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"I can't see with my eyes but I can see with my heart"
Eye for an Eye was a short, low budget revenge film that punched and kicked above its weight. Another variation on a gifted blind swordsman (Zatoichi!), this wuxia version held its own even if it didn’t break new ground, just bones for the most part.
Blind swordsman Cheng Xia Zi is a successful “ghost killer” during the troubled days of the Tang Dynasty. He captures criminals with bounties on their heads, preferring to not pass lethal judgment on them. That changes when a friendly wine maker preparing for her wedding offers him a drink if he comes to the nuptials. Not long after, villains crash the party leaving family members dead and Ni Yan in disarray. Cheng had no desire to get involved but when the local magistrate betrays Ni Yan, he steps in and into a far deadlier and more complicated mess than he had expected.
Clocking in around 70 minutes, there wasn’t much room for character development. The women were particularly underdeveloped and mainly used as hostages or targets, often making stupid decisions. Cheng’s defining characteristic was his unwavering confidence in his ability to take on thirty-armed men. Initially he was happy to rely on his simple bone-crunching abilities that left fighters somewhat disabled. When the bad guys stepped over the line, the demon in Cheng awoke unleashing a powerhouse unafraid of facing down an army. Xie Miao did an excellent job of selling the action. The fights were exciting, increasingly merciless, and well-choreographed. If you don’t care for wire work or one man against many, this film won’t be for you. It for certain stretched the limits of believability, but going into a film about a blind swordsman is probably the first clue that reality is going to be on vacation.
Eye for an Eye had its narrative problems yet managed to still be entertaining largely due to swift moves that actually connected and incapacitated the enemy. As previously mentioned, once the demon was released, opponents stopped hobbling off. The snowy finale was reminiscent of an old children’s joke, “What’s black and white and red all over*” with a decidedly different punchline. Worth an hour of your time if you enjoy martial arts films and keep your expectations low.
14 May 2026
Trigger warnings: Sexual assault that was more graphic than what usually occurs in Chinese films, but no nudity. There was a fair bit of slicing and dicing and decapitations. No graphically spewing blood.
*Answer to the joke---A newspaper (red/read). Only “old” people will know what those are, ask your mom or grandmother. lol
Blind swordsman Cheng Xia Zi is a successful “ghost killer” during the troubled days of the Tang Dynasty. He captures criminals with bounties on their heads, preferring to not pass lethal judgment on them. That changes when a friendly wine maker preparing for her wedding offers him a drink if he comes to the nuptials. Not long after, villains crash the party leaving family members dead and Ni Yan in disarray. Cheng had no desire to get involved but when the local magistrate betrays Ni Yan, he steps in and into a far deadlier and more complicated mess than he had expected.
Clocking in around 70 minutes, there wasn’t much room for character development. The women were particularly underdeveloped and mainly used as hostages or targets, often making stupid decisions. Cheng’s defining characteristic was his unwavering confidence in his ability to take on thirty-armed men. Initially he was happy to rely on his simple bone-crunching abilities that left fighters somewhat disabled. When the bad guys stepped over the line, the demon in Cheng awoke unleashing a powerhouse unafraid of facing down an army. Xie Miao did an excellent job of selling the action. The fights were exciting, increasingly merciless, and well-choreographed. If you don’t care for wire work or one man against many, this film won’t be for you. It for certain stretched the limits of believability, but going into a film about a blind swordsman is probably the first clue that reality is going to be on vacation.
Eye for an Eye had its narrative problems yet managed to still be entertaining largely due to swift moves that actually connected and incapacitated the enemy. As previously mentioned, once the demon was released, opponents stopped hobbling off. The snowy finale was reminiscent of an old children’s joke, “What’s black and white and red all over*” with a decidedly different punchline. Worth an hour of your time if you enjoy martial arts films and keep your expectations low.
14 May 2026
Trigger warnings: Sexual assault that was more graphic than what usually occurs in Chinese films, but no nudity. There was a fair bit of slicing and dicing and decapitations. No graphically spewing blood.
*Answer to the joke---A newspaper (red/read). Only “old” people will know what those are, ask your mom or grandmother. lol
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