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Princess Weiyoung is like comfort food - tried and true but pushes all the right buttons.
This was truly a very enjoyable drama from start to finish - I was pleasantly surprised by how it managed to captivate me. The underlying plot itself is not special - it is a revenge drama about a Liang princess whose family was executed after being framed for rebellion against the Wei kingdom by the Prime Minister's wife's powerful Chiyun family. She assumes another identity (Weiyoung) and infiltrates the Prime Minister's household as his second daughter of lower birth to a common mother. It has some clear parallels to Nirvana in Fire but the main protagonist is a clever young woman and her "revenge" is more reactive as opposed to proactive and calculated. Another difference is there is a big romantic element, it is more light hearted, fast moving and less complex. However, this is nowhere near on the same level and maybe it captivated me because my expectations were not high.The casting in this show was superb - literally all of the characters good and evil did a remarkable job with their roles. The two main leads are a real life couple and the chemistry between them is undeniable and heart warming. The male lead plays a powerful young Wei prince who is so enamored with Weiyoung that he is willing to give up his kingdom and his life for her. I think of the two, Luo Jin (Taoba Jun) is the better, more charismatic and versatile actor. Tiffany Tang's Weiyoung was clever, resilient and completely adorable but her performance was undeniably aided by the overall strength of the supporting cast. There were quite a few villains in the show - ones that you will love to hate (Prime Minister's wife and her nephew); ones that were so ineptly evil you had to laugh at them (Prime Minister's eldest son and daughter); and the more complex, ultimately pitiful ones that had some good in them (the Nan-an Prince and his lover). The Prime Minister's wife has the most evil villain eyebrow movement I have ever seen outside of a cartoon. And you will learn how evil and hate can take the form of such a lovely and innocent face. I found myself moved to pity for some of the villains even thought they satisfyingly got their just deserts, which speaks to the layered complexity of the characters. There are two charming supporting couples whose story lines did not deviate much from the main plot and did not go on excessively. Finally the show kept to a bare minimum the childish, petulant and immature female role stereotype that ruins many otherwise good shows.
Without giving anything away, there were some good twists in the story that sees friends turn into foes. I did think that there was excessive plotting against Weiyoung and maybe one or two of those plots could have been eliminated. Nonetheless due to the strength of the cast, any repetitiveness it was barely noticeable because everyone was such a pleasure to watch. Objectively speaking the plot isn't that original but it has all the elements of a true crowd pleaser: it moves fast, it will make you laugh it will make you cry; it will make you love, it will make you hate and it will surprise you a few times.
[KIND OF SPOILER BUT NOT REALLY A SPOILER ALERT]
One of the best things about Chinese drama is that a happy ending is not a foregone conclusion. Hollywood still doesn't get it - when its a foregone conclusion that it ends happily ever after everything becomes predictable and forgettable. This one will keep you guessing and hoping to the bittersweet end and maybe that is one of the reasons why it lingers with you.
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Lie like a dog.
This is a very solid police procedural about a female-led investigative team that employs polygraph technology to solve crimes. Haunted by a 12-year old and very personal cold case, Ling Ran is a workaholic truth seeker who is after justice for both the victims and the survivors of violent crimes. This is a very driven character that fuses her own instincts and observations with signals from the lie detector to sniff out and drill down on suspects who lie like a dog.The cases are based on real life cases that occur when common human fallings collide with social pressure and a spate of bad luck. They are quite simple with straightforward with often predictable solutions and some plot holes. But they are curiously addictive nonetheless and this is what sets this otherwise unexceptional police procedural apart. While at surface it looks like Lie to Me, it is actually a lot more like CBS's Cold Case, one of my all time favorite crime series. The stories are dark and sad and they feel very real. The magic of the narrative is that it brings the victims back to life - they have secrets, hopes, dreams, strengths, weaknesses; they all love and are loved. Regardless of how ordinary and humble their existence is, they are missed and their loss is a devastating blow to someone. All but the last case moved me to tears.
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The team dynamics are well written, well portrayed and enjoyable but overshadowed by the victims' and their survivors' haunting stories. I think Mo Xiaojie and his connection with the homeless orphan stole the show and gave this character the kind of growth and dimension that is missing in team leader and titular truth seeker Ling Ran's characterization.
Ling Ran is scarred by a 12 year old cold serial case that makes her the way she is but unfortunately this is not explored until the final case. As such, I find aspects of Ling Ran perplexing and never quite connected with her. This ends the drama on a final case that just doesn't resonate as hard as the earlier cases. I would prefer they opened with the final case and ended with the first case. This would have better established Ling Ran's backstory and made her more understandable and relatable. The first case is also one of the best cases and the one with the least dark ending that asks the question whether one ought to lie to protect the innocent, which would be a fitting note to end this drama on.
I only rate this a 7.0 because it really isn't the best, most intriguing and thrilling crime series out there. But it is quite well made and there is a lot of heart in the cases that will touch you in a lingering way so it is definitely worth watching.
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Do you really want to live forever?
I was surprised by how completely The Blossoming Love (千朵桃花一世开) managed to hook me in the opening episode. Expecting yet another run-of-the-mill xianxia, I ate up newbie Sun Zhenni's provocative portrayal of Mu Xuanling, the Saintess of the Dark Realm and seductress nonpareil. For once, a morally ambiguous lead female character who knows what she wants and will break all the rules to get it. While there is no question that she saves Xie Xuechen, the leader of the Immortal Alliance, we don't know why and what her real motives are.What stands out the most about this drama is the undeniable chemistry between the leads Vin Zhang and Sun Zhenni, which really is a "must- have" for me to want to watch this genre. Sun Zhenni knows how to look at a man like she really wants him. She could give a master class not only in flirting but her irresistible expressions; the way her eyes sparkle, her deep searching gazes, the way she conveys passion, joy, distress and anger. This was so refreshing coming right off of Blossom where Meng Ziyi's uninspired wide-eyed dead duck stare made me want to write-off romance dramas for good.
