Chasing Dreams should Ti Lan's story from Novoland Pearl Eclipse. It is a very dark and angsty story, though I…
No, I haven’t watched it:( — maybe I will, or at least take a look at the novel, you’ve intrigued me )) . However, for example, in "The White Olive Tree", Chen Zhe Yuan plays a remarkably complex role with a dark theme, and I can say the same about Jing Yi in "Reborn" — she was great too.
Chasing Dreams should Ti Lan's story from Novoland Pearl Eclipse. It is a very dark and angsty story, though I…
CZY and Zhang Jing Yi — both of them shine in darker dramas, and they always choose really interesting projects with amazing directors ... Whether it’s social realism or something like Fated Hearts also they both handle romance beautifully too. I haven’t read the story yet, and although the director isn’t bad, he’s not exactly in the top 5 either... But I think just seeing these two together on screen will already be a treat for the eyes — let’s hope the rest follows ;))
Chasing Dreams should Ti Lan's story from Novoland Pearl Eclipse. It is a very dark and angsty story, though I…
The story seems interesting, and the two actors are among one of the the most talented young stars in the current Chinese industry.Their chemistry looks amazing.., so I can’t wait to watch it after Fated Heart :) (CZY has quite a variety of very interesting projects coming up in the future.)
hi ! Does anyone know if there’s a chance "Chasing Dreams" will come out after this project? That would be an insane back-to-back drop! :) I see that the industry is now really going all in on exploiting an artist’s hype. When an actor or a drama goes viral,
24ep. is extremely interesting — all the characters and the storyline. And it’s extremely well shown how FL is like a mountain protecting ML. An amazing couple, the best I’ve ever seen — equal and united.
What are you talking about? That is not even slightly related to the main idea of the show.
I accept your point of view and your arguments. However, I do not agree with the idea that the series does not want to show emancipation in a patriarchal context. In this sense, allow me to explain: historically a type of social organization in which men monopolize power and dictate the rules. Women had virtually no official rights: they could not participate in politics, administration, or hold high-ranking positions in the military right?
In this sense, isn’t she remarkable for holding the title of General? Were all women generals at that time? Isn’t the author showing her uniqueness in this context? This is what I would call the current subtle feminist wave, which appears in almost all series nowadays.
Regarding the other points ( 2,3,4) I mentioned, they have nothing to do with feminism (What objectives are they trying to convey through her...) but rather with her character and the arc of her story, as I believe I emphasized. And as you and I agree, even though the author wanted to align with the contemporary trend “with this feminism,” the series shows us in many ways that it is not very feminist? ex: neither the images that depict equal violence between men and women, nor the fact that it is still thanks to the man she loves that she can regain her rank as general.
In short, it’s subtle and leaves room for debate, but I also share your opinion.
What are you talking about? That is not even slightly related to the main idea of the show.
Yes, there are several messages in the series, and I can present them all from my point of view. There is also the arc of betrayals, love, and many other intrigues… But here, the main role belongs to Li Qin. What, then, is the author’s intention through this character? What objectives are they trying to convey through her journey? — (I’m sure each person has their own understanding of this.)
If you want more in-depth and detailed way, here it is: a)Feminine emancipation in a patriarchal context – This is the most important point for her. b)Resilience in the face of adversity c)The complexity of human relationships – trust, reconciliation, love, enemies versus allies d)The importance of personal identity – rediscovering her lost identity e)Critique of power structures – explored through multiple heroes, not just her
Wich General Mistress ? feminist ? i believe we don´t watch the same drama ? Fu YiXiiau has a strong will and…
The main message of the series is feminist: in short, it shows that a woman can be equal to a man through her strength, willpower, and ability to fight in an army at a time when this role was traditionally reserved for men. The author clearly aims to convey that equality can exist, even in a historical context dominated by men.
However, my previous message was intended to point out the flaw in the execution of this idea. ;)
However, I would also like to emphasize that several scenes (even those depicting torture, etc.) portray more realistically the relationships between enemies, the historical context... (which I love) This makes the series a relatively less sugar-coated work than what we would typically accept in our era.
