ariel alba

Hello. Thank you for your words. But it's not that bad, friend. I'm just a spectator who writes chronicles from the lunette. How are your things going? I hope everything goes well. You can also write to me at this email address [email protected]

Hello PercyIsHere. I very much appreciate your message. Your words encourage me to continue reviewing the series and movies that motivate me to do so. I am very glad that you liked the reviews you read. Feel free to ask me what you don't like too. It could also serve as feedback. I am a journalist and film critic, and I like to write reviews.
I extend an invitation of friendship. Reiterated greetings. Ariel.

In my opinion, the cat is not kept, dead, inside the refrigerator. The protagonist constantly refers to the cold, the ice, the winter. Inside your home, you can safely find the place in the refrigerator that best suits your personality.

You didn't like my answer. And I didn't like the tone of your questions. My answer goes in the same direction. Such for that. Bye bye.

Hello. Thank you for your message. Thus I was forced to watch this beautiful film once again.
'The Winter Child' seems to generate a lot of opinions among contributors to this forum. Of course, this is a film in which there is no promise of a vision of gay life, as most viewers expect when reading the labels "Gay Male Lead" and then "LGBT+." The film takes an introspective view of the soul of a young man. The movie has a way of staying with us even when it's over.
Kim Yeo-rim makes Dong Ah one of the most complex characters in recent films. This is a young man who is difficult to understand on a simple level.
But I don't understand, because his doubts are clear in the film. No intellectual exercise is necessary to understand what you are asking, since it is expressed in perfect Korean language, with subtitles in different languages, including English.
I never talked about divorce, but about abandonment and absence. And the father's violence is as clear as day.
Dong Ah has suffered a lot, first from her mother's departure from home when she abandoned father and son, and then from her father's depression and the physical abuse she receives from him from then on.
There are several key scenes in which his doubts are expressed with complete clarity: I am referring to the scenes after the boy runs away from home, around minute 7, while a voice is heard calling him, that of his father. This is the first sign of being physically abused. On his run, he bumps into Yeon Woo and, embarrassed, does not dare to even look at his face.
He wanders, tormented, through the streets, and upon his return home Yeon Woo awaits him with the necessary materials to heal his physical wounds on his face, wounds caused by blows, which his position in front of the camera did not allow us to see while he fled from home.
Yeong Woo tells him "I always wanted to know your name. I just didn't know I would find out like this." He refers to hearing his name in his father's mouth while he witnessed his father's abuse and screams when he could no longer take out his depression against his son.
The father's abuse is confirmed when, Dong Ah expresses: "My father wasn't like that all the time. He started it after Mom left. Mom left because she changed her mind. She didn't love my father anymore. ".
While 'The Winter Child' will divide opinion, the film deserves to be seen due to the complexity and care the director puts into the story, and the excellent performances of its two unique characters.

Countries in operation???? Well, this actor has never been tried, much less convicted, for the crime of “rape”, nor for “sexual assault” with or without penetration. There are other crimes for which he was tried and punished. In case you didn't hear, prosecutors decided not to file charges against the actor for rape due to lack of evidence.
He did confirm having filmed sexual videos of his ex-boyfriend, while they had consensual sexual relations.
Maybe you could inform yourself better.
And of the crimes committed and for which he was convicted, if you read my comments carefully you would see that I condemn them, no matter who commits them.

You say nothing happens in the series. I ask you: Have you read the original material on which the series is based? I suppose that if in the novel on which the script of the series is based they don't throw anyone from the top floor of the company after stabbing them, it is most likely that in the series no body appears on the sidewalk either.
You say it's slow and has a bad script. Apart from saying this, without giving critical elements in this regard, I ask you: Have you analyzed the objective elements of the series, that is, the shots, framing, editing, sound, color, etc.? Have you evaluated the series from a critical, subjective point of view, taking into account the multitude of messages that we must know how to find and interpret? Their messages are not expressed clearly, and they must be discovered.
Have you put yourself in the shoes of the creators, who are ultimately people who have their own way of seeing things, and who surely value situations or events differently from those of the spectators? What can you say about cinematographic techniques and languages? What do you think of all the technical elements, such as shots, fades, framing, camera movements, acting, music and commentary, editing techniques, etc.?
And yes, it is not a 10. What is perfect in life? Nothing. But by nature I tend to take the side of those who suffer the hatred of petty individuals. Isn't that the cause of most of the negative reviews about the series in which people publicly claim that they have not overcome the “trauma” left by Big Dragon? Isn't that the basis on which my review is based?

