Zogitt

Great start, nice middle, disappointing tail

This Show’s premise is hardly original. The FL is a sweet, kind country girl who was thrust into the limelight and more or less onto the lap of a hard as nails CEO. Of course, the enemy to lover progression is guaranteed. What set this Show apart is the chemistry of the leads. Their early interactions are a bit slapstick in nature and their comedic timing is good. They are so cute together which makes it easy to ship them. The melting of the ice king is a delight to watch if somewhat predictable. The innocent yet strong FL easily endeared herself to us.

The story is angst light for the most part. The support cast is not bad. The grandpa is all-seeing and sage like. The gaggle of company secretaries is largely used for light comedic relieve but they are surprisingly effective in that role. They are also the primary cheerleaders for our OTP. The 2CP has a rougher romantic journey and their meet-cute is good but it also included a big plot hole that is never explained. The antagonists are one dimensional and more irritating than dangerous. It provides just enough distraction to reduce the sugar content below WHO standard.

To be honest, I was pleasantly surprised by this show as it tells a simple story well and everything just clicks in the early to mid stages. The romance is the primary focus, and the leads are interesting enough for us to care for them. It will not win any awards but it is definitely better than the typical turn-key productions.

Much to my chagrin, the Show seems to have lost its way towards the end. It is kind of functional but in my eyes, it is shambolic and dubious in its delivery. Trouble started soon after we find out that the younger brother isn’t actually in love with the FL. I'm glad that they didn't throw in the ubiquitous breakup, but we are not out of the woods.

The problem starts to pile up once he decided to really go rogue and try to take over the company by backstabbing all and sundry. We'd have a decent chance to resolve the brothers' problem calmly and logically but the Show just went all in.

Once the escalation starts, the narrative logic starts to unravel. This is not helped by the one-note behaviour of the antagonists. The SFL is single-minded and immature. The business rival is a joke. The uncle is an annoying bit player and so one dimensional. There is no growth in any of the second tier characters.

Awkawrdly, the grandpa just sat back and look on disapprovingly. He should have some reserve power both as the chairman of the corporation as well as the head of the clan. He did the talk but not the walk. It is a very unusual turn of event for a head of a family/business in a c-drama.

Then so much time is wasted on looking for a cure of his condition. Most of those scenes are just paddings. I had to rewatch bits when he said that the FL has cured him. How? I didn't see her doing anything substantial. I watched that scene twice. All he said was that he needed to know that he won't be abandoned again. QED, the FL is the cure. Hmmm, the grandpa didn't abandon him and his brother is his shadow. I am baffled. Not to mention that it is not even psychobabble grade stuff. It is more like a minor lightbulb moment. Is that it? Is it true love or the sex? My PhD is riding on this thesis.

To add salt to the injury, the final boardroom showdown is so contrived and jokingly undramatic. The younger brother then just ran home and sulk. That’s one heck of an evil mastermind.

The whole segment about the visting master is largely filler. It is a bit of fan service and it would have worked better if they ejected the back-stabbing brother subplot and kept the narrative light and breezy. Then it would be some harmless, irrelevant fun. Now it is a bit cringey and awkward to be honest. The brother going with the master as his new student isn't a big surprise because that does round out his surprise visit and starts the brother’s redemption arc. The problem I have is the inconsistency in the narrative. The first scene, after a 3 years’ time skip, is the brother being a dick and won't help a girl in the village. Why? Then the next scene he is now the nicest “barefoot” doctor saving the same girl’s life. My head is spinning. Is he good or bad?
It is as if the writer couldn't put up a decent ending for the show and it got worked on by a committee, resulting in many drafts and more revisions. The last few episodes just feel kooky and shambolic. I was really enjoying the show for the most part but I ended up being disappointed in the end. Why does that sounds like a c-drama curse?

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Ordinary show about ordinary people suffering extraordinarily

Sea change and tree change are popular themes of recent dramas. Lying flat is now popular amongst the young as a way of escaping the rat race. I assume the writer-nim wanted to explore these themes and Summer Strike was born.

The combination of those two themes can lead to some interesting scenarios but the writer/director tried too hard to break from the clichés by making the Show gritty and true to life. It meant that we are presented with a parade of difficult, belligerent characters who lives in a dull and rundown seaside village. Add physical/domestic violence, bullying, murders and all manners of societal ills and we have a place that tourists will choose to avoid. Yes, as the show progresses, some of the locals will show their true colours and they are not a bad bunch but most of them are still taciturn.

So rather than the show hooking us with fun in the sun, we ended up with a morbid fascination on how low can the FL go. Of course, it will not hit rock bottom, this is not Eve after all, but the first few episodes are not recommended viewing for anyone suffering from depressions. Even after the FL’s life start to turn around and she made new friends in the village, the focus simply moved to the complicated lives of the villagers. There are not a lot of unicorns frolicking around that village, that's for sure. There are certainly progress amongst the melodramas, but it is a mixed bag of pros and cons.

