Sinasina

>Ofc I don't know what Koreans censor, but I would be surprised if it were even worse.

For example in Korean dramas toxic parent characters are almost never completely abandoned. While there a few rare exceptions, whenever a drama has a toxic parent character you are expected to see some form of a redemption ark for them in the final episodes, or at the least the children making an effort to resolve past conflicts up to the ending credits. There are many similar examples of self censorship, like if you saw Genie Make a Wish you'll notice that easily gotten money is abandoned freely 3 times in the show.
Or we could talk about how if a drama is about heists, the cool thieves will never get away with it & there is also this related trend where people that have done something criminal in their past will certainly atone for their sins in prison. Like even if they've only harmed their husband who forgave them, still go to prison willingly & I'll wait for you with our kid when you are out.
One last example, if someone without a college / university degree becomes successful, the drama writer is almost guaranteed to send them back to college in the final episodes, even if it doesn't make ANY sense whatsoever.

It's bad, but it's not like Hollywood is so hot these days & if we look at Korean dramas they have their own issues. There is no direct censorship in Korea, but their unique society puts very strong constraints on what can be shown as well & in my mind that is often worse, especially considering that most of their dramas are filmed live, so high quality writing is incredibly rare to begin with.

So what are we suppose to watch, French television? :D

Censorship is complicated, not well defined & often takes a long time, we are talking about years. LGBTQ is a negligible part of all that. There is lots of things, this is why Chinese dramas & actors during most of their scenes are almost always super chill. This is why if a drama character goes to a foreign country they won't be allowed to like the local food. This is why if the drama characters sneak into their former high school at night, then the guard(s) will chase them at the end of their escapade, even small law breaking must have at least minor consequences. This is also why many Chinese dramas have strange dialog inserts here and there, meaning that after the drama's finished filming the censoring body adds a few new sentences here & there and then they dub it over something else, so the lip movement doesn't line up at all.

I'm only up to e8 at this point, but this has started to bother me too.

Clearly romantic interest does not yet happen by ep8 where I'm at, but she seems to be getting interested in figuring him out as a person.

Cdramas can not really be emotional roller coasters anymore due to censorship, that applies to this one too. However the workspace slice of life & the workspace dynamic between FL & her boss is not bad in this one. I watched it up to E8 & I can assure you that a lot more things happen here than in Snowstorm of Love in that time frame, this is not just a vibe drama, well as of e8 anyway.

In my contemporary cdrama history a second ML has never gotten the girl, not once. Is this REALLY a spoiler?

I find it kind of funny that -having not seen MySunshine & barely having started Shine- I find the lowest rated `You are My Glory` the best and `Boss and Me` the worst on this list.
My problem with BnM is that a strong first half is followed by an annoying semi makjangish second half.

ty^

How much screen time does the second ML get?

Spoiler request about the triangle...

There is no child wending machine, sometimes even with endless enthusiasm these things take time.

So basically the censorship here is just cutting mildly graphic scenes short?

It used to be PSH, don't know why she is the new target now..

It's the mental -and sometimes more- manifestation of an obsession. It makes little sense outside of cultivation novels.

No, but you can start it much earlier than others. It's the kind of thing that happens once every couple of years in a country the size of China. So it's unrealistic, but not without precedent.

I'm not very happy about the flashback timeline either, but knowing the ending has not really been a big issue for me.

The score is dropping now, but Tomorrow With You & even Park Shin Hye's Heartstrings are much much much better written.

I do think the writing is horror in this one, but that specific scenario is not that bad. Like if the phone is on the desk face down -or the screen is off- it's not completely unreasonable it wouldn't be found recording.

English education is on the weak side in China, especially in art universities & they just don't care, since it's for domestic consumption.