75
326
9
1
4
12
2
3
2
1
4
10
1
1
2
2
3
2
2
2
1
1
8
Heaven has no rage like love to hatred turned.
Let me come clean from the get go - this kind of drama is not my cup of tea. I watch dramas to escape, not to get embroiled in messy social themes around the aftermath of the disintegration of marriage and terminally sick children, But Left Right is written and shot by Hu Jin of The Bad Kids Fame, one of my favorite suspense dramas. I just love his visual composition style and how mercilessly his camera eye lays bare the multitude complexity of human emotions. And in that aspect, Left Right hits the ball out of the park and that is without doubt this drama's best feature.The drama opens well with Fang Yinuo and Xiao Lu compatibly anticipating their first child with a mixture of happiness and small trepidation. They companionably joke about giving up spicy noodles, which Yinuo especially loves, for the duration of "their" pregnancy. Except Xiao Lu already wolfed down a bowl of spicy noodles before going home. Such a simple scene so brilliantly illustrates the manifold cracks in their relationship. She is overly controlling and demands that they suffer together. He is passive aggressive and rather than confront her, he goes around her. This dynamic is prevalent throughout their interactions. The dissolution of their marriage is inevitable and they both move on to become better partners in their next relationships. The drama peaks at that point and once the child gets sick, the narrative succumbs to melodramatic and increasingly unrealistic subplots with improbable twists and digresses into uninteresting and dislikable side characters. This would have been a much better drama with half the episodes. Towards the end all the excessive gouxue狗血(dog's blood) turned into goupi 狗屁(crap) to the point that I even stopped caring about the kid's fate.
This intense character drama with a melodramatic plot takes on too many heavy themes - the pressure of a newborn child, extended family conflicts, postpartum depression, the stigma of divorce, archaic child custody laws, inadequacies of the healthcare system, financial struggles, deadbeat dads and last but not least, women stripped down to their worst, meanest selves.
Ren Suxi's portrayal of Fang Yinuo is so evocative it pulls me into the scenes where I wrestle with the sweet temptation of punching her in the face. This woman is a nutcracker; there is no other way to put it. This cold fish with impossible standards is judgmental, selfish and unforgiving. She wallows in postpartum depression while enslaving her own mother and mother-in-law with her high standards and demands. But I have no sympathy when Yinuo lashes out at them because they are not likeable characters either. In fact, not likeable is the nicest way to describe practically all of the characters in this drama (besides the kid). Even though Yinuo meets her match in her new sister-in-law, I feel no sense of cosmic justice. By then my head hurt from the cacophony of high pitched, shrill and nasty bitching. Unyielding to the bitter end, Yinuo experiences very little growth and never quite owns up to her part in her failed marriage.
As for the men, beginning with Xiao Lu, they are all weak and useless characters. Xiao Lu is a people pleaser that lies to avoid conflict, which often exacerbates conflict. He enables his brother's weaknesses and his mother's vices because it is just too hard to fix them. Xiao Lu is as selfish as Yinuo in his own way and it is manifestly obvious that two such self absorbed people would never work out. They both become almost likeable when they are with other people but all too quickly it becomes obvious that Xie Tianhua and Dong Fan are so unrealistically written they'd be booted out of a Disney fairytale script. Nobody is that nice or understanding or tolerant. Tianhua in particular must be the doormat character of the century. Nie Yuan's acting in particular is clearly not on par with the rest of the main cast but I think the problem is poor character design more than anything else. Although Qin Hao's character is not as intense or as central as Ren Suxi's, I find his portrayal more believable and nuanced enough to make his Xiao Lu empathetic whereas Ren Suxi's portrayal is not empathetic to the bitter end. A small bit of humor could have humanised these characters and made them much more relatable. As for Su Jinwei and Lei Wen, their boring characterizations, uninspired portrayals and long winded filler sub-plots are the drama's weakest link.
This drama's message of atonement and redemption is drowned out by the deafening impression that heaven has no rage like love turned to hatred. In fact, just never piss off a woman. Whether she is your wife, your mother, your sister or your child, she will for sure make you suffer. Up to the point of Xiao Lu's mae culpa, the poor guy gets figuratively castrated by a vindictive, unforgiving woman that hates him to the bone even more than she loves her child. It made me so angry at Yinuo and angry at the drama for making me feel that way. Because in these matters, I am always, always biased towards the women. So how did I end up sympathizing with the men and not even caring about the child? I feel like I was tricked into watching a scorching indictment of women's worst traits. Despite this being such a technically and visually stunning and immersive production, this drama made me more angry than sad. I can only rate this 7.5/8.0
Was this review helpful to you?
The bugs will inherit the earth.
Three-Body is Tencent's adaptation of the first book of Liu Cixin's award winning sci-fi trilogy Remembrance of Earth's Past. It is an immense, mind-bending and terrifying book that explores the dark corners of humanity and our place in the universe. The narrative is concept-driven and lacking in terms of both characters and plot. This drama adaptation fleshes out the characters and plot while staying largely true to the original works.An alarming number of leading scientists around the world die mysteriously. One of them, Yang Dong is a friend of nano-scientist Wang Miao. This seems oddly linked to an ominous countdown that only he can see and a virtual reality Three-Body game developed by ETO, a secret organisation. He gets roped into the murder investigation by an irreverent cop Shi Qiang. With the help of Yang Dong's mother Ye Wenjie, they start to pull at the threads that go back to the Cultural Revolution to reveal a conspiracy with existential implications. Rather abruptly, Shi Qiang gloatingly blurts out what is coming before we are are even half-way through the drama! This monumental conclusion is so matter-of-factly accepted without debate that it adds to a sense of anti-climax. Then we get an extended flashback to a brutal, frank and scathing depiction of the Cultural Revolution that unflinchingly exposes the loss of common humanity, the utter despair and loneliness of the period and the rage that must lurk beneath the surface.
