Zogitt

Don’t judge, just enjoy. :D

I remember clearly after watching the first episode I told my friend that I might have to drop it because it is a train wreck. But like witnessing an accident, there is a certain morbid fascination. I was undecided, but the show was whispering, “watch me . . . watch me . . .” So I watched the next episode and before I knew it, I binged all 4 available episodes in one sitting and I was hooked. Yes, I have the number for Drama Addicts Anonymous on speed dial. ;)

There is not much point in reviewing the show in detail because there are just so many things going on. It would be like running through a scrapbook of memes. The following comments will be general in nature with one exception.

First of all, the Show is beyond zany, it can be next level crazy at times with a mix of slapstick, sitcom and rom-com all mixed in. It is totally non-PC with more than its fair share of people behaving badly towards each other but mostly towards the ML. It was a challenge to watch the first episode because it is rude and crude but once you get to know the ensemble cast, you will start to see their better side or at least their more “normal” side. They are still offbeat and quirky but they are very human.

This bring us to the next point, the show races along at a thousand km an hour so there is a lot of gags, plots and office shenanigans that flash past each episode. Not all of them hits their mark and some are opaque due to cultural differences but when they do, they are a blast. You just have to take the hits with the misses. Once in a while, we’ll get a more contemplative scene to fill in backstories or the character's motivations. It keeps you on your toes as you never know what will happen next.

While there is a strong comedy streak running down the middle, romance is a close second. There are three pairings. The OTP who are quite cute and swoony once they fall in love. A 2OTP with the highest confession/rejection ratio known to me but hope is eternal. Finally, a surprise 3OTP that actually made my jaw drop. In a sea of same-same rom-com's, different is good. ;)

One aspect that I was both surprised and pleased about is the inclusion of a foreign actor. Like a lot of Asian countries, Korea is quite homogenous. Foreigner stands out and stands apart. If they are used in dramas, they are usually there as the token diversity with few scenes and little impact. When Aziz was introduced to us, I was thinking that he would be just another waeguk-saram who will be the butt of a few jokes and then be forgotten. I was pleasantly surprised when he was treated fairly. The show actually put up some stereotypes and then proceeded to tear them down. As the Show progressed, he was seen as insightful, knowledgeable and is given some of the better scenes. Hats off to the writer-nim and director-nim. Bravo!

Acting wise, when you first watch the Show, you would think that there is a lot of overacting. With time, you will see the nuances in their acting and the comedic timing involved in pulling off the gags. It was particularly nice to see Kwak Dong Shik getting the lead role he deserved. He definitely shows another side to his acting abilities. There is no doubt it is an ensemble show and the roster is filled with whimsical characters which allowed the actors more freedom to play their roles.

Of course, this Show is not for everyone. There are moments when I'd cringe. Their unapologetic use of crude humour can be off-putting. If you get offended easily, dislike lowbrow humour or hate slapstick comedy, then skip this show. Otherwise, give it a go. Once you get past the first couple of episodes, it might grow on you.

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Awkward rom-com saved by a heart transplant mid run

I know some of you will think that I judged this show too harshly but please allow me to explain.

For a rom-com to be good in my book, I have to care for and want to ship the OTP and the story has to be engaging. That might sound like platitude but the more rom-coms I consumed, the more I felt that this is more elusive than we take for granted. For me, Moonlight missed that mark.

On paper the OTP was a decent pairing. A cute, idealistic new grad in her first job meets a prickly but handsome writer. The issue here is that the setting was very contrived. The FL landed an editor job in a publishing house without an interview and no relevant qualifications, in Shanghai, of all places. Does that really happen in RL? We have seen all the tropey meet-cutes with the ML running over the FL on a bike or the FL trip and fell into the ML's lap with a hot drink, etc but this is the backbone of this script so it needs to be believable and plausible. Of course she overcame every challenge placed in her way. Her storyline was not exactly subtle.

The ML's story was the standard handsome, awkward, egotistical man-child. The writer also threw in a "fated" backstory just to seal the deal. I can accept cliché characters and we all know that Chinese rom-coms have more than its fair share but these were not characters endearing to me. Especially the ML who had a crush on the FL but at the same time did his best to deny this (point blank to the FL's face) and pushed her away repeatedly. Not only was it cliché but the way it was done was wearing. The ML would then pulled a face that said "what have I done?!" and I have to ask that same question too.