Typical of this type of shows, there is a turning point where the writer-nim realised that they have gone far enough with the pain and suffering and needs a way out. While she did a decent job turning the ship around, the resolution seems contrived and expeditious. The FL is once again the key to unravelling a years old mystery.

The last episode is pure fan service with the writer-nim regaling us with the theme of the show. The unicorns are finally let out and they milled around uncertainly for quite awhile. This is because the way the Show handles relationship is very ambiguous. The OTP is obviously attracted to each other, but we get the BFF vibe most of the time. It was literally in the dying minute of the Show when we get the confirmation that they have finally move up a pay grade. Even then, there is next to no skinship. The relationship between the librarian and the shopkeeper with the cute son is even more muddled. The SFL pointedly asked him several times whether she should move to Seoul, and he kept deflecting it or resorted to the “Go! Go! See if I care” cliché replies. Why? It was painful to watch the poor man suffer. Surprisingly, it is the senior high schooler couple who is much more forthright with their relationship. It isn’t smooth sailing for them neither (nothing in this show is ever easy) but at least we know where they stand.

There are some high impact and emotional scenes which the actors did well enough. It is the more mundane scenes that I find lack energy. Both the leads are trying to keep a low profile in the community which didn’t help the energy level whatsoever. The ML is very handsome, and he can certainly act cute but I find him a bit stiff when it comes to really emotional scenes.
The OST is unobtrusive to the point that I can’t recall any of the tunes. It is a one-time watch for me.

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Inoffensive Chinese Mills and Boon

With 16, 25mins episodes there is not a lot of air-time to play with. The issue here is not the length of the show but the number of tropes and clichés the writer tries to stuff into the script. It is a cookie cutter show with the lot.

Being a rom-com to its core, we are served a smorgasbord of romances. The OTP is preordained from the first minutes. The main plot then focuses on the inability of the ML to confess to the FL. It is frustrating to watch as EVERYONE knows he loves her and tries to help. Nobody is working against them, other than the ML’s inner demons. After drunken kisses, aborted confessions and many other tropey tell-tales, we only get the true confession at the end of ep.12. I rate this 1 "sigh of relief" out of 10.

The 2OTP is the typical noona romance with the obligatory drunken tryst and birthing a super clingy 2ML. The 3OTP is only there to park the SFL somewhere out of the OTP’s way. They all have their CP moments. Sometimes they are cute and occasionally swoon-y. Their progress is on rails and their chemistry is questionable. I’m too jaded to ship them unreservedly.
The token antagonist is one-note and transparent. He appears when the Show needed a bit of angst, advanced the plot and promptly exits stage right. The trials of the ML's shop are unrealistic. If they are the #1 dessert shop in the city, I’ll return my mail-order MBA. ;)

On the positive side, I do like how the ML creates desserts that mirrors his feelings. The young kid is cute and not in your face which I’m eternally grateful. He has some of the better scenes.

Another “positive” is how inoffensive the Show is, but this is a double-edged sword. For instance, there is a SML who might have spiced things up, but he is rejected offhand by the FL. He took it on his chin and is SO understanding. No fuss, no try-harder. This means the whole subplot is a non-event and the SML is instantly forgettable. Ditto the FL’s parents. OMG, they are so sweet and understanding! Yes, they get excited once in a while and can be a little shouty but when the crunch comes, they are saints. Not a whiff of drama from that quarter. I’m getting a tooth decay just typing this paragraph. ;)

As you can imagine, the budget for the Show is limited and it shows. The production value is ok but feels a bit bland. There are only a handful of sets, and they get a workout. OST is ok but they pump up the volume on the love songs as soon as a hint of romance is on screen.

Acting ranges from amateurish to workmanlike. Nothing offensive but no breakouts either.

I was once in a walking tour of Paris. We walked for hours and visited many landmarks. However, we were not allowed to go inside any of them. We got the iconic photos of the Notre Dame and more. It was all about the facades and ticking boxes. Would I do it again? Non, merci. This is how I feel after watching this show. Peace out.

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Pantomime, Korean style

From time to time, I’ve made remake like “your mileage will differ” in my reviews and it applies doubly to this Show.
The reason being the Show amps up certain aspects of various genres like a pantomime. It has over the top characters, barely there plots, questionable logic and even a dose of magic/superpowers. Yes, it is a mashup that can do your head in, or it can be a lot of fun. It really depends on what you are looking for and your tolerance of this style of production.