The drama does a fantastic job bringing Wang Miao, Shi Qiang and Ye Wenjie to life. They are far better fleshed out in the drama than the book and all three anchor roles are deftly articulated by veteran actors who can convincingly navigate difficult transitions over time periods and into virtual reality. Yu Hewei's sarcastic and badass Shi Qiang is by far the most engaging and hilarious character. I didn't love Zhang Luyi's Wang Miao at first but he grew on me as his rapport with Shi Qiang grew. Unfortunately the other roles are not well written and made worst by vapid (Shen Yufei, Pan Han) or annoying (Mu Xing) performances by mediocre actors whose shortcomings are glaring up against the seasoned main cast. I wouldn't have minded if they got little screen time but unfortunately they featured prominently in extended largely drama-invented sub-plots that were barely touched upon in the book. I had to grit my teeth through the coma inducing preaching with the nationalistic subtext on monotheistic religion and environmental extremism.
High concept hard science fiction stories like this are difficult to adapt because the plot is driven by exposition and there is a lot of that in this drama. These concepts are conveyed creatively in a visually engaging manner to be easily accessible to layman. I enjoyed many of the analogies such as the Turkey/Farmer and the Shooter. However, the production tends to over-explain and tediously repeat the sci-fi aspects. Some judicious editing and higher confidence in audience intelligence would have gone a long way toward making this drama less draggy.
Even though this is shot in movie aspect ratio and a lot of care went into the props and the staging and lighting very artistically captures the bleak and portentous tone of the story, the production values overall are only of average quality. The background music is simply dreadful - jarringly loud and tries too hard to conjure a sense of dread or suspense that is at odds with the dry sci-fi plot points. The use of a difficult to understand and cliched artificial voice over an entire episode made my head throb. But what I was most dismayed by was the virtual world of the Three-Body game. While there is quite a bit of cool stuff like the dehydration and rehydration process, the overall effect is like stepping into a cartoon-like animation. It is just not at all scary. There is no sense of chaos or the searing intensity of the huge atmospheric variations and that gripping fear of what comes next that is described in the book.
The penultimate episode if you can make it that far is the best and only truly thrilling and epic episode in the entire drama. The wrap up is good in the sense that it is faithful to the novel even though the main antagonist is a bit whitewashed and not remorseless enough. This narrative takes over twenty hours to tell you something you already know; that the bugs will inherit the earth! The book covers it in about five hours and there is hope that the movie will be able to do it in under three. This is a good watch if you are in a contemplative mood and wish to indulge in a bit of history, philosophy, math, physics, speculative hard sci-fi and ponder the future of humanity. And if you have time and patience. I only rate this 7.5 because I feel the story could have been much more compellingly told in about half the episodes and not in a way that was a chore to watch.
Was this review helpful to you?
Angry Birds
Strange Chronicles of Tang is a spin-off of the Strange Tales of Tang Dynasty series that can be considered a short Season 4, even though the production side-steps using the inauspicious number in the title. It comprises two cases that were shot alongside the eight of Season 3. The production has been exploring different formats for this IP, here breaking the two cases into twenty-one eighteen-minute episodes.The fifteen-episode Jiěyōu Diàn (Relief-from-Woes Shop) showcases all the elements that have made this franchise a hit across multiple seasons. The chilling mystery plot is tightly written and simply pulls you in—from the mesmerizing rain dancer to the superb action scenes and macabre horror elements that carry a genuine sense of imminent peril. For some reason, I was truly quite freaked out by the angry birds. The sessions at Jiěyōu Diàn, where the team shares their darkest secrets, hopes, and fears, are very neatly woven into the plot. Overall, it's a punchy, efficient way for newcomers to get acquainted with the team. I also love that they reveal more of the always hilarious Chicken Fei's backstory.
While I enjoyed both cases, I feel the eighteen-minute episode format breaks the sense of immersion. And the timeout for character introductions, though well integrated, felt like a bit of a digression from the first case. Other than that, no serious complaints.
I rate this 8.5/10—it's a great way for new audiences to dip their toes into this series.
Was this review helpful to you?
Growing Pains.
The Young Ones is an unexpectedly addictive crime thriller. After missteps in a case, Lei Xu gets appointed as the Director of the Juvenile Prosecution Department, a new department responsible for prosecuting juvenile cases. It is an effective demotion that sees him back in his hometown, leading an all-female team. It is an awkward transition for Lei Xu, who is more accustomed to dealing with hard core criminals than with sensitive, angsty, hormonal and mendacious teenagers. He also finds himself stepping on all kinds of toes dealing with some of the more prickly members of his team. Fortunately for him he has an interesting history with his high school classmate Du Ziyu, who smooths the way for him.The plot is not special and the villains are not smart and are known early on. By pulling together threads of a few seemingly unrelated juvenile cases, Lei Xu stumbles onto an old nemesis that enables them to bring down a much larger criminal network. What makes this drama riveting, horrifying and addictive are the teen stories. Their growing pains, their vulnerability and the way they respond to trauma is scary and moving at the same time. I am not a binger but I couldn't stop watching just one more episode well past my bedtime. The teen actors absolutely stole the show, notably Jia Xiaohan's portrayal of the layer upon layer that peels away to reveal what happened to Jiang Xiaojie. The way Jiang Xiaojie, Zhang Yunyun and Zhou Qiao, lie over and over again so convincingly and ingeniously to protect each other moved me more than anything else. These kids only have and trust each other; they really don't have any faith in adults and they are too smart; they ran circles around the prosecutors! Bravo to all the child actors, they were truly phenomenal!