The pacing for the first half of the show was glacial. Nothing reached any real highs or lows. Stuff happened and sub-plots came and went. We knew where the show was heading but it just took its sweet time. Honestly, it was just as well that the leads were good looking and they could act. At least they made it bearable. Even then, I was seriously considering dropping it by the halfway mark. Then something happened around ep.19/20. At the start of that "turning point", the plot got so bad that I was having WTF moments. Then it felt like someone sat the writer down and had a "good chat" and the tone, pacing and plot just changed overnight. By the end of episode 20, it was as if a new rom-com was born with the same characters but most of what happened before was a dream.

The last few episodes were sugar sweet and tied up all the loose ends. Just about everyone had a happy ending and moved on in life, love and career. It also meant that it was quite tropey but I can accept that as reward for sitting through the first half of the show. IMHO, if they condensed the first 19 episodes, add it to the last 16 and made it a 20 episodes drama, it would be a decent and very watchable rom-com.

Moonlight wasn't bad, it just didn't resonate with me. Rather than being immersed in their budding romantic journey, I was mostly bored and a little annoyed for a good half of the show. I can't, in all honesty, score the first 19 episode a high mark but the last 16 was a solid 8.5 so in balance, it ended up being a 7.5.

On a positive note, I do like the use of the actors' real voices and ambient sounds. Dubbing can be overused in c-dramas especially if the same voice actor is used for many shows. OST was good. The FL also sang the title song. Rewatch value is low for me. 

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A witches' brew that turned into banana milk

EDIT: My original review was a little rant after watching the first 12 episodes. I have since completed the series. The following is an edited version of my original review plus my final thoughts on the last 4 eps and the Show as a whole.

I start watching this show because of Park Min-young (PMY). I loved her in Secretary Kim and Her Private Life is one of my favourites. Her more recent projects have been a mixed bag.

The first few episodes got me excited. PMY was front and centre showcasing her many talents. The zany plot looks like fun! This could be the PMY starrer I've been waiting for.

However, after the promising start, the plot became quite makjang by mid way and got more so as the show progressed.
Part of the problem is that the FL is a martyr to everyone's cause except her own. She sometimes sends the wrong message to the wrong people unintentionally. She can be very straight talking or very obtuse depending on the script. No wonder we are perplexed by the hole she is digging for herself.

Madam Yoo is an opaque and unsettling character at this point. Her concept of identity and affection is totally warped. She ruined PMY’s life 13 years ago and she seems to be doing it again. It beggars one's mind when you consider the FL is 30 years old.

The 2ML is a man-child. An entitled, low EQ, ill adjusted top star. His idea of love is a crush which turned into an obsession. His earlier actions and behaviours made him unlikeable.

Parachuting the ML’s ex-wife into this witches' brew was the last thing we need. Even after ruining their marriage, she still thinks he has feelings for her, and they deserve a second chance.

I cringed when the Show drops moments of comedy in the midst of piled on angst and horrible machinations. There is an unpleasant and dissonant note to the script.

This is my impressions up to ep.12 and I was considering dropping the show.
Then ep.13 happened.

It is like the writer-nim had an epiphany and realised that the show is heading to story hell and hit the brakes. Within the span of several scenes, the Show has flipped on its axis and gone full rom-com again.

All the funny, sweet and swoon-y bits are back in the show. Almost all the characters are realigned. I don’t mean the usual redemption arc but a full rehabilitation. Madam Yoo became a caring but eccentric lady who was just misunderstood. The 2ML became an obedient son and a top business executive without a trace of his top star baggage. The ML’s ex is now his biggest supporter with no hard feelings. The list goes on. Even the main antagonist is bundled out of the way without making a fuss. It was as if nothing nasty ever happened and no serious repercussions to all concerned.

I’m happy that the OTP’s love line remained sweet and engaging. The ML is no longer deadpan and their growing love filled us with joy. Their skinship is heartfelt and swoon worthy. It won’t be a k-drama if we didn’t have a mini breakup but it didn’t last long and both characters grew from the experience.

The FL’s gay flatmate is sensible and sensitive. Unfortunately, he usually ended up being the punching bag. What really annoyed me though is that he is not allowed to be gay openly, he is in limbo. His sisters still harangue him and his parents considered him their failure. That is until they found out that he might become an idol singer. What kind of message is that? He is still living a lie. There is potential for greater harm to befall him once he is famous.

In the end, this Show is better than Forecast Love but the Show as a whole doesn't sit comfortably with me. The tonal shift and character rehabilitation later in the show was jarring. I’m glad that I didn’t drop the show, but it did leave me with a sour taste that is only partially remedied by the last few episodes and the sweet HEA ending.

As a fan of KMY, I loved her performance but as a jaded drama viewer I am disappointed. Her recent script choices is also concerning.