There are series slower than others, and slow doesn't always mean bad. In many of these cases their slow pace is because they are more character explorations than plot-driven. I will give you several examples, saving, of course, the distances: Better Call Saul, Mad Men, Ozark, Bosch, Fargo, The Sopranos, The Wire!, Six Feet Under.
The first season of True Detective, to give another example, is a truly slow, character-driven series. He spends a lot of time developing the detectives rather than investigating the crimes, and this is positive for the development of the plot. That's part of its success.
The SunsetxVibes script is written by four scriptwriters, two of them very experienced in writing, who have the main voice, and are helped by two young scriptwriters to come up with fresh, innovative ideas. Puwadon Naosopa, the same author and director of 'Big Dragon', and Somchai Tidsanawoot, known for writing several highly popular series, such as 'Lovely Writer', 'Hidden Agenda' and 'I Feel You Linger in the Air', are the main writers. All of them are in charge of adapting a web novel of the same name, also very popular, written by Rosesarin. In other words, your steps from the beginning are safe.
We base our criteria on subjectivity and intellectual tools to analyze the work as art, technique and means of communication, to analyze the work to appreciate its narrative and language, to value the work from an objective point of view, and to value the work from the viewer's own opinion, among other aspects.

What pain! When will I see these four guys again in another series? Yes, I'm not just talking about Gemini and Fourth, who have confirmed to me that they are good actors and my love for them. I am also referring to Chokun Puttipong Jitbut and Pahn Pathitta Pornchumroenrut, who play Half and Mudmme, respectively.
Mudmee running after the car because she thinks that Half may be cheating on her with another woman, after her two friends reinforced her doubts by filling her head with negative ideas, is consistent with the premise of the series from minute 1 by trying to show the typical insecurities, doubts and impulsiveness of adolescents, with reckless and even reckless behavior, without thinking about the possible consequences.
Fourt's character is not far behind in this regard, and also showed both recklessness and insecurity throughout the series, related to the belief of not possessing social and academic skills.
The four reflected the strength of love and friendship.
And if we already saw the acceptance of her son's homosexuality by one mother, we will also have the acceptance by the other. Both teenagers preferred to make their mothers aware of their desire to have a life together. The series filled me up. I'm ready for the next one.

Apparently, he didn't understand the message. Express our opinion freely, but based on the truth and never issuing messages of hate and intolerance. A person must pay for the crime committed, not for the non-existent crimes that intolerant people, often false moralists, create on social networks. In the case at hand, why mix two realities, that of a rapist and that of another person who did not commit this crime, although other reprehensible ones did as well? And following the ideas: Didn't he pay his guilt before society? If he has already settled his guilt before society, who am I to continue judging and condemning him for the same crime? Wasn't my opinion about this one particular? Should we despise the series because of the presence of this individual?

When Neil regains his joy and smiles again... when Neil discovers that he has lost his stage fright and defeated the trauma caused by his brother's death... all because he is in love for the first time in his life... it will be "a machine." She is going to give herself body and soul to loving the boy who has restored peace to her soul.

Have I told you how others should think? Have I not also given my opinion freely?

The creators have rightly fueled the intrigue and mystery around Lin's dreams and his fear of entering the water.
Almost at the end, and just before the international jewelry event, the mystery behind the dreams is revealed: it is none other than to provide Lin with the idea to design the jewelry that he and his friends will send to said event. The dreams came to the aid of the interns against the possibility of not being able to present a jewel or having to resort to another that they had already submitted to another competition previously.
By the way, dreams helped Lin lose his fear of water.

Philosophical and novel themes having a science fiction background. Very good. I'm interested.