The rest of the cast is solid overall. It is anchored by Zhang Yi, who is in his element in this kind of slightly flawed but dedicated good guy, slightly awkward around women cop. I enjoyed the hint of romance and how the team comes to work together seamlessly. The only thing that surprised me is Qin Lan's lines; they were simply dreadful and she seemed uncomfortable in her role. Overall this is just another one of many decent police procedurals that is elevated by outstanding teen related sub-plots and performances. Its a good watch to pass time during a drama drought. I rate it 7/10.
Was this review helpful to you?
Are there limits to an emperor's power or simply limits to an emperor's love?
A black cat slithers sinisterly through the households of Changán's elite seeking out its favorite meal of fish eyeballs; a series of eerie inexplicable events in its wake. When it dares torment Emperor Xuanzong, palace official and aspiring poet Bai Letian (Bai Juyi) and visiting Japanese monk Kukai pair up to track down and exorcise the demon cat. These two historical figures must uncover the cause of the cat's resentment in this wildly speculative account of the inspiration behind the most renown Tang poem in history 長恨歌/Chang Hen Ge/The Song of Everlasting Regret or Sorrow.Yang Yuhuan (Yang Guifei or Precious Consort Yang) is a cultural legend that stirred the imaginations of artists, poets and writers for centuries. One of the Four Beauties of Ancient China, she was the femme fatale that distracted a great Tang emperor from affairs of state and sent the empire into decline. In this opulent blockbuster, Chen Kaige conjures the fantastical sensuous decadence of the Tang empire at its zenith and the subtle decay of its decline. While Sandrine Pinna hardly leaps to mind, she passes muster as this famous, captivating beauty that toppled an empire. I cannot rave enough about how masterfully this production evokes the famous poem, with its vivid, erotic imagery of an incomparable beauty, an intoxicating and toxic love story and the haunting intensity of eternal regret and sorrow. Are there limits to an emperor's power or simply limits to an emperor's love?
Where the movie falters is in the narration. Both the role of Bai Letian and that of Kukai are miscast and not well written. The movie dwells too much on Kukai's backstory, which is not interesting and peripheral to the plot. There is zero chemistry between Huang Xuan and Sometani Shota and neither actor conveys why their character is compelled to solve the mystery of this enigmatic and very spooky cat. In fact it is Liu Haoran and to a lesser extent Ou Hao's White Crane and Red Crane that resonate and absolutely steal the show. Liu Haoran's portrayal of youthful infatuation, betrayal, the terrible burden of holding a lasting grudge and the release of letting go leaves the strongest impression among all the performances. If the two lead roles were better written and articulated, I would easily rate this better than 9,0 instead of 8.5. Nonetheless this is one of the best ancient fantasy thriller mysteries I have watched in a long time.
Was this review helpful to you?
Homecoming.
Billed as a suspense drama, 2021's highly anticipated Mist Theatre debut is really a family drama about how guilt and regret fractures a family after their youngest, best loved child Xuan Zhen is murdered nineteen years ago. Xuan Liang, who neglected to pick up his sister that fatal day is a stifling, over protective and paranoid father who is slowly but surely alienating his eighteen year old daughter Nianmei, who bears an uncanny resemblance to her long dead aunt. Another seemingly related murder finally presents a potential break in this cold case for long suffering detective Yuan Fei, whose wife Xuan Min also cannot let go of her sister's murder. The homecoming of Xuan Zhu, Xuan Zhen's fraternal twin sister is the catalyst that finally connects disparate threads between the past and present.The best part of this drama is the exceptional veteran cast who deliver performances that exceed the quality of the dialogue and the logic of the storytelling. Their compelling acting reinforces how they, the survivors are the true victims of this crime as they are each tormented by the knowledge that Xuan Zhen would still be alive if only they had done something differently. The problem is that amongst such nuanced and immersive portrayals, the young actress playing both Xuan Zhen and Nianmei is completely out-classed and her portrayal by comparison seems a lot less compelling than it really is. It does not help that neither character is written to be that empathetic.
Where this drama fails spectacularly is on the suspense thriller aspects. Despite decent camera work and a very dark and mysterious ambience, there is no sense of imminent danger or looming evil. As always Duan Yihong is so enjoyable to watch and between his Yuan Fei and his rookie sidekick Liu Xinli, the investigative aspects are logical and well presented. However, all of the credible suspects are eliminated very early and by the 6th episode, the who and the why is quite obvious. To meander through another 6 episodes of digressions into family drama to get to the how takes too long; what little suspense is built up fizzles out. The antagonist is also not interesting or sympathetic and their motive is not well fleshed out. It ends on a strong note as we are made to see and feel how important closure is for the Xuan family.
Even though this is a pretty forgettable suspense thriller, it is difficult to rate it too badly considering its strength as a family drama and the strong performances of the all-star cast. I give it a 7.0 overall as a decent watch if you need to pass time.
Was this review helpful to you?
The Devil Inside.
