A Story That Tested My Patience but Touched My Sou
I’ll be honest—Feud tested my patience. I put it on hold several times because I just couldn’t figure out where the story was going. A few of my followers on MDL encouraged me not to give up and to give it a fair chance, so I did.
From episodes 1 through 18, it was a real drag. The pacing was painfully slow, the plot made little sense, and at times it was downright frustrating. But once I reached episode 20—bam!—everything clicked. The story finally took off, and I was hooked.
Episodes 22 to 24 completely broke my heart. That’s when I finally understood her hatred for him—it ran deep, through her entire being. And when he realized the weight of what he’d done, that no amount of effort could undo it, it was gut-wrenching to watch. Seeing him try anyway was both sad and beautiful.
Both the ML and FL gave powerful performances, and the supporting cast did a great job bringing out their emotional depth. The side stories of the additional characters added a real sense of enlightenment to the drama—especially the healer and the fox. Their story was so sad, yet deeply touching, and it tied beautifully into the main storyline’s themes of love, loss, and redemption.
That said, this drama could’ve been phenomenal if the writer and director hadn’t wasted so much time on the first half. It’s fine to build up a storyline—but not at the expense of the audience’s patience. Once it got going, it was absolutely worth it… but getting there felt like a marathon.
Now, I do have a few questions—maybe someone reading this can enlighten me:
When the FL was walking out of the temple with her son, she turned back and looked inside with hatred—but there were tears of blood. Why?
In the final episode, when she told her past self to tell the ML that she was with child, why didn’t that change the outcome in the end?
If she told herself about the child, then shouldn’t the child have lived? Why was there nothing about him afterward?
From episodes 1 through 18, it was a real drag. The pacing was painfully slow, the plot made little sense, and at times it was downright frustrating. But once I reached episode 20—bam!—everything clicked. The story finally took off, and I was hooked.
Episodes 22 to 24 completely broke my heart. That’s when I finally understood her hatred for him—it ran deep, through her entire being. And when he realized the weight of what he’d done, that no amount of effort could undo it, it was gut-wrenching to watch. Seeing him try anyway was both sad and beautiful.
Both the ML and FL gave powerful performances, and the supporting cast did a great job bringing out their emotional depth. The side stories of the additional characters added a real sense of enlightenment to the drama—especially the healer and the fox. Their story was so sad, yet deeply touching, and it tied beautifully into the main storyline’s themes of love, loss, and redemption.
That said, this drama could’ve been phenomenal if the writer and director hadn’t wasted so much time on the first half. It’s fine to build up a storyline—but not at the expense of the audience’s patience. Once it got going, it was absolutely worth it… but getting there felt like a marathon.
Now, I do have a few questions—maybe someone reading this can enlighten me:
When the FL was walking out of the temple with her son, she turned back and looked inside with hatred—but there were tears of blood. Why?
In the final episode, when she told her past self to tell the ML that she was with child, why didn’t that change the outcome in the end?
If she told herself about the child, then shouldn’t the child have lived? Why was there nothing about him afterward?
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