Zogitt

Standard healing drama with a very confused message

This is not how I wanted to write the review, but this is one confused puppy and I just don't feel comfortable watching it. Let's get the standard stuff out of the way.

This drama has a big ensemble cast and chock full of veteran actors. Our leads are good actors, and they are in their element. The OTP has good chemistry and there is a bit of skinship. The usual village ajummas can be loud and nosy but you roll with it. They are least of our problems.

OST is fine. Production value is par for the course. With the show set in a country town, most sets are rustic but feel lived in. Perfectly fine.

What is not fine is the conflicting messages being delivered. The basic premise is supposed to be the evil of the Korean drinking culture. This piqued my interest as this is a pet peeve of mine. I lost count the number of times writer-nim uses drunkenness as a device to either create a situation or to move the plot along. It is a miracle that more people don't get into serious trouble, especially young ladies. If this is a reflection of reality then I'm afraid . . very afraid.

Unfortunately, after watching the first few eps, I’m more confused than ever. Sure, the ML runs a clinic treating alcohol addiction and the FL shows all the sign of being an alcoholic so we have the instant connection. That's one tough meet-cute though. Their interactions are naturally fraught. We soon learn that they were each other's crush in senior high school but became estranged later on. Let’s just say the title gives the rest of the plot away.

You might think, so far so good, right? Not so fast, chingu. While the show seems to be promoting the abstinence message, it also gives us every excuse why people “would/should” drink to excess. This is not just about the FL but many people in her circle of friends and family.

Sure, we soon learn why she was hitting the bottle, but she is surrounded by enablers with drinking problem of their own. This is not just at the beginning to set the scene but went on all through the show. Every time the FL tries to be abstinent, someone will tempt her or challenge her. Hwaiting?

Heck, you would think the show is serious about this issue when one character dies from alcohol poisoning, but it never feels . . right. Their resolve seems to ebb and flow from one scene to the next. It might be lecturing us one minute but shows us people having a blast drinking the next. Yes, I know it is part of their culture, but why highlight it then? It feels so inconsistent. Is excessive drinking their sacred cow?

Once you dilute the central tenet, the show feels hollow, contrived. I was hoping the writer-nim would finally flip the narrative but we got something much less convincing. Sure, they listed all the ills, including unable to donate your organ but what's the chance of that in RL compared to the effort required to order another round of soju? Talk about low hanging fruit.

Without a strong core message, it is just another standard issue second chance story with a weak 2CP noona romance. Competent and watchable but what's the point? Very odd.

Read More

Perfectly sweet, perfectly inoffensive. Totally . . . fine

To hate this show would be like kicking a puppy. To like it would take no effort but that’s a low hanging fruit. If I was new to drama watching then I'd scored it higher and posted a page full of ❤️ but I'm too jaded and grumpy so I ended up writing a review instead. ;)

This show reminds me of several other dramas in the same genre but with the angst dialled down and the sugar level hitting WHO daily dosage level. Is that a bad thing? For some, this is their sweet spot. However, it really does nothing for the genre. To be brutally honest, it is samey and forgettable.

The writers seem to go out of their way to minimise the impact of any angsty tropes. If there was a chance of misunderstanding, then the other party would just happen to walk past to overhear the relevant conversation. If there was a hint of danger, then someone would happen to be in the vicinity just in time to defuse the situation. It is nice to be harmless but it can also be a path to extinction.

In terms of acting, the ML is playing the same nice guy which I thought was perfect in Perfect and Casual (2021). I suppose it is better to be typecasted as Mr Nice Guy than a serial killer. He is totally besotted with the FL for years and she can do no wrong. While it is great to see them get together, there is not much push-pull.

The FL is sweet and innocent. She is well casted in that role, but it is hardly a challenge either. The rest of the support cast are standard issue and I, for one, am glad that the parents are so nice and supportive. As I said before, inoffensive.

The 2CP is fine. Has a bit more kinks in their path to happiness but we know they are the 2OTP hence it is so written so it shall be done. The 3CP is more about social commentary than the pursuit of happiness. Thus, they are a bit inconsequential. Everything is . . . fine.

I would be lying if I say that I didn’t enjoy this little romance, but I would be hard pressed to recall its storyline in a few weeks’ time. It is a classic popcorn flick. It is fluffy, harmless and forgettable. That is a shame because the potential is there. The show just has no desire to push any boundaries. This is odd as the underlying storyline is all about the FL trying her best to succeed in her career.

BTW, there is a 30mins “epilogue” which is total sugar overload. It largely consisted of bonus scenes that didn’t make it to the actual release. Sweet, so very sweet.

Read More

Some shows are created great, some achieve greatness, this one needs to try harder

Let’s start with the good bits. This Show is watchable. It is not too long. It has swoon worthy moments and a bit of skinship. The ML is handsome and charismatic. The use of antique restoration is an interesting backdrop. If those statements feel a bit like faint praises that’s because while the Show does nothing drastically wrong, there is little substance to sink your teeth into.

Now let’s move on to the not-so-good bits. While the Show is watchable, the plot is tropey and uninspired. It started well enough and there are some nice plot developments early on but then it got tedious and is not helped by some loose storytelling.

There is an overarching thread about antique fraud, but it is not hard hitting at all. To be honest, it is fairly amateurish in execution. Any twists are telegraphed well in advance. Some side plots and scenes feel like busy-work as if they are drawn randomly from a shoebox of plot ideas. Can a show suffer from FOMO?