This is an excellent psychological thriller that can give any of the recent hits in the crime/thriller genre a run for their money. This drama grippingly explores criminal profilers - those who get into the minds of monsters - those who gaze long into an abyss the abyss also gazes into you. It is a dark story about how we all struggle with our inner demons and how the devil inside can be unleashed and insidiously take over. It is another excellent thriller with an unreliable narrator that sneaks up upon you.Fang Mu is a graduate student in criminal psychology who consults with the local police department to solve difficult and gruesome serial cases. He is considered a gifted profiler who is able to build an identifiable profile of the murderer from seemingly random and opaque clues. I am quite surprised at how some graphic and gruesome details of the rape/murder cases made it through the Chinese censors. That said, the introductory or peripheral cases fail to convincingly establish Fang Mu's credentials as some kind of profiling wunderkind although the shock or gore value is quite high. The two "real" cases however are meticulously mapped out and articulated.
After a traumatic case, Fang Mu struggles to matriculate and his police collaborators exhort his professor, another gifted profiler salvage their protégé by helping him battle his inner demons and complete his thesis. Another series of baffling murders compels Fang Mu to work together with the police department again. This awakens memories of the shattering case from three years ago that destroyed his confidence and left him a shadow of his former self. The story brilliantly weaves the destruction and subsequent salvation of Fang Mu's character into the two defining cases, one in the past and one in the present. Unlike some of the overrated the 2020 vintage that morph into character dramas (Horizon Tower, The Long Night), Fang Mu's character evolution an integral part of the plot and is not a digression from the plot.
There are enough clues throughout that it is possible (but not easy) to partly solve both of the main cases before the big reveals. At the very least, a very shadowy outline of the truth is visible in a way that made me want to keep watching; to find out if my suspicions were correct. This achieves that perfect balance between the element of surprise and anticipation or validation of the viewer's working thesis and I can't be more impressed. The acting and chemistry between the cast is excellent with the villains in particular being very subtle but still planting the smallest seed of suspicion. This really hit my mystery, psychological thriller, dark gore sweet spot. At the same time, in so many ways it is also a very human, very sad story. You will feel a ton of empathy for many characters and how the vagaries of fate and chance conspire to steal their dreams without completely killing them. Chen Xi and Fang Mu's story broke my heart - even though I was on to them from the second episode, I never wanted more badly to be wrong.
While there are some flaws and maybe some holes, this is an excellent watch - I rate it 8.5. It is very under appreciated but dark and complex.
If you are going to watch it on iQiyi be warned that the last two episodes are incomplete. Episode 23 seems edited to end the show with some of the most important threads left open. And Episode 24 is missing. iQiyi has ignored my many messages to complete the season so like me, you will have to watch the last two episodes somewhere else (Dramacool).
Was this review helpful to you?
The Adventures of Shanghai Holmes
This drama unabashedly sets out to create a Chinese Sherlock Holmes that is an upgrade from the original. I wish they had not done that but that changes nothing about how awesome this drama is. Set in the lavish sophisticated glitter of 1930s Shanghai, the glamorous surface visuals stand in sharp contrast to the darker and more ominous undertone of its citizens' dark side. The production borrows heavily from recent popular Sherlock Holmes movies and dramas. This is most notable with the OST which sounds uncannily like parts of the OST from both the movie and the BBC hit drama but has the audacity of being well... just better!This fun and engaging drama follows gifted police consultant Luo Fei (Bai Yu) and his sidekick rookie female detective Qin Xiaoman's crime solving adventures. They are aided by forensic doctor Ben Jieming and criminal psychologist Dr. Huo Wensi under the eagle eye of Detective Supt. Shawei. Despite the overt allusions to Sherlock Holmes, this is really a crime solving team that is a bit of Elementary in the two leads combined with a bit of CSI and a bit of Criminal Minds. Despite the requisite sharp intellect and deductive talent, Bai Yu's Luo Fei is far too sociable, too stylish, too charismatic and way too relate-able to qualify as an iconic Chinese Sherlock Holmes. His interpretation lacks a defining obsessive eccentricity and that dispassionate deductive logic that is the quintessential Sherlock Holmes.
Nonetheless, the humorous antics of the all too human Detective Luo as he falls for his gamin and plucky young sidekick are simply delightful. Xiaomin is a strong, smart and tenacious female character who can kick ass but is also not afraid on occasion to just be a girl. I really like that about her. What I like less is how condescending Luo Fei is when explaining certain deductions to Xiaomin - all that "Elementary my dear Watson" crap is such an overused and passe preamble to a "this is how it went down" walk-through in this genre. In general, all of the lead roles are colorful characters that were well written, well developed and well acted.
What impresses me most about this drama are how well written the cases are and how they come together in an overarching larger plot. I devoured the Complete Sherlock Holmes when I was twelve and have probably read every critically acclaimed detective out there since. I am not that easily wowed by just any old whodunit. These cases are intriguing, cleverly crafted, largely original with cheeky allusions to many of Holmes cases, both famous and lesser well known. They were mostly crimes of passion, where we end up feeling rather sorry for the perpetrators following the great reveal. In this sense, the cases are much more Agatha Christie than Arthur Conan Doyle.
The approximate three-episode per case format is just the right length to properly develop the backstory to each crime and the potential suspects. However, the production rushes through some key interactions, as if they don't really want the viewer to have enough time register what happened and think things through carefully. A really good whodunit lingers to the point of actually rubbing it in your face. The casting is also a bit off in the cases. For example, if there is to be a femme fatale in a case, she has to look the part. It is like saying Mrs Peacock seduced Professor Plum in the Conservatory - all you get is a big fat eye roll and yeah, right. Replace that with Miss Scarlet and then its oh yes, of course she did, that tramp! I suspect that the producers just don't understand that part of the big hook in this genre is the audience really does want to have a fair shot at more or less figuring it out. And between the rushing (every episode is really only about 30 mins) and the misleading casting, they are kind of cheating a little bit. But its not a big issue, just don't hesitate to rewind if you think you missed something.
