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"Hate only brings people pain and disaster"
A Warrior’s Tragedy aka The Invincible Power of Kindness starring Ti Lung and Frankie Chan was a remake of Shaw Brothers’ Pursuit of Vengeance (also starring Ti) and was based on a novel by Gu Long. Frankie wrote, directed, produced and starred in this film. Originally, it was supposed to be two films at a total of 170ish minutes and then was edited into one. There are a variety of lengths out there. This review is based on the 110 minutes format.
Several swordsmen are invited to Ma Hung Kwan’s Pegasus fortress. Among those invited are Fa Hung Suet and Yip Hoi. Fa walks with a pronounced limp and is a revenge fueled swordsman, trained by his mother to take down the people who killed their family. Yip is happy go lucky, more of a kung fu artist than swordsman. The glass half empty and glass half full men will find themselves in a “where the heck did the glass go?” confrontation.
This film had numerous characters with some popping up out of nowhere and others who disappeared without a simple good-bye. A few of the character connections were never explained. Editing two films down into one played havoc with the narrative. I have no idea why certain characters did what they did. Everyone seemed to have it in for either Ma or Fu. Or were hiring Hoi to kill either Ma or Fu. Ti and Frankie's characters were supposed to be the same age, but Ti was nearly 10 years Frankie’s senior. The two characters were also supposed to be in their mid to late 20’s. Ti was pushing 50 when this film was made! Frankie seemed to be having a good time playing the frisky and positive Hoi. Ti honestly looked tired or maybe he was just confused by the convoluted story.
Fung Hak On was the martial arts director and also played the legless character armed with a deadly whip. The wire work and synchronized moves he designed were wild. There was no shortage of wacky kung fu weapons---expanding and exploding dresses, golden hands, an invisibility cloak, hand held explosive launchers, and pink chariots! The movie was filmed somewhere in northern China which meant new scenery for the fights to take place in instead of the old reliable Hong Kong and Taiwanese sites.
For the main part, Fu and Hoi’s stories were simple, the extraneous characters who sliced their way in and then tumbled silently down story holes made the film confusing. The emphasis on letting go of vengeance because it begets another cycle vengeance was a pleasant surprise. Only for fans of the genre and probably more specifically fans of the actors involved with it. Rated on a curve as always for old kung fu flicks.
“Hate only brings people pain and disaster. Only love is everlasting…Learning to love is more important than learning how to kill.” Well said Hoi, well said.
25 April 2025
Trigger warnings: Multiple dismemberments
Several swordsmen are invited to Ma Hung Kwan’s Pegasus fortress. Among those invited are Fa Hung Suet and Yip Hoi. Fa walks with a pronounced limp and is a revenge fueled swordsman, trained by his mother to take down the people who killed their family. Yip is happy go lucky, more of a kung fu artist than swordsman. The glass half empty and glass half full men will find themselves in a “where the heck did the glass go?” confrontation.
This film had numerous characters with some popping up out of nowhere and others who disappeared without a simple good-bye. A few of the character connections were never explained. Editing two films down into one played havoc with the narrative. I have no idea why certain characters did what they did. Everyone seemed to have it in for either Ma or Fu. Or were hiring Hoi to kill either Ma or Fu. Ti and Frankie's characters were supposed to be the same age, but Ti was nearly 10 years Frankie’s senior. The two characters were also supposed to be in their mid to late 20’s. Ti was pushing 50 when this film was made! Frankie seemed to be having a good time playing the frisky and positive Hoi. Ti honestly looked tired or maybe he was just confused by the convoluted story.
Fung Hak On was the martial arts director and also played the legless character armed with a deadly whip. The wire work and synchronized moves he designed were wild. There was no shortage of wacky kung fu weapons---expanding and exploding dresses, golden hands, an invisibility cloak, hand held explosive launchers, and pink chariots! The movie was filmed somewhere in northern China which meant new scenery for the fights to take place in instead of the old reliable Hong Kong and Taiwanese sites.
For the main part, Fu and Hoi’s stories were simple, the extraneous characters who sliced their way in and then tumbled silently down story holes made the film confusing. The emphasis on letting go of vengeance because it begets another cycle vengeance was a pleasant surprise. Only for fans of the genre and probably more specifically fans of the actors involved with it. Rated on a curve as always for old kung fu flicks.
“Hate only brings people pain and disaster. Only love is everlasting…Learning to love is more important than learning how to kill.” Well said Hoi, well said.
25 April 2025
Trigger warnings: Multiple dismemberments
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