While the makjang plots took half the show to develop, they literally disappeared with the snap of a finger. Those plots were troubling and uncomfortable to watch but they were there for a reason . . . I hope. Am I short changed? It is good to end on a high note, but the path there feels inelegant and forced.

The production quality is high, but the number of PPL is also high which can be irritating. OST is good. I can’t sit through the whole show again but a swoon-y highlight reel would be nice.

I have increased the show's final score. :)

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Jekyll & Hyde show that is doing my head in

To say that I'm torn about this show is an understatement. I have seldom seen a series that managed to succeed in one key area and yet screw up another. Please allow me to explain.

This series is built on two drama staples. Swoon worthy romance and the time traveling do-overs.

It nails the first with aplomb. Our leads' chemistry is undeniable and when it works, it is meltingly good. Time and again, when I start to suffer, the writer-nim would bring on the amore and we are floating on a pink cloud. . . until we crash back to earth due to the ham-fisted way the show handles the timey-wimey stuff.

The problem is not that the show tripped up on some high temporal concept but rather simple plot management. To wit, the show used weaponised time travel like a blunt instrument. Internal logic and intersecting plots be damned.

It worked ok the first go around but after each do-over, the narrative got more convoluted. It basically tied itself in knots. Did events change? Did time correct itself? Does someone know or cares?! I'm sure the writer doesn't. Forget about time traveling taboos, it was a road kill right from the start.

Another contributor to this mess is the serial killer/kidnapper subplot. How I wish k-dramas would stop using this trope, but I digress. As before, his first couple of appearances was impactful and fits within the context of the central premise. However, one of the fundamental purposes of a do-over is to change the timeline so that history does not repeat itself. In this case, the plot around the killer is more like a rubber band. It is a millstone.

It doesn't help when the antagonist is a "faceless" bogeyman. I get that he is obsessed with the FL, but the rationale is lost in the mist of plot disarray. He has a name but no backstory, no motivation for any of his actions. They shouldn't have met, or he should be in jail as each timeline changes. Then what happened to him in the 15 years since he may or may not have kidnapped the FL? Did he killed more girls or just looked for the FL all those years. What are the police doing? Watching reruns of Dr. Who?!

The antagonist finally got his just deserts in the last EP but how I wish it happened 6 eps earlier. The last EP is total fan service on steroids! It speed-run through a stack of dating tropes and it is total guilty pleasure. It compensates for some of the mid show confusions.

There is a decent amount of skinship throughout the run and they felt right. Not the most passionate I have seen but swoon-y nevertheless.

In terms of acting, it is the same split personality. I love the leads to bits, but the support cast is all over the place. The grandma is sweet. The mum is bearable. The ML's dad is a buffoon who goes for the cheap laughs. The FL's bestie and her brother are so cringy. Their roles get more and more exaggerated as the show progresses. Are they 13 or 30? I groan during some of their scenes.

The kidnapper deserves his own paragraph. He is so one dimensional. Basically, a cardboard cutout. He shows up, does the Death Stare with bonus grimace and retires to a dark corner to await his next money shot. So little effort yet so pivotal a role.

In the end, if they do a director's cut of our leads’ romantic journey, it would be 10/10. I would be a happy couch potato watching it on repeat. The rest gets a 6/10. In view of balance, the show gets an 8/10.

I can totally understand the hype and attention surrounding the show but I also get why some would defer as well. I need therapy.

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Come for the food porn and stay for the clichés

It pains me to pen this as this show starts promisingly. (Why does it sounds like a curse?) However, like our amateur attempt at cooking a soufflé, it only looks good when it comes out of the oven and then it goes flat.

Similarly, this series serves up a table full of typical dynastic/dirty business clichés but they lack impact. The bark is worse than the bite.

For instance, the central plot is a young and beautiful chef who left a famous restaurant in Japan to start her own diner in a backwater Korean town. She struggles to even pay the rent most of the time. Yet within days of the ML joining the restaurant, they became the talk of the town. When you consider the food hasn't changed one bit, it is very . . convenient.

Ditto, the whole concept of a restaurant being bootstrapped to amazeball just by repeatedly stealing other chefs' recipes is dubious. It takes a lot more than just yummy food to reach the pinnacle.

Put it another way, it would work if it is the FL's restaurant as she puts her heart and soul into it. If you just drop her dishes into a glass and chrome palace, there would be a disconnect. Dammit, you need that special sauce and backstory!

This extends to most of the other subplots. They are mostly trope du jour. The queen bee role is front and centre. While she is the puppet master and more than happy to pit her sons against each other. It feels like they are just going through the motion. Their roles are shallow. Everything is skin deep.

The same goes for the "antagonist" chef, who is also young and beautiful (where are the old crotchety ones?). She is just a pawn in the power game with little agency. Of course, she has her own redemption arc.