[MILD SPOILER - PROCEED WITH CAUTION]
The way the cases converge towards the end is marvelous (and original) and builds towards a Reichenbach Falls like moment as a final homage towards Sherlock Holmes. Arthur Conan Doyle was bored with his creation and had intended to kill off Sherlock Holmes. I don't think that is the intent here - I think it this is clearly angling for a second season but even if that doesn't happen, I think the ending is excellent and can stand as it is.
Was this review helpful to you?
Saved by the long haired devil in Prada.
This is one of those dramas with many, many flaws but somehow still manages to be so very enjoyable to watch that it commands higher ratings than it deserves. It is also one where for me, a secondary lead playing a dark character completely steals the show and wins my heart.This is the story of Hua Qiangu (Zhao Liyang), a cursed orphan who has a tendency to attract demons. She is rescued from angry and fearful villagers by a powerful immortal Bai Zihua (Wallace Huo) who after many trials, reluctantly accepts her as his disciple. Of course they can't help falling in love but if the master disciple relationship is not obstacle enough, she is also fated to be his calamity and it is his duty to suppress the demon goddess within her by killing her. They come regularly in conflict with factions of the Demon Sect, who are out to steal a number of magical artifacts that when put together unleashes the demon forces. When her master Bai Zihua is mortally injured, Hua Qian Gu goes on a quest to recover all of the artifacts regardless of the consequences. This is a result of the machinations of a mysterious antagonist that results in a good surprise plot- twist.
As a couple Qiangu and Zihua would have worked better if Wallace Huo had not appeared to be icy-faced practically all of the time. He is a good enough actor that he must have just been a bit lazy in this role. As a result, his Bai Zihua came dangerously close to crossing the line of being cruel and indifferent to Hua Qiangu. I was still rooting for them as a couple but there were many moments where he really angered me. This made Hua Qiangu seem a bit silly for being so devoted to such a cold fish when she was surrounded by so many other more worthy suitors. Huo's rather flat performance left the door open for the secondary leads to steal the show and indeed they did. Andy Zhang was really very convincing as Dong Fang but it is Kyle Ma's Sha Qian Mo that shocked and awed.
I would probably have given this show a 7 or 7.5 without Ma's Sha Qian Mo. He was equally compelling as the fearsome and deadly Demon Lord as he was as Hua Qiangu's tender and protective Sha Jiejie. He is a total fashion diva that embraces his feminine side, pulls off these colorful, exotic and unambiguously female outfits and hilariously exchanges beauty tips with Qiangu. He would sadly advice her not to love her callous sifu so much despite sagely knowing she wouldn't be able to help herself. This was one of the characters from the show that really resonated with me and saved the drama. I'd like to see this actor again in some better roles!
The overall story-line is very interesting it moves at a nice pace for the most part and then at the end the story gets garbled, a bit confusing and then it ends abruptly. It is as if they ran out of time or something. This is really absurd because they wasted hours and hours on this super annoying, whiny CGI caterpillar character that turns into a noisy, talkative and thoroughly irritating girl. The directors and scriptwriters really deserve to be spanked for wasting time they did not have on this now hopefully unemployed actress. This could have and should have been a much better show. Still while rushed, the ending was not as terrible as some have described as the two leads did manage to click well in the finale. Its is still overall enjoyable and worth watching.
Was this review helpful to you?
The truth will make them free.
This is a review of The Blue Whisper in its entirety - I will not review Part 1 and Part 2 separately.The Blue Whisper is an enthralling fairytale about how love can be both imprisoning and liberating. Set in a fantasy world where sky immortals or fairies instill order and earth immortals or demons are prone to chaos, romantic entanglements between these two clans are forbidden. This kind of inter-species ban pretty much ensures that sky immortals and earth immortals fall for each other with reckless impunity.
Ji Yunhe is the most consummate spirit master among Wanhua Valley's elite cadre of demon tamers. She longs desperately to escape from the Valley; to see the world and be free. Chang Yi, a magnificent and powerful merman is captured by the wicked, conceited Shunde fairy, who tasks the Valley to tame and enslave him. Seeing it as her ticket to freedom, Yunhe vies with her sect brother, the Valley Master's son Lin Haoqing, to complete the task. Where Haoqing attempts to torture Chang Yi into submission, Yunhe beguiles him with kindness, friendship and love. Yunhe successfully manipulates and entices the naïve Chang Yi's heart for her own selfish ends. Along the way, the player gets played as Yunhe falls for his sincerity and sees that it is wrong to enslave such a pure hearted and innocent being. But even though she sacrifices to free him, her well intended lies set in motion a cycle of half truths, sacrifices. betrayals and captivity that ensnares them both. After a long and difficult quest for freedom with many trials, they understand that it is the truth that makes them free.
The story is set in a stunning, enchanted fantasy world with a vivid magical color palette, mystical sets and the best costumes and styling I have seen in a long time. The CGI is well done but errs on the side of being heavy handed at times. The storytelling however, leaves quite a bit to be desired. There are way too many artifacts, especially pearls with endless magical properties to conveniently save the day. And when dead characters keep being revived, both the element of surprise and the emotional impact is diminished. In addition to unnecessary side characters, there are altogether five well developed CPs that explore repetitive tortured themes of taboo relationships, deception, betrayal and how love can both be both confining and liberating. A few of these side stories are not interesting and too long winded and the frequent alternating between too many CPs and plot threads breaks the momentum of Yunhe and Chang Yi's story and makes the main plot stagnate as well. Thus I did not feel Yunhe and Chang Yi's chemistry or get invested in their storyline until Part 2 where many threads converge and the storytelling improves markedly.
