Why does he still get work?). I also was under impressed by the romance element of the story - this role was not well written and not well acted. That made Shen Lian's infatuation with her not relate-able and one reason I haven't rated this more highly. That said, this is not really a romance and I thoroughly enjoyed this so definitely if like me you never got round to this, now is the time.

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Tangled

Disguised as a classic whodunit, this is really a drama about how the law does not always protect the vulnerable or deliver justice. It also tangles with some pretty heavy social issues that are a bit more than what I signed up for. To me, this is a drama that can't decide what it wants to be so while I still enjoyed it, I don't regard it highly as far as mystery thrillers go.

This drama starts out strong - shockwaves rock the community of the posh Horizon Tower when their lovely cafe owner Zhong Meibao is found dead in her apartment under suspicious circumstances. The cynical and disorganized Zhong Jingguo is assisted by the more methodical Yang Ruisen in investigating this case. They interview everyone on the scene of the crime including a security guard, an architect, a novelist, a real estate agent, a housekeeper and friends and family of the victim. From these varying sometimes contradictory accounts of the events of the day and recollections of their interactions with the victim, outlines of the various possibilities start to emerge. The first 8 episodes or so of this were superb; exactly what I would want to see in this kind of genre. The occasionally shady, hilariously kinky, bittersweet glimpses of what happens behind close doors added just the right dose of dark humor and mundane daily existence.

The issue is at episode 8, the victim's backstory is told in a anime which gives away a big chunk of the plot and took away much of the excitement for me. The storyline dives deeply into the victim's backstory and traumatic past which is connected to a number of suspects. At that point, it is not hard to see where the story is headed. I did not expect to watch a this kind of story it is not what I was in the mood for. I don't mean to diminish the importance of these social issues that are frequent themes in this kind of genre but this drama took me away from the mystery for too long to overly explore these topics. Angelababy is also not best suited to play this kind of role either; a better actress could have done a lot more with it even though they may not manage to look as tragically beautiful. The fact that I felt a lot sadder for her parallel character in the anime version than I did for her Meibao says it all. Similarly I found the antagonist in the anime more complex and had a more convincing purpose for his actions whereas the parallel character is just a violent and not that intelligent pervert. The photographs which he used to exert power over his victims would have indicted him and sent him to jail forever. To me, that is the big logic hole that made me lose respect for the intelligence of characters I am supposed to sympathize with.

The outstanding performances in this drama are by the two detectives; they are the glue that pulls the backstory and all of the plot threads together. The inner conflict Ruisen experiences as she struggles between her empathy for the victims and her duty to enforce the law even if it means justice is not done really is impressively conveyed. This is a drama where there are real consequences for taking the law into our own hands and debates whether the high price of justice is worth it. While these important themes were well articulated, the whodunit never really regains the momentum and mystery of the first half. Although it would have been a darker ending, the entire drama builds predictably towards what plays out in the penultimate episode. And then in typical c-drama fashion, they couldn't resist delivering one final tangled twist that delivers what could have been an alternate ending. Except there wasn't a real proper build up to it, there is no deducing we just see a replay of what went down in an open and shut case. This all takes place in the last episode and left me feeling vaguely cheated. Consider stopping at episode 15.

Although this drama got tangled into too many themes and twists, this is still a good watch and something I am happy to recommend to fans of the genre although for me it didn't live up to the hype.

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Which asshole wrote this script?

That was the best line in Miss the Dragon, a xianxia that just misses the boat. It is a thought that jumps to mind at various points of the drama. The writer must be someone with both self awareness and a sense of humor. Which you must have plenty of if you choose to watch this because it can be so ridiculous and silly that you almost have to just laugh at it.

The story opens with the injured dragon king Yuchi Longyan rescued by a maid Liu Ying who mistakes him for a common snake. Liu Ying rescues injured animals, including the bird elf Qingqing  while she daydreams about the mythical dragon king. The first arc is largely an amalgamation of the best moments of other hit xianxias, notably TMOPB. When it comes to recycling other drama's memorable moments, it best be either a really clever parody or a vastly superior moment. In this case it is neither. Some of the writer's own original humor is fresh and funny enough they should have just gone with that and focused on fleshing out the main couple and getting us invested in their relationship. Instead, after being vividly reminded of some old favorites, I am left with the impression of two rather blank characters whose shallow infatuation with each other was unlikely to last until supper time, forget several lifetimes.