Although with an understandable small ambush, Atom's worried mother confirmed her suspicion: her son's romantic relationship with another teenager of the same sex.
What a beautiful scene in which, in addition to gaining as a viewer understanding of Atom's character and personality, we have a mother who accepts her son's homosexuality in a country where today, even after a law was approved by the Royal Parliament, of equal marriage, this law is not yet firm because several essential procedures still need to be followed, which is why it is still recognized that marriage in Thailand is only for couples of men and women, although they may have a lifelong commitment.
How beautiful it was to hear the mother ask her son's partner to support and accompany him in life! What a joy to see the mother tell Kongthrap "I'm calm now", after hearing from Atom's boyfriend: "He will always have me by his side"!
This single conversation in the series is enough to contribute to the defense of gay marriage and equality under the law on same-sex marriage. But even maybe not just equality before the law but also proper understanding of the LGBT community in Thailand. In the face of discrimination, the conversation between Atom's mother and boyfriend shows that the family can also contribute to an open-minded environment that does not degrade homosexuals as people and allows them to live equally and freely with the gender they prefer to embrace.

I try to form an image in my head in which Meguro Ren and Michieda Shunsuke, the protagonists of the Japanese version of the manga Kieta Hatsukoi, by Hinekure Wataru, appear dancing, singing and laughing at a dance at their high school as Gemini and Fourth have done. in the Thai version, and I really can't get it no matter how hard I try.

I don't know what the interest is in mixing an act of rape with another that does not amount to this execrable crime?, although, of course, it is also reprehensible.
Unlike the Dutch beach volleyball player Steven van de Velde, accused and sentenced to four years in prison for the proven sexual abuse of a 12-year-old girl in 2014, the Taiwanese actor Aaron Yan was sentenced to 7 months in prison for possession and distribution of sexual content involving a minor, six years after the events occurred. The accusations were made by internet personality Raku, Aaron Yan's boyfriend at the time, who accused him of secretly filming and leaking explicit videos of consensual intimate encounters when he was just 16 years old. Yan admitted to the court the charges brought by her ex-boyfriend.
The actor was already tried and convicted. He remains on probation for the next three years, and is free to reintegrate into society and do what he does best: act.
For now, I hope to see the beginning of the series. Only if I don't like it will I abandon it.

I completely agree with you on the subject of tastes. You may like something that I don't. But it may be that what I don't like has quality values ​​of the entire technical-artistic component above what I do like, but I don't like one of the actors or a specific performance, for example. And this makes me uncomfortable so I stop watching the series or watch it reluctantly. So would my rating or preference be correct? This happened to me with one of the series that you mention as the ones you liked. I mean 'Secret Crush On You'. I didn't like Wichai Saefan's performance as a nerdy boy. It seemed very exaggerated to me. And I was coming out of watching other series about nerdy kids, like 'The Bing Bang Theory', and these three nerdy friends from this series, especially Jim Parsons, were the best. Other people liked it. It's clear that most didn't like his performance or the series in general. Hence its rating. I have not rated it. I'm not interested in doing it. If she did, she would be low too. However, I liked his performance in 'Knock, Knock, Boys'.
On the other hand, I don't agree with you that the MDL grade reflects only a number, and that's why you shouldn't get angry. I'm not angry. I enjoy the series. And if it would be, it would be because of what is stated in this post. It could be seen as a simple rating if that number were motivated by specific elements (bad performances, terrible technical and literary script, mediocre direction, etc.). What should NOT lead to a low score should NOT ever be my own inability to understand the work and its objectives. In the case at hand, if 'First Note of Love' has a low rating, let this be a reflection of its own merits and failures, NOT because of a superficial assessment by assuming as a viewer that someone tries to convince me that pedophilia is good and It must be normalized, and look what a more ideal vehicle for this than a series about music and gay boys. I hope you understand the irony in these last words.

I love Hidamari ga Kikoeru and My Love Mix-Up.

You have cited several BL series with low ranking scores such as "First Note of Love", but those series cannot be compared with this one. This one wins Olympic gold in Paris, while those, in my humble opinion, would be the last to enter the finish line.