This lack of depth runs deep. While the noona sous chef appears to have the most interesting personality, we know so little about her. She does her job and then what? I would love to know more about her.

It is not all tepid dish water through. The romance of our leads does has its swoonworthy moments. The nuns and monks are chef's kiss. Full of wisdom and humanity. Blessed are their scenes. Same with the food porn. More chef's kisses!

BTW, the cameo by Yoo Yeon-seok is a highlight, but you can also see it as a cynical ploy to give the show a rating boost just when the storyline starts to flag. Thank you! Come again!

The final do-or-die cook-off feels contrived. When you consider the FL wasn't even cooking during the competition, what's the point? The inevitable ending arrives and we definitely have mixed feelings.

In the end, this rom-com feels like reading an old style Chinese restaurant menu. 100 dishes but nothing new. The decor is gaudy yet tired, samey. It is hardly a gourmet feast and more like Uber Eats. One time watch. Peace.

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Comfort zone ≠ safe space

It is a small space t-dramas occupy nowadays. They can't compete with mainland China for sheer volume of drama output nor their varieties. They don't have the hype/star power of the Hallyu Wave. They can’t compete with J-dramas for sheer quirkiness. T-dramas just don't have the clout to muscle into the global market so the few shows they produce each year are mostly for local consumption.

This can lead to a kind of creative stagnation. There are telltales, for instance, over reliance on certain tropes and settings. To wit, this series is set in a coastal village with its own cadre of aging villagers and urban refugees. As a counterpoint, we have the taciturn top star being exiled to the sleepy village to escape prying eyes after yet another damaging scandal.

If I am being honest, there is nothing new to the A-plot. There are minor variations, but it is a well-thumbed playbook. We knew who are the OTP and the second leads right from the start. The ML is the agent of change and the growth of the various relationships is the raison d'etre. Totally serviceable but hardly thinking outside the box.

The senior villagers are played by veteran actors, and they earned their keeps. Particularly the FL's grandmother. She is the rock that anchors the show. Everything is as it should be, and it is a solid production that made good use of their limited resources. Some of the scenic shots are picture perfect.

Puff Kuo is in her element. In fact, she has been doing similar roles for some time. Maybe she decided to leave the glam idol roles to rising starlets as she approaches middle age. Her portrayals of earnest FL's are finely honed and resonate with her audiences. The OTP has good chemistry, and we can ship them with ease.

However, I am a little disappointed with the tepid ending. When it should have been confident strides to the finish line, it felt more like a series of awkward little stumbles. We got there in the end, but it is baffling. This is particularly true for the 2CP. Every sign points to a done deal and yet they failed to launch, at least officially.

As I mentioned before, I have watched several recent t-dramas which are quite similar, and I can sense that they are in their comfort zone. They know their audiences and their preferences. What can go wrong?

That is a core issue with some t-dramas at present. They are decent shows. Well-acted by and large and skilfully made (within a limited budget) but they can feel quite introspective and hemmed in. If it is not Taipei-centric urban/business tales, it will be set in a quaint village that feels more like a travel vlog with a hefty dose of nostalgia. They are watchable, but also forgettable.

I can understand why some t-dramas have retreated to this comfort zone, but it is not a safe space. Death by a thousand cuts is still a slow death in the end. One time watch for me. Peace.

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One of the best healing/redemption dramas

Let’s get the negatives out of the way first. This Show is unabashedly sentimental. Time and again, its plots are designed to pull at our heartstrings until there is not a dry eye in the house. It is also a challenging watch as it races through all kinds of personal and societal issues. Everything from child abuse, abandonment, modern slavery, self-harm, suicide, organised crime and more. Not everything is treated equally nor resolved realistically but it is a bubbling witches’ brew. Unfortunately, most of the time, these topics are used as backstory or plot devices to propel the story forward. If you are looking for a hard-hitting, earnest drama on such topics then this is not quite it.

On the positive side, the story is well structured. It dropped you into the pit of despair but showed you the handholds to climb back out. It is all about healing and redemption. Crime and punishment is secondary. The key motifs are regrets and missed opportunities. There are flashbacks hinting at a rash decision or a slight deviation may change someone’s destiny forever.
Most characters in this show carried wounds both physical and spiritual. The unwritten charter of Team Genie is to provide someone their last chance to do what is necessary so that they can shuffle off this mortal coil without regrets. This, the show excelled.

Another positive aspect is the love line of the leads. It is definitely not a smooth ride, but it is quite realistic and swoon worthy. Rather than the typical passive damsel, the FL put up a good fight for the ML’s affection and to leave nothing to chances or misunderstandings. Bravo!