This is a intricate story with complex characters and multiple timelines that come to a full circle over four arcs. It opens in the third arc in terms of time sequence, where Xie Xuechen, Mu Xuanling and the mysterious Nan Xuyue seem to be bound by a past affinity that will shape not only their futures, but that of the universe. While it is predictable that they have other identities, the drama opens with the most interesting version of each of them. Xuanling's flirtatious teasing of Xuechen thrilled and delighted me as much as her her ambivalent affection for Sang Qi moved but worried me. Xuechen is also not your typical righteous hero, he is capable of subterfuge and is disarmingly candid about his growing affection for Xuanling. I enjoyed his bromance with the enigmatic Xuyue and hoped Xuanling would not complicate the friendship and trust between them. It is a fantastic arc where no one is that powerful so in every conflict, the stakes feel heavy and real. Unfortunately, the subsequent arcs pale by comparison.
The backstories are told in extended flashbacks about characters that are not as interesting. I could not get invested in either Zhao Ming or A'chu, who are boring and two dimensional. Despite the dark and sexy vibe of the Demon Lord and the leads' charisma and screen presence, I never came to really care for their other personas. I found myself more moved by the side stories of the master and mistress of Bixiao Palace and that of Lord Qianguang and his forgetful lover. While the later arcs are where Wang Duo's laudable talent for complexity is on full on display, Tian Ming's single-minded obsession with fate and his efforts to force the Chaos Pearl to yield to his will goes on for a bit too long. Nonetheless I was pleased to see that in the end, he finally finds his answer to the two questions that plagued him endlessly; "What is love?" and "Do you really want to live forever?"
The biggest problem with this narrative is that the plot is overly ambitious, it literally tries to take on the universe! While it opens strongly in the best, most addictive arc, the non-linear telling of the story is confusing and the multiple time loops of cause and effect are difficult to keep track of. That said, apart from some inevitable logic bugs, the story largely hangs together if you don't look overly hard at it. And while the ending is somewhat anti-climatic, I enjoyed the message that we should not just accept fate. I rate it 7.5/10.0 overall but I think the first ~25+ episodes are worth between 8.0 and 8.5.
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A song of fire and ice.
This drama feels like an angsty adolescent modern romance that was dressed up in historical costume and wrapped up in a few wuxia tropes. Some of the ideas and characters are quite fresh but ultimately it is weighed down by cliches and an insipid plot.Chong Xuezhi (Chen Yuqi), the young mistress of the Flame Hall seeks to restore the reputation of her sect and atone for her father's atrocities after going berserk from improper cultivation of the Lotus God Nine Stance Technique. Behind vocal condemnation, the other sects covet this technique and scheme to acquire the manuscripts by fair means or foul. They are manipulated by a mysterious antagonist who aims to bring the sects under their control or eliminate them. The playboy master of Moon Valley Shangguan Tou (Luo Yunxi) is tasked to protect the naive young Xuezhi and along the way, they fall in love. Perhaps not the most original plot but decent enough that with proper execution could have be an entertaining wuxia romance.
I have a soft spot for flawed rakish characters like Shangguan Tou, who is not your typical c-drama male lead. I had to turn up the air-con at the intensely flirtatious, almost seductive way he heatedly eyes and teases Xuezhi in the beginning. But this is one complicated dude - he blows hot and cold as he has commitment issues due to an unhappy childhood and unresolved issues with his father. He loves to engage in long winded and repetitive introspective conversations but doesn't communicate or listen to good advice. That just leads to endless rounds of pointless talking. Sigh! In the end, I found this character frustrating - just too high maintenance, emotional, headstrong and uncompromising. That said, Luo Yunxi's breathtaking ability to wear his heart on his face kept me going through the draggy parts.
Although naive in the beginning, Xuezhi is a stronger, more straightforward character - she is proud and dignified when Tou rejects her, she gets on with her life and is generally a good decision maker. She seems weak in the end because Tou is so adamant that everything has to be his way. It is actually Tou who is too distracted to stay one step ahead of the enemy and makes emotional and cliche noble idiot decisions. It cracks me up when even the loyal Wuming questions his judgement. While clearly Yunxi is the stronger and more nuanced actor (and so devastatingly handsome), both roles were well acted and the OTP has good chemistry. It is not their fault that their interactions are so frustratingly written. Their characters are also very young and written to be extremely immature and inexperienced with relationships despite their authoritative positions. This is a challenge because visually both leads are well past their teen/young adult years.
The drama starts strongly but quickly loses momentum. The main problem is the romance between Tou and Xuexi advances too quickly and is so consuming that the rest of the external plot is repeatedly tossed into limbo while the OTP (internal plot) jumps through a bunch of romance cliches - he's dying, he's not ready, love triangles galore, silly misunderstandings, she's dying... to the point I kept wishing one or better yet, both of them would jump off a cliff. Their fated affinity or yuan fen (缘分) must not be that good because every time they get together, one ends up at death's door! Their moods are also out of sync - one blows hot while the other blows cold. It is a real question whether this is a couple that lasts.
The relationship arcs are such big digressions that by the time we get on with the conspiracy, the story picks up but never regains the lost momentum. The rest unfolds rather hastily and deals with interesting characters including Muyuan and Qingmei more cursorily than they deserve. It is a shame because there were many good characters in this drama but once they serve their purpose, they are killed off with impunity. Along the way, the plot morphs into a political conspiracy rather than a wuxia and the only bombastic thing about the so called legendary martial art technique is its name. The main antagonist's motivators are not compelling and that actor shamelessly knocks off Chen Kun's Ning Yi mannerisms. The actor does not have the right face for some of the more dramatic expressions and just ends up looking like a bizarre and creepy clown. The external arc ending is not satisfactory and in my opinion, justice is not served.
All things considered, if you fast forward through the middle bits, this wasn't that bad - there are some moving scenes, generally good acting and a fabulous looking OTP. But in hindsight, the fire and ice theme of the drama is a dead giveaway; when you add ice to fire all you get is a bunch of hot air that evaporates into nothing of substance.