I am really happy to see Dilraba take on the role of such a complex and conflicted character as Yunhe; one that undergoes so much anguish and such profound change. Though she made me feel her love and pain many times, I still like her portrayal of the cunning, manipulative and self serving Yunhe in the beginning best. As for Ren Jialun, he is a master of the unspoken and of intense suffering in silence. I can't fault his performance and am simply tickled that he is willing to do so many kiss scenes with the exquisite Dilraba. They look so incredible together in this production that they must be the most gorgeous costume drama couple by a wide margin. That said, while Chang Yi is intensely single minded when it comes to love, loyalty and righteousness, this is not innately a complex character and thus the role doesn't quite do Ren Jialun justice in terms of broadening his acting repertoire.
The character that compells me to the point of stealing the show is Lin Haoqing; brilliantly and sublimely articulated by Xiao Shunyao. From the get go, I was more drawn to Haoqing's chemistry with Yunhe - they are on the same wavelength, bound by history and layered and complex emotions. Like Chang Yi, Haoqing is torn between duty and Yunhe but unlike Chang Yi who is more reactive, he proactively schemes ahead, takes bold risks and tries for win win outcomes. Lin Haoqing and Yunhe get to do all kinds of interesting and important things that advance the plot while poor Chang Yi is relegated to safeguarding Beiyuan and dealing with the petty, boring issues of the fox clan. Chang Yi only comes in useful in mighty showdowns and even then, his power ups are marred by unflattering camerawork that catch him scowling angrily as if he is trying to take a dump. I can't help but feel that the plot short changes my beloved sour faced Ren Jialun, an actor I am super fond of. That said, I only have praise Xiao Shunyao's ability to make me feel Lin Haoqing's suffering no less than Chang Yi and Yun He's. I hope good things happen to this handsome and compelling actor.
Though I don't consider Xian Shi or Shunde's motives as villains that convincing, both roles are very well acted. In fact, Guo Xiaoting's Shunde can give one of my all time favorite villains, Angelina Jolie's Maleficent a run for the money. Guo thrusts herself into the role with mesmerising relish and wicked abandon. A dash of dark humor would have rendered the portrayal incomparable. As for the rest of the (too) extensive cast, even though a few characters got screen time that was disproportionate to the substance of their storylines, the roles are well performed enough to win a place in my heart. The friendship, support and sacrifice from Fan Zhen and Lishu as well as the hilarious Kong Ming and Luo Luo is clearly what gets Yunhe and Chang Yi through the loneliness of their many trials and tribulations. And I just simply love the idea of such a youthfully adorable Tian Jun.
This drama finishes strongly with an exciting and well chareographed final confrontation. But I won't lie, the ending is a bit of a blue whimper. There are simply too many reversals that make me roll my eyes. As for the final 5 minutes, it succumbs to c-drama's nasty habit of wanting to be all things to all people. Nonetheless, it is still an acceptable finale that from a certain point of view can be seen as quite fitting. The storytelling in Part 1 tried my patience and is at best an 8.0 but I really enjoyed Part 2, which I can happily rate a 9.0. Since I don't think it makes sense to rate both parts separately, this is an 8.5 overall. As of end April, this is my personal top ranked drama for 2022.
Was this review helpful to you?
To be or not to be.
This is a short, gripping and dark crime drama that revolves around a grisly series of murders that are mysteriously linked to Aspergic forensic analyst Fang Yiren's estranged teenage daughter. In a desperate bid to find her, he teams up with Xu Haiyin, a resourceful but rather unscrupulous and ambitious young journalist to unravel the cases. They are an odd but effective team as his meticulous forensic work reveals the how while her intuition and ability to understand and manipulate people uncovers the why.Joseph Chang's portrayal of Asperger's alone makes this drama worth watching. I would tear up at his portrayal of Yiren's frustration and inexpressible pain at his inability to emote and connect with people. Far from being oblivious (which would actually be merciful) Fang Yiren is well aware of this handicap that devastates his family and alienates his colleagues but yet helpless to do anything about it. Although I didn't like Tiffany Hsu's Haiyin in the beginning, I think her depiction of how Haiyin schemed to manipulate Yiren initially and ultimately came to understand and empathize with him was nuanced and layered. The essence of their chemistry is in the very lack of chemistry between them. The acting is so brilliant it pulls you into rooting for an unrelatable character and a dislikable one (initially). This is an almost unnecessarily dark drama; literally every character is dysfunctional, has family problems and/or smokes like a chimney.
For me, the murder mysteries were a side show and not the main meal. The plot is overly ambitious and weaves together too many complicated themes from mental illness, various social injustices, transgender issues, terminal illness, corporate greed, vengeance and, atonement in addition to the ultimate and super heavy question - "to be or not to be". While the first few cases were clearly linked, the intertwining of subsequent cases and relationships became more tenuous and were arguably unnecessary as Yiren's daughter was implicated in the very first case. The ultimate reveal was a surprise mainly because both motive and means were unconvincing and the acting by the main antagonist was very weak in sharp contrast with impeccable performances by the rest of the cast. It is a pity because what is missing is a deeper exploration of the father daughter relationship, something I suspect this production could have pulled off compellingly.
