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"A cozy place to stay"
There is no denying Black Tavern’s similarity to King Hu’s Dragon Inn (1967), but there were enough differences for Shaw Brothers’ inn at the end of civilization to carve out a bloody spot of its own.
A wandering monk sings a tale of an official carrying a trunk filled with treasure cultivated from a lifetime of bribes. Ears perk up in the tavern with everyone making a hasty exit to find said official. Eventually, the criminal element condenses upon the remote Black Tavern on a snowy night, coming in waves. The first to arrive is Zheng Shou Shan aka The Whipmaster and his disciples. A “hero” named Zha Xiao Yu who saved Zheng and his crew on the road asks to be cut in on the deal for the price of his sword. Soon the swords and whips are flying as the thieves descend upon the tavern. Official Hai with his trunk of treasures seeks shelter from the storm at the inn on his way to retirement which only increases the feeding frenzy among the murderous lot. A mysterious swordswoman appears who could change the balance of life and death.
Ku Feng dominated this film with his lethal whip, a surprising star turn for the hard-working actor. He's one of my favorite supporting actors, but here he stole the show. Tung Li was the dashing swordsman who always seemed to materialize when needed. I squealed a little bit when I realized that Shih Szu was the swordswoman with a connection to The Lady Hermit. This time Wang Hsieh was already dead when she arrived on scene. Her screen time was rather limited but she was in the final fight. Dean Shek sang many of his lines as the annoying, I mean wandering monk. He had a rather important part to play in the final outcome. Numerous familiar faces popped up trying to steal the treasure and then were as quickly dispatched. Wu Ma and his Five Ghosts of Xiang Xi, which included Yuen Wah, pretended to be hopping vampires. Was hoping for the real thing, that would have made this film perfect! Jackie Chan was briefly on screen as Official Hai’s servant who was killed just before the hour mark if you are trying to spot him. Stuntmen Mars and Little Unicorn also had time on screen.
Simon Chui and Chui Chung Hok designed brutal fights with a variety of weapons. Nearly every inch of the inn and courtyard were decimated as the fighters used whatever was around them to fight with or defend themselves with. Nothing felt repetitive as the different groups of villains remorselessly attacked. The big finale was vicious and creative. Ku Feng was relentless with his whip and physical onslaught. Did I mention, I really enjoyed his performance?
No evil eunuch or army threatened anyone. This time it was just wave after wave of crooks attempting to make their fortune off someone else’s misfortune. I must say that Official Hai was nonplussed at having to walk around the bodies to enter the inn. With every passing moment they stacked higher, disappeared and more bodies hit the ground to take their place. The atmosphere wasn’t as claustrophobic as Dragon Inn, but the fights were exciting and nearly nonstop. I’ve learned from watching these films that it’s important to avoid inns on the edge of nowhere. And if you must eat there, always order the vegetarian platter. I graded on a curve as I do with all of these old martial arts films.
23 March 2026
Trigger warnings: Several decapitations, disarming scenes, severed body parts, eyes pulled out, cannibalism.
A wandering monk sings a tale of an official carrying a trunk filled with treasure cultivated from a lifetime of bribes. Ears perk up in the tavern with everyone making a hasty exit to find said official. Eventually, the criminal element condenses upon the remote Black Tavern on a snowy night, coming in waves. The first to arrive is Zheng Shou Shan aka The Whipmaster and his disciples. A “hero” named Zha Xiao Yu who saved Zheng and his crew on the road asks to be cut in on the deal for the price of his sword. Soon the swords and whips are flying as the thieves descend upon the tavern. Official Hai with his trunk of treasures seeks shelter from the storm at the inn on his way to retirement which only increases the feeding frenzy among the murderous lot. A mysterious swordswoman appears who could change the balance of life and death.
Ku Feng dominated this film with his lethal whip, a surprising star turn for the hard-working actor. He's one of my favorite supporting actors, but here he stole the show. Tung Li was the dashing swordsman who always seemed to materialize when needed. I squealed a little bit when I realized that Shih Szu was the swordswoman with a connection to The Lady Hermit. This time Wang Hsieh was already dead when she arrived on scene. Her screen time was rather limited but she was in the final fight. Dean Shek sang many of his lines as the annoying, I mean wandering monk. He had a rather important part to play in the final outcome. Numerous familiar faces popped up trying to steal the treasure and then were as quickly dispatched. Wu Ma and his Five Ghosts of Xiang Xi, which included Yuen Wah, pretended to be hopping vampires. Was hoping for the real thing, that would have made this film perfect! Jackie Chan was briefly on screen as Official Hai’s servant who was killed just before the hour mark if you are trying to spot him. Stuntmen Mars and Little Unicorn also had time on screen.
Simon Chui and Chui Chung Hok designed brutal fights with a variety of weapons. Nearly every inch of the inn and courtyard were decimated as the fighters used whatever was around them to fight with or defend themselves with. Nothing felt repetitive as the different groups of villains remorselessly attacked. The big finale was vicious and creative. Ku Feng was relentless with his whip and physical onslaught. Did I mention, I really enjoyed his performance?
No evil eunuch or army threatened anyone. This time it was just wave after wave of crooks attempting to make their fortune off someone else’s misfortune. I must say that Official Hai was nonplussed at having to walk around the bodies to enter the inn. With every passing moment they stacked higher, disappeared and more bodies hit the ground to take their place. The atmosphere wasn’t as claustrophobic as Dragon Inn, but the fights were exciting and nearly nonstop. I’ve learned from watching these films that it’s important to avoid inns on the edge of nowhere. And if you must eat there, always order the vegetarian platter. I graded on a curve as I do with all of these old martial arts films.
23 March 2026
Trigger warnings: Several decapitations, disarming scenes, severed body parts, eyes pulled out, cannibalism.
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