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At a snail's pace.
Sometimes all you need to know about a drama is in the name - this one is aptly titled because it unfolds at a snail's pace. This is about a talented young criminal profiler Xuxu's quest to gain the approval and acceptance of her boss Ji Fai; who wants to boot her out of the department for flunking the physical fitness test.The cases in this crime thriller drama are linked and have a personal connection to Ji Fai. While quite well written, the clues and conclusions are either obvious or they are not at all and unfold like a police procedural. A very slow paced police procedural. That simply doesn't work - if its gonna unfold slowly then it must be littered with enough clues that the viewer gets hooked into playing armchair detective. If its gonna be a police procedural, then its got to be fast paced and action oriented. This was the worst combination of both. I lost interest in the case after about 13 episodes but kept watching hoping (wrongly) for some romance.
It goes without saying that Wang Kai looked yummy in this drama and his acting was very good. I really enjoyed all of the fast moving action scenes he was in. But I just couldn't see the chemistry or romance. First of all, Wang Xiwen's Xuxu did not come across as a criminal profiling genius; just a rookie cop who thinks VERY SLOWLY. Watching someone think very slowly is VERY BORING. The character is also inconsistently written: someone supposedly so perceptive she can draw inferences from human nature not obvious to others but yet lacking in social skills and EQ??? Both characters wore such solemn expressions I started to hope they would just glower each other to death.
There are some good things about this drama that actually starts out quite well. The second ML and FL are quite adorable and really lift the mood and team dynamic. But it simply just wasn't enough. If you really want to watch Wang Kai, then you can consider this a 7.0 but if not, it really is a 6.5. Bottom line, if you are looking to be intrigued and thrilled, look elsewhere. If you need a sleeping aid, this is a total snooze fest.
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The Beauty Saves the Hero 美女救英雄
Demon Force is the long-awaited second chapter in the Creation of the Gods trilogy. Compared to the first film, it’s a massive letdown. The heart of the disappointment? It strays wildly from the classic novel. The whole “Demon Force” (魔道争锋) arc is a made-up conflict that stuffs the screen with Hollywood-style cosmic battles at the expense of the original’s political scheming and philosophical depth.The story resumes with Ji Fa defending Xiqi against the Shang king’s demonic hordes. He’s thrown head-to-head against Deng Chanyu, a rising Shang general leading the siege. Mongolian actress Nashi brings her to life with exotic, whip-thin athleticism—she owns every frame, radiating lethal power and feminine fragility in the same breath. I actually cheered this update to the old tale: slipping a fierce, layered woman into the mix. No question, she’s the beauty who saves the hero 美女救英雄 and runs away with the movie.
Too bad director Wuershan seems so smitten with Deng Chanyu that everyone else—from Jiang Ziya to Yang Jian—gets shoved to the margins and practically forgotten. The real crime, though, is what they do to Ji Fa: dumbed down into a lovesick, reluctant hero drowning in self-doubt just to prop her up. Then, to rub salt in the wound, Yin Jiao gets turned into the genie from Aladdin. I swung between fury and helpless laughter at the sheer ridiculousness—and at the total waste of Chen Hailiang’s stunning good looks.
There are enough jaw-dropping (if slightly overcooked) battle set-pieces to keep it from being the worst fantasy flick out there. But it never touches Kingdom of Storms in storytelling. I did love Deng Chanyu’s arc—even if it has no business in the Fengshen trilogy. For me, that lands it at 7.5/10.
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Justice takes a detour down a blind alley.
Dead End is a solid iQiyi Light On crime drama. It explores themes similar to Tencent’s critically acclaimed The Long Season (2023) but fails to achieve the same narrative impact. In 2012, records officer Gan E comes across a case that uncannily reminds him of the "Alley Killer"—a cold serial case from 1994 that has haunted him for eighteen years. He reconnects with his mentor, Ran Xi, who has long since aged into a role training police dogs. Together, they try to get the case reopened, hoping that immense technological advances will finally help crack a mystery that is personal to them both.The narrative alternates between past and present, but the mystery plot takes a long time to reveal itself. The focus is instead on how the changing times of the 1990s affected life in Beijing’s hutongs, where everyone seemed to know everything and yet nothing about each other. Leaking roof and all, Ran Xi loved the hutong way of life and his connection with its residents, resisting his wife’s efforts to relocate to more impersonal modern lodgings. The drama incisively explores the social issues of the day: burgeoning sexual openness, increasing opportunities for women, the stigma of mental illness, suffocating familial pressure from authoritarian parents, and the gradual breakdown of the traditional family unit.
Although this exploration of social themes digresses from the main plot, the character vignettes are portrayed with such a terrific sense of poignant humor and irony that I didn’t mind. I really love how Liao Fan conveys dark comedy, and I came—and stayed—for that. Liu Lin surprised me; she always plays the tough nut so well that I didn’t expect her to be this funny. This was my first time seeing Yin Fang, and I enjoyed his chemistry with Liao Fan. The drama boasts an impressive cast that elevates the storytelling.
Yet, caught in the labyrinthine network of alleyways where the killer stalked his prey, justice takes a detour down a blind alley. By the time the narrative shifts back to the murder plot, I had long forgotten most of the details. Despite a chilling soliloquy from the killer, who hid in plain sight, the crime and its solution felt like an afterthought.
While I appreciated the social commentary, the resolution left a bad taste in my mouth. So much suffering could have been avoided if one selfish, ungrateful, and cowardly person—incapable of empathy or reciprocating affection—had spoken up and given everyone closure years earlier. I loathed this character so much I wished the killer had shoved them down a well instead.
Even though Ran Xi and Gan E got their closure, the unnecessary collateral damage ruined the story for me. As such, I can only rate this a 7.5/10.
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False face must hide what false heart doth know.