While the ML is handsome and charismatic, his role suffers towards the last 1/3 of the show. After his confession, his character becomes a bit capricious. I get that people can behave a bit “funny” when they are in love, but his portrayal is stilted and hammy. I’m inclined to blame the director for some iffy instructions. The personality shift does not sit comfortably with his style.

The FL has the feisty, street-smart girl role down pat. Unfortunately, she doesn’t have the experience nor the range yet to give her role real depth. She can smile and cry on cue, but you can sense that she is being told what to do rather than owning the role. This contributes to my next point.

I don’t ship the OTP wholeheartedly. The script would have us believe that they are madly in love, but I don’t sense a strong chemistry between them. Yes, they went through all the typical rom-com tropes, and they say all the right things, but it is not convincing. I also dislike the script’s propensity of leading the actors to the brink of confession and then pull back hard only to have the leads suffer from some misunderstanding in the next scene. All that can be avoided if their feelings are clear. Once more around that blasted mulberry bush we go. As someone who wanted to ship them, it is frustrating and unrewarding.

Speaking of CP’s. I can see the writer wants to push the opposite attracts trope so 2CP is a mismatch and tiresome to watch. Of course, they will get together in the end, the drama gods have spoken! I get more chemistry while watching dough rise.

Sometimes, a show can be lifted by a good ensemble cast but the secondary characters here are problematic. The 2ML won’t take no for an answer and is delusional. The cousin of the FL is the main troublemaker. He is not evil, but he is stupid, greedy and inept. Yet the Show paints him as a loveable rogue. Even though he does so much damage, he is always forgiven and handled with kid gloves. Most of the secondary characters are one dimensional and farmed out to actors with limited abilities. It is not a happy confluence.

The antique restoration theme is largely used as a plot device. They try to make it educational, but the titbits of information soon feel superfluous. They should put a disclaimer before the show to make sure viewers DO NOT try this at home.

Am I being harsh? Yes. I’m not mincing words because the Show is not trying to do better. You can find B grade shows that is hitting above its weight or really awful shows that should never be made. It is the crowded middle that is a quagmire for mediocre shows to sink out of sight.

I don’t believe in dismissing shows just because it doesn’t have top stars or a big budget. I have been pleasantly surprised by a number of second or even third tier productions. Nevertheless, It is a waste when you pair decent actors with a decent production and you still ended up with an insipid mishmash.

OST is serviceable. Rewatch? You jest. Peace out.

Read More

Tropey melodrama that was buoyed by the acting but hamstrung by the script

The promise of this show is old school tropey. Rich, controlling patriarch ruining his kids’ lives. Misunderstandings, forced separation, single motherhood, the works. Classic melodrama from go to whoa. Hence, I would focus on what worked and what didn’t.

What worked:
The acting: All the key actors were superb. This is a perfect vehicle to test their mettle. Many scenes were done without OST or even dialogue. It is all about projecting the longing, penned-up emotions, hatred and confusions to the viewers. It could be a challenge for some but not this ensemble. My heartstring was bow tight by the end of many episodes. Have tissues handy.

The production: It complimented the story very well. It is realistic and believable. Gritty when it should be. It does not dress everything up in glitz. In fact, a lot of the mood is set by the lighting, especially in the hospital. Shadows and lights all played a role. It was a complete package.

Direction: Good actors need a good director. When the team is firing, the scenes were off the chart. The bathroom tryst, the drunken “apology” in the FL’s hallway, the return to their hometown during his regression, and more. Each of those scenes are worthy of rewatch and classroom discussions.

The young actors: Thank goodness for them. I can’t imagine the older leads dressed up in school uniforms. The young actors pulled their weight. Well done!

The son: Finally, a child is allowed to behave naturally. There are meaningful dialogues but no wisecracking one-liners. When you pair that up with an adult voice actor trying to sound like a kid, it is cringe worthy.

No dubbing: Hallelujah! The emotional impact of this show needs that connection and expert dialogue delivery. A floating voice will ruin it.

The Script: A win and a miss. At times, it is a wonderful script and allowed the plot to play out slowly, but steadily. The story is grounded. It is not over the top. At least for a good 2/3 of the show.

What didn’t worked:
The Script: Ahh, I see, all the old tropes have taken up residency here. There is enough directorial and acting firepower to make it work but the script really developed cracks in the later half of the show. It is almost as if the weight of the tropes has overwhelmed the writer.

Case in point, the mental illness trope. It allows for some light and breezy scenes which was great fun to watch and showcased the acting of the leads. But the tone abruptly changed. Why bait us? Ditto the business shenanigans towards the end. It changed the feel and dynamics of the show. It was a plot looking for a story. There were hints of something more but it just ended up toeing the line. (see below)

The Ending: It really pains me to write this. Almost everything to do with this show was on point and then the ending happened. After 29 episodes, the show basically says, we can’t deviate from the clichés/tropes. Every loose end tied with a regulation approved knot. Yes, job done but it felt rushed, awkward and unsatisfying.