Ji Chang Wook has not scored many hits of late but I’m happy to report that he has got his mojo back. His agitated, rambling delivery and hangdog demeanour is perfect for this role. We rejoice in his growth and development as the Show progressed. Choi Soo Young might be a super idol but over the years she has amassed quite a filmography. She certainly did a good job here. The role is hardly glamourous but her acting felt natural and on point. The senior cast members more than pulled their weight and quite often stole the show. To fault the acting would be to nit-pick.

There is a lot of death and sadness on display, but the Show is fundamentally uplifting and counterbalanced the negatives with a steely resolve to do good. Amor fati!

Rewatch the whole show might be a bit challenging even if it is rewarding. The last two episodes is definitely worth a rewatch plus all the swoon-y and heart warming moments.

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Farm/tree/seachange for everyone!

There are times when only a slow burn, mellow romance will hit the spot. This show fits the bill, but it also has a minor sting in its tail. We'll talk about that later.

The first couple of episodes is manic. Two already hectic urban lives are upended by life threatening illness as well as career setbacks. A double whammy you wouldn't wish on your worst enemy. I can sense the "how low can it go" trope rearing its head already.

The daughter (YFL) finally had enough and ran away with her bestie to the sea. There she meets a handsome, helpful young man (YML) and his handsome, helpful father (OML). As luck would have it, the OML went to school with her adopted mother (OFL). There was definitely some entanglement back then.

One thing leads to another. Before we can say Tteokbokki, our female leads up sticks and moved to the small town where the male leads live. They made new friends and reconnected with old ones. They build a home and made a fresh start. Everything is going swimmingly except for the shadow of the YFL's illness.

As you'd expect, romance is definitely in the air. While there are two SFL's. They don't pose much of a threat.

The greater challenge lies in our leads sorting out their feelings and acting upon them. As per usual, this is quite a long and tortuous path. We got there in the end and everyone is happy until it is time for the YFL's operation. So much introspection and tears.

Now the sting I mentioned earlier. It is not really anything nasty but the show is unabashedly sentimental towards the end. Every trope related to relationships, found family, healing and growth are there. You might find it wholesome and sweet . . or not. I won't judge. ;)

However, the time skip in the end feels a little pointless. I see the need for the FL to heal, but it also implies nothing happen to everyone around her during the lengthy skip. Then everything rush ahead once the stasis is over. It feels quite arbitrary.

In the end, it is a pleasant watch. Several romances blossomed. The acting is good from the ensemble cast. Dr. Jung is a gem. Production value is on par. Ditto the OST. It might be too mellow and sentimental for some. Caveat emptor, chingu.

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A solid noona romance with a touch of déjà vu

If I were to blank my mind, then this is a sweet noona romance/healing drama. However, while watching it, I can't escape a sense of déjà vu as I recall another j-drama called Silent as well as Move To Heaven(Korean). Both are excellent but more focused on their main theme. I suppose good storylines are timeless. ;)

Let's start at the beginning. The FL is 10 years older than the ML, but it is not too obvious. The show doesn't call it out specifically as an issue. Most of their friends and family accepted it readily. Our leads do tease each other about it. Quite cute. This adds to their chemistry, and they don’t shy away from skinship either.

The genre bending comes from the ML being deaf since birth. He is well adjusted and does not see himself disabled. In fact, he has a particular insight into human nature which gave his character added depth. It is nice to see our FL making a big effort to integrate into his world. C’est amour, mon ami. ;)

Speaking of romance, it progresses quite quickly. Yes, the meet-cute is forthright. It would be non-PC these days. Many older movies/shows have used this trick to signify the raw attraction between the leads. For what it is worth, it gave their relationship a momentum lacking in similar dramas. In fact, the general pacing of this show is spot on.

Both leads confessed their love for each other within a relatively short span of time. No silly word games while they dance around each other. Drama gods be praised! Our OTP looked at each other intendedly as they signed their simple yet heartfelt confessions. Is it easier to confess in sign language? Interesting.

Of course, nothing is ever that simple in dramaland. We must deal with unrequited love and dark pasts. Old wounds reopened and inner demons braying for attention. Thankfully, the show doesn't weaponise the angst until we beg for mercy. We do see their pain and aggravation as the show progresses.

Acting is solid from the ensemble cast. Kudos to the actors playing deaf roles and to those who learn the sign language just for this show. The support cast is a mix bag of quirky characters so typical to j-dramas. One or two are a bit over the top but the majority are worthy inclusions.