The biggest draw of the Disguiser is its best loved Nirvana in Fire cast. Paradoxically, this spy thriller could not be more unlike Nirvana in Fire yet at the same time, it cannot be more like it. Boiled down, it is another memorable bromance built around a family that sacrifices for a worthy cause; in this case the kind of country they want for their future generations.Set in 1940s Shanghai during the time of the Japanese puppet government, the prominent Ming family is caught up in the struggle between Japanese, KMT and CCP forces. Ming Jing, the matriarch is formidable in terms of how fiercely she both disciplines and loves her three brothers, whom she raised. She is the family peacemaker and the one the brothers deceive to protect. The Ming family hierarchy is hilarious - both Ming Tai and Ming Cheng fear oldest brother Ming Lou, who is in turn terrified of Ming Jing. Since the youngest Ming Tai is Ming Jing's favorite, he is actually the most powerful brother! Although both Ming Cheng and Ming Tai are adopted, their bond exceeds that of most blood siblings and the individual relationships between the four siblings are well dimensioned and developed. The remarkable chemistry between this veteran cast effortlessly draws us into feeling a part of this amazing and perfectly imperfect family.
As far as spy thrillers go, this is suspenseful, fast paced and action packed. While the action shots are visually thrilling and artistic, it is quite incredible that protagonists seem to be completely bullet proof and villains take way too many fatal shots to die. The overall plot errs on the side of being overly intricate and fails to convince that so many pawns have to be sacrificed so callously to ensnare the enemy. That said, some of the most powerful, shattering scenes are at the moment of truth when it dawns on the players they are pawns and when the villains realize they have been played. All the villains are introduced early on and are layered characters with their own individual strengths and weaknesses that make them very, very dangerous; especially Wang Ou's gorgeously unstable, oddly naive and sadistic Wang Manchun. This casts an shadow of imminent peril around our beloved Ming family's idyllic private moments.
The way Jin Dong portrays Ming Lou, a double agent whose "false face must hide what false heart doth know" stands out among superb performances all around from this exceptional cast. He wears many hats - traitor, patriot, mastermind, mentor, disciplinarian, manipulator, liar, brother and family man. His true feelings and loyalties are revealed only in almost imperceptible changes in expression or gestures as he fluidly manipulates his chess pieces into doing as he wishes. He is the picture of sincerity and devotion as he turns the deadly Wang Manchun into a giddy, lovesick fool with his sweet loving lies. Alas, she misses that flicker in his eye that says he actually loathes and pities her. He keeps Ming Jing in the dark to protect her and only lets Ah Cheng get the closest look at his game plan and true intentions. I don't know why Wang Kai always gets saddled with the role of the most loyal but most obtuse one but I get Jing wang vibes every time is onscreen. I am glad this time he is teamed up with Jin Dong and not Hu Ge. I love their relationship - Ming Lou is at surface a tough mentor but by communicating outcomes, he actually gives Ah Cheng agency to execute his missions as he sees fit. His approach with Ming Tai is completely different - he keeps him at a strictly need to know level and at arm's length but gives him the most difficult tasks with much more limited degrees of freedom to make decisions. Ming Lou is an incredibly complex, smart character but not unrealistically so that things always go as planned. In this high stakes game, the enemy is not stupid and is capable of learning from mistakes. Some of the most riveting moments are when the brothers are cornered and forced to choose between family and their mission, their ideals, their country.
Hu Ge as the sophisticated, dashing and deadly assassin Ming Tai aka the Scorpion takes the meaning of eye candy to a whole new level. Paired up with his life and death partner, the vivid and lethal Yu Manli, they cut a flamboyant and bloodthirsty trail through the highest echelons of their enemy. Hu Ge delivers some extraordinary and memorable moments as Ming Tai, notably his love hate relationship with his lunatic, radical mentor Wang Tianfeng and his complex bond with Yu Manli. However overall, I did not love some aspects of his portrayal and how this character was written. Although I don't mind Hu Ge playing the 20 something Ming Tai initially, this character must be able to grow up and mature, which he does masterfully to become the leader of his espionage unit. It pains me to complain about Hu Ge and to be fair, he was short-changed by the scriptwriting and casting. But the frequent regression into his younger self; a spoilt, pampered and immature youth doesn't sit well with me, especially towards the end and after everything he went through. It does not help that his arguably unnecessary love interest Cheng Jinyun is portrayed by a complete plank of an actress. They did not connect and the romance was so irritating I kept hoping she would tragically run into one of the many stray bullets flying around. Casting a mannequin would have been better than this boring and totally expressionless actress. This is made more stark by the fiery, intense and palpable connection between Ming Tai and Yu Manli. Song Yi absolutely stole the show with her insane, bad-ass articulation of this psychotic, relentless assassin And her chemistry with Hu Ge is off the charts. She is the character I cared the most about in the drama, the one that scared me and broke my heart at the same time.
While hardly the masterpiece that was NIF, this is still an excellent drama and a wonderful way to reconnect with a fantastic cast. Not to mention... ahem... Hu Ge in black tie... I rate this a solid 8.5.
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Yesha can be anyone and everyone.
The winds of ill omen sweep through the Qi kingdom as hallowed statues weep blood tears. Within days, three of the realm's highest officials meet violent ends, all hinting at supernatural forces at play. A shadowy figure, Yesha or Night Fury, claims credit for the murders and threatens the empire itself. The No. 1 detective of Qi, Xiao Beiming, cockily assures the emperor that his Elite Constables will apprehend Yesha in three days. On his wedding day, Beiming sets a bold trap. But Yesha turns the tables on him with devastating consequences. Framed and injured, he disappears—estranged from his friends and his young bride.Three years later, he returns to the capital, chasing signs that Yesha may have resurfaced. Older and wiser, he understands that to deal with this nemesis, he needs all the help he can get from friends, lovers, and competitors alike. He reunites with his childhood sweetheart, Xueman; humbled, contrite, and determined to clear his name. Beiming's new team—Xueman, coroner Feng Qingzhou, constable Tong Shuang, and disguise artist Hua Dairong—tackle seven eerie, linked cases, with the unwitting aid of the flamboyant No. 2 detective, Zhuge Kongyun. They quickly find all roads lead to a hidden seaside village, Haiya, and a terrifying secret that could rock the foundations of the empire.