To elaborate further; Sheng Fang Ting’s story could have ended much better. Considering Sheng was portraited as driven and angst filled but not evil. He could be kind and caring. He has a hidden agenda and an axe to grind but what if the writer takes the high road, let the brothers have the private chat but instead Sheng said, “I was going to take everything away from you but you are not like father. I respect you as a man. Now we shall fight side-by-side and save OUR company.” The ML was so touched that he signed the company over to Sheng because he has the business mind and is the worthy successor. Shu Qin overheard it all as per the script but now she is even more in love with Sheng. All the elements are there. The show could have pivoted at that point. After the relentless groom, this is one little sugar pill I shall gladly accept.

Similarly, there was a lot of communication between Sheng and Shu before the wedding. All that stopped. No scenes of them talking or arguing. Sheng could have told her his past and how he suffered. She can decide if she’d forgive him. That is logical. But the trope (or censors) demanded a morality tale. Revenge might be sweet, but the price you pay is much, much worse in the end. We get that but do we want it?

The last straw was the resolution of the puzzle of the FL’s father death. It was farcical. It is the key reason for the barrier between the leads and caused multiple deaths. The whole plot was wrapped up in moments with only a deadpan voiceover about crimes and punishment. Is that it?

Elephant in the room:
The timeline: The leads broke up 7 years ago and the actors looked to be in the 30’s (they are actually in their 40's!). But the leads should be in their late 20’s (school/college/pregnancy). We seemed to have lost 10 years. It is not a deal breaker but it can pull you out of immersion.

Negative comments abound about Wallace's accent but diversity is a fact of life. Dubbing and homogeneity has a lot to answer for.

To be honest, this show was tracking a perfect 10 for the longest time but some script issues and then the ending gave me pause and it lost its shine. I would rewatch parts of it for the superb acting but not to the end, especially the ending.

Read More

A wholesome, uplifting story with just enough bite

Edit: Mea culpa. I had a brain fade while writing review 1.0 and posted it. It was not good. My bad. This is version 2.0. 🙏

On the surface, this is a sports centric youth drama. We are talking about junior soccer packed with senior high school boys. So much testosterone! ;)

I'm thankful they are a bunch of good kids. I mean that literally. Sure, there are friendship issues and bullying, but they are minor compared to the usual idol dramas. When you have a band of soccer bros, you know who have your back.

I have my doubts about the FL's role in this setting. She is a square block in a round hole. She has no teaching qualifications nor sporting prowess. She went back to her grandparents’ hometown after a nasty experience at university where she is doing her doctoral thesis. Ditto, our ML who was a star junior soccer coach came back from the UK as a dejected man. Both are ready to execute their version of lie flat.

This drama basically has 3 themes, soccer, soccer and soccer. Oops! I mean our OTP's romance, multiple healing journeys and the beautiful game. ;)

The pairing of our leads is nicely done. Their meet-cute is tropey but very effective. Thankfully, there are no second leads to muddy the water. Even then, it wasn't all smooth sailing as the ML has an ulterior motive to get close to the FL. Once they sort out their misunderstanding, we are rewarded with some nice skinship.

On the other hand, there are enough angsts in our OTP's backstory to allow the writer to inject some real-world issues like cyber bullying, mental illness, identity thief into the plot. Some might find the resolution superficial. I won't judge.

Let's be honest, this is a feel-good drama at its core, good will triumph over evil, eventually. Communication will resolve any misunderstandings, eventually. Our soccer bros will bring their A-game . . eventually. Hwaiting!

With the excitement of the recent FIFA World Cup, the timing of its release is perfect. The show doesn't try to be too technical. There is just enough talk about tactics and game play to give it some credibility. Everything is grounded. Not a hint of Shaolin Soccer anywhere. ;)

The young actors played their roles well. Their interactions give us real Band of Brothers vibe. It is uplifting and heartwarming. They made the soccer segments fun to watch.

You will cheer on the underdogs. You will appreciate the long game played by the elders. It touches on some societal issues, but only lightly. It is a relatively small world they live in. For this type of drama, that is enough.

Is it any good? It is good. Solid rather than inspired. Entertaining and brimming with empowering, feel-good messages. This series has hearts and an easy watch. There are evil in the world, but in this little corner, there is only soccer and romance. That will do.

Ultimately, this is not a big budget production. It is not perfect. We could nitpick until the referees come home, but what’s the point? We should be thankful for a few hours of uncomplicated entertainment in these times. Peace.

P.S. I noticed Ms. Yu toned down her acting and even modulated her voice in this drama. Is this part of her long term plan to transform her image? Intriguing.

Read More

In space, no one can hear you facepalm

I have finished this series and here are my final thoughts;