While Liu Ying does get a tad more interesting with each subsequent lifetime, there is little of substance that survives each incarnation. So it is not clear what Yuchi Longyan is fighting for, what is innately so special about Liu Ying that the dragon king loves so much. Zhu Xudan did a good job essentially playing four different characters but she is wasted in these sappy rather simple roles that any newbie actress can play. As for Wang Hedi, after a delectable opening scene of him emerging scantily clad from the dragon pool, I was left with an indelible impression of an overdressed plank. His portrayal of the dragon king is an impressive study of the art of being bizarrely still and plank like while everything else is moving. At first, I thought he was accidentally sent the script from a botox commercial. Then I started to feel insecure about accidentally hitting pause on my remote. Bottom line, I didn't feel any spark between the leads. Oddly, his interactions with all of the other characters are so much more natural and enjoyable. I rarely comment on the OST and the BGM but in this case I must point out it was good enough to make me tear up much more than was induced by the acting or story during the sad moments.

The idea of a love that transcends lifetimes is very powerful and moving but that concept is much more originally and engagingly explored in the second couple's story. Indeed the love story between the block of burning ice that is Xue Qianxun the master of Luofeng Pavilion and his flighty chirpy little bird elf Qingqing is why I didn't drop this drama. Both characters are better developed and they have understandable motives and goals. Their relationship is so humorous and their chemistry builds so organically that I had to root for them and was intrigued by and impatient to discover their past. I won't spoil it by saying more than that is a wonderful and memorable mini fairytale in and of itself and that is what the focus of this drama could and should have been.

The way the drama ends goes a long way to redeem itself. I really ate up the epic magical battles and even though the villain is quite lame and was obvious to me from the beginning, I like how all the pieces of their scheming is revealed and how it all ties in quite neatly with the plot and the many lives of Liu Ying. I am solidly in the camp of really liking the ending; anyone who knows the legend of Nuwa would not be that surprised by it.  Overall its not a bad watch, it has quite some entertaining moments beyond just laughing at the production. My rating gets a bump up to a 7.0/7.5 due to the wonderful second couple and ending at the climax.

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An eye for an eye will make the whole world blind.

This is the empowering, female focused historical drama that I have been waiting for. Finally in Li Changge, we get a strong, smart, independent female lead character who seeks meaning in life beyond being just an extension of the male lead and his dreams. Not that Wu Lei's Ashile Sun is anything to throw popcorn at because this man is a total keeper from his fabulous thunderbolt eyebrows all the way down to his baby toes. No, I haven't actually gotten to his baby toes, my screen appears to be ahem... stuck... in a perpetual loop around about his stunning bare chest but I am sure they past muster. Even disguised as a man, Dilraba is such a peerless goddess no male lead ever seems good enough until Wu Lei rocks up to turbocharge this smoking hot OTP into one of my all time favorite drama couples. Don't be fooled by my shameless, shallow gushing, this is so much more than just another idol drama. All of the main characters in this drama start out as young people who don't know who they want to be when they grow up. They go on an incredible journey of self actualization to discover their true values and best selves.

This story begins with Li Shimin's bloody ascent to the Tang throne over the bodies of his brothers, to be the greatest Tang emperor. Li Changge, a fictional character, is his much adored niece and daughter of the deposed crown prince. Disguised as a man, she flees the capital, vowing to avenge her family and tries to marshal her father's remaining supporters to undermine her uncle. Thus Changge embarks on a long and difficult quest, making many friends including the delicious Ashile Sun along the way. She is young, naive and makes costly mistakes with irreversible consequences along the way. In the process, she discovers that the truth is never simple and there are causes far greater than hers; that an eye for an eye will make the whole world blind. Dilraba's performance as Changge is several notches above all her other works; she is not afraid to ugly cry or allow grief and rage to ooze from every pore of her being.

I picked up this drama because Wu Lei's Fei Liu is one of my all time favourite drama characters. Who would have guessed that irascible kid would have grown up to be such a sexy beast of an Ashile Sun! And Wu Lei has not lost any of his agility in delivering thrilling, heavy hitting action scenes, with his kick ass fight with She'er being one of the drama highlights. But what really is on fire is his chemistry with Dilraba; their mutual attraction does not have to be expressed in words. When Sun tells Changge "From now on, you are my slave" his entire being screams "From now on, I am your slave." It is so refreshing to have a couple that understands each other, is honest with each other (even about lying to each other) and shares the same world vision. Ashile Sun's manliness comes from the fact that he is not threatened by Changge's independence and strength, he glories in it. Together they find that forgiveness brings peace and liberation. I am also most pleased that not all the men fall in love with Changge, Mimi is more the femme fatale.

