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Nearly Perfect Drama, but I Worry About the Writer's Childhood
Nearly every mother in Go Ahead was a nightmare, but the way the children grew, adapted, and supported one another made this a rewarding watch. GA had everything: humor, heartache, struggles, triumphs, and healing. The family relationships were everything, as they sacrificially watched out for and supported one another. Family in this context didn't necessarily mean blood, as the closest individuals weren't related at all.
I'd just watched Shine on Me with Song Wei Long in which he played an attractive, competent CEO. He didn't have to work at being attractive and that role seemed an easy one for him, but he surprised me by his portrayal of a traumatized soul. He depicted the dead-inside, long-suffering young man well. Tan Song Yun was perfect as the free-spirited Li Jian Jian; Zhang Xin Cheng did admirably as the cautious overthinker; and Tu Song Yan was superb as the kind-hearted father figure of them all.
The drama never stayed dark for overly long. Sweet moments were interspersed among the serious scenes. The children as teens had many warm, loving interactions, some of the best parts of the drama. Beyond relationships, the drama featured many of my favorite things: food, books (I've put Our Starry Starry Night by Jimmy Liao on pre-order), and children.
There were so many relatable situations and characters. I was once asked for a metaphor for my parents, and I said "a black hole." Ling Xiao made that same comparison, and I could identify with his reasoning.
It took me a long time to decide to watch GA, because it had a "Melodrama" tag, along with "Depression," "Child Abandonment," and "Mental Illness." It didn't sound like a good time! I generally avoid melodramas, but this had enough sweetness and light to balance out the heaviness. There were tears, but they were mostly good ones, and there was plenty of laughter to counteract the sad times.
I'd just watched Shine on Me with Song Wei Long in which he played an attractive, competent CEO. He didn't have to work at being attractive and that role seemed an easy one for him, but he surprised me by his portrayal of a traumatized soul. He depicted the dead-inside, long-suffering young man well. Tan Song Yun was perfect as the free-spirited Li Jian Jian; Zhang Xin Cheng did admirably as the cautious overthinker; and Tu Song Yan was superb as the kind-hearted father figure of them all.
The drama never stayed dark for overly long. Sweet moments were interspersed among the serious scenes. The children as teens had many warm, loving interactions, some of the best parts of the drama. Beyond relationships, the drama featured many of my favorite things: food, books (I've put Our Starry Starry Night by Jimmy Liao on pre-order), and children.
There were so many relatable situations and characters. I was once asked for a metaphor for my parents, and I said "a black hole." Ling Xiao made that same comparison, and I could identify with his reasoning.
It took me a long time to decide to watch GA, because it had a "Melodrama" tag, along with "Depression," "Child Abandonment," and "Mental Illness." It didn't sound like a good time! I generally avoid melodramas, but this had enough sweetness and light to balance out the heaviness. There were tears, but they were mostly good ones, and there was plenty of laughter to counteract the sad times.
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