Even though this is largely a plot-driven mystery, the characters are authentically written, and their development is fantastic. Reputations aside, there are no super-sleuths; Beiming and Kongyun are neck-and-neck the whole way. If anything, it is Yesha who stays a few steps ahead, only caught when they choose to be. This is a team effort where everyone contributes unique skills and insights. Each character has their own mini-arc that highlights what makes them tick—their strengths, flaws, past troubles, and personal struggles. They are bound by a shared sense of morality and justice born from their own trauma, loss, and grievances.
No one is perfect, and they all make mistakes, so don't be too quick to judge. Xueman loses her two life anchors on what should have been the happiest day of her life. She needs answers and closure but is left alone and in limbo for three long years. Of course she lashes out; what's important is that she ultimately chooses restraint. Tong Shuang also experiences loss and seeks justice, but when he acts out, he wins audience sympathy and understanding. Similarly, Beiming is rarely called out for his over-protective stifling of Xueman's desire to be part of the team or for his over-confidence and missteps at Fengbo Lake. This kind of persistent misogyny, where female characters are held to unfair and unrealistic standards of perfection, is deeply disappointing. Beyond the terrific banter and camaraderie, it is the team's imperfections and their good and less-good decisions that made me invested in their shared journey of self-discovery and growth.
The mild fantasy elements add an eerie thrill to the seven mysteries, which unfold in a case-within-a-case format that pieces together the main conspiracy. Each case brings a growing dread and a horrifying glimpse of the unspeakable event that happened in Haiya. I was hooked—what went down there? Who was Yesha, and what was their grand master plan? Although there is some deliberate misdirection, an attentive viewer has a fair chance of solving the case ahead of the reveal. All the clues are hidden in plain sight, down to several disparate and fleeting moments where the villain gives themselves away. At some point, everyone seems suspect, which is the point: Yesha can be anyone and everyone who is so tormented and radicalized by injustice that they go full scorched-earth. All characters are tested, and their moment of truth is whether they decide to give in to their worst instincts. It is Zhong Yunchi's last lesson to Beiming—that the greater good cannot be rationalized by a lesser injustice; that two wrongs don't make a right. While they share moments of perspective, Yesha is Beiming's antithesis, a person who chooses to fight darkness with darkness instead of light. They are a complex and almost tragic antagonist whose darkening is understandable but not inevitable.
This is an ensemble cast of promising young actors whose vibrant, cohesive energy conveys a shared purpose and infectious enthusiasm that smooths over some less-polished individual performances. Wang Xingyue's lines are fantastic, and he delivers a few fiery, moving speeches that gave me goosebumps. Deng Kai is another fabulous character actor who tries to steal his greatest rival's limelight with his bombastic braids, showy outfits, and side-splitting braggadocio. He Luoluo delivers a charismatic and empathetic portrayal of Tong Shuang's bromance with Beiming and his character's inner conflicts. While Xiang Hanzi's acting is still a work in progress, her "angry bird" Xueman is quite adorable, and she overall captures her character's anger, hurt, and confusion at Beiming's betrayal well. Unlike most actresses whose idea of fighting is posing and flailing at air, she moves with lethal speed and packs a powerful punch. I enjoy Zhang Nan's acting, but her character, Huo Dairong, didn't have room to shine. While Chen Youwei delivers a credible performance as Feng Qingzhuo, he didn't interpret his character in a particularly impactful way.
There is limited room for romance in a plot and character-heavy story like this, and arguably, too much would be a distraction. Beiming and Xueman's romance is established from the start, but it's clear neither was ready for marriage. I like how she grows up and he learns to make room for her to have the agency she always wanted. The second romance seemed to be there because why not? It isn't well-developed or grounded in substance, and I didn't sense genuine chemistry between either couple.
The narrative builds to a strong finish. The reveal makes sense, and everything more or less falls into place without a long-winded, boring walk-through. There are no unnecessary tropes; everything happens for a reason and comes full circle. The Haiya case raises profound questions—is national security and the greater good an end that justifies any means? Are there some acts so heinous that an eye for an eye is the only way to appease the victims? There are no easy answers; we can only hope we never have to make such choices.
The only thing I didn't like about the ending is Yesha's second identity. It creates unnecessary melodrama and makes their motive too personal when the final message should be on Haiya and "never again." That said, even though I would have preferred a slightly different ending, it is not a fatal flaw. This is still a suspenseful and riveting mystery from start to finish, and one I am pleased to highly recommend.
Final rating: 8.5/10.0
Major Ending Spoilers:
I don't think it was necessary for Yesha and Beikun to be the same person. It would have been more in-character for Zhong to have given his friend's child to the poison master, Bei Hai's sect brother, rather than to someone with no relationship to the child. I believe the writers originally intended for Beikun to be Feng Qingzhou, as Bei Hai's mutant pill is the 疾风丸 (Jífēng Wán) or Swift WIND Pill, while Coroner Feng's name, 风清浊 (Fēng Qīng Zhuó), can be translated as "WIND Purge" or "Cleansing WIND." I suspect they changed course and went with the actor who resembles Wang Xingyue enough to be his sibling. This choice dilutes Yesha's motive and makes it seem hypocritical, considering his father made the pill and urged the late emperor to use it. If Yesha were just an ordinary Haiya orphan, his hatred would have been more understandable. It's not a fatal flaw, but it makes Zhong's decision questionable and weakens the impact of Yesha's motive and message. It would also have been more satisfying to see Bei Hai's sons work together to atone for his mistakes.
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If you don't know me by now.