Changge's cousin and closest confidante Leyan is inadvertently thrown on a similar journey. They are polar opposites by nature and deal with challenging situations in completely different ways but both show immense courage and fortitude. Leyan is the character that shows the most growth in this drama and even though usually weepy characters give me rashes, I was not allergic to Zhao Lusi's empathetic portrayal. Fair to say, the princess and the icicle is very cliche but Liu Yuning and Lusi really capture what made it such a popular trope to begin with. Sadly they must have cut those scenes where the uptight Haodu thanks Wei Shuyu for buying him looser underwear with tears in his eyes because poor Wei Shuyu never gets any love despite how he redeems himself later on.

As much as I find this drama's character development addicting, it must be said that the plot is flimsy and requires heavy suspension of disbelief. This is partly because the plot development is constrained by historical facts. While it is very cool to journey with our characters to all the historical hot spots and watch them interact with great historical figures while history plays out, the plot itself doesn't amount to much more than that. Changge's mother's story is tragic but anti-climatic as far as mysteries go and that is the problem, the drama doesn't really have a climax. The entire last arc is not only implausible, the main antagonist was mis-cast and their acting was so appalling I really cringed through many moments of the final few episodes. As for the ending, I found it most fitting. Weddings are not the same without family, permission was asked and received and beautiful vows were exchanged. We don't need more than that.

Broadly speaking, men are followers of women in this drama making it is the ultimate female fantasy fiction that on sheer addictiveness and enjoyment factor alone merits a 10/10. But objectively speaking it also has some flaws that make an overall 8.5/10.0 more fair.

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You give me the sweetest taboo.

This drama flirts dangerously with the forbidden: dark cultivation, zombies, black and white magic, transmigration and boy love. The lead character Wei Wuxian (Xiao Zhan) is a free spirit who refuses to be tamed by social conventions; he lives by his own rules, is not averse to exploring dark powers and appears romantically open to both genders. The delicious exploration of such a slightly wicked character and taboo themes under the watchful eye of Chinese censorship put this high on my watchlist. I started watching with high expectations shortly after it aired.

The story is based on a hit novel and is indisputably a very good one but the way it was told in the drama was really not good. While broadly true to the book, the production lazily assumes the viewer actually read it. The plot is centered around the attempt to restore a powerful magical artifact that the various cultivation sects vie to alternately control or suppress. The story opens with the mysterious reappearance of Wei Wuxian, the infamous Yiling patriach after a sixteen years hiatus. The fact that this is achieved by the sacrifice of Mo Xuanyu whose identity he assumes is one of several plot holes that never gets fully flushed out. Thus he conceals himself behind a (hideous) mask. The viewer is dropped right into in the middle of unfolding events and a wide array of characters without any backstory. Then we go into a prolonged flashback all the way back to the very beginning and up to the conspiracy that led to Wei Wuxian's fall from grace and long disappearance. This takes well over half the drama, which peaks around episode 34 with Wei Wuxian's apparent demise. We are then back to the present where we go into several shorter flashbacks intended to shed more light on the conspiracy. That made it messy and was less interesting because by then the two main villains are known. While the story regains some momentum towards the end, it doesn't come close to the mid-drama peak and the final denouement where the ultimate mastermind is revealed comes almost as an afterthought. That character was one of several insipidly acted roles and the final reveal tied up a few loose threads that wouldn't have been missed. This story would have been much better paced and less confusing had it just been shot chronologically.

The cast is inexperienced and even the main actors struggled to get into character for a long time. Some actors were just plain bad throughout. The first 15+ episodes were painful and the acting didn't get noticeably better until the mid-20s. I dropped it after episode 7 and many more times after that. Although there were some great parts, it just never hooked me. It took me 5 months to finish watching and I wouldn't have if I weren't so damn bored during the c-drama ban. What kept drawing me back was Xiao Zhan's infectious grin - he must have the best smile ever. He really did bring the marvelously controversial Wei Wuxian to life in a way that compels us to indulge the character's many obvious flaws. I was less impressed with Wang Yibo's Lanzhan; it is a stretch to describe his initial pissed off or constipated expression as statue-like or unemotional. He slightly relaxed his face muscles and improved markedly much later on and I really liked his Lanzhan at the end so kudos to him for that. I was also surprised by his grace and athleticism in the fight scenes. The two leads had good chemistry but where I saw sparks fly was between Jiang Cheng and Wei Wuxian. That confused me as I sensed from the start there was an emotional connection, that Jiang Cheng's feelings for Wei Wuxian were complex and went beyond sibling rivalry and envy. I don't think this was intended.