I don't think the ending substantially changed my views nor my rating. In the end, the show becomes an existential tearjerker. I wasn't surprised by this development but it has certainly taken plot development to infinity and beyond. The FL could have returned to Earth but they are not getting off the ISS that easily. It is a narrative mess. Is it a dream? Did the writer-nim OD on special herbs? Obviously, it is hard to diss the ending as I don't want to speak ill of the dead but it is very tempting. My original comments stands, with minor edits. Peace.

~~~ my original comments ~~~
Rather than a rambling rant I'll hit you with some salient points. Here goes;

1) While the show is billed as a rom-com, there is a disassociation. Yes, there are comedic moments but they are largely at the ML's expense. The astronauts also gets up to some whacky stuff as well. They are more cringey than funny. You can feel the show labouring to make it work and it has largely given up by mid show.

2) Taking itself seriously is a fundamental problem with this drama. If it was written as a spoof then I can excuse many issues. As it stands, there is a serious disconnect between the hyper realistic setting and a fanciful plot. So much effort is devoted to reproduction in space. Yes, the story does come full circle but is that really the whole point of a multi million dollar production?

3) The series is full of pseudo science yet it laughs in Newton's face and do whatever it needs to move the plot forward.

4) Cue The Space White Truck of Doom™. Let's be real, the ISS is designed to function for years in the most hostile environment known to human and every system is designed with fail-safe and redundancy in mind. I don't have a problem if they did something dramatic with a failed valve or some such but they face catastrophic failures on multiple fronts as soon as the ML arrives.

5) They kept referring to the morula. That is BS because it is only called a morula on day 4. In another ~24 hours it will become a blastocyst as the cells divides every 12 hours. They are still looking at the same 16 cells after days in the incubator. My head hurts.

6) While I touched on the comedic aspect, we have to talk about the elephant in the room. The ML only met the FL a few times before the launch and she is always cold and aloof. There is no hint of any chemistry/attraction. Flash forward a few days after launch and he has the biggest crush on her but why should she reciprocate? Ah, yes, finding your man sleeping with your boss can do it. So . . she has revenge sex? Once they are back on Earth, the romance does progress as expected. I can sense the writer's desperate attempt to sustain the romance.

7) Which leads us to the relationship between the various protagonist. What a mess! There are so many unrequited love, crushes and toxic relationships. That is a recipe for disaster even in a normal k-drama, let alone in a space opera.

8) Chairman Choi is a caricature. His lording over everyone is so cliché. It is painful to watch and he gets away with it.

9) The whole lottery ticket plotline is like a game of Whack-a-Mole. It kept popping up every ep. The 3 astronauts just look pathetic. The scene where they wave the ticket around outside a restaurant is beyond stupid. No words.

10) The KSA is not a quasi space police. They can't interrogate people and confine them. The ownership of the zygote is very grey. Riding roughshod with science is bad enough, very iffy about their interpretation of extraterrestrial laws.

I have a feeling this series relies on star power and CGI extravaganza to paste over narrative gaps. It's a huge gamble and they lost, big time.

Read More

Death by a thousand cuts . . with a dull scalpel

Makjang and melodramas are a staple of k-dramas. Most of the time they are well sign-posted. Once in awhile you'll stumble across a show that looks harmless on the surface but a makjang in disguise. May I present to you, Dr Cha.

At its core, this show is about the struggles of a middle-aged woman stuck in a loveless marriage, her identity and the fallout of an affair. Our FL has an epiphany after recovering from a very serious illness and wants to break free from a closeted existence. Everything is on track for several episodes. The antagonists might be circling but the expectation is that our FL will overcome.

Not so fast, my eager friends. She was soon relegated to the peripheral while the antagonist takes centre stage. I'm not saying that the FL didn't try to push back but it is as if the Show is determined to beat her down with every cliche gender stereotype and societal/familial coercion. This is not helped by the tyrannical behaviour of her husband.

While Korean audiences might tsk-tsk at the horrid husband, they are more likely to accept it as typical patriarchal behaviour. Essentially, this show is a graveyard where all the makjang tropes come to die. Caveat emptor if you stumbled across it on Netflix and thought that it is a heartfelt romance.

The fact that the bulk of the show's pacing and flow are dictated by the antagonists made it hard to watch for me. The FL's growth is stymied by one person's illogical behaviours and interference. She is trapped in a no-win situation with the weight of the world on her shoulders. It is draining and unrewarding to watch. There is no hope, just despair.

Even with all the trials and tribulations, we still get a HEA ending. The last episode is total fan service, on steroids. Everyone gets redemption. There must be a 2 for 1 offer at the wholesaler. Honestly, if you jumped in at this point, you'd never guess what happened in the first 15 episodes. Even the herd of unicorns are falling over from sugar over dose. The sentiments are rooted in traditional values, quite inoffensive and banal. The reason why Dr Cha rejected her suitor is so old fashioned that it should be delivered in a calligraphy scroll.

Having said all that, the acting of the various leads is very good. Especially Dr Seo. You end up with a love-hate relationship with his character. He steals most scenes but at the same time, his character is so unlikeable that you just want him to go away. Well done, sir! The FL is good, but she only has moments of highlight rather than a dominating presence. Sadly, Dr Roy is relegated to cameos most of the time. He should be given more screen time. What a waste.

In the end, Dr Cha is a show that will resonate strongly with some but polarising for others. It is not bad, per se. Acting and production is up there but it doesn’t work for me because I'm not the target audience and I don't agree with their world view.