The production values are very high; it revels in impressively shocking and gruesome crime scene detail and unflinchingly exposes the mundane and exhausting clutter of ordinary lives. One of the things I really enjoyed about the drama is the proliferation of several dialects from the very expressive cussing unique to Taiwanese Hokkien to of course Mandarin and even Cantonese. But for all the high production values and effort, the last episode was really the weakest and the ending had an unfinished feeling. For some reason, this reminds me of Netflix's controversial but higher impact 13 Reasons Why, which is a much more focused and terrifying exploration of a few hard core subjects rather than a scratch on the surface tour of too many that is this drama. Nonetheless, the acting is superb and the story will put you in a thoughtful mood for some time.
Was this review helpful to you?
My name is Nalan Yue, you killed my father, prepare to lose your daughter!
Once upon a dark and scary time, jianghu was controlled by Rong Jingfeng, master of the sinister Dragon Roar city. His favorite daughter Rong Hua (Zhang Huiwen) is rescued by Nalan Yue (Ren Jialun) and they fall in love. They uncover the secrets of JIngfeng's dark power over the sects and a continuing blood fued between their families. Evil jianghu dictator, revenge plot, Romeo and Juliet romance... yups, those are pretty much the most overused wuxia tropes out there. And yet this drama takes a very different and often enjoyable approach to these common cliches which is what kept me watching. I won't lie however, the editing is terrible and while there are some really fun parts, the whole thing does not come together that well.The story itself is a simple one that isn't that difficult to follow despite the annoying, often discontinuous editing. The action scenes are exciting and generally well done and is one of the drama's highlights. While it is at times hit or miss, they make a decent attempt at dark comedy, which I love. Unfortunately, as much as I respect Ren Jialun's attempt at taking on more versatile roles, his portrayal of Nalan Yue is not memorable. He takes the character's transition from a lighthearted and chatty young man to a darker, more mature and more burdened character well enough but fails to convey who Nalan Yue is at the core. His comedic timing is just not good and trying to grin while he is talking at high speed is a fatal error that must be as uncomfortable as it looks. That said, I respect and support actors who take on different roles and try to test their limits so I am pleased he didn't try to pull another Lu Yi here. I was wary of Zhang Huiwen because I really dislike her performance in NIF2, one of my all-time favorite dramas. But while not perfect, I definitely saw improvement in her acting and she is surprisingly good at dark comedy, which requires much more subtlety than silly rom-com humor. Her best moments in this show is when she vindictively has a beloved tree chopped down and her hilarious initial interactions with Bai Su.
Where this drama falls down is the two main romances were not properly developed. Both lead couples fell in love so quickly I had to rewind to make sure I didn't miss their courtship. As such, there is no buy in as to how as a couple, they would overcome the dreaded Romeo and Juliet trope - one of the hardest tropes to convincingly pull off a happily ever after with. And Ren Jialun's wife (just kidding, don't start rumors) must run the censorship bureau because there is no lip locking and not much in terms of eyeballing each other either. They just jump right into a mature, trusting and intelligent relationship with limited misunderstandings and only mild noble idiocy at the end. But it is still great to see the romance avoid a bunch of cliches and it is particularly refreshing the way the Xueman triangle is so smartly resolved. I also love how both brothers fall for such different sisters and oddly enough, it is quite clear why Rong Su and Liu Yizhou "click" but less so Rong Hua and Nalan Yue. Despite a lot of screen time together, Rong Hua and Nalan Yue have zero sizzling, squeal worthy moments together. For me, Xuanye and Liuli's romance is the most convincing and endearing one.
There are many very cool and properly dimensioned characters in this show. Even dark characters like Mohuan and Jingfeng have shades of grey and likable sides, no one is just simply black or white. They are all capable of love and doing good but tragically chose to do evil instead. Outside of Meiying, who to me is the most despicable character, I am moved to pity for the vain, lonely and ultimately futile quest for power and dominance that drove our main villains. I also like how the drama explores revenge not as an eye for an eye and is willing to free the next generation from the past generations greivances. I think if this drama went went down the route of "My name is Nalan Yue, you killed my father, prepare to die!", I would certainly have dropped it early on. It is differentiated in new ideas and interesting approaches to cliche tropes and a decent attempt at dark humor. It is a shame it doesn't hang together as well as it should have but I still enjoyed it. To me this feels like a 7.5 or possibly an 8.0 for not boring me with stale ideas.
Was this review helpful to you?
Thief of hearts.
Five Kings of Thieves is a fast paced Republican period wuxia. Zhang Siye puts a mysterious artefact up for auction. This object is said to lead to the whereabouts of the first emperor's mythical cauldron. This draws many opposing interests out of the woodworks; including historic guardians of the treasure, the Five Elements Families. Revolutionary students determined to protect China's national treasures from Japan's Black Dragon Association also jump into the fray.Huo Xiaoxie is just a scrappy orphan and the only treasure he is after is just some nice dim sum to celebrate his shifu's birthday. He sneaks into the Zhang mansion to steal some and bumps into Shui Yao'er, who is after a far more valuable object. They fight into love as they are caught up this high stakes treasure hunt with devastating and life changing consequences. Zheng Zedao a constable with an unknown agenda recognises his resourcefulness and bails him out of a few tight spots. As their enemies encircle them, this thief of hearts races to unlock his own hidden powers to secure the treasure and win the girl.
This is a low budget action packed adventure with many twists that weaves in many brave and colorful jianghu characters with their own side stories. I enjoyed both Ren Min and Darren Chen's slightly exaggerated acting and cute chemistry in this. Its a bit rushed at the end and I could see some of the twists coming early on but still enjoyed watching them play out. The slightly slapstick sequences and the look and feel of this entire production is nostalgic of the old HK TVB Republican era action adventures. Its quite campy and the editing is not the best but with only 12 episodes its a nice, quick watch. My rating 7.0/10.0
Was this review helpful to you?