In genres like this, the heroes are only as good as the villains and therein lies the problem - the villains were not that hateful nor were they empathetic. Both actors were similarly styled and portrayed such similar mannerisms their roles could have been interchanged. They both overacted, had the same intense face lowered evil glare, mad eyed expression and crazy gloating smile. The directors were so lazy they pretty much gave them the same cliche traits and may as well have just used one actor for both roles. Surprise surprise, we are supposed to be sympathetic because they both also had serious daddy issues. Indeed this is the default excuse that explains the flaws of many characters including Jiang Cheng. Key takeaway: don't be a bad dad it really messes up the kids. No wonder I was bored! As for the ultimate mastermind, he was so well concealed he went unnoticed and no one would have cared if he remained that way. The ending was a bit of a crowd pleaser with a bit of something for everyone. I was just relieved it was over.

At this point it goes without saying that the production team for this show pretty much sucked. It would be a shame if the success of this drama despite terrible execution elevates them into a position to destroy other fantastic story-lines with poor editing, storytelling and shoddy camerawork. The only thing they got very right was walking the line perfectly between bro-mance and romance in terms of Wei Wuxian and Lanzhan's relationship.

So what made this such a huge hit? Well, the forbidden fruit nature of this drama can be highly addictive and is bound to resonate deeply with certain demographics and at some life stages though not for everyone. All the hidden meaning in certain interactions, the imperceptible flicker of an eyelash, the barest hint of a smile and the slight double entendre in the dialogue can be tantalizing for those looking for signs of a secret taboo romance. That kind of fun speculation only amused me for short spates. Ultimately a good, well acted story is all that I look for- whether or not it is about boy love would not make any difference to me. I was touched by the bro-mance between the two soul mates (which was all that I saw) as well as the relate-able and moving relationships between both sets of siblings - these were the high points for me. Sadly it was not enough to keep me engaged for long. I almost wish I had read the book. Maybe I would have enjoyed the drama more but even if I eventually get round to it, I am unlikely to re-watch this.

I almost gave this an 8.0 - but I felt I had to knock another 0.5 points off for the fact that it had a certain je ne sais quoi that just bored me silly when I wanted to love it. That and that simply god awful mask that would top the Don't list in any c-drama edition of Glamour magazine's defining list of fashion Dos and Don'ts.

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Junk food with no calories: highly addictive and binge-worthy.

This is THE drama that revived my love for Chinese costume drama. I was hopelessly addicted and inconsolable after it ended. I hungered for the next Ten Miles of Peach Blossoms and was crushed and then frustrated when I realized there is nothing else like it. I still have to restrain myself from binge re-watching my favorite parts. My conscience always struggles with inflicting this on someone else so be warned: TMOPB will connect with you and compel you to fall in love with it but it will also ruin everything else you for a long time.

At its heart, this drama very simply an intense, fantasy love fairy tale that spans three lives and three worlds. The plot is not complex, the CGI and some of the fight scenes are not the best and there are small holes and loose threads but nothing diminishes the utterly spell-blinding love story between Bai Qian (Yang Mi) and Ye Hua (Mark Chao).

In the first part of the story, Bai Qian is disguised as a boy Si Yin, the best loved disciple of Mo Yuan (also Mark Chao), the God of War. The young Bai Qian/Si Yin is a carefree, mischievous and indifferent student. A terrible betrayal by her first love that leads to a devastating war and the sacrifice of her beloved sifu Mo Yuan’s soul leaves Si Yin inconsolable with grief and remorse. If Bai Qian occasionally comes across as dislike-able, it is because Yang Mi did not successfully convey how deeply and utterly wounded Si Yin/Bai Qian was by these events. This transformed her into an aloof, cynical and outwardly cold goddess who closely guards her innately warm and loyal heart.