This brings us to a growing concern of mine. While the Hallyu wave have netted us some amazing dramas, the pressure on the various streaming platforms to find more k-dramas is ever growing. This in turn creates a buy-first-ask-later mentality. We might end up with a constant stream of patchy but hyped dramas with little quality control. Peace out.

Read More

A healing journey disguises as a noona romance while masquerading as a sports drama

I am in two minds about this show. I keep swaying between the pros and cons.

On the one hand, it is very well written for the majority of the show. The plot keeps moving at pace and there is always something new happening on multiple fronts. There are mini cliff-hangers which keeps you wanting to see a little bit more. Misunderstandings are not allowed to fester and generally speaking, there is good communication between the leads.

Unfortunately, like many c-dramas that runs to 30+ episodes, it does flag towards the end. It is not quite a mid-show drag but you can feel the momentum draining away. The last few episodes mostly coast along rather than being propelled by some unstoppable plot. We got there at the end, and it is an ending that fans would appreciate but it is not a grand finale and feels more like a collection of footnotes.

It is clever of the writer to distribute the fan service fairly evenly once the couples are confirmed. In fact, some of the best CP moments are found around the 2/3 mark. From then on, we get dollops of skinship here and there to spice things up. It is nice and sweet but there is a lack of intensity.

In terms of acting, the ML is great and he carries the show. He is all singing and all dancing. He trained hard for the role and he is very good both as the impulsive young man as well as the maturing sports star by the end. His acting is animated as well as nuanced. On the other hand, the FL turns in a measured performance which is par for her. To be honest, I feel that she is often cast as the super competent professional who is hyper-focused on her work and her private life suffers. She has more or less given up on romance once she turned 30. Of course, her well ordered world is turned upside down when a handsome young suitor enters our noona’s life. The problem is that she can sleepwalk through such roles by now and it shows. We are also familiar with how a noona romance flows so we need more from her to lift this above the rest. Unfortunately, the show pushes too hard on the business side so she appears more often as the cool and calculating club manager and less of a romantic lead. We get a scattering of swoon worthy moments which rarely feels truly passionate.

On the other hand, the healing journeys undertaken by several of the casts, while low key are well written and rewarding to watch. They are nice character studies. There are no instant redeemption but a steady growth of the characters throughout the show. In time, they learn to deal with historical wrongs with maturity. This is gratifying to watch.

To the show's credit, the bulk of the support casts is actually quite good. The ML’s dad, Coach Zhang, Jiaojiao and Luo Nian are interesting characters in their own right. There are still the odd one dimensional characters such as the FL’s boss and her mum who are mostly there as naysayers. In the end, they did little damage, but it is distracting and repetitive.

This goes for the secondary couples as well. The Jiaojiao and Liang Tao couple is cute and has good chemistry. However, I have to wince a little when I realised that the coach has been passive/aggressive chasing Luo Nian for well over 2 years before she shows him a hint of acceptance. That’s playing the long game!

Finally, the sports aspect is very good in the beginning and engages us with the ML’s struggles. It showcases the ML’s dedication, intensity and physicality. It kept our interest for good part of the show but once again, that aspect becomes little more than window dressing later on. We get montages of “random” match play and then the final results. It moves the plot along, but you don’t sense the earlier "fight to survive" urgency anymore.

Is the show any good? Yes, it is. It is well written and well-acted on the whole but the show does peters out towards the end. The story is engaging and the noona romance is sweet. We have a decent amount of fan service and a HEA ending that will satisfy the fans. It would have been an even better show if it sprints to the finish rather than just jog past the line.

The OST is nice and I wouldn’t mind a casual rewatch.

Read More

Short and sweet fluff or two hours long ad?

When they said mini drama they meant it. It is about 2 hours total in length. I have seen it presented as 20 x 6 mins episodes or 3 longer episodes each about 42mins long.

The premise is quite straightforward. The ML knew the FL when they were younger and there was a hint of first love but they lost contact. By some cliché plot device, the ML was transported into the future and met up with the FL again and they are now both working adults. He ended up living with the FL for a while and they fell in love all over again.

The story is fairly straightforward. It has a tropey plot but there was no nasty surprises. The OTP had good chemistry and they made a cute, good looking couple. A big negative was the egregious product placements. It wasn't just the usual jar of cosmetics by the sink or drinks in the fridge. They actually wrote the ads into the script so that the actors pushed one company's products relentlessly. At one stage, the ML got a job selling the products in a shopping centre and, of course, he has to demonstrate the products and tell us all about their benefits.

On the whole, it was a harmless show with a decent plot (point deducted for all the PPL). Cute and fluffy with minimal investment in your time and emotions. Think of it as a palate cleanser between two must watch shows.

Read More

A stark contrast of two cultures

I like this show very much and a lot has to do with the first half of this series which was set in Helsinki, Finland. The snowy cityscape is very appealing. The use of local actors in key roles helps with immersion and let us know that it is not a token effort.

Whether it is the setting or the fact that the ML has been living abroad for several years made him very forthcoming in his pursuit of the FL. Similarly, FL is also surprisingly receptive when you consider most romantic c-dramas will spend a good deal of time wandering around the garden path while the leads assess and reassess their feelings. Forget about skinship, a mere accidental touch is all you'd get.

Not so here. The ML knew what he wants, and he is going for it. He taking no prisoners either. While the FL was initially hesitant, she soon fell into his warm embrace, and we have an explosion of skinship mere days after their fateful meet-cute in a snowstorm. They were hugging and kissing at every opportunity while enjoying the delights of the city.