In hindsight, this series didn't go down the rabbit hole as deeply as the other two shows and the medical side is a bit lightweight. It is still a solid presentation. Good effort by the writer-san to incorporated multiple themes into one script. I enjoyed it and I would not hesitate to recommend this to any fan of this genre

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Is black romance a genre?

To say that this series sailed under my radar is the understatement of the century. It was released in 2021 but I have, hand on heart, never heard of it until a friend recommended to me. Cheers, @Nelly. :)

This show hits well above its own weight. It does not compute if you look at it clinically. It is a short form drama. 8x20mins. It is closer to movie length once you top and tail the intro/outros. The production value is passable but you know it is made with a small budget. No fancy costumes or CGI anywhere. Nondescript locations adds to the . . rustic charm. You can forget about handsome idols or traffic stars. Heck, they probably have to pack their own lunch from home. ;)

On top of that, the A-plot is about as non-PC as you can get! It is loaded with triggers and very questionable moral values. Which brings us to the obvious question. How did this series ever passed the Chinese censorship?! The only other one that came to mind is Rock it, Mom! If anything, this show is darker. 

The series certainly does not mince words when it present us with the dire situations our leads are in. One no longer wants to live (as compared to wanting to die) while the other survives on a razer's edge. Both are so damaged that they consider their continued existence as some kind of cruel joke if not outright curse. That is until their paths collided one fateful night.

I am not going to give away the plot as it is not exactly original although there are some nice twist early on. The writer managed to give the story a strong beating heart and a delicate soul. It is a rough ride and a tough watch. I'm serious when I said that this drama is full of triggers. The underbelly of this dramaverse is as black as coal. You have been warned.

Thankfully, our young leads gave us their all. It could have been an idol drama of little consequence but I'm thankful that we are spared that fate. With such a short run time, the pace is fast and almost breathless at times. Nevertheless, it managed to slow down at key moments so that we can take a breath and empathise with our leads as their perspective starts to change under each other's influence. Imperceptible at first but with gathering pace as their lives become more entwined. Their growth is surprisingly organic. You knew what is on the card but when it happened your heart sings as you give thanks to the writer. Who needs corny expositions when the storytelling is on point.

To be honest, this doesn't feel like a c-drama. It could have been a t-drama or an indie project from a Nordic country. It might be a bit rough around the edges but that's part of its charm. I salute the production team. Just getting it made and pass censorship is already an achievement. It has earned a place on my rewatch list. Peace.

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"This is the Potato Lab. Not a soap opera!" Touché

This review is going to read a bit different. Let's start at the end. EP.12 is the best ep by far. While there are nice moments embedded in the previous 11 eps, the last EP is the real saving grace. Not that it is a gem of an episode but at least it has a purpose.

On paper, the premise is functional. The fish out of water trope is hardly new but the rustic setting is interesting. Our leads are news worthy. The ML's profile is undeniable after his lead role in Attorney Woo. He is still handsome and charismatic in this drama, but his role is totally different. He is a model of self control and icy professionalism. If I'm honest, it hamstrung his acting.

On the other hand, the FL is less well known but she has been in the industry for years including time as an idol in a girl band. She is attractive and has good chemistry with the ML. However, we have the opposite problem. She is personality overload. She dominates every scene and not always in a good way.

This yin yang setup should work a treat if the writer-nim allow the OTP to interact organically. Instead, they are placed in contrived scenarios time and again. There is no doubt who is the OTP but the amount of push backs, misunderstanding and confusion makes watching their journey very draining.

Their situation is not helped by the local community of ahjussi and ahjummas. They always show up when it is least convenient, and they are in your face. Then you have the cadre of "scientists" from the lab. I have not seen them do anything scientific. Their presentations are bumbling more than informative. They stumble from one crisis to another. Yes, they provide some comedic relief but that is because they are reduced to cliché caricatures.

If you thought the OTP failed to launch because of a vile SML then you will be disappointed. There is a SML, but he is a sad and broken man by the time we met him. He tried to interfere, but it was ineffective and largely pointless. The SFL does not interfere with the OTP but her backstory with the SML has huge impact on the FL. Yet their relationship feels contrived. It is there and we sat through their sorry tale. Alas, I felt nothing.

BTW, I’m not going to waste bandwidth on the FL’s brother and her BFF. They are the token 2CP and chew up screentime. Interactions between the various characters are wishy-washy and emotions are painted in board strokes. There are lots of tears and shouting. Lots.

The messy and inconsistent narrative makes the show hard to get into. We might get a nice swoonworthy moment and then it is pushed aside by some self-inflicted issue within minutes. Every weak joke is balanced by a cringey moment that makes you question whether they really live in an alternate universe.