As for the Ye Hua character, part of his magic is there is no such thing as a Ye Hua - he is the brilliant, invincible and handsome Crown Prince of the powerful Celestial Tribe. He is also a great cook, a wonderful father and he loves only once and unconditionally. But underneath that too good to be true surface, he has his own glaring flaws. His first hopeless love is Susu, a lonely, kind heart-ed, docile mortal woman he meets on a chance encounter. It is an unequal relationship that was doomed to end in tears. As a result of his inexperience and hubris, he makes many miscalculations and ultimately betrays her in a way that tragically ends their relationship. He mourns her and waits for her return for hundreds of years and against all logic and odds. When he discovers Susu and Bai Qian are one and the same, he is elated and goes to extreme lengths to crack the ice around her heart and win her love and forgiveness. But Bai Qian is a much older and complicated woman who is initially dismissive of his puppy love. She is a high goddess and a queen and thus more than his equal. While he was thrilled by this spicier version of Susu, he finds to his frustration and fear that she has a past and her heart is not as easily won.

Mark Chao’s Ye Hua will forever be the defining Ye Hua. It doesn’t hurt that this dude has the best eye ogling motion and is capable of the most unbelievable micro facial expressions. He is not afraid to look ugly when he is terrified or devastated with grief. As Susu’s Ye Hua, he is the austere young prince who discovers love and happiness for the first time. As Bai Qian’s Ye Hua he is darker, more passionate, more aggressive and much wiser. Chao's Ye Hua literally gets better looking as the drama advances. Its an illusion that arises as he compels you with the many faces of Ye Hua; the serious and dutiful prince, the valiant warrior, the besotted bridegroom,the grieving widower, the protective father, the frustrated lover... He is equally persuasive as the stoic Mo Yuan who silently mourns the love he lost while he was recovering from saving the world.

Yang Mi and Mark Chao together are a heady, addictive combination. They are both so gorgeous that it is just a gigantic eye candy feast. This drama unabashedly spams you with steamy scenes of the two of them kissing and rolling around in bed. I suspect Mark Chao was cast as Ye Hua based solely on how shockingly good he looks lying down and his terrific acting skills were just an accidental happy bonus. Their chemistry gets noticeably more intense and you to fall in love with them falling in love. In lighter moments, the dialogue is both hilarious and touching. As a couple they subtly mock many cliche costume drama stereotypes – Ye Hua is the cook, he is Mr Mom, he cross dresses and he turns on the waterworks more easily. She is a much older woman who can drink him under the table, proposes to him and likes to lecture him. While the drama is sloppy elsewhere, Ye Hua and Bai Qian’s scenes are shot with meticulous, loving attention to detail. In each life, they hold each other the same but slightly different way when they sleep, she combs his hair the same but slightly less loving way, and when Bai Qian hugs Ye Hua the way Susu hugged him you just KNOW he has almost wormed his way back into her heart.

All of the emotionally moving scenes are accompanied by one of the four haunting love songs from the OST. The production team had a cheeky sense of humor when it came to Ye Hua’s costumes - they sneaked in a number of really sidesplitting outfits. In the memorable episode when he meets Bai Qian for the first time, he looks like Big Bird in a black feather outfit that highlights his beaky side profile in not the best way. By then, I was so smitten that the thinking part of my brain barely processes this. And then there is the cross dressing.… In most of the love scenes, Ye Hua borrowed my pajamas and copied my hairstyle. I can't explain how I am not bothered that he had the audacity to look so delicious in my nightgown. At the end he even pulls off this black with pink peach blossom flower print dress that I have aptly named Su Jin’s Revenge. None of it matters - he can speak the cheesiest lines, cry, cross dress and still come across as this crazily sexy, hot man beast. Love is blind indeed.

The strong cast of supporting characters brings this story to life - the uncle confidante, the brother and his "friend", the deranged evil concubine and the usual love rivals. There is also Dijun (Vengo Gao) and Feng Jiu's (Dilraba Dilmurat) love story which has charming and heartbreaking moments but the main couple is a tough act to follow.

I will leave to your own imagination the many hidden undertones to this show - from the somewhat taboo to the very naughty. There are many better, more well-rounded shows with more substantive and complex plots out there. This one still wins on the strength of its simple, brilliantly accomplished mission: it forces you to relive all of the joy, passion and pain of an intense love. Like junk food, it appeals to all of your most basic instincts and can result in binge-ing. Don’t ask why - just enjoy it. Over and over and over again if you must.

There are about 60 episodes of very funny bloopers on Youtube on the Croton Mega Hit channel but most of them are not translated.

Footnote: Forget the rubbish Netflix title Eternal Love, this drama is Ten Miles of Peach Blossoms.

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