23.Today I’m watching this episode, and it made me reflect on this topic:
General’s mistress there, general’s mistress here… Is this a package? How to become promptly general… Here, let’s be honest, everything is shown crystal clear. And of course, we watch and understand the characters’ feelings ❤️❤️(and i love the characters) , but if you look from the outside? — that’s exactly how it is: Without their bonds of love, would she have a chance to become the general in enemy territory, with no social status and no friends? And by the way, this series is not feminist at all, even though the girl is a general . . I think the main idea of this serie was to show that a woman can be a general, even in a time when it was men who ruled
So this series? The kind of “CONVICTING ABSURDITY ” that reminds you reason always loses against a good dose of relaxation. . feels like a school break between intense classes and routine: (I’m watching the series Fated Heart — it’s beautiful!) It’s cool here, I like the actors too, they’re so charming. We’ll see what comes next…
Honestly, the plot is simply superb — each character carries a tragedy 💔 hidden deep within their heart. Chen Zheyuan’s acting is brilliant🥇, down to the finest nuances🔥, and the rest of the cast is just as impressive. I couldn’t take my eyes off the screen — it’s the first time this has happened to me while watching a Chinese historical drama - For once, the plotlines are actually interesting — they keep you engaged, and every twist feels meaningful, not just decorative.(and the first time not only for the romance! lol).
What’s especially important — and truly unique — is this: usually, we hear phrases like “God of War” or “Lord of Death,” but soon those characters turn into soft teddy bears. Here, however, the protagonist stays true to himself until the end — his cruelty, rooted in the culture of that era and his own nature, remains ever-present. This gives the film a striking authenticity, making it not just entertainment but a serious work.
Luo Yunxi, for me, is the best — a truly mythological figure, the embodiment of symbolism and inner strength of Chines dramas. Meanwhile, Chen Zheyuan has now officially become the BEST PRINCE in the entire realm of Chinese dramas. 🎯👑 best female general title definitely goes to Li Qin
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Does anyone know if there’s a chance "Chasing Dreams" will come out after this project? That would be an insane back-to-back drop! :)
I see that the industry is now really going all in on exploiting an artist’s hype. When an actor or a drama goes viral,
In this sense, isn’t she remarkable for holding the title of General? Were all women generals at that time? Isn’t the author showing her uniqueness in this context? This is what I would call the current subtle feminist wave, which appears in almost all series nowadays.
Regarding the other points ( 2,3,4) I mentioned, they have nothing to do with feminism (What objectives are they trying to convey through her...) but rather with her character and the arc of her story, as I believe I emphasized. And as you and I agree, even though the author wanted to align with the contemporary trend “with this feminism,” the series shows us in many ways that it is not very feminist? ex: neither the images that depict equal violence between men and women, nor the fact that it is still thanks to the man she loves that she can regain her rank as general.
In short, it’s subtle and leaves room for debate, but I also share your opinion.
If you want more in-depth and detailed way, here it is:
a)Feminine emancipation in a patriarchal context – This is the most important point for her.
b)Resilience in the face of adversity
c)The complexity of human relationships – trust, reconciliation, love, enemies versus allies
d)The importance of personal identity – rediscovering her lost identity
e)Critique of power structures – explored through multiple heroes, not just her
However, my previous message was intended to point out the flaw in the execution of this idea. ;)
However, I would also like to emphasize that several scenes (even those depicting torture, etc.) portray more realistically the relationships between enemies, the historical context... (which I love) This makes the series a relatively less sugar-coated work than what we would typically accept in our era.
General’s mistress there, general’s mistress here… Is this a package?
How to become promptly general…
Here, let’s be honest, everything is shown crystal clear. And of course, we watch and understand the characters’ feelings ❤️❤️(and i love the characters) , but if you look from the outside? — that’s exactly how it is: Without their bonds of love, would she have a chance to become the general in enemy territory, with no social status and no friends? And by the way, this series is not feminist at all, even though the girl is a general
.
.
I think the main idea of this serie was to show that a woman can be a general, even in a time when it was men who ruled
.
feels like a school break between intense classes and routine:
(I’m watching the series Fated Heart — it’s beautiful!)
It’s cool here, I like the actors too, they’re so charming.
We’ll see what comes next…
What’s especially important — and truly unique — is this: usually, we hear phrases like “God of War” or “Lord of Death,” but soon those characters turn into soft teddy bears. Here, however, the protagonist stays true to himself until the end — his cruelty, rooted in the culture of that era and his own nature, remains ever-present. This gives the film a striking authenticity, making it not just entertainment but a serious work.
Luo Yunxi, for me, is the best — a truly mythological figure, the embodiment of symbolism and inner strength of Chines dramas. Meanwhile, Chen Zheyuan has now officially become the BEST PRINCE in the entire realm of Chinese dramas. 🎯👑 best female general title definitely goes to Li Qin