Without spoilers, it is a fish out of water type tale with both leads finding out what life is like outside of their respective "bubbles”, and what bubbles they are! One is a superstar with a troubled upbringing and a basic distrust and distain for people while the other is a country bumkin (their words) who lives on a tiny island lost in time (the 80/90’s).

Of course, romance is a foregone conclusion once the initial push-pull is over. It is this romantic thread that tied the show together. Without it, it is just a bunch of weird subplots, standing jokes and crass humour. Because of this. the storylines and cast of characters probably will resonate much more with the local audience rather than an international one. Speaking of the cast, some of the roles are so exaggerated that they are caricatures. I’m sure the older cast members had a blast playing those roles. I almost half expecting them to break the fourth wall and give us a wink. Both leads put in solid performances.

My only real gripe (other than the overuse of toilet humour) is the application of the misunderstanding/noble idiot trope around the 2/3 mark. It was the only real angst in an otherwise swoon-y love line. It was resolved satisfactorily within a couple of episodes, but it felt heavy-handed while it runs its course.

Production and OST are both fine. Rewatch is possible but a liberal application of the skip button is probably a good idea when it comes to some of the banalities and silly side plots. The last episode is worthy of a rewatch.

In the end, it is a harmless and mostly enjoyable romp for me. Some may love and laud it while others will disagree strongly. Individual taste will be the ultimate test in this case and (wait for it....) your mileage will differ. :D

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Delicious by name, delicious by nature!

At the core of this complex drama is the relationship of three contemporary Chinese women living and working in the same city. They are around 30 years of age and well educated. They were in the same class in high school but their trajectory after school were completely different. What doesn’t change is their very closed sisterly bond.

Each FL seemed to lead a fairly stable if humdrum life. All that changed when covid-19 hit their city. It was a stroke of genius to coincide the start of the drama with a city wide lockdown. Each vignette of their lockdown life will strike a chord with most people. The enforced closeness wore down the veneer of civility and laid bare some home truths. Only then did they realised how they are all trapped in their individual life cycles.

One lead was confronted by her husband's cheating via a very public disclosure. She knew something was amiss but decided to ignore the telltale signs as a way of self preservation. Another realised the boyfriend of several years whom she has "collected" as a milestone in her successful and thoroughly planned out life was someone she doesn't really care for. The last member of the trio had to confront the societal and familial expectation of holding down a boring 9 to 5 job while being labelled a leftover woman. The pressure to get married is relentless.

This all happened very early on in the show, so I won't call this a spoiler. The rest of the show is a skillful piece of writing and acting as the trio try to find a "new" normal after the lockdown. This meant an almost complete realignment of their views and circumstances.

In terms of plot and pacing, it is a delicate dance of interweaving stories and the writer set a cracking pace. With only 20 episodes to play with and a lot of tales to tell, there is very little bloat. The lives of the three female leads pressed on ahead with scant pause for breath. The only time they slow down is when they are together, usually sharing a delicious meal or relaxing at home after work. Their conversation ebbs and flows naturally with an ease that only old friends can sustain. They knew each other so well that they don’t have to lie to each other, and they also knew when one of them is backward in coming forward. It was a joy to see how the writer used their seemingly mundane conversation to tell us their inter thoughts as well as provided a barometer of their emotional states. Some of those scenes are deliciously wicked. ;)

In terms of acting, it is very good all round. There are many characters in this drama. The leads, their ex’s, new love interests, family members, co-workers and more. Good actors filled the key roles but they are not A-listers. Even the young actress playing the daughter of one of the ML is a lively little minx. The writer gifted her with some killer dialogue, and she made the most of it.

There was no shortage of emotional scenes to test their mettle but it is not all gloom and doom. In fact, there are more genuinely funny moments than sad ones. The mood of each episode swings and changes with finesse. The FL's tackled their roles with gusto. It is cathartic to see their characters grow and heal over time.

The CP's have very good chemistry and there is a decent amount of skinship and even racy scenes. The Show did seek out its traditional rom-com root towards the end but it is a bit of fan service and I can't complain.

All in all, the show is very entertaining and rewarding but it is a thought provoking journey. It laid bare a lot of societal issues in present day China which will resonate with its target audience. Hat off to the production team for their commitment to breath life unto a challenging script. I would highly recommend this show to anyone who want something more than the artificially sweetened rom-com clones that are being mass produced right now.

P.S. You must not miss the forth wall breaking moment at the very end of the show. :) What does it signify? A sequel? That would be delicious!