In the end, everything worked out. The ending is more like nice-ever-after rather than HEA. I give thanks that I made it to the end, but I don't know why it took 12 eps to get there. A potato is still a potato. You can just watch the first and last episodes and won't miss much. Sure, it won't make much sense but then again, neither did much of the earlier episodes. At least you get the much needed fan service and "funny" moments in a neat package. Peace.

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Ode to camping and that's about it

This is an uniquely Japanese series. Consider it is based on a manga series, it explains a lot. What is not clear is why it was made into a live action adaptation. 

As it stands, it is largely an ode to solo camping and contains some useful tips and tricks. In that sense, it is a mix of infotainment and travel vlog. To be honest, I am confused about the relationship between our leads. The show doesn't need one but once it is there, it went nowhere. To wit, he is an expert solo camper so he knew every trick in the book. He "rescued" a young newbie female camper and decided to take her under his wings. She loves to cook and there are some serious food porn around the camp fire. So far so promising, I have seen worse meet-cute.

However, there is no real plot and both leads are prone to over acting, especially the FL. This is possibly due to its manga root. I have to say that she is kinda cute if you filter out the silly posing. While there is a hint of attraction, it is ambiguous. It works for a manga because it relies on your imagination but a drama is much more black and white.

At the end of the last EP, they declared that there is much more to come in their camping adventure. Is that a hint of a sequel or just wishful thinking? My unvoiced thought at that point was, "is that it?". While it is watchable and chill, I have to refer back to my original question at the start of this review.

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Unexpectedly bland

My expectation of this series is fairly low after reading the synopsis, but I didn’t expect it to be so samey and boring.

The premise of the show is the proposed marriage alliance between the princess of a smaller kingdom to the prince of an aggressive neighbouring state. Of course, there is the usual mistrust and misunderstanding. The enemy-to-lover tropey is front and centre.

There is nothing new with this set up. It has been done many times before. The problem is compounded by the cast lacking depth/skill and the script being too tropey to give the show a boost.

You soon realise the script brought little new to the table. All the usual tropes are lined up like little ducklings. It is serviceable but hardly engaging. As expected, the romance of the leads is the primary focus. Other than the usual push-pull and misunderstandings, there is not a lot to write home about. There is also an inherent problem with their characterisation. The show can do with stronger individual traits but they mostly play with a straight bat.

The typical palace intrigue and petty second leads provide the bulk of the angst. It is mostly run-of-the-mill power plays from rival princelings and their scheming wives. Similarly, the second leads are only there because the playbook said so. Our leads have nothing to fear from those quarters.

There is a 2CP but their progress is initially fraught. I know this sounds odd but there is more skinship than I expected but they are fairly wooden. There is a bit of fan service towards the end. However, the ending is oddly untidy and feels rushed.

In terms of acting, the FL did ok. Her role of a sassy princess offers few challenges. The ML mastered the nonchalant stance and the cheeky smile but he is not very convincing as a king-in-waiting.

On the other side of the ledger, the production quality is acceptable. This is hardly surprising as production companies can churn out costume dramas with ease these days. It is practically an industry. The flip side is a tedious sameness unless the production is S class. Sadly, this one sits firmly in the middle of the pack. Not only are the costumes and sets generic in look and feel, the distinction between the two kingdoms is minimal. They’d call each other barbarians but, in most aspects, they are almost identical aesthetically.

In the end, there is little to recommend this show. It is inoffensive and mildly entertaining. It is hardly a must-see unless you are a fan of the leads. It is a classic filler and I'm thankful that it is 24 and not 40 eps.

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More of the same with odd stumbles

I, like many fans, were looking forward to S2 with great expectations. It pains me to make the next statement. I like aspects of S2 but I don’t love it in totality. It improved on some bits, kept a lot of "what is not broken" but also created some new problems.

On the positive side, the ML has matured into his role even though technically no time has passed between Seasons. He does look very thin in some scenes which is concerning. He is no longer a young buck who needs rescuing all the time. The ML has become a real player in the power game. It is great to see him go toe-to-toe with his foes and even some of his mentors. The downside to this is that he is given even more screen time to the detriment of other actors. This diluting of some character interactions really hurt elements of the original story.

I’m glad to see some storylines are still engaging. However, it is not all good news. There are stumbles in the narrative that left me scratching my head. Such as the whole episode devoted to selling Treasury Bonds. It fits into the overall narrative, but it feels like the cart pushing the horse. It is odd.

This also includes the exaggerated use of comedic elements. Some actors overact for cheap laughs which feels incongruous. The worse offender is the use of the yodelling song. Why? It is so jarring.