This is another enjoyable light romance that has many amusing moments but is overall lazily written and doesn't bear close scrutiny. If there is a hidden message, it is that going for the brainy sister can change your life in the best of ways whereas choosing the reckless* one and can well end it. [*I could use a much more accurate word but since its just the first paragraph, I restrained myself].The overarching plot is centered around the mysterious Ruyi Pavilion, at surface a purveyor of unique jewelry and the finer things in life. Fu Xuan and her younger sister Fu Rong are daughters of a mid-level magistrate and disciples of the enigmatic Liu Ruyi and assist her in crafting Ruyi Pavilion's celebrated designs. Fu Rong is plagued by prophetic dreams of a tragic future with Prince Su and while trying to ward off this inauspicious future, she instead catches his eye. After a number of hilarious encounters as they get roped into unraveling the secrets of Ruyi Pavilion, they fall for each other. Does this couple have what it takes to overcome an emperor's disapproval, unscrupulous political rivals, deadly love rivals and ultimately an ill-fated destiny itself to stay together?
The plot around the secrets of Ruyi Pavilion is fresh and promising and the drama starts strongly, aided by the wonderful chemistry between the leads who worked together on the much loved Legend of Yunxi by the same production team. Sadly this production mostly cruises on audience indulgence as the writing fails to hold up and the intriguing backstory and some of the more promising plot threads are never exploited to their full potential.
One of the main problems is that this drama lacks that one, good, well developed and multi-faceted villain. Many of the better villains and interesting grey characters in the story get killed off quite early and we are left with a mastermind with lame motives. He is revealed early on but his plotting with respect to Ruyi Pavilion doesn't seem to have a real end game. He is such a poor excuse for a villain that I couldn't even be bothered to hate him. As for side characters, despite her annoying voice, I thoroughly enjoyed Princess Xihe; or more specifically Xu Jin's gut-busting facial expressions and terse rebuffs that spoke volumes. Initially I was both intrigued and charmed by Xu Ping/Duke An and was so looking forward to a rare, enjoyable triangle. It is unforgivable that sloppy writing turned him into a creepy Phantom of the Opera-like character with mommy issues.
In this drama the second couple stole my heart over the lead couple. Both characters and their relationship develops in a more convincing way. His desire to pursue the more mature and responsible Fu Xuan is the catalyst that pushes Wu Baiqi to set aside his resentment, grow up and work hard to prove his potential. He trusts Fu Xuan with his mother's legacy, which also unlocks her dreams and he brings out a more fun loving side to her nature. Adversity strengthens their relationship and they grow from it and are so natural and fun together I couldn't get enough of their moments.
Unlike Wu Baiqi, Fu Rong is an immature and over-indulged character at the beginning that shows minuscule development. Ju Jingyi's beauty and charisma can only go so far to make up for shortcomings in how the character is written. Fu Rong cannot fight yet she allows her low survival instincts take over and charges recklessly into one dangerous situation after another. Luckily we can always count on Xu Jin/Prince Su or Xu Ping to be conveniently around the corner to rescue her. Like all selfish brats, she does as she pleases even if it is inappropriate or if she knows it hurts Xu Jin's feelings or is against his interest. Unlike other viewers, I understand why the emperor considers her a most unsuitable consort for his son.
Nonetheless as a couple, Fu Rong and Xu Jin have a sparkling, lively chemistry that still seduces me into rooting for them and forgiving their faults. Ju Jingyi's brilliant comedic flirtatiousness is so seamlessly in sync with Zhang Zhehan's answering glimpses of mischievous, amorous appreciation behind a severe façade it is no wonder that this is an OTP that melts hearts. But their relationship is frustratingly developed - even when their goals are aligned they at best work in parallel independently of each other. Xu Jin over indulges her and is over protective of her at the same time. Although Xu Jin is allegedly the love of her life, Fu Rong doesn't trust him and repeatedly jumps to the most heinous (and retarded) conclusions about him. This was forgivable early in their relationship but it is really disappointing to see her doubt him after he risks his life for her time and again. My favorite part was the look on her face when Xu Jin tells her off and pretty much gives her the spot on "If you don't know me by now..." speech. Its just too bad that our lovable doormat was once again just being a noble idiot but his biggest saving grace is he manages to suffer successfully without spitting blood. In the end, I am not convinced this is a couple that lasts because unlike Fu Xuan and Wu Baiqi, adversity seems to pull this couple apart and not together; thus the whole is lesser than the sum of the parts.
Despite the poor writing, the main characters are so lovably portrayed that I enjoyed this drama immensely. That said, I cannot in good conscience rate this higher than an 7.0 maybe an 7.5 if you are a die hard Yunxi fan (I did not watch Yunxi).
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A Way Back Into Love
Twelve Letters is a masterclass in evocative visual storytelling. My heart already began to ache in the opening scenes. In 1991, an exhausted girl staggers through the dark alleys of Meiwan Town to a bright red mailbox, sending a letter to herself. In 2026 Beixing City, Yu Nian’s confused father waits obstinately in the bitter cold beside an identical red mailbox. The image of this helpless old man clinging to fading memories, awaiting a letter from the past, imprinted itself on my heart. When he goes missing, Yu Nian discovers a mysterious letter and joins forces with Shen Cheng to find their parents. With the help of a ginger cat, a bright red postbox, and twelve letters, they race against time to connect the past with the future and help two people who belong together find their way back to into love.This immersive twelve-episode modern fantasy is drenched in a nostalgic, bittersweet palette that captures Meiwan Town’s yearning poverty, a constant sense of foreboding, and the faint, deceptive allure of better times ahead.
Tang Yixun is a young man with limitless potential—as a debt collector. This aspiring thug possesses the rare ability to beat the daylights out of a debtor without impairing their ability to pay. On a job, he encounters Ye Haitang, a young girl with a deadbeat dad who dares to stand up to him. He is unaccountably moved by her magnificent fury and her lonely, futile bravado. They meet again in a different setting and become entangled in a misunderstanding involving a mysterious letter—the first of twelve that will weave a magical bond through time and space between two people destined for each other.