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Light rom-com to bring a smile to your face

This show is the distilled essence of a rom-com packaged in neat bite size instalments. It doesn't have a convoluted plot but a reasonably fleshed out story. It covered most rom-com tropes but the fast pace doesn't allow the tropes to linger and turn sour. Twelve 15-16 minutes episodes doesn't give you a lot of time to present a story and it is light weight fluff but it never pretended to be serious drama in the first place. The story moved along at pace and the editing is tight. Not much time is wasted. The OTP has awesome chemistry, both are lovely on screen. Their confession will bring you joy, their romantic scenes are swoon worthy. Support actors are good, they did their job to move the plot along. You don't need to wear rose coloured glasses but it is pointless to compare it to a masterpiece. Judge it for what it is. All in all, totally rewatchable and it will only take you a lazy afternoon to binge the whole show. Highly recommended!

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James Bond has nothing to fear

I am confused. This series started as a kind of action comedy, but it got dark quickly. Then it yo-yos all over the place. There is a bit of romance, schoolyard drama, slapsticks and some well choreographed action sequences. This series is a jack-of-all trades but master of none.

A lot of that comes down to its setting. A prestigious school is a challenging ecosystem. We have all the standard bullying and schoolyard tropes. However, they are only half-hearted attempts. More done to show off the righteousness of the ML and his good looks. That's fine but here lies the second problem. The ML is over 30 in RL. Sure, in earlier scenes, he can just about pull off looking like a late teen. Lighting, camera angle and some filter magic helps. However, the further the show progresses, the older he looked. It really makes it hard to suspend my disbelief at times.

Then you have the spy drama. Oh boy, what dramas! I don't know what's the reputation of the Korean NIS but most of their agents seems to be incompetent or corrupt. It is not a good look. Even the good guys are not much more than cannon fodder for the slapstick routines. They are ineffective or have to be rescued by the ML. Sure, they have their moments, but it is few and far between.

However, the biggest problem for me is the antagonist. She swings between manic to evil to delusional and back again. She definitely descended into insanity towards the end, but we are told that she has been running that school for over 20 years. How is that possible? She is no educator even though she thinks she has the vision. She seems to have many “friends” in high places under her thumb but why don't they betray her when she is out of control? It can't be loyalty. Is it blackmail? Greed? She seems to get away with literal murder, yet she can feel straitjacketed at times. There is a logical gap between who she is, what she wants and how much power she appears to wield. The show seems to have a very laissez faire altitude regarding this.

If that is not enough, the school principal is a murderous thug who has been loyal to her family for 40 years. It is one thing to be a figurehead, but this is a high-profile school for the elite. You might be able to fool people for a year or two, but this is a whole generation!

If they are relying on the teachers to deliver, then I'm even more confused. Sure, the FL is conscientious, but not the majority. The head teacher is a buffoon.

Essentially, this drama is a mesh up of different genres. Plots start and run on for a bit. Just when you think you know what is going on, it would abruptly change tack. Such tonal shifts can be jarring and unsettling.

If you think the plot is messy, it overflows to the acting. It is a large ensemble but most of the roles are one dimensional. The younger actors fulfil the typical school drama roles with ease but there is little depth to their characters.

I already mentioned the NIS mob but some are seasoned actors and they are forced to clown around as the script demands it. It can be very cringey. I can't unsee the agents fighting like ahjummas.

Our leads turned in solid performances but hampered by the writing. They tried their best but it is a no-win fight. I really appreciate the ML giving us his all as this is his comeback role after enlistment. Good luck to him!

There are so many issues with the antagonist role that I kept asking how, what and why. She did her best but the script is not helping.

We finally have some clarity in the last couple of eps. This means all those mystifying subplots are tied off with pink bows. Not every resolution makes sense though. There is peace in the classroom. Enemies are now friends. The school carries on as if nothing happened, even though it went to hell and back. Punishments are dished out to our transgressors. The OTP’s romance is fated and basically on rail. It is a shame that the chemistry is weak. It is nice, yes, that's the word.

The only way I managed to sit through it all is by switching off my brain, all of it. The many plot holes, oddities and inconsistencies just sail by. It is not unwatchable but a rewatch? You jest.

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A wild ride which ends surprisingly timidly

Behind the glitz and glam of the Japanese entertainment industry there lies a dark underbelly. Host clubs have been known to use predatory practices on their female clients. Those clients can rack up huge debts in the name of supporting their favourite host. New Japanese law aims to counter this has been enacted recently.

Maybe it is this high-profile change that sow the seed of this drama. Our ML works as a host in a popular club. The amount of money being spent by "princesses" are staggering. We bear witness to some disturbing fallouts. Into this nefarious world bravely walked our FL.

Our FL is 35 years old and the pressure on her to get married is immense. She is inexperienced in love, but I won't say she is totally naïve. To be fair, she has a strict upbringing and leads a sheltered life as a teacher in a catholic girl school. Her value system is quite binary. There are not many grey areas in her life. You can imagine her discomfort when she was forced to visit a host club when one of her students became obsessed with the ML. She is totally out of her comfort zone.