This is so refreshing that I commented to an online friend that it feels like I'm watching a western romance. The progress is steady and meaningful. None of this endless longing and confusing double speak. We are not in Beijing anymore!

I was praying that the show will keep going down this path and they can be HEA in Finland. I'd have given this show 11/10 on the spot! Alas, this is not to be. China happens.

Yep, both leads relocate back to China after a time skip. The change in tone is stark. Gone are the carefree days of love and be loved. Now it is all about rules, status, obligations and respect.

The OTP are still madly in love, but they must hide their relationship and tread carefully. PDA quota went over a cliff. The ML puts on a mask and behave like other ML's in a typical c-drama. All hail the status quo.

It is not all bad. The relationship between the ML and his teacher was mended and it was beautifully done. There was not a dry eye in the room when the elderly gentleman passed. However, this just triggers another round of scripted role playing and more conformities.

To be honest, this was disappointing for me. I harboured hopes that this drama will dare to be different. Yes, it was that and more for 2/3 of the show but as soon as the ML arrives back in China, it was like a different show. It became a tropey Chinese drama poured from the same mould. Family issues, youthful transgression, societal obligations weighting everything down. The core is still there but you can barely see it from the tropes. If anything, the writer seems to double down on them. They really labour the teacher/disciple relationship as well. It feels like you're watching a wuxia drama rather than billiards! I guess they are trying to promote the positive aspect of Chinese cultures but it was a bit heavy handed.

The flag waving event where China won many gold medals in billiards is over the top. Huzzah!

It makes any talk of spreading the game to the masses seems farcical. It all comes down to prize money, world ranking and a creche of elite players.

Eventually, we get the HEA ending we craved. It was telling that the passing remark from the ML after 3 years in China is that he wants to be "free and easy" again. Guess where he went? ;) Is that a hidden message from the writer? It certainly rings true for me.

Acting by the leads are on point. There are so many sweet and swoon-y scenes. The tender moments felt real. I ship them unconditionally. Forget RL dating rumours, I'm waiting for the wedding invite! This makes the scenes back in China feel all the more like excess baggage.

Support cast earned their pay, but they have little to do. There are no real second leads nor secondary couples. A few minor distractions but it was the OTP's show from start to finish. There is no real antagonist either but there are angsty moments when the leads are back in China. As I mentioned before, the change in tone is stark.

I'd have given it 10/10 if it was a 20 eps run focused on their wonderful romance in Finland. The rest pulled me out of my happy place which lead to a re-evaluation of my final score. That is a shame.

I could rewatch parts of this show but I'd skip tracts as well. The OST is very good.

Read More

What do you call a show with a chaotic start, a solid middle and a jingoistic ending?

This is an odd show. It has one of the most chaotic start but also a solid middle. It then ran out of puff. Becomes really jingoistic and flag waving towards the end. There is not a lot of substance to the main plot so I won't bother to dissect it. I’ll just list some pros and cons;

Pros:
• It is angst lite. There are some family issues, business shenanigans and a hint of a love triangle but nothing life or death. There is a lot of misunderstanding early on which took many episodes to clear up. While the entanglement is a bit contrived, its resolution is surprisingly well scripted and plausible.

• There is quite a bit of swoon worthy moments once the leads are official. The skinship quota is also higher than usual and quite passionate. There are no fish lip kisses nor camera tricks.

• The acting is generally good. The leads have lots of chemistry. The FL is minx like and her growth is rewarding to watch. The ML is handsome and charismatic and he turns in a solid performance. The performance from the younger cast members are more uneven but it is par for the course.

• There is a recognisable gay support character. This came as a surprise to me because for the last couple of years all BL dramas have been shelved and male characters are decidedly masculine and unambiguous.

Cons:
• The start is chaotic and a bit silly. Lots happened but achieved very little. Too many side characters are introduced in a rush which leads to more confusion. I’m not surprise if some viewers dropped the show after the first couple of episodes.

• While the romance line is nice and sweet, the main plot is a bit thin. It is mostly tropey family problems, office politics and business shenanigans. Nothing unique nor original.

• PPL, so much PPL. They are hardly subtle. A rough count has the leads catching 4 or 5 colds just so that the cold medicine can make an appearance. Ditto various cosmetics and personal grooming aids. The scene with an electric shaver was so heavily scripted that it was laughable. This extends to a parade of new cars.

• This show reminds me of Flight to You where at times it feels like a glossy promo video for the new Chinese airliner (C-919). In this case, it is the Chinese owned global positioning satellite system called BeiDou. However, it is much more patriotic and jingoistic in this show. There is even a firebrand professor who lectures us on sacrifice for the greater good and why the world needs an alterative to GPS. This also means several characters (including the antagonists!) and related subplots are sidelined to make way for it. Your mileage will definitely differ.

This show is watchable once you get past the messy start. The romantic line is swoon worthy and the leads makes the most of it. However, the last few episodes feel out of place and the propaganda is quite heavy handed. While we got the HEA ending in the end, it feels flat to me. Peace out.

Read More

Watch a nude portrait drying is more engaging and sexier

As you would expect, the first couple of episodes were quite cute and set up the contract marriage scenario. To say the two leads are introverts is an understatement. They have low emotional intelligence and barely adequate social skills.