How to top an already phenomenal first movie.
Brotherhood of the Blades 2 is one of those rare second movies that I liked better than the first (which also rocked). In this prequel, the younger Shen Lian stumbles upon a larger political conspiracy in the middle of an assignment to eliminate a controversial artist. The plot falls more along the lines of a mystery with just the right number of plot twists and betrayals. While the action scenes are still bloody, intense and masterfully choreographed, there is a better balance between close up lethal swordplay, suspenseful cat and mouse evasions and gripping high speed chases.The plot in the prequel is easier to follow and more interesting to me. The cast is stronger and the characters are deeper and have to grapple with more inner conflicts. The three main characters - Shen Lian (Chang Chen), Lu Wen Zhao (Zhang Yi) and Pei Lun (Lie Jia Yin) have agendas, loyalties and morals that are at times in outright conflict, making them alternately allies and adversaries. Yet they are bound by a certain code of conduct and mutual empathy shared by those who are ultimately just expendable chess pieces. Chang Chen's Shen Lian silently brimmed with intensity from barely suppressed defiance, to lethal violence, to cold calculation and to longing and desire in this movie. Lie Jia Yin as Pei Lun was his perfect foil with his nonchalant mocking insolence and casually deadly innuendo. Their chemistry as both friends and foes was spot on - I could not get enough of them. In the first movie, the third male lead, his sappy love interest and the female lead were insipid superfluous characters. This second movie doesn't have any notable weak links in the cast. In fact all of the supporting characters were exceptionally well acted.
Also two thumbs up for the strong, yet paradoxical female lead character - a brave and independent woman with a voice that will not be suppressed but who yet loves not that wisely. Ever at fault with a damsel in distress, Shen Lian's reluctant yet burning infatuation with her had me squealing with delight. I was shocked however to discover Yang Mi's truly awful real voice - it is thin, reedy and at odds with the strong character she portrayed. She pretty much owes all her success to her voice dubbers and undoubtedly this is why she hasn't graduated to the big screen despite her popularity and success. Still there is something inexplicable about her that connects with all her leading men and Chang Chen was no exception here.
Overall a fantastic movie to revisit, one that is hugely satisfying for any Chang Chen and/or Lie Jia Yin fans suffering from withdrawal after 2019's top dramas.
Was this review helpful to you?
Do you really want to live forever?
I was surprised by how completely The Blossoming Love (千朵桃花一世开) managed to hook me in the opening episode. Expecting yet another run-of-the-mill xianxia, I ate up newbie Sun Zhenni's provocative portrayal of Mu Xuanling, the Saintess of the Dark Realm and seductress nonpareil. For once, a morally ambiguous lead female character who knows what she wants and will break all the rules to get it. While there is no question that she saves Xie Xuechen, the leader of the Immortal Alliance, we don't know why and what her real motives are.What stands out the most about this drama is the undeniable chemistry between the leads Vin Zhang and Sun Zhenni, which really is a "must- have" for me to want to watch this genre. Sun Zhenni knows how to look at a man like she really wants him. She could give a master class not only in flirting but her irresistible expressions; the way her eyes sparkle, her deep searching gazes, the way she conveys passion, joy, distress and anger. This was so refreshing coming right off of Blossom where Meng Ziyi's uninspired wide-eyed dead duck stare made me want to write-off romance dramas for good.
This is a intricate story with complex characters and multiple timelines that come to a full circle over four arcs. It opens in the third arc in terms of time sequence, where Xie Xuechen, Mu Xuanling and the mysterious Nan Xuyue seem to be bound by a past affinity that will shape not only their futures, but that of the universe. While it is predictable that they have other identities, the drama opens with the most interesting version of each of them. Xuanling's flirtatious teasing of Xuechen thrilled and delighted me as much as her her ambivalent affection for Sang Qi moved but worried me. Xuechen is also not your typical righteous hero, he is capable of subterfuge and is disarmingly candid about his growing affection for Xuanling. I enjoyed his bromance with the enigmatic Xuyue and hoped Xuanling would not complicate the friendship and trust between them. It is a fantastic arc where no one is that powerful so in every conflict, the stakes feel heavy and real. Unfortunately, the subsequent arcs pale by comparison.
The backstories are told in extended flashbacks about characters that are not as interesting. I could not get invested in either Zhao Ming or A'chu, who are boring and two dimensional. Despite the dark and sexy vibe of the Demon Lord and the leads' charisma and screen presence, I never came to really care for their other personas. I found myself more moved by the side stories of the master and mistress of Bixiao Palace and that of Lord Qianguang and his forgetful lover. While the later arcs are where Wang Duo's laudable talent for complexity is on full on display, Tian Ming's single-minded obsession with fate and his efforts to force the Chaos Pearl to yield to his will goes on for a bit too long. Nonetheless I was pleased to see that in the end, he finally finds his answer to the two questions that plagued him endlessly; "What is love?" and "Do you really want to live forever?"
The biggest problem with this narrative is that the plot is overly ambitious, it literally tries to take on the universe! While it opens strongly in the best, most addictive arc, the non-linear telling of the story is confusing and the multiple time loops of cause and effect are difficult to keep track of. That said, apart from some inevitable logic bugs, the story largely hangs together if you don't look overly hard at it. And while the ending is somewhat anti-climatic, I enjoyed the message that we should not just accept fate. I rate it 7.5/10.0 overall but I think the first ~25+ episodes are worth between 8.0 and 8.5.
Was this review helpful to you?