What sordid tales are contained within those walls? There is an opportunity to make some hard-hitting dramas. Yet, by the halfway mark, we know there won’t be any serious exposé on the Host Club industry.

While I'm a little disappointed by the missed opportunity, I can't complain too much as the focus on our leads highlights some serious talents. Not only is our ML's appearance striking, he is also a singer and model in RL. He is perfect for the role.

Similarly, our female lead IS the meek and strait-laced teacher. She is not a particularly good teacher, yet she never gives up trying. She found a new purpose while teaching the dyslexic ML. Their growing attraction is relatable.

This drama doesn't hide the fact that the A-plot is tropey. Their meet-cute is essentially Opposite Attracts writ large. With a bonus serving of Good Girl/Bad Boy to seal the deal. Our leads projected enough sincerity to make it work.

In essence, this show looks at relationships from two opposing ends. On the one hand, we have the loveless social contract, akin to a lifetime of role playing. While on the other hand, we have pretended ones where a female engage a handsome host to live out a fantasy, billable by the minute. Neither one is ideal, but they are symptomatic of our time.

We find our FL faced with just such a stark choice. Will she accept a loveless but stable life like her mum or will she rebel? As expected, this leads to much soul searching and eventual growth for all. It is their journey we are buying into.

Is the drama perfect? Not quite. There are some minor pacing and narrative issues. However, my one real gripe is how the show bends over backwards to land the happy ending for everyone.

To wit, the show makes sure we understand the hosts are honest people just doing a job. The two timing SML plays cupid for our leads. Owner of the club is a kind, fatherly figure under his gangster facade. The FL’s old fashion, control freak of a father only wants to sing, I mean retire and be a house husband. Oprah Winfrey will be proud as the show dishes out redemptions like free trips to Australia.

The last couple of eps is a surprising wild ride. They packed some big highs and deep lows. Our leads really bring out their A-game. Their romance blossomed and then wilted. It is hardly an easy cruise to the finish.

The actual ending was a bit rushed and feels contrived. Maybe they ran out of time. At least, the writer-san didn't leave us dangling. The last scene with the FL calling out the ML for writing the word LOVE incorrectly is delicious. They then practise writing it over and over in the sand until the whole area is covered by LOVE. How poetic! Just wish there is more fan service.

In the end, I can't recommend this show unreservedly because there are caveats. If you have read this far then I implore you to sample a few eps and judge for yourself. You can do worse, chingu. Peace.

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Inception, Chinese style?

When it rains it pours. A while ago we have the BFF to Lover prize fight. Now we have the "embedded world" showdown between this drama and First Night With the Duke. There are obvious similarities but they are also quite different. Let's focus on this show for now.

Dropping a modern boy/girl into a fictitious ancient world is hardly original. Most are based on the fish out of water trope. This series is no different. If anything, this drama never lets us forget that. We are constantly reminded of the link between the worlds. The in-jokes are everywhere. When the FL asked one of the random merchants his name, the reply was NPC A. The FL names their humble abode "Male Lead's Manor". Say no more!

Sure, the FL uses all her wiliness to fit in into the script world, but she also subverts it at every opportunity. She even educates the ML in the minutiae of plot devices and the power of the god like Scriptwriter. ;)

Alright, maybe the reference to Inception is a bit loose but it is not way off base. The title is a giveaway for starters. The ML also questioned whether the FL is part of a higher level script. A story within a story, so to speak. Her present-day reality is no more real than the ancient city surrounding them. Intriguing!

This is clever writing as most shows in this genre have trouble melding the worlds once the main story arc finishes. The lead might wake up from a nap in the dying minutes of the show. S/he then magically runs into the other lead in the present and is gifted the HEA ending. It is usually rushed and contrived. In this case, the ending is sweet and rewarding, but it is consistent with the overarching main plot so there is none of the crash landing back to reality malarkey.

So, does ADWAD deliver? Other than a few minor niggles, absolutely!

The basic plots are as old as time. The cleverness comes from the bending and blending them into Weapons of Mass Diversions.

You just never know when the cliché plot devices will be turned on their heads, and be totally subverted. This is particularly true in the last few eps. When most shows are winding down, this drama shifts up a gear and doubles down on the crazies!

More than once, I sat staring at the screen wondering whether the writer has been smoking a certain type of medicinal herb. The twists come on thick and fast. We recognise them individually, but the totality left me dazed. It twists the dramaverse into a pretzel. The audacity! Did they hire Doctor Strange as a consultant?

However, I think it did trip up a little mid show. It seems to be having too much fun with one particular cliché trope and got a bit carried away. Thankfully, the writer pulled back just in time.

One other minor niggle relates to the plot about the beloved Queen. Once the historical misunderstanding was resolved, the tone changed within minutes. When you consider the ML was castigated for 20 years, it feels . . off. Let bygones be bygones. Kumbaya, anyone?