Contract marriage is a staple of j/k/c-dramas so it is a well worn path. There are certain expectations when we watch such a show. The journey of the OTP is never going to be easy, but it is their growing love for each other and their eventual coming together that give us the raison d’etre to watch. It is in this regard that the show left us wanting.

In terms of production and acting, they are both fine. It is up to the usual j-drama standard. The actors played their roles well enough and mostly by the book. The problem lies mostly with the script.

In essence, the writer-san want to show us a different style of marriage/relationship where the couple continue to lead independent lives and only meet up when the mood suits them. This is happening more and more with mature aged couples who have established home and a comfortable work/life routine. They don’t want to upend their lives completely just for the sake of a relationship. However, in this case, it goes beyond that, our leads just don’t know how to live with other people.

They are constantly confused about their feelings and in denial. They internalise everything and hide behind excuses even when their hearts are shouting for attention.

Misunderstanding is a given. The noble idiot card is being playing repeatedly. Almost every subplot is about failed relationship or difficult romances which undermine their house of cards. It was cute for a while, but it soon become draining and unproductive. They do get jealous when the SF/ML shows up but the effect is never consistent. Sometimes it is productive but other times they are self-destructive. Most cliché plot device that normally would bring the OTP closer together are foiled.

In the end, the lack of chemistry between the leads is the killer blow. They have the odd sweet moment but most of the time they are just awkward around each other and pushing each other away. Their relationship is just flat. The ML is a wet mop. You can’t get a rise out of him if you fill him with helium. Just about every romantic trope used is muted.

Every thread are closed with a pink bow in the last episode. Happy ending is a given. Sadly, the main love line remains anticlimactic unto the bitter end. The proposal is a damp squib and there wasn’t even a kiss to seal the deal. Of course, they live apart after they got married (sans wedding ceremony). Even when they meet up on their days off, they behave like acquaintances, polite acquaintances to be sure. There is no PDA and definitely no skinship. All the while the voiceover (FL) is telling us how much they are in love. Indeed! I’m not even going to ask if they have ever slept together. From the viewer’s point of view, there is scant reward after sitting through 10 episodes.

The Show is dull, tropey but watchable. The travelogue is nice and there are cute moments. Regrettably, the show is just not very rewarding from a viewer's perspective.

Read More

The plot zigs when I expect it to zag

I enjoyed this drama somewhat. I also feel confused and dissatisfied. These are not minor issues. Some aspects really impacted on my engagement with this show.

This is odd as I started off quite impressed. It has a fast paced, no nonsense start. Bold images and bold plots. Our leads are well matched and have good chemistry. Yes, it is tropey, no surprises there.

There is no doubt Bai Lu is the star. She is beautiful, smart, strong and . . beautiful. She is well supported by Cheng Lei as the handsome yet vulnerable ML. The production value is high. Maybe not quite S tier. One of the more notable costume dramas of 2026.

However, there seems to be a recurring problem with the script. Just when you think the plot is developing logically, it goes off kilter. It is functional, but you feel an imbalance in the Force. That's why I said it zigs instead of zags. It is hard to describe so I'll give you an example.

Princess Ling Yun of the rival Cang Bei kingdom is introduced early on disguised as a wandering male merchant. She met the ML's BFF and they developed feelings. The show builds a sweet little romance between them and then did the unthinkable.

It is a key turning point in the story, I get that, but it also feels pointless. It is a cheap trick to shock and awe us. She was portrayed as a good and resourceful person, she has a bright future ahead and they kill her off so ignominiously. They could have sub in a random barbarian prince. Job done, war starts. No emotional collateral damage.

On the flip side, I kept expecting her to show up and surprise the 2ML. She is smart enough to fake her own death. Why not? A double twist! Nope. She's dead, Jim. It won't take much to throw us a bone, dear writer. You are off my Xmas card list.

Unrelated, the FL suffers from PTSD. She has very vivid hallucinations after the events surrounding the Li Mountain Academy. I get that, but the show is inconsistent. It can go from mild to extreme. This creates uncertainty as we can never be sure if someone she sees is real or a fragment of her imagination.

Speaking of the Academy, that is a very sad and impactful twist. However, once the dust settled, it opens up a Pandora's box. By the show's own reckoning, the FL was only 14/15 when everyone in the Academy died at the same time. She buried 47(!) people with her own hands and then lived alone for 6 years! I assume she was hallucinating like crazy.

The salient point is when we see her at the start of this drama, she is ~21 years old, well-mannered and educated. Perfectly normal and well adjusted. It makes sense if she just left a loving community of scholars. Once we found out the truth, it felt askew and unsettling. Makes me question a lot of what went before. The drama just steamrolled through bumps in the narrative without a care.

Like all things, the end cometh. It was a bit draggy and they cheap out on the epic final battle. We got the breathless messenger rushing fore to declare the ML has won the battle. Huzzah! Thanks for taking a couple of eps to hype it up. The fight scene in the palace courtyard did partially compensate for it.

If I'm honest, the last ep is a letdown. I don't know how they did it, but they managed make an happy ending feel depressing. It is uncanny. They even give us a lecture on good governance in the dying minutes. How romantic? Nothing surprised me anymore.

Ok, before I conclude this, let's talk about the elephant in the room. While the romance between our leads is swoon-y and the foundation of this show, there is no intimacy. There are the odd hugs, lots of loving gazes and whispers of sweet nothing. Yet, not one kiss in 40 eps! Is there a no-kiss clause in their contract?

It got to the point when even the writer is making fun of their situation. She put together one whole EP where the sole aim is to get the FL pregnant. I kid you not. The ML's sister got so desperate she fed him aphrodisiac!