The most outstanding aspect of this drama is the acting. I already held Wang Yinglu and Zhou Yiran in high regard, but they astounded me here. Their casting is impeccable—both actors are age-appropriate and look so convincingly the part that they seem to have simply stepped into their roles. Haitang’s pain, rage, and vulnerability leaps off the screen in a raw, visceral way. I was shaken by the authenticity of Wang Yinglu’s portrayal, how she spat the bone-deep hatred and trauma of someone pushed beyond their limits. Zhou Yiran’s smoldering depiction of Yixun’s steadfastness and his quiet joy in her company is no less intense than her fiery outbursts. Together, they were radiant, complete, invincible; their future felt limitless—until the beautiful but cruel world they inhabited intruded and conspired against them.
Twelve Letters is a stirring, emotional journey about a bond that endures through time and long separation. It is, at its heart, Yixun and Haitang’s story; Yu Nian and Shen Cheng serve more as narrative guides. I must have teared up during nearly every scene of this heart-wrenching tale. I don’t think I’ve ever encountered a more sickening character than Ye Yibo. The main narrative aspect that didn’t quite sit well with me was Yixun’s “noble idiocy,” especially when it was so clear Haitang was not better off without him.
As for the ending itself, I am in the minority that thinks it is just right. I can’t help but feel the writer crafted a story that was simply too sad to be told the way it was written. So I personally don’t fully buy into the fairytale. I will remember this story for a long time.
I rate it 8.5/10.
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Monster's Ball
Demon Hunter's Romance or Wuyou Crossing(无忧渡) is a thrilling and chilling monster's ball where demons and humans collide, love defies fate, and morality blurs like ink in water. With its exquisite aesthetics, meticulous world-building, and haunting narrative, this drama revives the eerie charm of classical supernatural tales, blending Buddhist/Taoist philosophy with visceral emotion.Since she was a child, Banxia had yin-yang eyes that gave her a weird ability to see yāo (妖)—demons hiding among humans. Her family dismisses these "delusions" and medicate her. When she confronts and enrages a demon who seduced her cousin, she is rescued by Xuanye, a demon hunter. After this encounter, she begins to accept that demons really exist. When her father disappears, she is convinced he is kidnapped by a demon and travels to Guangping City to enlist Xuanye's assistance in retrieving him. Together, they investigate six strange cases that explore complex entanglements between humans and demons. The cases dive into how humans and demons experience love, greed, anger, ignorance, emptiness, and transformation. The drama's core message is that both humans and demons can be monsters and they often feed upon each other's best and worst instincts. As for whether humans and demons can co-exist, viewers must decide for themselves.
The cases are engaging, thought provoking and leave a lingering impact as they escalate brilliantly into a devastating and poignant finale. The narrative respects the audience's intelligence and is replete with enough clues and foreshadowing that the how-did-it at the end of each case is succinct as the mysteries largely reveal themselves. The first three cases are spooky in a Chinese horror kind of way, which is subtly hair raising rather than jump scares. The mirror demon case was the scariest and it ruined pears for me. I also enjoyed the creepy Reunion Inn aka Hotel California unit but the best case for me was the City of Illusions. It had the most cohesive sub-plot with multiple clues in plain sight and the humor and ironic role reversals were a welcome shift from the earlier spooky toned arcs. The narrative focus turns to the reveal of Xuanye's back story in the final two cases, which tie everything together into the final reveal and plot climax.
I picked this up mainly for the strange stories and was surprised by how much I enjoyed the romance. Ren Jialun and Song Zu'er look very cute and like they belong together. While the sparks didn't fly right away, the slow build in the romance better establishes a deep and abiding bond between Banxia and Xuanye. Song Zu’er shines brightest as the fierce He Quelian, overshadowing her initial portrayal of the timid Banxia. As for Ren Jialun, this is his career best to date. Though his early line readings falter, he improves markedly in the latter half with a moving delivery of the emotional moments. The cast delivered strong performances all around, with the demons outshining their human counterparts, as they should.
This drama is adapted from "Ban Xia" (半夏) by Ban Ming Ban Mei (半明半寐), which is a popular, unfinished supernatural romance. While the visual storytelling is captivating and immersive, the dialogue often drowns in verbose monologues. The biggest monsters in this story are human and they tend get off too lightly. Meanwhile good souls sacrifice and suffer unjust outcomes. While the intent may be to highlight the randomness of fate, the lack cosmic justice leaves a dissatisfying aftertaste.
There are many good villains in this drama but the final mastermind is too obvious early on and is the least interesting one with shallow and pedestrian motives. Nonetheless, I enjoyed the final two arcs as Zikong's (Cao Jun) adds layers of intrigue to Xuanye's origin story. There were moments the magnetic Cao Jun stole the limelight with his good looks and breathtaking fight scenes. The ending is profound and it makes sense in a way that respects the genre. The Changle (常乐) Sword or Sword of Lasting Wellbeing fulfils its legacy but extracts a high price. Something was lost but everything was gained and there remains a sliver of hope.This is a magical and poignant story about a demon who loved a human enough to set them free to be the person they were always meant to be. Flaws and all, Wuyou Crossing is a rare gem that will surely linger like a half-remembered dream. My rating 8.5/10.0.
SPOILER WARNING!
ENDING SPOILER COMMENTS
I know I belong to the minority, but I loved the ending tears and all. The production rightly overruled the screenwriter’s original plan—a hackneyed “half-demon compromise”—would have betrayed the story’s core: a taboo love between a human and a demon that defies fate.
The key to understanding the ending is that the Changle Sword can only be drawn to reverse cause and effect when there is a deviation from fate. Xuanye understood that when the sword beckoned him to use it and the way those fat silent tears rolled down his face is the drama's saddest moment. As it turns out, Banxia was never meant to wander into the Wuyou Realm or to meet Manying or to bring him into the human realm. The end effect of their ill-fated meeting was tragic for everyone from Xuanye's entire family to Chixue, Chu Youhuang, Sima Lingying and Banxia herself. The Changle Sword's intervention set everyone back on their rightful path but erases Xuanye's existence. Banxia should have forgotten Xuanye and gone on to live her best life as the brave and indomitable He Quelian. But the grateful butterfly demon stored Banxia's memories in the conch. And the universe threw them a lifeline by returning the conch to Banxia.