In terms of acting, our leads are in their element. The romantic Force is strong with them. There is a decent amount of skinship as well, and they feel right. The support cast earned their keep. I’m sure they had a blast making this series.

The production value is consistently high. Most sets are lush and elaborate. Special effects are of good quality. The OST is pumping. It has everything. From classics to pop to hip hop. There was a bit of imbalance in the volume level in the beginning. It was soon corrected.

This show surprised me repeatedly and in a good way. This show is very self aware and indirectly fourth wall breaking. I certainly had more than the odd chuckle. It was a struggle to decide if I should rate it higher. In the end, I have to accept that It is close to, but not perfect. Kudos to everyone involved though. Its subversive nature might cause purists to roll their eyes. I for one, give thanks for this unconventional gem. Peace.

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The tail wagged just in time

I’m not going to mince words. This show feels humdrum for most of its run. Yes, it has its moments and when the romance is in full flight it can be heart fluttering. On the other hand, it is a tedious watch for the longest time.

The old enemy to lover trope is front and centre again. The ML is charismatic, and the FL is attractive. Both are approaching middle age. They seemed to hate each other on sight but there is something unspoken just under the surface. It is a promising start. However, the apple cart starts to wobble soon enough. So much push backs! So much snarling and cattiness. This went on and on.

As soon as they accepted their destiny, the unicorns are freed and all is forgiven. I know they are making up for lost time but scene after scene of snarly exchanges cannot be unseen.

Unfortunately, as soon as it got interesting on the romance front, the side characters start to bay for attention. For instance, the teachers at school are so nosy. Village ajummas need to take note. On top of that, the head teacher is next level. His sole aim is to be a pest and get drunk after work. Any excuse will do. The fact that he is the head teacher makes it so cringey. They sucked a lot of oxygen from the A-plot.

The writer-nim also ran through all the dating tropes. Sometimes, it can feel a bit surreal watching scenes you would associate with young actors being enacted by our 40 years old leads. It can be cute but it is hit and miss.

Then we have the patriarch of both families. The FL's grandfather is a decent man but stubborn as a mule. The ML's father is an obnoxious nouveau riche who is hellbent on exacting revenge on the grandfather because of some historical slight. Our leads are the meat in the sandwich for obvious reasons.

This lead to a series of unpleasant interactions between our leads and the patriarchs. They are close to 40 yet they are treated like kids. Verbal abuse and corporal punishment is the norm. Speaking of kids, the show did devote a fair amount of time to their school yard meet-cute and flirtation. Those flashbacks are quite sweet and certainly shows up their present day counterparts.

I was feeling lukewarm by the 2/3 mark and kept putting off chasing the next episode. Given the acting of the ensemble is solid, especially the main characters, this points to some questionable writing being the culprit. I was thankful when the last two episodes dropped as they lifted the show significantly.

Those last episodes flipped the narrative. Not only a key historical grievance was resolved but it also brought the families together at a critical time.

As expected, the last episode is pure fan service and happy endings are handed out like lollies. I won’t complain. The reward at the end made the time sink bearable. That will do. Peace.

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Oh Mighty Drama gods, give me strength

This Show starts with a bang. We have murders, chases, fights and the ubiquitous death-defying escape. It is certainly a rollercoaster ride. If the first couple of episodes didn’t hook you then you are watching the wrong show.

We are introduced to intrigues both at the imperial court as well as on a personal level. The interplay between the leads is certainly a highlight. There is obvious attraction between them, and they spend the bulk of the Show exploring their feelings and dancing around each other, searching for clarity.

The problem here is that they really stick to the Joseon rules. Most pairing of the upper class is just a power game between dynastic families. Courting is a minefield and love has little to do with it, unless you count forbidden love which is theme du jour of so many historical dramas. This means the ML can only long for the FL but he is not allowed to express his true feelings. On the other hand, even if the FL confessed her love for him, she would need a miracle to see it to fruition. This is an impasse that dragged on for too long in this show. It might be historically “accurate” (heck, that didn’t stop other dramas from turning up the skinship dial) but as viewers, we are left dangling and more than a little frustrated. We waited and waited but there is little reward for our patience. Consider we didn’t get any fan service until the literal dying minute of the Show. It is very poor return for our dedication.

To be honest, the Show is too slow. I can accept the need to build up the mystery and allow time for all the clues to be found and the puzzle pieces to fall into place. The issue is that we are also watching from the sideline, and we can see the bigger picture. So, while our protagonists are expounding their nascent theories and being spoon fed more clues, we are way ahead of them. Maybe we don’t have the smallest details but the overall plotline is fairly obvious to us well before the final confrontation.