We then watch our OTP walking hand-in-hand into the night while the FL said (and I paraphrase), "let's just do it." Have they not consummate their marriage after all this time?! Why? I have no clue. Are they really that naïve?

In the end, I have mixed feelings about this series. When it is good, it is very watchable. Then the plot turns into an Ouroboros. I'm still not sure how a drama of this calibre ends up in this half baked twilight zone. I am perplexed. Peace.

Read More

J-pop Rulez!

It was a challenge to write this review. Not because it is meh. Quite the contrary, when it is good, it is amazing! However, in the cold lights of a post-concert low, you do notice issues. In that sense, it is . . uneven.

Firstly, the acting of our ML! While he is always good and dependable in his dramas, he is next level in this. He is the heart and soul of this series. Period. ;)

This is also where the phrase double edged sword takes on some significance.

With such a strong ML, there is little room for the other actors to showcase their acting chops. Not that they did a bad job. Each have their moments in the sun (or rain, for that matter). Yet they pale when Takeru-san is shining so brightly. He is also the executive producer. No pressure.

Secondly, the music! Any fans of j-pop, progressive rock and even jazz will rejoice. It is a roller coaster ride from start to finish. It runs the gamut from mega live concert to impromptu recital in a music store. While the actors are not professional musicians, they trained and practiced really hard for their roles and it shows. Add a bit of movie magic and voila! Awesome, believable performances. Salut! J-pop deserves a chance to blossom.

However, it does cut both ways. If you are not into the music, then this show will be opaque to you. You can still watch it as a fan of the star, but it will be a challenge to enjoy it to the fullest.

Thirdly, the script! Oh, what a glorious mess! There is an overarching plot of sorts. It mostly makes sense. It also reserves the right to do whatever it wants to move the plot along and take detours. There are the prerequisite angst, a dollop of romance and low-key family feud. In that regard, it has a hint of a mockumentary. It is a journey, for sure. There is much healing and growth in the characters. Just don't ask too many questions. The lows will come. Enjoy the highs while you can. ;)

Fourthly, the characters! This is a Pandora's box. Some characters have depth you can drown in, yet others are nothing more than one dimensional archetype. I don't want to pull each character apart because I'm not writing a doctoral thesis. ;) Every character is flawed. Some do feel a bit self-serving though.

My one real gripe is the nasty producer. He is portrayed as a megalomaniac star maker. You can almost imagine him waking up each morning chanting "if I can't control you, I'll destroy you!!!". Consider the industry they are in, and horror stories of exploitations. It feels oddly sanitized.

Lastly, the production! Wow! Just wow! Sure, there are some rough edges but where it counts, this show delivers! The direction, cinematography and staging should be studied in relevant courses. Performing on a moving boat is a challenge at the best of time, but on a wine dark sea?

The final concert is chef kiss! They have 5000 jumping and screaming extras! Even if all of them are volunteers, the logistics is still mind blowing. This is on top of sundry location and studio shots, both of performances as well as "regular" dramatic scenes. Many behind-the-scenes staff needs to take a bow. Bravo!

To be honest, I'm still a little giddy from watching the finale last night. I know the show is not perfect. Every time I try to recall some mental note I made on an issue, my mind is swamped by an earworm tune, and the afterglow of their performance.

Not to worry. I would be nitpicking anyway and we can’t have that! ;)

Read More

Is black romance a genre?

To say that this series sailed under my radar is the understatement of the century. It was released in 2021 but I have, hand on heart, never heard of it until a friend recommended to me. Cheers, @Nelly. :)

This show hits well above its own weight. It does not compute if you look at it clinically. It is a short form drama. 8x20mins. It is closer to movie length once you top and tail the intro/outros. The production value is passable but you know it is made with a small budget. No fancy costumes or CGI anywhere. Nondescript locations adds to the . . rustic charm. You can forget about handsome idols or traffic stars. Heck, they probably have to pack their own lunch from home. ;)

On top of that, the A-plot is about as non-PC as you can get! It is loaded with triggers and very questionable moral values. Which brings us to the obvious question. How did this series ever passed the Chinese censorship?! The only other one that came to mind is Rock it, Mom! If anything, this show is darker. 

The series certainly does not mince words when it present us with the dire situations our leads are in. One no longer wants to live (as compared to wanting to die) while the other survives on a razer's edge. Both are so damaged that they consider their continued existence as some kind of cruel joke if not outright curse. That is until their paths collided one fateful night.

I am not going to give away the plot as it is not exactly original although there are some nice twist early on. The writer managed to give the story a strong beating heart and a delicate soul. It is a rough ride and a tough watch. I'm serious when I said that this drama is full of triggers. The underbelly of this dramaverse is as black as coal. You have been warned.

Thankfully, our young leads gave us their all. It could have been an idol drama of little consequence but I'm thankful that we are spared that fate. With such a short run time, the pace is fast and almost breathless at times. Nevertheless, it managed to slow down at key moments so that we can take a breath and empathise with our leads as their perspective starts to change under each other's influence. Imperceptible at first but with gathering pace as their lives become more entwined. Their growth is surprisingly organic. You knew what is on the card but when it happened your heart sings as you give thanks to the writer. Who needs corny expositions when the storytelling is on point.

To be honest, this doesn't feel like a c-drama. It could have been a t-drama or an indie project from a Nordic country. It might be a bit rough around the edges but that's part of its charm. I salute the production team. Just getting it made and pass censorship is already an achievement. It has earned a place on my rewatch list. Peace.

Read More