Thankfully the Changle Sword must have also muted the wordy screenwriter as the finale left so much unspoken because it did not need to be said. It trusts the audience to understand what is implied. Banxia and Manying don't belong to each other's world and Xuanye doesn't even exist anymore to anyone besides the two of them. In their new reality, they both have responsibilities and ties that bind in their own world. The Wuyou Realm is a magical and dangerous place for humans; even Shen Tunan dared not venture there without powering up. So I don't think it is realistic to expect Banxia to leave with Manying. The snow was Manying's promise to Banxia that they would grow old together. And by introducing him to all their old friends, Banxia is laying a path for Manying to find his way back into her world. So to me, this ending is a not yet happy ending; there are many challenges ahead but I daresay that it will be.
The only thing I truly hate about the ending is that the bigot Shen Tunan and that utterly selfish and whiny Xingxian get a do-over. That's just not right.
Footnote: Interestingly Li Xian doesn't pop up again in their new reality. Maybe he really is the runaway puppet Qingshan.
X
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Cinderella and an unlikely fairy godfather
This is not my usual type of movie, I picked it up out of curiousity on a plane and was pleasantly surprised. The plot is simple - it is about the relationship that develops between a disabled middle aged divorcee Leung (Anthony Wong) and his caregiver Evelyn (Crisel Consunji), a Filipino domesetic helper. Leung is initally harsh to Evelyn; he is embittered by the random accident that led to the loss of his wife and son to another marriage that took them far away to the US. But her kindness and dedication eventually moves him to empathize with her plight, which is sadly all to common to the large Fillipino domestic helper community in Hong Kong. They come to care deeply for each other and find joy in each other's company in an otherwise bleak existence. Although they are so very different in terms of culture and background they even had to learn each others' language to communicate, what they both have in common is a kind and generous spirit. As a person who no longer has dreams, Leung rediscovers joy and meaning in life in making Evelyn's dreams come true even at great cost to himself. This is a very simple and humble production but the acting by both lead actors as well as the small supporting cast was really strong. And the script was well done, with a lot of humor that brightened up the mood along the way. It is both a sad and happy movie although the plot was somewhat fairy tale like or improbable but that is all I would say to avoid giving it away.Was this review helpful to you?
The pen is mightier than the sword.
This is a very entertaining action fantasy movie with absolutely stunning world building and production design. Unlike this year's more pretentious Dream of Eternity, this is much more than a showy demonstration of cinematic pyrotechnics. This production truly breathes life into the absolutely amazing animations and convincingly fuses them with live actors who are actually in the moment and evoke a sense of imminent peril. This drama spent two years in post production and it is clear that a lot of care went into the visual effects that sweeps one into an addictive, thrilling virtual reality fantasy game world.There are two main plot lines to this action loaded story within a story, the first takes place in the real world and the second in a fantasy world. The spectacular Lei Jiayin plays Guan Ning, a distraught father who is searching desperately for his daughter who went missing six years ago. He is tasked to assassinate an online novelist Kongwen who is writing a fantasy novel about a young warrior's quest to bring down an evil overlord Redmane. At the sweep of a pen that is mightier than the sword, the two plot threads fuse into an epic, action packed showdown. What stands out is the crazy, creative energy in the action sequences and how they snuck in some really wild, ingenious and unconventional moves that wowed me. I absolutely loved Guan Ning's almost superhuman ability to throw rocks, that was incredibly entertaining to watch.
Despite the intense action orientation, the narrative is not secondary to the action and the humanity at its core shines through as a result of superb acting by Lei Jiayin, Dong Zijian (who plays Kongwen) and the very talented Yu Hewei. This is a cast you can't go wrong with... except for the insipid Yang Mi, whose character was not necessary to the plot and her wimpy voice yet again had me wishing they dubbed her. I don't know why Lu Yang always makes such terrible casting choices for his female characters.
While it doesn't dot every i or cross every t; the backstories of some characters could be tighter, there are minor plot holes and logic flaws in the real world antagonists, overall it is a very cool story that broadly hangs together. This movie takes a bold swipe at both China's communist past and capitalist present - it is very obvious the major corporation with the Aladdin's lamp logo in the present plot is Alibaba and Redmane's red army represents the Red Guards in the fantasy plot.
This is a great way to indulge in two hours of pure escapism. I give it 8.5.
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How to make a quick buck off of a super successful TV drama...
I watched this out of mild curiosity when I was in China on business and could only get into iQiyi. It was barely entertaining and nowhere compares to the TV drama Ten Miles of Peach Blossoms. The storytelling was chaotic and difficult to follow because they pretty much just cut and pasted together all of the best moments and lines between Bai Qian and Ye Hua from the TV drama and then re-shot it with different actors. Everything else was hurriedly compressed into what time was left so it will be incomprehensible to anyone who doesn't know the story line.The actors who play the two leads, they are both beautiful people and had pretty good chemistry but still fell short of Yang Mi/Mark Chao. Liu Yifei's Bai Qian was way too young and sweet-natured to pull off the role of feisty goddess queen of the fox tribe. And Yang Yang's Ye Hua was very handsome in a very, very pretty way but as an actor he has nowhere near the emotional range and intensity of Mark Chao. They made for an adorable pair of young lovebirds but their relationship didn't build any substance before they were pretty much hooking up. In fairness to the actors, its difficult to impress when the no story-line jumps around and there isn't any real character development. One change to the story I did approve of is that four beasts become one beast and they kill it off together. That was kind of cool.
Alibaba had money to throw at this so the sets were visually stunning as were the costumes (and also more revealing). But the whole thing didn't come together in a good way. Had I watched it first I would have avoided the drama. I wouldn't say the movie is yuck but it is a rather obvious attempt to make a quick buck on the back of the success of a mega hit TV romance.
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