This is not helped by the fact that the show is 20 episodes long instead of the usual 16. Honestly, the Show would have been better off being only 16 eps long. There are easily 4 episodes worth of filler material that can be cut with minimal impact to the narrative.

In terms of acting, the ML carries the Show on his broad shoulders. His character has more depth and he certainly has a more challenging role. The FL is good but she spent too long cross-dressed as an eunuch. While she is reasonably convincing, it does makes it hard for us to adjust when she resumes her life as a lady. Your mind yo-yo between the image of the eunnch and her normal female form.

Unfortunately, most of the antagonists are straight out of central casting. Evil officials on one side while the good ‘uns are on the other. Their roles are about as predictable as you'd expect. We do get some twist regarding a couple of key characters, but the longer runtime dilutes the impact of the revelations as we already guess their hidden identities before the official reveal.

So far so sageuk, you might say but the sting is literally in the tail. The ending of this Show is definitely the weaker link. Good guys are rewarded, and the bad ones get their just deserts. All the loose threads are tied up, so, job done, right? The complication lies in the actual delivery. It feels awkward and uneven. We got there at the end but it doesn’t feel right. I get the impression that the writer-nim struggled to make the ending work within the allotted time and resources. The ideas are there but something is lost in translation.

Other than the less than stellar ending, there is one other thing that has been bugging me for some time. Byeokcheon is the key to the main storyline. An army was dispatch from the capitol to suppress a rebellion there which kickstarts the overarching plot. However, it seems to change from a district to a town to (in the end) nothing more than a village. The show even has the people of Byeokcheon gather for a “town” meeting at one stage and they all fit inside one simple room. The scale feels wrong and inconsistent. Maybe I fail at ancient Joseon geography, but the Show’s own interpretation also seems to be somewhat rubbery.

In the end, it is watchable and reasonably entertaining. It could and should have been better with a tighter script and a shorter run. If you are a fan of the leads then it is a must watch and you would be well satisfied. However, there is not a lot there to warrant a rewatch for anyone else. Peace out.

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A video essay or voyeurism?

This show position itself as a romance drama with a strong “what-if” element. It is build upon the fantasy that a person can change gender spontaneously. Not via a sex change operation but an instantaneous and complete body reconfiguration including a different face.

This allows the show to post all kinds of hypothetical questions about discrimination, friendship, love and marriage of the same sex due to this sudden gender realignment. This is a double-edged sword as the fantastical and abrupt nature lessen some of its impact.

The Show then proceeded to put a number of protagonists through the spin cycle and force them to confront their changed circumstances. The most obvious is what will you do if your wife becomes a man, or your best mate is now an attractive woman. The bulk of the show is basically an exploration of these questions and its ramifications.

In many cases, this is what the LGBTQ+ community is confronted with on a daily basis so while the Show is set up to address a hypothetical gender change, it is really more about the LGBTQ+ community’s interaction within itself and with the larger society as a whole.

Even though the Show is not overly preachy, it can feel like the questions are asked just so that we can hear the answers from the coalface. While the informative aspect is laudable, there are many conversations and it can be a bit repetitive with the views seesawing back and fore.

It is no surprise that our protagonists all found love or at least contentment in the end. I sensed that the Show does not want to push any views too hard so for each success, we are presented with failures. This means this is largely a thought experiment. In the end, it comes down to the timeless notion of True Love Will Conquer All . . . most of the time . . . maybe.

This brings us to the voyeuristic aspect of the show. Yes, there are bed scenes involving same sex as well as straight couples. It does provide some titillation especially when it involved pairings that might be considered taboo in some societies. It is not exploitative nor egregious. You have to form your own opinion whether this is integral to the storytelling.

The Show is generally subdued in tone and the acting is solid. The fish out of water aspect does bring about some lighter moments. OST is fine.

The show is watchable but a slow burn. The ending is satisfying if predictable. Whether you find this show worth watching will depend on your expectations and reason for watching in the first place. It is a one time watch for me.
Peace out.

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The bang became a whimper

This show started as promising as you'd expect. Decent actors, interesting plot premises and genre hopping opportunities.

The Show has potential, to be sure. Different ideas worked for a few episodes and then fade away. Just when you thought this is getting interesting, it’d change tack. Case in point, the idea that magic acts were done by ghosts manipulating the props was cute and clever. That soon changed to talking about magic tricks rather than doing the deed. Similarly, several crimes were solved by communicating directly with the recently deceased. That is not new but the potential is there to create some engaging subplots and it did work for a while but that too petered out. The idea that the ghosts have their own set of rules was intriguing but towards the end, the ghost just behave like normal people. Probably the most disappointing aspect is the overarching Big Evil Spirit revenge plot which was so diminished by the end that it was more like little evil.