If S1 has a big cast, S2's is downright bloated. Most of the returning characters resumed their old roles but with developing plots, there are changes. It was quite a neat revelation at the end of S1 when the 2nd prince was revealed to be the hidden antagonist. He was intriguing in S1 but now he feels a bit lame once he openly challenges the ML.

Speaking of expanded cast, Several characters from S1 took on more prominent roles. Rou Rou is definitely one of them. Her role changed substantially. However, I’m not sure about her training to use the Ultimate Weapon. Is that a breech too far?

Another one is Ye Ling Er. Gina Jin took over this role. I'm not 100% sold on her visual and the "changed" characterisation. There is even a hint of a tragic love line brewing. I'm not sure I'm onboard with this but we shall see.

As expected, the story becomes more convoluted as schemes and counter schemes are minted. This does slow down the overall pacing noticeably. The revelation of the link between Xian and the Emperor certainly stirred up a lot of high emotions and opened old wounds. Nothing was resolved by the end of S2 so it is up to the writer to tie in the game of throne plots with the underlying sci-fi theme.

Speaking of ending, I’m happy that we don't have another cliffhanger. It was surprisingly positive and even a little cheeky. Maybe this is because S3 is already in the works so we don't need to force the issue. However, the last few eps did feel a little out of sorts for me. The "invention" of a banking system and the three workshops plot feels a bit awkward. The Ming family storyline is disturbing. It feels ham-fisted though. We become numbed when the body count of faceless victims balloons.

Production quality is decent but a bit inconsistent. There are silly mistakes which should be caught in post production. I know, they must maintain continuity, but you'd think improvement would be universal after 5 years plus a bigger budget.

I certainly enjoyed the drama, but it is not a slam dunk for me. There are some striking visuals and more depth to some plots but at the same time, not every subplot fires. Ditto some roles feels watered down or sidelined. May be there are too many cooks in the kitchen. That is a typical malaise of palace/political dramas. In the end, I'm happy to have watched S2 but I'm not blown away.

Finally, the elephant in the room. There are rumbling from netizens that the adaptation is drifting further and further away from the source novel as the series progresses. I don’t have a strong opinion on this, but it could explain some of the plots, characters and pacing issues.

Bring on Season 3!

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Who said found footage doesn’t work?

I tend to watch coming-of-age dramas in bursts then I'd swear I'll never watch another one! I must be in my manic phase when I watched 3 such dramas recently . . . in a row.

Let’s focus on this show for now. Our leads are 16 years old high school students when we meet them. Typically, such shows would cover the period leading up to the all prevailing college entrance exams and some would go beyond that. This show walks the same well-trodden path. What sets this apart is a well written script that contains all the usual tropes, but it uses them rather than being subsumed by them.

On top of that, the leads played their roles well and they infused a certain warmth and je ne sais quoi to their story. The FL is in her elements. Her spunky personality and infectious smile make her so lovable. She takes no prisoners when it comes to dealing with love rivals, but she'd let her suitors down gently.

The pacing of the show is nice and steady. This is helped by a shortish 24 episodes run. There is little need for mindless filler subplots. However, I would venture to say that they probably spend too much time in their early years. Two third of the show is taken up with the first 2 years of their senior high school. The critical Gao Kao year is greatly compressed. Ditto their college years. The first year did get some attention but then it largely skips ahead to their college graduation. To be honest, I was a bit disappointed with this because their school related plots are quite constrained as some topics are simply too taboo for the censors. They can finally explore their relationship to the full after they left school.

Acting overall is solid from the ensemble cast. The 2CP is well matched but they are a bit awkward around each other until they finally confessed their feelings and change status from friends to lovers. Overall, the show is very cute and sweet. The FL's parents are gems. The ML's more problematic but they do change for the better later on.

As I mentioned before, most of the plots are well written with one exception. When the FL worked as an intern, she was taken to a banquet for a big client. The setup is the classic honey trap with the pretty young thing sitting next to the middle-aged client. Of course, he starts to get handsy. This is nothing new to c-dramas and many nasty subplots start from there. Luckily, she managed to excuse herself but her manager later sent her a text saying that she is in the wrong and should self-reflect on her mistake.

Ok, I’m not a prude but in a show full of positive messages about youths and new horizons, this stood out like a sore thumb. How can a young intern be at fault when she is a victim of harassment? Should she have seduced the client instead?! This just served to propagate the horrid cliché. I understand that it allows the ML to play hero and comes to her rescue but the payoff is not worth it, IMHO.

Nevertheless, I still consider this to be a superior show. The positives far outweigh the negatives. I can recommend this show wholeheartedly. OST is nice and catchy. Rewatch will not be a chore.

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