The Show also suffers from tonal shifts. I get that it is a rom-com at heart but it also tried to include fantasy, sageuk, crime/corruption and other social issues. A lot of the time, the impact of these themes is diminished because the show would suddenly switch to slapstick comedy or a sweet romantic scene just after a poignant moment. It does make you wonder what’s the point of the transition.

Speaking of romantic scenes, the leads do have decent chemistry but the Show swings from heavy push-pull to aegyo overload in record speed. You want it to happen but you also feel that it was not very natural. The 2OTP was a done deal and they are cute together.

The last couple of episodes were largely fan service. Most threads were closed with pink bows. I like the way they provided the ghosts closure and reward them justly. It was as sweet an ending as you could ask for but it got messy towards the end and added more plot holes. Some scenes are shoehorned in with scant logic. While some closures are heartfelt, others are farcical. The final demise of the Big Evil Spirit was a cop out.

To be fair, it is a decent, enjoyable show but it could have been better. IMHO, it felt like the writer has good ideas and they tried some out but whether it was budget constraint or difficulties in tying the various threads together, the show decided to play it safe, watered it down and fall back onto the standard rom-com tropes in the end. Am I being harsh on this Show? In a sense, yes, but not because I hated the Show. Quite to the contrary, I really liked the Show and the beginning hooked me straight away but I can also see where and how it changed over the course of the run and it wasn't for the better. The Show could have ended with a bang but, in the end, it was a sugar coated whimper.

It is not a rewatch for me. I’ll let those ghosts RIP.

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Mostly harmless college rom-com

It is actually hard to write a review for this show, not because it is particular good nor bad but it is just uninspired. An apt description would be mostly harmless. ;)
There are cute moments, a bit of skinship, the odd tears but basically, it is a lazy wet weekend type of binge. You can cook lunch while the show goes on in the background and you won't miss much.
The OTP is ok, cute enough to carry the show for the most part. Cold ML, fun FL, tick! There are even a 2OTP and a 3OTP but they are all obvious pairings. Lots of tropes are used to no great effect (nor ill effects for that matter). I don't know if the writer is inexperienced or lazy or under time pressure but there is almost no depth to the story. Everything is telegraphed and/or predictable. If someone sneezes then someone will be taking care of the sick one and that advanced their relationship to the next level, etc. A case in point, they threw in the cliché separation of the OTP towards the end of the show. Normally, if I was fully invested in the OTP/plot, I would be annoyed and rolled my eyes. However, in this case, I just sat through it and didn't really mind. It wasn't badly written and it moved the story along towards the final conclusion but it was meh for me.
In the end, the show was like a nicely packaged, clearly labelled meal with cooking instructions. ;) I finished it and "enjoyed" it in a low key, easy-peasy kind of way. Your mileage will differ.

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Hard hitting drama that punches above its weight

The start of the show is impactful and really hits you in the feels. There are so much latent angst and comments on our value system. Does winner really take it all?

This show is not for the faint of heart. There are angst and pain on multiple levels, both physical and psychological. It impacts on an individual as well as societal level when it broadens to involves organised crime.

There is a hint of Itaewon Class in this show even though the core subjects are quite different. The David vs Goliath battle is all too real. I must give credit to k-dramas for their ability to make this type of impactful drama without padding it out with meaningless tripes.

This is not an idle boast as acting, writing and direction are all top-notch. Key actors put up wonderful performances. These are demanding roles. Most of them are flawed, damaged, and hurting. The direction is great. It is effective both for the pensive scenes as well as the action scenes. This is rounded out by a script full of textures and nuances. The show’s main theme of healing is universal though. It is not hard for this drama to resonate with its audiences.

To emphasize this point, the show is full of confrontations. Both in and out of the boxing ring. There are lots of metaphors and life lessons to work through as we peel back the layers. Of course, it would be a rare k-drama to do without any romance, and this is no exception. There are several, both past and present but the one between our leads is the most poignant.

While the pacing overall is good and lively, it does slow in the last quarter. The earlier build up to the big fight seem to deflate the closer it got to the actual event. This is to be expected as the show must shift focus to address the match fixing plot. However, the resolution offered feels superficial. Consider the ML is a hapless victim for the bulk of the show, his one-man crusade completely turns the tide and supplants police investigations. It is too fantastic to be believable. Of course, that is not the end of this sorry saga. This is when the show goes all in for the impactful and explosive finale. To say the show hits you in the feels would be like calling Ali just a bruiser.

I really don’t want to spoil the last episode, so I’ll just say go watch it. However, the actual last few minutes feels a bit disjointed. It is as if the ending was changed due to reactions after test screening. Watch it and see if you agree with me and my friend, Love movies. ;)

It is only 12 eps long and it is more than worth your time. Acting, production and OST are all a cut above. Rewatch is possible but I think a highlight reel will be more palatable for me as I need to watch my blood pressure.

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